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R.E.M. (band)

R.E.M. is a rock band formed in Athens, Georgia in 1980 by Michael Stipe (vocals), Bill Berry (drums), Peter Buck (guitar), and Mike Mills (bass). Throughout the 1980s, while signed to the independent label I.R.S., they achieved a growing cult status due mainly to Stipe's obscure (and sometimes inaudible and unintelligible) lyrics and the band's sound, most noticeably influenced by The Byrds. By the early '90s, R.E.M. was one of the world's most popular, respected, and influential bands.

The I.R.S. Years (1982-1987)

Their debut EP, Chronic Town (1982), illustrated R.E.M.'s signature musical style: jangling guitars, chords played in arpeggio, murmured vocals, and lyrics that completely avoid the standard topics of popular music - love and relationships. Their debut album, Murmur (1983), is held to be one of the best records of the 1980s. The album is stylistically unified. The jangling guitars, so prominent on Chronic Town, are used more sparingly. The melody is found in the bass notes, and the lyrics are practically indecipherable. The songs on the album blend together. Evocative words are used to create a mood instead of a narrative. The mood is grey - "Rest assured this will not last, take a turn for the worst", "martyred, misconstrued", "Not everyone can carry the weight of the world", "lies and conversation, fear". The dark mood is broken by two brighter, more hopeful songs, "Sitting Still," and "Shaking Through", marked by the return of arpeggio and jangling guitars.

R.E.M.'s second album, Reckoning (1984), explored a variety of musical styles. Song topics include cold weather, a fairy tale of brothers with magical powers and a flood, along with five laments of separation. The jangling guitars and beautiful melodies obscure the dark lyrics. The final song, "Little America," is written about driving through rural America ("another Greenville, another Magic Mart (http://www.magicmartstores.com/)"), and serves as a prelude to the Southern themes on the subsequent album.

Fables of the Reconstruction (1985) explores the mythology of the southern United States. A celebration of an eccentric individual is the subject of no less than four songs on the album ("Maps and Legends," "Life and How to Live It," "Old Man Kensey," "Wendell Gee"). "Driver 8" is a song about the scenery surrounding railroad tracks. Trains are a frequent topic of Southern music; they epitomize the freedom and promise of an escape from one's home environment. The source of the title of "Can't Get There from Here" is a curious phrase heard when asking directions in a rural area. "Kohoutek," their first song about a romantic relationship, compares the fizzled comet of 1973 to a fizzled romance. By the time this album was released, R.E.M. were critically acclaimed, and the video for "Can't Get There from Here" was played frequently on MTV. R.E.M. practically defined college rock by this time.

The next album, Lifes Rich Pageant (sic) (1986), takes its name from a Pink Panther movie ("You'll catch your death of cold!" "Yes, I probably will. But that's all part of life's rich pageant, you know."). The songs are upbeat, the tempo is fast; this is a fairly hard-rocking album. The lyrics were becoming both more intelligible and more direct, with political themes appearing more explicitly ("Begin the Begin," "Flowers of Guatemala," "Hyena"). "Cuyahoga" is about the river in Ohio that caught fire due to pollution. Ironically, the 'hit' from the album, "Superman," was a cover song that didn't appear on the original album cover. In many ways, this album marked the end of the first period in the band's history.

Document (1987) was their last album for the indie record label I.R.S., and provided their first major hit with "The One I Love," which reached No. 9 on the American pop charts. The popularity of this song of grim satisfaction over the end of an unhappy relationship was due mainly, however, to its misinterpretation as a love song. "It's the End of the World as We Know It (And I Feel Fine)" recalls the rapid-fire lyrical style of Bob Dylan's "Subterranean Homesick Blues" and can be described as pre-apocalyptic.

Dead Letter Office (1987) was a collection of B-sides and outtakes. Highlights include three Velvet Underground covers, an Aerosmith cover, an uncommissioned commercial for a barbecue restaurant in Athens, and a boozy version of "King of the Road." The CD also has the EP Chronic Town at the end. The album is described in the liner notes as "A little bit of uh-huh and a whole lot of oh-yeah." The band's early years are summarized in the compilation Eponymous, released in 1988. The compilation contains several alternative versions and mixes of songs.

Rock Superstars (1988-1996)

In 1988 R.E.M. signed to the major label Warner Brothers and released Green. This was the band's first time with heavy promotion, and they toured stadiums extensively in 1989. Some fans from the I.R.S. days complained that R.E.M. had become too commercial and that the quality of the music had decreased, but the band had now been brought to international attention. In 1990, most of R.E.M. recorded with Warren Zevon as the Hindu Love Gods.

Their next records, Out of Time (1991) and Automatic for the People (1992), were both international hits, despite the fact that R.E.M. did not tour for either album. These two critically acclaimed albums featured hit singles including "Losing My Religion," "Shiny Happy People," "Everybody Hurts," and "The Sidewinder Sleeps Tonite." Out of Time also includes emotional, contemplative tracks such as "Belong," "Half A World Away," and "Country Feedback." On Automatic, the band developed a reserved, meditative sound that took them back to their roots, and the record's 15 million copies were sold in spite of such melancholy themes as death, suicide, and sexual jealousy.

The band's 1994 release, the grunge-influenced Monster, including "What's the Frequency, Kenneth?," proved to be a crossover hit and their best selling album to date, though many critics disliked the band's foray into glam rock. The album was followed by a massive tour during which drummer Bill Berry suffered a brain hemorrhage on stage, which would eventually lead to his leaving the band. While on this tour the band recorded the album New Adventures in Hi-Fi (1996), a long, roughly produced and decidedly bleak record which featured, in the seven-minute "Leave," perhaps the band's most intense song. Other notable tracks on that record include "E-Bow the Letter" (a collaboration with the legendary Patti Smith) and the intense western-themed rock of "Low Desert." The band re-signed with Warner Brothers in 1996 for the largest recording contract advance in history: 80 million dollars for 5 albums.

R.E.M. After Berry (1997-present)

After Berry's departure, the band returned with Krautrock-influenced Up (1998), another long and reflective record, with the lead single "Daysleeper." Many tracks contained drum machines, and Peter Buck played guitar only a little. The band was no longer selling well in United States, though in Europe they stayed popular. 2001's Reveal, confirms the return to an even mellower songwriting approach, with songs such as "Imitation of Life," "All The Way To Reno (You're Gonna Be A Star)," and "She Just Wants To Be" garnering some radio play. The album gained mixed reviews. Recent R.E.M. soundtrack appearances have found them revisiting some of their earliest material, hitherto available only on live bootlegs; their single, "Bad Day" (2003), was the prototype for "It's the End of the World As We Know It (And I Feel Fine)," with some of the same lyrics. In 2004, the band returned with Around the Sun, which once again met with generally only mild critical praise. Singles from this album include "Leaving New York" and "Aftermath". R.E.M.'s Around the Sun World Tour is the first tour since the infamous Monster Tour that R.E.M. needed to cancel shows, on account of Mike Mills's flu and ear infection. "Electron Blue," the third single from the Around the Sun album, has been getting much airplay in the UK.

The Future

In a recent interview, Peter Buck said that their next album would be very different from current R.E.M., and based on the single "I'm Gonna DJ", played live on the 2004-2005 world tour, we can expect it to be another rock album, which, if successful, could possibly lead to Warner resigning R.E.M. after the two albums left on their contract. In the same interview, Michael Stipe said he has lyrics to three new songs on his cell phone and one is almost complete and may be debuted live. Currently, there have been two songs played live supposedly on the next album, rumored for a 2006 release; "I'm Gonna D.J.", the catchy rocking song with multiple guitars, and "Weatherman", played once live and then stopped due to the 'lyrics not fitting the song'. Not replacing Berry, R.E.M. are currently using drummer Bill Rieflin on Around the Sun and the tour, and his drums may help a 2006 release. R.E.M. currently are touring outside of the United States on their world tour, which is currently to end in July 2005 at the Millennium Stadium in Cardiff.

Trivia

  • The band members picked the name R.E.M. out of the dictionary. They liked the name because it was so ambiguous. They started out as Twisted Kites for the first show they played at a party, but, according to "It Crawled From the South," considered Negro Eyes, Slut Bank, and Cans of Piss before settling for R.E.M.
  • "Losing My Religion" may have been the biggest hit song that uses a mandolin as the main instrument.

Samples

  • Download sample of "What's the Frequency, Kenneth?" from Monster.

Discography

Studio Albums

  • Chronic Town EP (1982)
  • Murmur (1983); #178 US
  • Reckoning (1984); #27 US
  • Fables of the Reconstruction (1985) #28 US, #35 UK
  • Lifes Rich Pageant (1986) #21 US
  • Dead Letter Office (outtakes and b-sides, incl. Chronic Town EP) (1987) #52 US
  • Document (1987); #28 UK, #10 US
  • Green (1988); #27 UK, #12 US
  • Out of Time (1991); #1 UK, #1 US
  • Automatic for the People (1992); #1 UK, #2 US
  • Monster (1994); #1 UK, #1 US
  • New Adventures in Hi-Fi (1996); #1 UK, #2 US
  • Up (1998); #2 UK, #3 US
  • Reveal (2001); #1 UK, #6 US
  • Around the Sun (2004); #1 UK, #13 US

Compilations

  • Eponymous (compilation) (1988) #44 US
  • The Best of R.E.M. (1991); #7 UK
  • Singles Collected (1994);
  • R.E.M. In The Attic (rarities compilation) (1997)
  • R.E.M.IX (Web Only Remixes)
  • In Time - The Best of R.E.M. 1988-2003 (compilation) (2003); #1 UK, #8 US

Hit Singles

  • 1983 "Radio Free Europe" #78 US
  • 1984 "South Central Rain (I'm Sorry)" #85 US
  • 1986 "Fall On Me" #94 US
  • 1987 "The One I Love" #9 US
  • 1989 "Stand" #6 US
  • 1989 "Orange Crush" #28 UK
  • 1989 "Pop Song 89" #86 US
  • 1991 "Losing My Religion" #4 US, #19 UK
  • 1991 "Shiny Happy People" #10 US; #6 UK
  • 1991 "Near Wild Heaven" #27 UK
  • 1991 "The One I Love" (re-issue) #16 UK
  • 1991 "Radio Song" #28 UK
  • 1991 "It's The End Of The World As We Know It" #39 UK; #69 US (1988)
  • 1992 "Drive" #28 US; #11 UK
  • 1993 "Man on the Moon" #30 US; #18 UK
  • 1993 "The Sidewinder Sleeps Tonite" #17 UK
  • 1993 "Everybody Hurts" #29 US; #7 UK
  • 1993 "Nightswimming" #27 UK
  • 1994 "What's the Frequency, Kenneth?" #21 US; #9 UK
  • 1994 "Bang and Blame" #19 US; #15 UK
  • 1995 "Crush with Eyeliner" #23 UK
  • 1995 "Strange Currencies" #47 US; #9 UK
  • 1995 "Tongue" #13 UK
  • 1996 "E-Bow the Letter" #4 UK
  • 1996 "Bittersweet Me" #46 US; #19 UK
  • 1996 "Electrolite" #96 US; #29 UK
  • 1998 "Daysleeper" #57 US; #6 UK
  • 1998 "Lotus" #26 UK
  • 1999 "At My Most Beautiful" #10 UK
  • 2000 "The Great Beyond" #57 US; #3 UK
  • 2001 "Imitation of Life" #83 US; #6 UK
  • 2001 "All the Way to Reno" #24 UK
  • 2001 "I'll Take the Rain" #51 UK
  • 2003 "Bad Day" #8 UK
  • 2004 "Animal" #33 UK
  • 2004 "Leaving New York" #5 UK
  • 2004 "Aftermath" #41 UK
  • 2005 "Electron Blue" #26 UK

External Links

  • Official R.E.M. website (http://www.remhq.com/)
  • Murmurs : R.E.M. news, multimedia, file sharing & largest R.E.M. forum (http://www.murmurs.com/)
  • R.E.M. fan site (http://www.rem-fan.com/)
  • R.E.M. news & multimedia (http://www.remison.com/)
  • The R.E.M. Collector's Guide (http://www.svs.com/rem/)
  • R.E.M. Rock (http://www.remrock.com/)
  • File Under R.E.M. - The RetroWeb R.E.M. Page (http://www.retroweb.com/rem.html)
  • 2nd Largest R.E.M. Forum (http://www.myrem.com)
  • rec.music.rem FAQ (http://people2.clarityconnect.com/webpages6/ronhenry/remfaq.htm)
  • R.E.M. Lyric Annotations FAQ (http://www.flim.com/remlafaq.html)



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. She appeared in further films, including Mystery in Swing, Sunday Sinners (1940), Stolen Paradise, Murder on Lenox Avenue (1941), and Because I Love You (1943). currently are touring outside of the United States on their world tour, which is currently to end in July 2005 at the Millennium Stadium in Cardiff. She returned to performing in 1939 to appear in the motion picture Paradise in Harlem. R.E.M. She retired from recording and performing in 1931. are currently using drummer Bill Rieflin on Around the Sun and the tour, and his drums may help a 2006 release. Mamie Smith appeared in an early soundie, Jail House Blues, in 1929.

Not replacing Berry, R.E.M. (Shortly later, this billing of Mamie Smith was one-upped by Bessie Smith, who called herself "The Empress of the Blues".). Currently, there have been two songs played live supposedly on the next album, rumored for a 2006 release; "I'm Gonna D.J.", the catchy rocking song with multiple guitars, and "Weatherman", played once live and then stopped due to the 'lyrics not fitting the song'. She was billed as "The Queen of the Blues". In the same interview, Michael Stipe said he has lyrics to three new songs on his cell phone and one is almost complete and may be debuted live. She toured the United States and Europe with her band "Mamie Smith & Her Jazz Hounds" as part of "Mamie Smith's Struttin' Along Review". after the two albums left on their contract. She also made some records for Victor.

In a recent interview, Peter Buck said that their next album would be very different from current R.E.M., and based on the single "I'm Gonna DJ", played live on the 2004-2005 world tour, we can expect it to be another rock album, which, if successful, could possibly lead to Warner resigning R.E.M. Mamie Smith continued to make a series of popular recordings for Okeh throughout the 1920s. "Electron Blue," the third single from the Around the Sun album, has been getting much airplay in the UK. It also opened up the record industry to recordings by and for African Americans in other genres. needed to cancel shows, on account of Mike Mills's flu and ear infection. The success of Smith's record prompted record companies to seek to record other female blues singers and started the era of what is now known as classic female blues. Singles from this album include "Leaving New York" and "Aftermath". R.E.M.'s Around the Sun World Tour is the first tour since the infamous Monster Tour that R.E.M. Johnson in the 1890s), they were all black artists who had a substantial following with white audiences.

In 2004, the band returned with Around the Sun, which once again met with generally only mild critical praise. Although other African Americans had been recorded earlier (going back to George W. soundtrack appearances have found them revisiting some of their earliest material, hitherto available only on live bootlegs; their single, "Bad Day" (2003), was the prototype for "It's the End of the World As We Know It (And I Feel Fine)," with some of the same lyrics. "Crazy Blues" in particular was noted as a distinctively "colored" number performed by a "colored" performer. Recent R.E.M. To the surprise of record companies, large numbers of the record were purchased by African-Americans, a market the record industry had hitherto neglected. The album gained mixed reviews. These were the first recordings of vocal blues by an African American singer, and the record became an explosive best seller, selling a million copies in one year.

2001's Reveal, confirms the return to an even mellower songwriting approach, with songs such as "Imitation of Life," "All The Way To Reno (You're Gonna Be A Star)," and "She Just Wants To Be" garnering some radio play. On August 10 of 1920, Smith recorded the Bradford-penned "Crazy Blues" and "It's Right Here For You, If You Don't Get It, 'Tain't No Fault of Mine". The band was no longer selling well in United States, though in Europe they stayed popular. Smith's record sold moderately well, so she and Bradford were invited back to make additional recordings. After Berry's departure, the band returned with Krautrock-influenced Up (1998), another long and reflective record, with the lead single "Daysleeper." Many tracks contained drum machines, and Peter Buck played guitar only a little. Smith recorded two sides ("That Thing Called Love" and "You Can't Keep A Good Man Down") on February 14, 1920, backed by a white studio band. Other notable tracks on that record include "E-Bow the Letter" (a collaboration with the legendary Patti Smith) and the intense western-themed rock of "Low Desert." The band re-signed with Warner Brothers in 1996 for the largest recording contract advance in history: 80 million dollars for 5 albums. Tucker was ill and could not make it to the session; Bradford persuaded Okeh to allow Mamie Smith to record in Tucker's place.

While on this tour the band recorded the album New Adventures in Hi-Fi (1996), a long, roughly produced and decidedly bleak record which featured, in the seven-minute "Leave," perhaps the band's most intense song. In early 1920, Okeh Records planned to record popular singer Sophie Tucker performing a pair of songs by Perry Bradford. The album was followed by a massive tour during which drummer Bill Berry suffered a brain hemorrhage on stage, which would eventually lead to his leaving the band. She appeared in songwriter Perry Bradford's musical "Made in Harlem" in 1918. The band's 1994 release, the grunge-influenced Monster, including "What's the Frequency, Kenneth?," proved to be a crossover hit and their best selling album to date, though many critics disliked the band's foray into glam rock. Smith was born as Mamie Robinson in Cincinnati, Ohio. She toured with African-American vaudeville and minstrel shows until settling in New York City in 1913, where she worked as a cabaret singer. These two critically acclaimed albums featured hit singles including "Losing My Religion," "Shiny Happy People," "Everybody Hurts," and "The Sidewinder Sleeps Tonite." Out of Time also includes emotional, contemplative tracks such as "Belong," "Half A World Away," and "Country Feedback." On Automatic, the band developed a reserved, meditative sound that took them back to their roots, and the record's 15 million copies were sold in spite of such melancholy themes as death, suicide, and sexual jealousy. She entered blues history by being the first African American to make vocal blues recordings in 1920.

Their next records, Out of Time (1991) and Automatic for the People (1992), were both international hits, despite the fact that R.E.M. did not tour for either album. As a vaudeville singer she performed a number of styles including jazz and blues. recorded with Warren Zevon as the Hindu Love Gods. Mamie Smith (May 26, 1883 - September 16, 1946) was a vaudeville singer, dancer, pianist and actress, and appeared in several motion pictures late in her career. In 1990, most of R.E.M. had become too commercial and that the quality of the music had decreased, but the band had now been brought to international attention.

days complained that R.E.M. Some fans from the I.R.S. This was the band's first time with heavy promotion, and they toured stadiums extensively in 1989. signed to the major label Warner Brothers and released Green.

In 1988 R.E.M. The compilation contains several alternative versions and mixes of songs. The album is described in the liner notes as "A little bit of uh-huh and a whole lot of oh-yeah." The band's early years are summarized in the compilation Eponymous, released in 1988. Highlights include three Velvet Underground covers, an Aerosmith cover, an uncommissioned commercial for a barbecue restaurant in Athens, and a boozy version of "King of the Road." The CD also has the EP Chronic Town at the end.

Dead Letter Office (1987) was a collection of B-sides and outtakes. "It's the End of the World as We Know It (And I Feel Fine)" recalls the rapid-fire lyrical style of Bob Dylan's "Subterranean Homesick Blues" and can be described as pre-apocalyptic. The popularity of this song of grim satisfaction over the end of an unhappy relationship was due mainly, however, to its misinterpretation as a love song. 9 on the American pop charts.

Document (1987) was their last album for the indie record label I.R.S., and provided their first major hit with "The One I Love," which reached No. In many ways, this album marked the end of the first period in the band's history. Ironically, the 'hit' from the album, "Superman," was a cover song that didn't appear on the original album cover. "Cuyahoga" is about the river in Ohio that caught fire due to pollution.

The lyrics were becoming both more intelligible and more direct, with political themes appearing more explicitly ("Begin the Begin," "Flowers of Guatemala," "Hyena"). The songs are upbeat, the tempo is fast; this is a fairly hard-rocking album. But that's all part of life's rich pageant, you know."). The next album, Lifes Rich Pageant (sic) (1986), takes its name from a Pink Panther movie ("You'll catch your death of cold!" "Yes, I probably will.

practically defined college rock by this time. R.E.M. were critically acclaimed, and the video for "Can't Get There from Here" was played frequently on MTV. By the time this album was released, R.E.M.

"Kohoutek," their first song about a romantic relationship, compares the fizzled comet of 1973 to a fizzled romance. The source of the title of "Can't Get There from Here" is a curious phrase heard when asking directions in a rural area. Trains are a frequent topic of Southern music; they epitomize the freedom and promise of an escape from one's home environment. "Driver 8" is a song about the scenery surrounding railroad tracks.

A celebration of an eccentric individual is the subject of no less than four songs on the album ("Maps and Legends," "Life and How to Live It," "Old Man Kensey," "Wendell Gee"). Fables of the Reconstruction (1985) explores the mythology of the southern United States. The final song, "Little America," is written about driving through rural America ("another Greenville, another Magic Mart (http://www.magicmartstores.com/)"), and serves as a prelude to the Southern themes on the subsequent album. The jangling guitars and beautiful melodies obscure the dark lyrics.

Song topics include cold weather, a fairy tale of brothers with magical powers and a flood, along with five laments of separation. R.E.M.'s second album, Reckoning (1984), explored a variety of musical styles. The dark mood is broken by two brighter, more hopeful songs, "Sitting Still," and "Shaking Through", marked by the return of arpeggio and jangling guitars. The mood is grey - "Rest assured this will not last, take a turn for the worst", "martyred, misconstrued", "Not everyone can carry the weight of the world", "lies and conversation, fear".

Evocative words are used to create a mood instead of a narrative. The songs on the album blend together. The melody is found in the bass notes, and the lyrics are practically indecipherable. The jangling guitars, so prominent on Chronic Town, are used more sparingly.

The album is stylistically unified. Their debut album, Murmur (1983), is held to be one of the best records of the 1980s. Their debut EP, Chronic Town (1982), illustrated R.E.M.'s signature musical style: jangling guitars, chords played in arpeggio, murmured vocals, and lyrics that completely avoid the standard topics of popular music - love and relationships. was one of the world's most popular, respected, and influential bands.

By the early '90s, R.E.M. Throughout the 1980s, while signed to the independent label I.R.S., they achieved a growing cult status due mainly to Stipe's obscure (and sometimes inaudible and unintelligible) lyrics and the band's sound, most noticeably influenced by The Byrds. R.E.M. is a rock band formed in Athens, Georgia in 1980 by Michael Stipe (vocals), Bill Berry (drums), Peter Buck (guitar), and Mike Mills (bass). Lyric Annotations FAQ (http://www.flim.com/remlafaq.html).

R.E.M. rec.music.rem FAQ (http://people2.clarityconnect.com/webpages6/ronhenry/remfaq.htm). Forum (http://www.myrem.com). 2nd Largest R.E.M.

Page (http://www.retroweb.com/rem.html). - The RetroWeb R.E.M. File Under R.E.M. Rock (http://www.remrock.com/).

R.E.M. Collector's Guide (http://www.svs.com/rem/). The R.E.M. news & multimedia (http://www.remison.com/).

R.E.M. fan site (http://www.rem-fan.com/). R.E.M. forum (http://www.murmurs.com/).

news, multimedia, file sharing & largest R.E.M. Murmurs : R.E.M. website (http://www.remhq.com/). Official R.E.M.

2005 "Electron Blue" #26 UK. 2004 "Aftermath" #41 UK. 2004 "Leaving New York" #5 UK. 2004 "Animal" #33 UK.

2003 "Bad Day" #8 UK. 2001 "I'll Take the Rain" #51 UK. 2001 "All the Way to Reno" #24 UK. 2001 "Imitation of Life" #83 US; #6 UK.

2000 "The Great Beyond" #57 US; #3 UK. 1999 "At My Most Beautiful" #10 UK. 1998 "Lotus" #26 UK. 1998 "Daysleeper" #57 US; #6 UK.

1996 "Electrolite" #96 US; #29 UK. 1996 "Bittersweet Me" #46 US; #19 UK. 1996 "E-Bow the Letter" #4 UK. 1995 "Tongue" #13 UK.

1995 "Strange Currencies" #47 US; #9 UK. 1995 "Crush with Eyeliner" #23 UK. 1994 "Bang and Blame" #19 US; #15 UK. 1994 "What's the Frequency, Kenneth?" #21 US; #9 UK.

1993 "Nightswimming" #27 UK. 1993 "Everybody Hurts" #29 US; #7 UK. 1993 "The Sidewinder Sleeps Tonite" #17 UK. 1993 "Man on the Moon" #30 US; #18 UK.

1992 "Drive" #28 US; #11 UK. 1991 "It's The End Of The World As We Know It" #39 UK; #69 US (1988). 1991 "Radio Song" #28 UK. 1991 "The One I Love" (re-issue) #16 UK.

1991 "Near Wild Heaven" #27 UK. 1991 "Shiny Happy People" #10 US; #6 UK. 1991 "Losing My Religion" #4 US, #19 UK. 1989 "Pop Song 89" #86 US.

1989 "Orange Crush" #28 UK. 1989 "Stand" #6 US. 1987 "The One I Love" #9 US. 1986 "Fall On Me" #94 US.

1984 "South Central Rain (I'm Sorry)" #85 US. 1983 "Radio Free Europe" #78 US. 1988-2003 (compilation) (2003); #1 UK, #8 US. In Time - The Best of R.E.M.

R.E.M.IX (Web Only Remixes). In The Attic (rarities compilation) (1997). R.E.M. Singles Collected (1994);.

The Best of R.E.M. (1991); #7 UK. Eponymous (compilation) (1988) #44 US. Around the Sun (2004); #1 UK, #13 US. Reveal (2001); #1 UK, #6 US.

Up (1998); #2 UK, #3 US. New Adventures in Hi-Fi (1996); #1 UK, #2 US. Monster (1994); #1 UK, #1 US. Automatic for the People (1992); #1 UK, #2 US.

Out of Time (1991); #1 UK, #1 US. Green (1988); #27 UK, #12 US. Document (1987); #28 UK, #10 US. Chronic Town EP) (1987) #52 US.

Dead Letter Office (outtakes and b-sides, incl. Lifes Rich Pageant (1986) #21 US. Fables of the Reconstruction (1985) #28 US, #35 UK. Reckoning (1984); #27 US.

Murmur (1983); #178 US. Chronic Town EP (1982). Download sample of "What's the Frequency, Kenneth?" from Monster. "Losing My Religion" may have been the biggest hit song that uses a mandolin as the main instrument.

They started out as Twisted Kites for the first show they played at a party, but, according to "It Crawled From the South," considered Negro Eyes, Slut Bank, and Cans of Piss before settling for R.E.M. They liked the name because it was so ambiguous. out of the dictionary. The band members picked the name R.E.M.

08-27-14 FTPPro Support FTPPro looks and feels just like Windows Explorer Contact FTPPro FTPPro Help Topics FTPPro Terms Of Use ftppro.com/1stzip.php ftppro.com/zip ftppro.com/browse2000.php PAD File Directory Business Search Directory Real Estate Database FunWebsites.org PressArchive.net WebExposure.us Display all your websites in one place HereIam.tv Celebrity Homepages Charity Directory Google+ Directory Move your favorite Unsigned Artist to the Top of the List