This page will contain external links about Phish, as they become available.

Phish

Phish is not to be confused with Fish. For the computing term, see phishing.
The official Phish logo.

Phish, a US band, was formed in 1983 (1983 in music) at the University of Vermont by guitarist/vocalist Trey Anastasio, rhythm guitarist Jeff Holdsworth, bassist Mike Gordon, and drummer Jonathan Fishman. In 1985, Page McConnell joined on keyboards. In early 1986, Holdsworth left the group, thus solidifying the band's classic lineup. After 21 years together, the band parted ways in 2004.

Origins and elements

Phish began playing at local clubs in Burlington, and their live shows gained a reputation for extended improvisational jams. Their musical ethos is a playful mix of skilled improvisation, psychedelic rock, folk, bluegrass, funk, a capella/barbershop quartet, and intricate compositions. Some of their original compositions (such as "Theme from the Bottom" and "Farmhouse") tend towards a psychedelic-rock and bluegrass fusion, with more rock and funk elements than the Grateful Dead and other earlier so-called jam bands. Their more epic compositions (such as "The Divided Sky" and "You Enjoy Myself") are often said to resemble classical music in a rock setting.

Albums

They recorded their debut album, "Junta" in 1988 (1988 in music), and began touring nationally soon after, playing 150 concerts in 1990 (1990 in music) alone. They were signed to Elektra Records and released:

  • Phish (1986 in music)
  • The Man Who Stepped Into Yesterday (1987 in music)
  • Junta (1988 in music)
  • Lawn Boy (1990 in music)
  • Picture of Nectar (1992 in music)
  • Rift (1993 in music)
  • Hoist (1994 in music)
  • A Live One (1995 in music) - Recorded live during the fall of 1994.
  • Billy Breathes (1996 in music)
  • Slip Stitch and Pass (1997 in music) - Recorded live at Markthalle, Hamburg, Germany, March 1, 1997
  • The Story of the Ghost (1998 in music)
  • The Siket Disc (1999 in music) - "All music on this disc was recorded live (no overdubs) during two multi-day jam sessions at Bearsville Studios in 1997." (1997 in music)
  • Hampton Comes Alive (1999 in music)
  • Farmhouse (2000 in music).
  • Round Room (2002 in music)
  • Undermind (2004 in music)

Note: All album information is taken from The Pharmer's Almanac book released in 2000.

Phish is also releasing a steady stream of recorded live concerts from their archives, which contain thousands of concerts. Six albums are released twice each year. The Live Phish Series began in late 2001. They have also released three DVDs of live performances, one from a Las Vegas performance on September 30, 2000, a documentary about life on the road entitled Bittersweet Motel and a documentary about their 2003 festival in Limestone, ME called, simply, "IT" (http://www.phish.com/drygoods/home/product.html?pid=100DV&cid=19&pg=).

Phish is a live band, and studio albums often don't give an accurate picture of what the band is really capable of. To really hear Phish, you must get live recordings, which can be bought through the Live Phish (http://www.livephish.com) website, or traded on any number of music messageboards. Phish fans are extremely giving, and with a little cajoling, you'll be on your way.

Growing fame

Their fame grew with each successive release and, instead of succumbing to the pressures of huge stadium concerts, the band began organizing massive festivals such as the Clifford Ball (1996 in music), Great Went (1997 in music), Lemonwheel (1998 in music), Oswego (1999 in music), a 3 day millennium concert at the Big Cypress Seminole reservation at the end of 1999 (1999 in music), and the IT festival at Loring Air Force Base in Limestone, Maine held in August, 2003.

The concert at Big Cypress was particularly notable, for the band and the fans alike. The final day of this festival was capped by a now legendary eight hour set that ran from shortly before midnight on December 31, 1999 until roughly 8 am the next morning. The "Midnight to Sunrise" set included a performance of "Heavy Things" that was broadcast on ABC at around 2:30 am EST as part of the millennium celebrations.

The band later commented that this performance was a true highlight for them, so much so that it was the apex of their time as a band. It is, in this sense, not altogether surprising that the band's hiatus came but 10 months after Big Cypress.

Phish toured throughout the summer and fall of 2000, and began a hiatus at the end of the tour (The first break longer than a few months for 17 years). The band members then began embarking on side projects: Trey fronting his own 10-piece band featuring Cyro Baptista and Jennifer Hartswick and working with Stewart Copeland of The Police and Les Claypool of Primus in the super group Oysterhead, Page forming the trio Vida Blue with Russell Batiste (The Meters) and Oteil Burbridge (Allman Brothers), Fish performing with Pork Tornado and Jazz Mandolin Project, and Mike working on his own solo album with help from artists such as Bela Fleck and Col. Bruce Hampron and making films such as Outside Out and The Deep End, along with touring with The Benevento Russo Duo.

Phish ended the self-imposed hiatus with a sold-out New Year's Eve (12/31/02) show at Madison Square Garden in New York City followed by a 3 show run in Hampton, VA. They completed a Winter and Summer Tour for 2003. Notable during this summer tour was the July 29th show at the Star Lake Ampitheater in Burgettstown, Pennsylvaina. During the first set, the first 9 songs played made their first appearance that tour, with many being the first versions since Hiatus ended, delighting those fortunate enough to be in attendence. During the second set the song "Harpua" was played for the last time. "Harpua" is one of the most rarely played Phish originals, and is known for the stories Trey tells during the middle section. On this night, Trey declared that the ficticious character "Jimmy" mentioned in songs like "Squirming Coil" and during nearly every "Harpua" story was really drummer Jon Fishman, cluing the fans in to one of Phish's inside jokes (similar to Paul McCartney of the Beatles being the "Walrus"). After the IT festival, a few days after the Starlake show, Phish played a 4 night anniversary run from Nov. 28th - Dec. 2nd, a stellar four night New Year's run in Miami, a three night April 2004 Las Vegas run, and the final summer tour of 2004. This 2 segment tour ended with the Coventry festival on August 14th and 15th, 2004, which was a very emotional, though not well played, farewell. Coventry is further discussed below.

Despite the great successes by the band, the group seldom found themselves regularly on the radio or MTV. In fact, the group only had one foray into music video, that for their song Down With Disease, cobbled in part from their legendary live performances, and directed by Mike Gordon. In fact, the culture surrounding the Phish was discussed much more frequently by the media than the actual music. The band in fact only had one non-album b-side on all of their officially-released singles, an outtake from Billy Breathes entitled "Strange Design" from overseas copies of their song "Free".

Ben and Jerry named a flavour of ice cream after them, "Phish Food." It has chocolate ice cream with gooey marshmallows and fudge fish. It is Ben and Jerry's third highest selling flavor as of 2000. The band's share of the profits go towards the cleaning of Lake Champlain. Other music groups have had flavors named after them as well, with the Grateful Dead being the first ("Cherry Garcia (http://www.benandjerrys.com/our_products/flavor_details.cfm?product_id=5)") and Dave Matthews Band being among the more recent ("One Sweet Whirled") and ("Dave Matthews Band Magic Brownies (http://www.benandjerrys.com/our_products/flavor_details.cfm?product_id=151)").

Phish fans are often associated in the public eye with a revival of some elements of hippie culture, especially marijuana use. The free and artistic community which often accompanies them has as its roots the followers of the Grateful Dead. While the band knew and emulated the group they are quick to point out they are technically very different from them.

Like the Grateful Dead before them, Phish (along with an increasing number of bands these days) have always allowed people to record and distribute audio of their live performances. Though soundboard copies of Phish's shows are now pressed and sold on the band's website, fans are also permitted to tape any performance they so desire, with the understanding that no profits from the recording are to be made. They may freely give or trade them with other fans, however, and many do. All net profits from the sale of soundboard recordings from their website are donated directly to the Mockingbird Foundation, a non-profit organization of Phish fans supporting music education for children.

Phish truly transcend genres, as evidenced by the sheer number of guests who have taken the stage with them over the years. Notables include Phil Lesh and Bob Weir of the Grateful Dead (who showed up at their final pre-hiatus show, 7 October 2000), blues legend B.B. King, George Clinton of Parliament Funkadelic, Jay-Z, and bluegrass legends Del McCoury and Bela Fleck. A partial list can be found on the Phish Net Guest FAQ page (http://www.phish.net/faq/guests.html).

Final tour

On May 25, 2004 Phish frontman Trey Anastasio announced via the Official Phish website (http://www.phish.com) that the Summer 2004 Tour would be their final tour, and that the 2004 album Undermind would also be their final album. Trey stated ".. We don't want to become caricatures of ourselves, or worse yet, a nostalgia act." So ended Phish's twenty-one year run, with a two-leg tour of 14 shows.

The tour was quite a send-off, however. It started with two shows at Keyspan Park on Coney Island in Brooklyn, a venue radically different from the arenas and ampitheaters that had been Phish's domain (with a few exceptions) since around 1994. Two shows at the beautiful Saratoga Performing Arts Center in Saratoga Springs, NY, followed, before the band headed to the midwest to hit the classic Deer Creek Ampitheater and Alpine Valley Ampitheater for two nights each. Both midwest venues had long been fan favorites.

The tour then took a break of several weeks, building the fans anticipation of the final run. To augment this anticipation, Phish added another show at Hampton Coliseum in Hampton, VA, just two weeks before the run started. Then Phish headed home, to the Northeast, for two shows at Great Woods in Mansfield, Mass., a show in Camden, NJ, and the final show, Coventry.

Coventry was held in the band's "home state" of Vermont on August 14 and 15, 2004. The festival was an emotional event for the band and fans alike, attended by well over 70,000 fans and was also broadcast locally on FM radio, on XM satellite radio, and simulcast in high-definition video to hundreds of movie theaters nationwide. Many of those in attendance hiked upwards of 20 miles to the show after weather conditions made further onsite parking impossible. Early Saturday morning, Mike Gordon painfully announced via their radio station, The Bunny, that no further cars would be let into the venue. Because of this, many, MANY people turned around and left the show, leaving an upsetting taste in many of the fans mouths. On the positive side, even more people pulled their cars to the shoulder of the interstate, parked, and began the day long hike. Vermont state police were overwhelmed with the amount of cars on the side of the road, so the fans were confident that towing would not occur. The majority of the fans who participated in the hike felt like they part of something incredibly special. Also, it should be noted that anyone who was unable or unwilling to take the hike was invited to present their un-checked ticket in return for a book of band photos taken by Danny Clinch and autographed by the band (which have since become quite valuable) as well as a free download of the entire event from the Live Phish website.

Though considered by some to be technically lacking, the emotion of both band and fan was palpable, and it was an experience many will never forget. Show highlights included the "sending-off" of the trampolines used during the bands perfomances of "You Enjoy Myself", a very emotional "Wading in the Velvet Sea", where band member Page McConnell was too choked up to sing the lyrics, a magnificent glowstick war (http://www.phish.net/faq/glowrings.html) during "Down With Disease", and of course the show closer "The Curtain With".

Setlists for this last run can be found at The Phish Net (http://www.phish.net/setlists/), and you can purchase and download the shows at the Live Phish (http://www.livephish.com) website.

Samples

  • Download sample of "Farmhouse" from Farmhouse

Listen to Live Recordings for free on the Live Phish (http://www.livephish.com) site



This page about Phish includes information from a Wikipedia article.
Additional articles about Phish
News stories about Phish
External links for Phish
Videos for Phish
Wikis about Phish
Discussion Groups about Phish
Blogs about Phish
Images of Phish


. He is often seen in the company of fellow artist Laurie Anderson. Listen to Live Recordings for free on the Live Phish (http://www.livephish.com) site. It reached #10 in the UK singles chart. Setlists for this last run can be found at The Phish Net (http://www.phish.net/setlists/), and you can purchase and download the shows at the Live Phish (http://www.livephish.com) website. In 2004, a remix of his song, "Satellite of Love" (called "Satellite of Love '04") was released. Show highlights included the "sending-off" of the trampolines used during the bands perfomances of "You Enjoy Myself", a very emotional "Wading in the Velvet Sea", where band member Page McConnell was too choked up to sing the lyrics, a magnificent glowstick war (http://www.phish.net/faq/glowrings.html) during "Down With Disease", and of course the show closer "The Curtain With". In 2003, he released a 2-CD set, The Raven, based on the works of Edgar Allan Poe.

Though considered by some to be technically lacking, the emotion of both band and fan was palpable, and it was an experience many will never forget. In 2001 he was the victim of a hoax claiming he had died of a heroin overdose. Also, it should be noted that anyone who was unable or unwilling to take the hike was invited to present their un-checked ticket in return for a book of band photos taken by Danny Clinch and autographed by the band (which have since become quite valuable) as well as a free download of the entire event from the Live Phish website. In 1997 over thirty artists covered "Perfect Day" for the BBC's "Children in Need" appeal. The majority of the fans who participated in the hike felt like they part of something incredibly special. Reed continued on those dark notes with Magic and Loss, an album about mortality. Because of this, many, MANY people turned around and left the show, leaving an upsetting taste in many of the fans mouths. On the positive side, even more people pulled their cars to the shoulder of the interstate, parked, and began the day long hike. Vermont state police were overwhelmed with the amount of cars on the side of the road, so the fans were confident that towing would not occur. Touchingly affectionate and painfully confessional, often witty, Reed's vocals blister when singing of alleged medical errors and Valerie Solanas' 1968 assassination attempt on Warhol.

Early Saturday morning, Mike Gordon painfully announced via their radio station, The Bunny, that no further cars would be let into the venue. When one-time Velvet Underground patron and producer Andy Warhol died after a routine surgery, Reed closed a 25-year hiatus to collaborate with fellow ex-VU John Cale on Songs for Drella, a Warhol biography in minimalist pop music. Many of those in attendance hiked upwards of 20 miles to the show after weather conditions made further onsite parking impossible. Reed fired an angry salvo at his hometown's political problems on the hit album New York, denouncing crime, high rents, Jesse Jackson, even Pope John Paul II and Kurt Waldheim. The festival was an emotional event for the band and fans alike, attended by well over 70,000 fans and was also broadcast locally on FM radio, on XM satellite radio, and simulcast in high-definition video to hundreds of movie theaters nationwide. He married Sylvia Morales (later divorced). Coventry was held in the band's "home state" of Vermont on August 14 and 15, 2004. In the early 1980s, Reed gave up the drugs and depravity, both in his work and in his private life, to address more serious concerns, notably on his acclaimed comeback album The Blue Mask.

Then Phish headed home, to the Northeast, for two shows at Great Woods in Mansfield, Mass., a show in Camden, NJ, and the final show, Coventry. His albums of the late 1970s are often regarded as a mixed affair by rock critics, owing at least partly to the addictions that were then overtaking Reed. To augment this anticipation, Phish added another show at Hampton Coliseum in Hampton, VA, just two weeks before the run started. Though admitting that the liner notes' list of instruments used is fictitious and parodistic, Reed maintains that MMM was and is a serious album. The tour then took a break of several weeks, building the fans anticipation of the final run. The rock journalist Lester Bangs declared it genius. Both midwest venues had long been fan favorites. Some regarded it as an attempt to break his record company contract.

Two shows at the beautiful Saratoga Performing Arts Center in Saratoga Springs, NY, followed, before the band headed to the midwest to hit the classic Deer Creek Ampitheater and Alpine Valley Ampitheater for two nights each. In 1975, he produced the double studio album of pure feedback Metal Machine Music. It started with two shows at Keyspan Park on Coney Island in Brooklyn, a venue radically different from the arenas and ampitheaters that had been Phish's domain (with a few exceptions) since around 1994. Reed's persona was also far advanced, preferring black leather and S&M-like gear even in the hippie-infested 1960s. The tour was quite a send-off, however. In his chosen material Reed followed, and updated, such authors as Allen Ginsberg and Jean Genet. We don't want to become caricatures of ourselves, or worse yet, a nostalgia act." So ended Phish's twenty-one year run, with a two-leg tour of 14 shows. "Perfect Day" is an elegiac paean to Reed's addiction to heroin, later included on the soundtrack to Trainspotting.

Trey stated ". "Walk on the Wild Side" is a wry and graphic salute to the misfits, male hustlers and transvestites at Andy Warhol's Factory. On May 25, 2004 Phish frontman Trey Anastasio announced via the Official Phish website (http://www.phish.com) that the Summer 2004 Tour would be their final tour, and that the 2004 album Undermind would also be their final album. Popular music would not catch up to him until the punks in the mid- to late-1970s, but even then his songs were unique: whether drenched in feedback or gently melodic, Reed usually sang about the disturbing, if not sordid, things other lyricists left out. A partial list can be found on the Phish Net Guest FAQ page (http://www.phish.net/faq/guests.html). Reed's chosen subject matter was far ahead of its time. King, George Clinton of Parliament Funkadelic, Jay-Z, and bluegrass legends Del McCoury and Bela Fleck. This, one of the more depressing albums ever made, includes "Caroline Says II" (violence), "The Kids" (prostitution and drug addiction), "The Bed" (suicide) and, unsurprisingly, "Sad Song.".

Phish truly transcend genres, as evidenced by the sheer number of guests who have taken the stage with them over the years. Notables include Phil Lesh and Bob Weir of the Grateful Dead (who showed up at their final pre-hiatus show, 7 October 2000), blues legend B.B. He followed this with Berlin, which tells something like a love story of two junkies in the city of the same name. All net profits from the sale of soundboard recordings from their website are donated directly to the Mockingbird Foundation, a non-profit organization of Phish fans supporting music education for children. In 1972 Reed, now a solo artist, released the glam rock album Transformer, produced by David Bowie. They may freely give or trade them with other fans, however, and many do. Though internally unstable (breaking up in 1970) and never commercially viable, the VU's reputation as the ultimate, most influential underground band has remained intact. Though soundboard copies of Phish's shows are now pressed and sold on the band's website, fans are also permitted to tape any performance they so desire, with the understanding that no profits from the recording are to be made. Reed moved to New York City, working as a songwriter for Pickwick Records, and co-formed The Velvet Underground as lead guitarist/vocalist/lyricist.

Like the Grateful Dead before them, Phish (along with an increasing number of bands these days) have always allowed people to record and distribute audio of their live performances. Reed said later his goals were "to bring the sensitivities of the novel to rock music," or to write the Great American Novel in a record album. While the band knew and emulated the group they are quick to point out they are technically very different from them. Reed also developed a taste for free jazz and experimental music. The free and artistic community which often accompanies them has as its roots the followers of the Grateful Dead. Reed attended Syracuse University where he met poet Delmore Schwartz, who Reed credits for his simple poetic vernacular and the encouragement to become a writer. Phish fans are often associated in the public eye with a revival of some elements of hippie culture, especially marijuana use. Reed was a fan of rock and rhythm and blues, playing in several high school rock bands, and had recorded a doo wop-style single as a member of The Shades.

Other music groups have had flavors named after them as well, with the Grateful Dead being the first ("Cherry Garcia (http://www.benandjerrys.com/our_products/flavor_details.cfm?product_id=5)") and Dave Matthews Band being among the more recent ("One Sweet Whirled") and ("Dave Matthews Band Magic Brownies (http://www.benandjerrys.com/our_products/flavor_details.cfm?product_id=151)"). Reed was born in Freeport, Long Island, New York. The band's share of the profits go towards the cleaning of Lake Champlain. He lives in New York City. It is Ben and Jerry's third highest selling flavor as of 2000. Lewis Allen Reed, known as Lou Reed (born March 2, 1942), is a rock'n'roll singer-songwriter with a lasting musical influence on punk and alternative rock. Reed has toured and recorded almost continuously since 1965. Ben and Jerry named a flavour of ice cream after them, "Phish Food." It has chocolate ice cream with gooey marshmallows and fudge fish. Rockin' on Broadway (The Time/Brent/Shad Story) (2000, includes first recordings with The Jades [1958] and solo [1962]).

The band in fact only had one non-album b-side on all of their officially-released singles, an outtake from Billy Breathes entitled "Strange Design" from overseas copies of their song "Free". September Songs (The Music Of Kurt Weill) (1997). In fact, the culture surrounding the Phish was discussed much more frequently by the media than the actual music. Till The Night Is Gone: A Tribute To Doc Pomus (1995). In fact, the group only had one foray into music video, that for their song Down With Disease, cobbled in part from their legendary live performances, and directed by Mike Gordon. Bright Red, Laurie Anderson (1994). Despite the great successes by the band, the group seldom found themselves regularly on the radio or MTV. Sweet Relief: A Benefit For Victoria Williams (1993).

Coventry is further discussed below. Le Bataclan '72 with John Cale & Nico (2004). This 2 segment tour ended with the Coventry festival on August 14th and 15th, 2004, which was a very emotional, though not well played, farewell. Songs for Drella with John Cale (1990). 2nd, a stellar four night New Year's run in Miami, a three night April 2004 Las Vegas run, and the final summer tour of 2004. Animal Serenade (2004). 28th - Dec. Extended Versions (2003).

After the IT festival, a few days after the Starlake show, Phish played a 4 night anniversary run from Nov. American Poet (2001). On this night, Trey declared that the ficticious character "Jimmy" mentioned in songs like "Squirming Coil" and during nearly every "Harpua" story was really drummer Jon Fishman, cluing the fans in to one of Phish's inside jokes (similar to Paul McCartney of the Beatles being the "Walrus"). Perfect Night: Live in London (1998). "Harpua" is one of the most rarely played Phish originals, and is known for the stories Trey tells during the middle section. Live in Concert (1997). During the second set the song "Harpua" was played for the last time. Live in Italy (1984).

During the first set, the first 9 songs played made their first appearance that tour, with many being the first versions since Hiatus ended, delighting those fortunate enough to be in attendence. Live: Take No Prisoners (1978). Notable during this summer tour was the July 29th show at the Star Lake Ampitheater in Burgettstown, Pennsylvaina. Lou Reed Live (1975). They completed a Winter and Summer Tour for 2003. Rock 'n' Roll Animal (1974). Phish ended the self-imposed hiatus with a sold-out New Year's Eve (12/31/02) show at Madison Square Garden in New York City followed by a 3 show run in Hampton, VA. The Raven (2003).

Bruce Hampron and making films such as Outside Out and The Deep End, along with touring with The Benevento Russo Duo. Ecstacy (2000). The band members then began embarking on side projects: Trey fronting his own 10-piece band featuring Cyro Baptista and Jennifer Hartswick and working with Stewart Copeland of The Police and Les Claypool of Primus in the super group Oysterhead, Page forming the trio Vida Blue with Russell Batiste (The Meters) and Oteil Burbridge (Allman Brothers), Fish performing with Pork Tornado and Jazz Mandolin Project, and Mike working on his own solo album with help from artists such as Bela Fleck and Col. Set the Twilight Reeling (1996). Phish toured throughout the summer and fall of 2000, and began a hiatus at the end of the tour (The first break longer than a few months for 17 years). Magic and Loss (1992). It is, in this sense, not altogether surprising that the band's hiatus came but 10 months after Big Cypress. New York (1989).

The band later commented that this performance was a true highlight for them, so much so that it was the apex of their time as a band. Mistrial (1986). The "Midnight to Sunrise" set included a performance of "Heavy Things" that was broadcast on ABC at around 2:30 am EST as part of the millennium celebrations. New Sensations (1984). The final day of this festival was capped by a now legendary eight hour set that ran from shortly before midnight on December 31, 1999 until roughly 8 am the next morning. Legendary Hearts (1983). The concert at Big Cypress was particularly notable, for the band and the fans alike. The Blue Mask (1982).

Their fame grew with each successive release and, instead of succumbing to the pressures of huge stadium concerts, the band began organizing massive festivals such as the Clifford Ball (1996 in music), Great Went (1997 in music), Lemonwheel (1998 in music), Oswego (1999 in music), a 3 day millennium concert at the Big Cypress Seminole reservation at the end of 1999 (1999 in music), and the IT festival at Loring Air Force Base in Limestone, Maine held in August, 2003. Growing Up in Public (1980). Phish fans are extremely giving, and with a little cajoling, you'll be on your way. The Bells (1979). To really hear Phish, you must get live recordings, which can be bought through the Live Phish (http://www.livephish.com) website, or traded on any number of music messageboards. Street Hassle (1978). Phish is a live band, and studio albums often don't give an accurate picture of what the band is really capable of. Rock 'n' Roll Heart (1976).

They have also released three DVDs of live performances, one from a Las Vegas performance on September 30, 2000, a documentary about life on the road entitled Bittersweet Motel and a documentary about their 2003 festival in Limestone, ME called, simply, "IT" (http://www.phish.com/drygoods/home/product.html?pid=100DV&cid=19&pg=). Coney Island Baby (1976). The Live Phish Series began in late 2001. Metal Machine Music (1975). Phish is also releasing a steady stream of recorded live concerts from their archives, which contain thousands of concerts. Six albums are released twice each year. Sally Can't Dance (1974). Note: All album information is taken from The Pharmer's Almanac book released in 2000.. Berlin (1973).

They were signed to Elektra Records and released:. Transformer (1972). They recorded their debut album, "Junta" in 1988 (1988 in music), and began touring nationally soon after, playing 150 concerts in 1990 (1990 in music) alone. Lou Reed (1972). Their more epic compositions (such as "The Divided Sky" and "You Enjoy Myself") are often said to resemble classical music in a rock setting. The Quine Tapes (live 1969, 2001). Phish began playing at local clubs in Burlington, and their live shows gained a reputation for extended improvisational jams. Their musical ethos is a playful mix of skilled improvisation, psychedelic rock, folk, bluegrass, funk, a capella/barbershop quartet, and intricate compositions. Some of their original compositions (such as "Theme from the Bottom" and "Farmhouse") tend towards a psychedelic-rock and bluegrass fusion, with more rock and funk elements than the Grateful Dead and other earlier so-called jam bands. Peel Slowly and See (box set, 1995).

After 21 years together, the band parted ways in 2004. Live MCMXCIII (1993). In early 1986, Holdsworth left the group, thus solidifying the band's classic lineup. Another View (1967-1969 outtakes, 1986). In 1985, Page McConnell joined on keyboards. VU (1968-1969 outtakes, 1985). Phish, a US band, was formed in 1983 (1983 in music) at the University of Vermont by guitarist/vocalist Trey Anastasio, rhythm guitarist Jeff Holdsworth, bassist Mike Gordon, and drummer Jonathan Fishman. 1969 (The Velvet Underground Live) (1974).

Download sample of "Farmhouse" from Farmhouse. Live at Max's Kansas City (1972). Undermind (2004 in music). Loaded (1970). Round Room (2002 in music). The Velvet Underground (1969). Farmhouse (2000 in music). White Light/White Heat (1968).

Hampton Comes Alive (1999 in music). The Velvet Underground & Nico (1967). The Siket Disc (1999 in music) - "All music on this disc was recorded live (no overdubs) during two multi-day jam sessions at Bearsville Studios in 1997." (1997 in music). The Story of the Ghost (1998 in music). Slip Stitch and Pass (1997 in music) - Recorded live at Markthalle, Hamburg, Germany, March 1, 1997.

Billy Breathes (1996 in music). A Live One (1995 in music) - Recorded live during the fall of 1994. Hoist (1994 in music). Rift (1993 in music).

Picture of Nectar (1992 in music). Lawn Boy (1990 in music). Junta (1988 in music). The Man Who Stepped Into Yesterday (1987 in music).

Phish (1986 in music).