This page will contain discussion groups about Paul Whiteman, as they become available.Paul WhitemanPaul Whiteman (March 28, 1890 - December 29, 1967) was a popular United States orchestral leader. 1928 Columbia Records label with caricature of Paul WhitemanWhiteman was born in Denver, Colorado. He started out as a classical violinist and violist, then started leading a jazz-influenced dance band which became locally popular in San Francisco, California in 1918. In 1920 he moved his band to New York City where they started making recordings for Victor Records which propelled Whiteman and his band to national prominence. Whiteman's became the most popular band leader of the decade. In the late 1920s he recorded for Columbia Records. In the late 1920s and early 1930s Whiteman billed himself as The King of Jazz (see: Jazz royalty), though much of what his band played hasn't been considered "true" jazz by later generations. Others reject thses notions, and regard Whiteman's music as an interesting development in jazz history. While today most fans of jazz consider improvisation to be essential to the musical style, Whiteman thought it sloppy and uncouth, and thought the music could be improved by eliminating it, except occasionally in elaborate arrangements. While it is easy to sneer at Whiteman in retrospect, his notions were critically popular and commercially successful at the time, and Whiteman's music was often the first jazz of any form that some people heard. Whiteman claimed that he was "making a lady out of jazz". Whiteman commissioned George Gershwin's Rhapsody In Blue, which was premiered by Whiteman's Orchestra with Gershwin at the piano in 1924 Whiteman appreciated jazz musicians and hired many of the best white jazz men for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, Gussie Mueller, Jack Teagarden, and Bunny Berigan. While Whiteman gave them very limited chances to improvise, he paid them top salaries and encouraged them to make small band jam recordings on the side. Bing Crosby got his start singing with the Whiteman Orchestra. In 1931, Whiteman married motion picture actress Margaret Livingston. After he disbanded his Orchestra, in the 1940s and 1950s Whiteman worked as a music director for the ABC Radio Network. Pal Whiteman died at the age of 77 in Doylestown, Pennsylvania. This page about Paul Whiteman includes information from a Wikipedia article. Additional articles about Paul Whiteman News stories about Paul Whiteman External links for Paul Whiteman Videos for Paul Whiteman Wikis about Paul Whiteman Discussion Groups about Paul Whiteman Blogs about Paul Whiteman Images of Paul Whiteman |
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Pal Whiteman died at the age of 77 in Doylestown, Pennsylvania. A loss of weight can also be the symptom of some mental or physical diseases or disorders, such as anorexia nervosa or the cachexia associated with cancer or AIDS. After he disbanded his Orchestra, in the 1940s and 1950s Whiteman worked as a music director for the ABC Radio Network. Some people try to lose weight by using drugs such as fenfluoramine, nicotine or cocaine (see Anti-obesity drugs), herbs such as ephedra, or surgery such as liposuction. In 1931, Whiteman married motion picture actress Margaret Livingston. To achieve healthy weight loss, most experts recommend a combination of healthy eating patterns and regular physical exercise. Bing Crosby got his start singing with the Whiteman Orchestra. In the context of physical health, weight loss is the process of losing body weight, usually by losing fat. While Whiteman gave them very limited chances to improvise, he paid them top salaries and encouraged them to make small band jam recordings on the side. Whiteman appreciated jazz musicians and hired many of the best white jazz men for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, Gussie Mueller, Jack Teagarden, and Bunny Berigan. Whiteman commissioned George Gershwin's Rhapsody In Blue, which was premiered by Whiteman's Orchestra with Gershwin at the piano in 1924. Whiteman claimed that he was "making a lady out of jazz". While it is easy to sneer at Whiteman in retrospect, his notions were critically popular and commercially successful at the time, and Whiteman's music was often the first jazz of any form that some people heard. While today most fans of jazz consider improvisation to be essential to the musical style, Whiteman thought it sloppy and uncouth, and thought the music could be improved by eliminating it, except occasionally in elaborate arrangements. Others reject thses notions, and regard Whiteman's music as an interesting development in jazz history. In the late 1920s and early 1930s Whiteman billed himself as The King of Jazz (see: Jazz royalty), though much of what his band played hasn't been considered "true" jazz by later generations. In the late 1920s he recorded for Columbia Records. Whiteman's became the most popular band leader of the decade. In 1920 he moved his band to New York City where they started making recordings for Victor Records which propelled Whiteman and his band to national prominence. He started out as a classical violinist and violist, then started leading a jazz-influenced dance band which became locally popular in San Francisco, California in 1918. Whiteman was born in Denver, Colorado. Paul Whiteman (March 28, 1890 - December 29, 1967) was a popular United States orchestral leader. |