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North by Northwest

North By Northwest is a 1959 MGM thriller by Alfred Hitchcock and is generally considered one of his best works. The film stars Cary Grant, Eva Marie Saint, James Mason, Leo G. Carroll, and Martin Landau. The screenplay was written by Ernest Lehman, who wanted to write "the Hitchcock picture to end all Hitchcock pictures"[1] (http://alt.tcm.turner.com/essentials/essential/fea_north.html). It is one of several Hitchcock movies with a film score by Bernard Herrmann. The film also features a famous title sequence by the graphic designer Saul Bass.

Plot

Spoiler warning: Plot or ending details follow.

A Manhattan advertising man, Roger Thornhill (played by Cary Grant), is mistaken for a government agent and pursued by spies who want to kill him. Thornhill is framed for murder and forced to elude the police as well as the secret agents. The film has several plot twists and a sly sense of humor, as well as a number of famous scenes, including one in which Grant's character is chased by a crop duster, and another in which Grant and leading lady Eva Marie Saint clamber over the faces of Mount Rushmore in an attempt to evade their enemies.

Analysis

Alfred Hitchcock planned the film as a change of pace after his dark romantic thriller Vertigo a year earlier. In an interview with Francois Truffaut ("Hitchcock / Truffaut"), Hitchcock said that he wanted to do something fun, light-hearted, and generally free of the symbolism permeating his other movies. Hitchcock, however, was not above inserting a Freudian joke as the last shot (which, notably, made it past contemporary censors). Despite its frothy appearance, the movie carries a number of underlying themes, the most important being that of theater and play-acting, wherein everyone is playing a part; no one is who they seem; and identity is in flux. This is reflected by Thornhill's line: "The only performance that will satisfy you is when I play dead."

Grant was distressed with the way the plot seemed to wander aimlessly, and he actually approached Hitchcock to complain about the script. "I can't make heads or tails of it," he said, without realizing that he was quoting the very words he would speak when playing the role of Thornhill. In fact, even the title North by Northwest refers to a compass direction that does not exist (the correct term is "North-northwest"), thereby adding to the fantasticality of the film, as Hitchcock noted in an interview with Peter Bogdanovich in 1963. (The title does makes sense in reference to when Thornhill travels north via Northwest Airlines.)

There are similarities between this movie and Hitchcock's earlier film Saboteur (1942), whose final scene on top of the Statue of Liberty foreshadows the Mount Rushmore scene in the later film. In fact, North by Northwest can be seen as the last and best in a long line of "wrong man" films that Hitchcock made according to the pattern he established in The 39 Steps (1935).

Grant on the run, trying to travel incognito on the 20th Century Limited train

North By Northwest has been referenced and parodied in many works, mostly for the crop duster scene. The Simpsons parodied the scene in two episodes (one with a young Marge, another with Elton John). The film is also used as a plot engine in the Family Guy episode "North by North Quahog."

Awards

North by Northwest was nominated for three Academy Awards for Film Editing (George Tomasini), Art Direction, and Original Screenplay (Ernest Lehman). It is #40 on the American Film Institute's 100 Years, 100 Movies, #4 on its 100 Years, 100 Thrills, and is consistently in the top 25 on the Internet Movie Database's Top 250. The film has been deemed "culturally significant" by the Library of Congress, and selected for preservation in the United States National Film Registry.


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The film has been deemed "culturally significant" by the Library of Congress, and selected for preservation in the United States National Film Registry. Prentice. It is #40 on the American Film Institute's 100 Years, 100 Movies, #4 on its 100 Years, 100 Thrills, and is consistently in the top 25 on the Internet Movie Database's Top 250. and Mrs. North by Northwest was nominated for three Academy Awards for Film Editing (George Tomasini), Art Direction, and Original Screenplay (Ernest Lehman). It also featured Roy Glenn and Beah Richards as Mr. The film is also used as a plot engine in the Family Guy episode "North by North Quahog.". The film was also memorable for being the last on-screen pairing of Tracy and Hepburn.

The Simpsons parodied the scene in two episodes (one with a young Marge, another with Elton John). The film also attempted to touch upon black-on-black racism, as when both the doctor's father and the household cook Tillie Binks, played by Isabel Sanford in a small but memorable role, take the young man to task for his perceived presumption. North By Northwest has been referenced and parodied in many works, mostly for the crop duster scene. Criticism was more positive than negative, with most critics praising the elegant, understated performances. There are similarities between this movie and Hitchcock's earlier film Saboteur (1942), whose final scene on top of the Statue of Liberty foreshadows the Mount Rushmore scene in the later film. In fact, North by Northwest can be seen as the last and best in a long line of "wrong man" films that Hitchcock made according to the pattern he established in The 39 Steps (1935). Therefore, he has graduated from a top school, begun innovative medical initiatives in Africa, refused to have premarital sex with his fiancée despite her request, and leaves money on his future father-in-law's desk in payment for a long distance phone call he has made. (The title does makes sense in reference to when Thornhill travels north via Northwest Airlines.). The young doctor, a typical role for the young Sydney Poiter, had to be created idealistically perfect to make him acceptable to American audiences.

In fact, even the title North by Northwest refers to a compass direction that does not exist (the correct term is "North-northwest"), thereby adding to the fantasticality of the film, as Hitchcock noted in an interview with Peter Bogdanovich in 1963. states. "I can't make heads or tails of it," he said, without realizing that he was quoting the very words he would speak when playing the role of Thornhill. The 1967 groundbreaking story dealt with the then-controversial subject of inter-racial marriage which was still then illegal in 16 U.S. Grant was distressed with the way the plot seemed to wander aimlessly, and he actually approached Hitchcock to complain about the script. Guess Who's Coming to Dinner won the Academy Award for Writing Original Screenplay for screenwriter, William Rose. This is reflected by Thornhill's line: "The only performance that will satisfy you is when I play dead.". The plot centers around Joanna’s return to her liberal upper class American home bringing her new fiancé to dinner to meet her parents, and the reaction of family and friends.

Despite its frothy appearance, the movie carries a number of underlying themes, the most important being that of theater and play-acting, wherein everyone is playing a part; no one is who they seem; and identity is in flux. The two plan to marry and she will return with him to Switzerland. Hitchcock, however, was not above inserting a Freudian joke as the last shot (which, notably, made it past contemporary censors). Prentice (Poitier), an African American she met while on a holiday in Hawaii. In an interview with Francois Truffaut ("Hitchcock / Truffaut"), Hitchcock said that he wanted to do something fun, light-hearted, and generally free of the symbolism permeating his other movies. The movie concerns Joanna Drayton, a young white American woman (Houghton) who has had a whirlwind romance with Dr. Alfred Hitchcock planned the film as a change of pace after his dark romantic thriller Vertigo a year earlier. Guess Who's Coming to Dinner is a 1967 award-winning comedy-drama movie starring Spencer Tracy, Katharine Hepburn, Sidney Poitier, and Katharine Houghton.

The film has several plot twists and a sly sense of humor, as well as a number of famous scenes, including one in which Grant's character is chased by a crop duster, and another in which Grant and leading lady Eva Marie Saint clamber over the faces of Mount Rushmore in an attempt to evade their enemies. Thornhill is framed for murder and forced to elude the police as well as the secret agents. A Manhattan advertising man, Roger Thornhill (played by Cary Grant), is mistaken for a government agent and pursued by spies who want to kill him. The film also features a famous title sequence by the graphic designer Saul Bass.

It is one of several Hitchcock movies with a film score by Bernard Herrmann. The screenplay was written by Ernest Lehman, who wanted to write "the Hitchcock picture to end all Hitchcock pictures"[1] (http://alt.tcm.turner.com/essentials/essential/fea_north.html). Carroll, and Martin Landau. The film stars Cary Grant, Eva Marie Saint, James Mason, Leo G.

North By Northwest is a 1959 MGM thriller by Alfred Hitchcock and is generally considered one of his best works.