This page will contain news stories about Max, as they become available.

Max

For other uses, see Max (disambiguation). A Max/MSP patch written and used by Autechre

Max is a graphical development environment for music and multimedia developed and maintained by San Francisco-based software company Cycling'74. It has been used for over fifteen years by composers, performers, software designers, researchers and artists interested in creating interactive software.

The Max program itself is highly modular, with most routines existing in the form of shared libraries. An API allows third-party development of new routines (called "external objects"). As a result, Max has a large userbase of programmers not affiliated with Cycling'74 who enhance the software with commercial and non-commercial extensions to the program. Because of its extensible design and graphical interface (which in a novel way represents the program structure and the GUI as presented to the user simultaneously), Max is widely regarded as the lingua franca for developing interactive music performance software.

History

Max was originally written by Miller Puckette at IRCAM in the 1980s to give composers access to an authoring system for interactive computer music. In the early 1990s a commercial version of the program (developed and extended by David Zicarelli) was released by Opcode Systems. The current commercial version of Max has been distributed by Zicarelli's company, Cycling'74, since 1999.

Max has a number of extensions and incarnations; most notably, a set of audio extensions to the software appeared in 1997. Called MSP, this "add-on" package for Max allowed for the manipulation of digital audio signals in real-time, allowing users to create their own synthesizers and effects processors (Max had previously been designed to interface with hardware synthesizers, samplers, etc. as a "control" language using MIDI or some other protocol). A second major package called Jitter was released in 2003, adding real-time video, 3-D, and matrix processing capability to the software.

In addition, a number of sibling and Max-like programs exist. IRCAM developed and maintained a concurrent version of Max for the NeXT (and later SGI and Linux), called Max/FTS (FTS standing for "Faster Than Sound", and being analogous to a forerunner to MSP enhanced by a hardware DSP board on the computer). A later version of the program was developed in Java (jMax) and is open-source. Puckette himself released an entirely re-designed program in the mid-1990s called Pd ("pure data", alternately "public domain"), which has a number of fundamental differences from the IRCAM original. Native Instruments markets a similar software called Reaktor. Reaktor is generally considered easier to use and learn than Max, albeit less powerful.

Apple has a very similar program called Quartz Composer focused on graphical compositions

Max Mathews

Max is named for Max Mathews, and can be considered a descendant of MUSIC, though its graphical nature disguises that fact. Additionally, the real-time image processing capability of Max also makes it the first MUSIC-N program capable of doing other things than music.

A large number of people use Max, even if they aren't aware of it. Max documents (called patchers) can be bundled into standalone applications and distributed free or sold commercially. In addition, Max can be used to author audio plugin software for major audio production systems.

With the increased integration of laptop computers into live music performance (in electronic music and elsewhere), Max/MSP and Max/Jitter have received quite a bit of attention as the development environment of choice for those serious about laptop music / laptop video performance.

Notable artists

  • Autechre
  • Monolake
  • Kit Clayton
  • Leafcutter John
  • Kevin Blechdom
  • Jamie Lidell
  • R. Luke DuBois / The Freight Elevator Quartet
  • Pauline Oliveros
  • Jonny Greenwood of Radiohead

Many other artists use Max/MSP/Jitter, but prefer not to mention it. For more on this subject, see this discussion on the Max/MSP mailing list.


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For more on this subject, see this discussion on the Max/MSP mailing list. Even her name may be a pun on one of the first magical girl shows, Minky Momo or, indeed Namco's own Wonder Momo. Many other artists use Max/MSP/Jitter, but prefer not to mention it. When she transforms, it is accompanied by a henshin sequence. With the increased integration of laptop computers into live music performance (in electronic music and elsewhere), Max/MSP and Max/Jitter have received quite a bit of attention as the development environment of choice for those serious about laptop music / laptop video performance. Her outfit was made to resemble a futuristic Japanese schoolgirl's uniform, her weapons appear as magical rods and later as an Ether-based composite bow, and among her Ether skills is the ability to transform into a more powerful version of herself, complete with a colorful costume. In addition, Max can be used to author audio plugin software for major audio production systems. In Xenosaga Episode I, MOMO seems to have been designed as an homage to the magical girl genre.

Max documents (called patchers) can be bundled into standalone applications and distributed free or sold commercially. (Literally, "cherry water"). A large number of people use Max, even if they aren't aware of it. 'Kirschwasser' is a German word for cherry brandy. Additionally, the real-time image processing capability of Max also makes it the first MUSIC-N program capable of doing other things than music. Furthermore, the series of Realians that were originally based on Sakura's form and used to create MOMO are known as "Kirschwassers". Max is named for Max Mathews, and can be considered a descendant of MUSIC, though its graphical nature disguises that fact. It should be noted that Sakura is japanese for cherry blossom.

Apple has a very similar program called Quartz Composer focused on graphical compositions. In Japanese, "Momo" means peach or peach blossom. Reaktor is generally considered easier to use and learn than Max, albeit less powerful. The cyborg Ziggy (Ziggurat 8), assigned to protect MOMO, acts as a father figure for her (it was, in fact, MOMO who gave him the nickname "Ziggy"). Native Instruments markets a similar software called Reaktor. Juli Mizrahi, the wife of Joachim and mother of Sakura, is unsettled by MOMO, who is programmed to feel human emotion and wishes desperately for attention from Juli, whom she considers her mother. Puckette himself released an entirely re-designed program in the mid-1990s called Pd ("pure data", alternately "public domain"), which has a number of fundamental differences from the IRCAM original. (who knew Sakura) has a special connection with MOMO.

A later version of the program was developed in Java (jMax) and is open-source. For this reason, Jr. IRCAM developed and maintained a concurrent version of Max for the NeXT (and later SGI and Linux), called Max/FTS (FTS standing for "Faster Than Sound", and being analogous to a forerunner to MSP enhanced by a hardware DSP board on the computer). MOMO was created by the famous scientist Joachim Mizrahi to resemble and replace his daughter, Sakura Mizrahi, who tragically died at the age MOMO now appears to be. In addition, a number of sibling and Max-like programs exist. She has the appearance of a little girl. A second major package called Jitter was released in 2003, adding real-time video, 3-D, and matrix processing capability to the software. MOMO Mizrahi ("Multiple Observative Mimetic Organicus") is a Realian—more specifically, a prototype 100 Series Observational Realian—developed with special technology to combat Gnosis and utilize the Hilbert Effect.

as a "control" language using MIDI or some other protocol). Japanese Voice Actor: Rumi Shishido. Called MSP, this "add-on" package for Max allowed for the manipulation of digital audio signals in real-time, allowing users to create their own synthesizers and effects processors (Max had previously been designed to interface with hardware synthesizers, samplers, etc. II). Max has a number of extensions and incarnations; most notably, a set of audio extensions to the software appeared in 1997. I) / Christina Puccelli (Ep. The current commercial version of Max has been distributed by Zicarelli's company, Cycling'74, since 1999. English Voice Actor: Sherry Lynn (Ep.

In the early 1990s a commercial version of the program (developed and extended by David Zicarelli) was released by Opcode Systems. Eyes: Yellow. Max was originally written by Miller Puckette at IRCAM in the 1980s to give composers access to an authoring system for interactive computer music. Hair: Pink. . Age: Appears to be approximately 12 (14, assuming she was born when Old Miltia was abandoned.). Because of its extensible design and graphical interface (which in a novel way represents the program structure and the GUI as presented to the user simultaneously), Max is widely regarded as the lingua franca for developing interactive music performance software. Weight: 79 lbs (36 kg).

As a result, Max has a large userbase of programmers not affiliated with Cycling'74 who enhance the software with commercial and non-commercial extensions to the program. Height: 4' 8" (141 cm). An API allows third-party development of new routines (called "external objects"). Sex: Female. The Max program itself is highly modular, with most routines existing in the form of shared libraries. It has been used for over fifteen years by composers, performers, software designers, researchers and artists interested in creating interactive software.

Max is a graphical development environment for music and multimedia developed and maintained by San Francisco-based software company Cycling'74. Jonny Greenwood of Radiohead. Pauline Oliveros. Luke DuBois / The Freight Elevator Quartet.

R. Jamie Lidell. Kevin Blechdom. Leafcutter John.

Kit Clayton. Monolake. Autechre.