This page will contain additional articles about Marvin Gaye, as they become available.Marvin GayeMarvin Gaye on the cover of his 1971 classic album What's Going On.Marvin Gaye (Marvin Pentz Gay, Jr.) (April 2, 1939 - April 1, 1984) was an African American pop, soul and R&B singer who gained international fame during the 1960s and 1970s as an artist on the Motown label. His best records are still highly regarded, and he is often cited as one of the finest singers of his era. Along with Stevie Wonder, Gaye is notable for fighting the hitmaking but creatively restrictive Motown record-making process, in which performers and songwriters/record producers were generally kept in separate camps. Gaye forced Motown to release his 1971 album What's Going On, which is today hailed as one of the best soul albums of all time. Subsequent releases proved that Gaye, who had been a part-time songwriter for Motown artists during his early years with the label, could write and produce his own singles without having to rely on the Motown system. This achievement would pave the way for the successes of later self-sufficient singer-songwriter-producers in Black music, such as Michael Jackson, Luther Vandross, Babyface, and R. Kelly. BiographyEarly life and careerGaye was born Marvin Pentz Gay, Jr. (He later added the "e" to imitate Sam Cooke, who did the same) in Washington, D.C., the son of the Reverend Marvin Gay, Sr., an ordained minister in the House of God, a conservative Christian sect which takes some elements of Pentecostalism and Orthodox Judaism. The church has very strict codes of conduct and does not celebrate any holidays. Gaye got his start singing in the church choir, later learning to play the piano and drums to escape from his physically abusive father. After high school, Gaye joined the United States Air Force and then, after being discharged, joined several doo wop groups, settling on The Rainbows, a popular local group in D.C.. With Bo Diddley, The Rainbows released a single, "Wyatt Earp" in 1958 on Okeh, and were then recruited by Harvey Fuqua to become The Moonglows. "Mama Loocie", relased in 1959 on Chess Records, was Gaye's first single with the Moonglows. After a concert in Detroit, Michigan, Gaye was recruited for a solo career by Berry Gordy, Jr. of Motown Records. Joining the Motown and Gordy familiesAs a session drummer and part-time songwriter, Gaye worked with The Miracles, The Contours, Martha & the Vandellas, and other Motown acts. Most notably, he is the drummer on Little Stevie Wonder's 1963 #1 hit "Fingertips--Pt. 2", and co-wrote Marth & the Vandellas' 1964 hit "Dancing in the Street" and The Marvelettes' 1965 hit "Beechwood 4-5789". Popular and well-liked around Motown, Gaye already carried himself in a sophisiticated, gentleman-like manner, and had little need of training from Motown's in-house Artist Development director Miss Maxine Powell. Not only part of the Motown family, he also became part of the Gordy family when he married Berry Gorsy's sister Anna in 1961. Marvin Gaye's first three Motown singles were all unsuccessful; he fnally scored a minor hit with his fourth attempt, "Stubborn Kind of Fellow", in 1962. The single was written by Smokey Robinson, who created the title as a sly reference to the sometimes moody Gaye. 1963's "Hitch Hike" and "Can I Get a Witness" were also minor hits. "Pride and Joy" (1963) became a smash hit, but Gaye was discontented with the role he felt Motown Records kept him locked in, as a romantic balladeer and crooner, aiming always for chart success in the singles market. He wanted instead to be a pop singer in the vein of Nat King Cole or Frank Sinatra, but settled for a blend of the styles of those artists and performers such as Jackie Wilson and his role model Sam Cooke. Marvin Gaye & Tammi TerrellA number of Gaye's hit singles for Motown were duets with female artists such as Mary Wells, Kim Weston and Tammi Terrell; the first Gaye/Wells album, 1964's Together, was Gaye's first charting album. Terrell and Gaye in particular had a good rapport, and their first album together, 1967's United, birthed the massive hits "Ain't No Mountain High Enough" and "Your Precious Love". Real life couple Nickolas Ashford and Valerie Simpson provided the writing and production for the Gaye/Terrell records; while Gaye and Terrell themselves were not lovers, they convincingly portrayed lovers on record. On October 14, 1967, Terrell collapsed into Gaye's arms onstage while they were performing at the Hampden-Sydney College homecoming in Virginia. She was later diagnosed with a brain tumor, and her health continued to deterirate. Motown decided to try and carry on with the Gaye/Terrell recordings, issuing the You're All I Need album in 1968, which featured the hits "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". Half of the songs on You're All I Need were actual Gaye/Terrell duets, but the other half were Terrell solo songs with Gaye's vocals overdubbed onto them. By the time on the final Gaye/Terrell album, Easy, in 1969, Terrell's vocals were performed mostly by Valerie Simpson. Terrell's illness began a depression in Gaye; when his Norman Whitfield-produced "I Heard It Through the Grapevine" hit #1 on the US pop charts for seven weeks in 1968/1969 and became the biggest seling single in Motown history to that point, he refused to acknowledge his success, feeling that it was undeserved. Meanwhile, Gaye's marriage was crumbling and he continued to feel irrelevant, singing endlessly about love while popular music underwent a revolution and began addressing social and political issues. What's Going OnTammi Terrell died of brain cancer on March 17, 1970. Gaye subsequently went into self-seclusion, and did not record or perform for nearly two years. He tried various spirit-lifting diversions, including a short-lived attempt at a football career with the Detroit Lions, but continued to feel pain with no form of self-expression. As a result, he began recording the tracks that would eventually comprise his best-known work, What's Going On, handling all of his own production and most of his own songwriting What's Going On was a politically-charged and deeply personal Motown album, notable for including elements of jazz and classical music. The record was among the first soul records to place emphasis on political and social concerns such as environmentalism, political corruption, drug abuse, and the Vietnam War. Gaye was inspired to write about the war by his brother, Frankie Gay, who had just returned from the front lines. The album's first single, also titled "What's Going On", addressed the political and social troubles of the world in a soulful, introspective way, contrasting to the more dramatic socially concious records made by Sly & the Family Stone and The Temptations over the previous three years. Four Tops member Renaldo "Obie" Benson and songwriter Al Clevland wrote an initial rough version of the song, which Gaye took and collaborated with them to finish. On the finished track, as Gaye musically ponders on the state of the world, a party can be heard going on in the background, from which Gaye's voice is purposefully detached. The partygoers are portrayed by Mel Farr and Lem Barney of the Detroit Lions, whose acquantances Gaye had made during his short-lived football career. When Gaye delivered the album and single for release, Berry Gordy refused to release the album. He considered the record far too political and unfamiliar in sound to be commercially successful. Gaye stood his ground; he wanted to be able to express himself, and not Gordy's or Motown's version of himself, on record. Gordy eventually gave in, certain that the record would flop; What's Going On ended up having three Top Ten singles. What's Going On became one of the most memorable soul albums of all time, and, based upon its themes, the concept album became the next new frontier for soul music. It has been called "the most important and passionate record to come out of soul music, delivered by one of its finest voices." [1] (http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:ui6xlfwe5cqu~T1) Let's Get It On and follow-ups1973's Let's Get It On was a sexually and romantically charged album that was very successful on the charts and remains "a record unparalleled in its sheer sensuality and carnal energy." [2] (http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:4sj20r8ac48n) Gaye teamed up with Diana Ross for Diana & Martin, an album of duets that began recording in 1971, while Ross was pregnant with her first child, Rhonda. Gaye, a longtime marijuana user, refused to put out his joints out for the pregnant Ross, who immediately complained to Berry Gordy about the issue. Gaye refused to sing if he couldn't smoke in the studio, and the duets album was recorded by overdubing Ross and Gaye at separate studio session dates. Gaye released I Want You by himself as his marriage finally ended in 1975. As part of the divorce settlement, Gaye agreed to record a new album and remit a portion of the royalties to Anna as alimony. The result was 1978's Here, My Dear, a deeply personal album that so clearly detailed the sour points of Gaye's former marriage that Anna Gordy considered suing him for invading her privacy. After a failed single and a rapidly failing new marriage to a teenage girl, Gaye moved to Hawaii. Tax problems and drug addictions haunted him, and after failing to get Motown labelmate Smokey Robinson to loan him money to take care of the tax issues, Gaye was forced to move to Amsterdam, Netherlands in 1981. Later career and deathIn Europe, Gaye began working on In Our Lifetime?, a complex and deeply personal record. When Motown issued the album in 1981, Gaye was livid: he accused Motown of editing and remixing the album without his consent, altering the album art he requested, and removing the question mark from the title (rendering the intended irony imperceptable). He negotiated a release from the label and signed with Columbia Records in 1982 and released Midnight Love the same year. Midnight Love included "Sexual Healing", one of Gaye's most famous songs, and his final big hit. Gaye's refound fame pushed him even deeper into drug addiction and he attempted to isolate himself by moving into his parent's house. He threatened to commit suicide several times after numerous bitter arguments with his father, Marvin, Sr. On April 1, 1984, one day before his forty-fifth birthday, Gaye was shot and killed by his father in an argument, becoming a famous victim of filicide. Gaye's relatives claimed that he had purposely pushed his father to the edge so that he could have Marvin, Sr. kill him instead of having to commit suicide. After some posthumous releases cemented his memory in the popular consciousness, Gaye was inducted into the Rock and Roll Hall of Fame in 1987. Marvin Gay, Sr. died of pneumonia in 1998. Legacy and tributesEven before Gaye died, there had already been tributes to the singer. In 1983, the British group Spandau Ballet recorded the single "True" as a partial tribute to both Gaye and the Motown sound he helped establish. A year after his death, The Commodores made reference to Gaye's death in their 1985 song "Night Shift". Former Motown alum Diana Ross also paid tribute with her Top 10 pop single "Missing You" around the same time. Marvin Gaye was inducted into the Rock and Roll Hall of Fame in 1987. In 1999, the R&B world paid its respects to Gaye in a tribute album, Marvin Is 60. Two years later, in October 2001, an all-star cover of "What's Going On", produced by Jermaine Dupri, was issued as a benefit single for Artists Against AIDS Worldwide. The single, which was also a reaction to the September 11, 2001 tragedy, featured contributions from a plethora of stars, including Christina Aguilera, Mary J. Blige, Bono, Destiny's Child, Fred Durst of Limp Bizkit, Nelly Furtado, Alicia Keys, Aaron Lewis, Nas, *NSYNC, P. Diddy, ?uestlove, Britney Spears, and Gwen Stefani[3] (http://www.aaaw.org/press/pr_10_22_01.html). The "What's Going On" cover also featured Marvin Gaye's only daughter, Nona Gaye, a successful singer and actress in her own right. As noted, Gaye helped gave rise to the "singer/soulwriter" in Black music. In addition, Gaye's music was often used as one of the reference point for what became known as nu soul or neo soul in the late-1990s: a nostalgic-based sound that seeks to duplicate a 1970s soul music feel, while adding hip hop and contemporary R&B elements to the mix. Through his work is widely influential, it eventually became a neo-soul cliche to cite Gaye, Stevie Wonder, or Donny Hathaway as an influence, regardless of whether or not the citing artists' music actually reflected the qualities and creatvity inherent in Gaye's work. DiscographyAlbums
Selected sinlges
References
Further reading
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Through his work is widely influential, it eventually became a neo-soul cliche to cite Gaye, Stevie Wonder, or Donny Hathaway as an influence, regardless of whether or not the citing artists' music actually reflected the qualities and creatvity inherent in Gaye's work. The band regularly updates a road journal on their website (http://www.guster.com/), and can often be found after shows for autographs. In addition, Gaye's music was often used as one of the reference point for what became known as nu soul or neo soul in the late-1990s: a nostalgic-based sound that seeks to duplicate a 1970s soul music feel, while adding hip hop and contemporary R&B elements to the mix. The band is also known for their connection with their fans. As noted, Gaye helped gave rise to the "singer/soulwriter" in Black music. Guster's sound is also defined by their vocal harmonies, with both Ryan and Adam singing lead vocals on different songs; in "What You Wish For," all three sing different lyrics simultaneously. The "What's Going On" cover also featured Marvin Gaye's only daughter, Nona Gaye, a successful singer and actress in her own right. Ryan playing bass, Brian playing drum kit). Diddy, ?uestlove, Britney Spears, and Gwen Stefani[3] (http://www.aaaw.org/press/pr_10_22_01.html). The complexity of the new album required the addition of Joe Pisapia (guitar, keyboards, backup vocals), as well as allowed the original members to diversify their instrument choice (e.g. Blige, Bono, Destiny's Child, Fred Durst of Limp Bizkit, Nelly Furtado, Alicia Keys, Aaron Lewis, Nas, *NSYNC, P. violin, bass, drum kit), their live shows generally kept this line up until the Keep It Together tour. The single, which was also a reaction to the September 11, 2001 tragedy, featured contributions from a plethora of stars, including Christina Aguilera, Mary J. While Guster's studio albums include more instruments (e.g. Two years later, in October 2001, an all-star cover of "What's Going On", produced by Jermaine Dupri, was issued as a benefit single for Artists Against AIDS Worldwide. Brian Rosenworcel, the band's primary percussionist, adds to Guster's unique sound with a combination of bongos, cymbals, and other drums, playing many live shows using only his bare hands. In 1999, the R&B world paid its respects to Gaye in a tribute album, Marvin Is 60. The characteristic usually first brought up about the band is their choice of instruments: two members playing acoustic guitars, and one member playing drums and various percussion. Marvin Gaye was inducted into the Rock and Roll Hall of Fame in 1987. A live album, Guster on Ice, compiled from two shows at Portland, Maine in December, 2003, was released in 2004. Former Motown alum Diana Ross also paid tribute with her Top 10 pop single "Missing You" around the same time. The band released their fourth album, Keep It Together in 2003, with the first single, "Amsterdam", getting significant play on the radio. A year after his death, The Commodores made reference to Gaye's death in their 1985 song "Night Shift". The band also released their first video, a song from L&GF entitled "Fa Fa". In 1983, the British group Spandau Ballet recorded the single "True" as a partial tribute to both Gaye and the Motown sound he helped establish. With the backing of a major label, the band appeared on late night shows like David Letterman. Even before Gaye died, there had already been tributes to the singer. A year later, the band released the album Lost and Gone Forever, produced by Steve Lillywhite. died of pneumonia in 1998. In 1998 the band signed to Sire Records and re-released Goldfly. Marvin Gay, Sr. Shortly after the release of Parachute another artist called Gus signed a deal with a major record company, forcing the band to rename themselves "Guster." In 1996, the band independently recorded their second album, Goldfly, releasing it early the next year. After some posthumous releases cemented his memory in the popular consciousness, Gaye was inducted into the Rock and Roll Hall of Fame in 1987. The band independently recorded their first album in 1994, entitled Parachute, while still in college. kill him instead of having to commit suicide. A year later, after writing a few songs in their dorm rooms, the band named themselves "Gus" and booked their first gig. On April 1, 1984, one day before his forty-fifth birthday, Gaye was shot and killed by his father in an argument, becoming a famous victim of filicide. Gaye's relatives claimed that he had purposely pushed his father to the edge so that he could have Marvin, Sr. The band members met during freshman orientation at Tufts University in 1991. He threatened to commit suicide several times after numerous bitter arguments with his father, Marvin, Sr. Guster is an acoustic rock band, originally formed in Boston, Massachusetts by members Ryan Miller (guitar/vocals), Adam Gardner (guitar/vocals), and Brian Rosenworcel (drums/percussion). Gaye's refound fame pushed him even deeper into drug addiction and he attempted to isolate himself by moving into his parent's house. 1994 - Parachute. Midnight Love included "Sexual Healing", one of Gaye's most famous songs, and his final big hit. 1997 - Goldfly. He negotiated a release from the label and signed with Columbia Records in 1982 and released Midnight Love the same year. 1999 - Lost and Gone Forever. When Motown issued the album in 1981, Gaye was livid: he accused Motown of editing and remixing the album without his consent, altering the album art he requested, and removing the question mark from the title (rendering the intended irony imperceptable). 2003 - Keep It Together. In Europe, Gaye began working on In Our Lifetime?, a complex and deeply personal record. 2004 - Guster on Ice. Tax problems and drug addictions haunted him, and after failing to get Motown labelmate Smokey Robinson to loan him money to take care of the tax issues, Gaye was forced to move to Amsterdam, Netherlands in 1981. After a failed single and a rapidly failing new marriage to a teenage girl, Gaye moved to Hawaii. The result was 1978's Here, My Dear, a deeply personal album that so clearly detailed the sour points of Gaye's former marriage that Anna Gordy considered suing him for invading her privacy. As part of the divorce settlement, Gaye agreed to record a new album and remit a portion of the royalties to Anna as alimony. Gaye released I Want You by himself as his marriage finally ended in 1975. Gaye refused to sing if he couldn't smoke in the studio, and the duets album was recorded by overdubing Ross and Gaye at separate studio session dates. Gaye, a longtime marijuana user, refused to put out his joints out for the pregnant Ross, who immediately complained to Berry Gordy about the issue. Gaye teamed up with Diana Ross for Diana & Martin, an album of duets that began recording in 1971, while Ross was pregnant with her first child, Rhonda. 1973's Let's Get It On was a sexually and romantically charged album that was very successful on the charts and remains "a record unparalleled in its sheer sensuality and carnal energy." [2] (http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:4sj20r8ac48n). It has been called "the most important and passionate record to come out of soul music, delivered by one of its finest voices." [1] (http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:ui6xlfwe5cqu~T1). What's Going On became one of the most memorable soul albums of all time, and, based upon its themes, the concept album became the next new frontier for soul music. Gordy eventually gave in, certain that the record would flop; What's Going On ended up having three Top Ten singles. Gaye stood his ground; he wanted to be able to express himself, and not Gordy's or Motown's version of himself, on record. He considered the record far too political and unfamiliar in sound to be commercially successful. When Gaye delivered the album and single for release, Berry Gordy refused to release the album. The partygoers are portrayed by Mel Farr and Lem Barney of the Detroit Lions, whose acquantances Gaye had made during his short-lived football career. On the finished track, as Gaye musically ponders on the state of the world, a party can be heard going on in the background, from which Gaye's voice is purposefully detached. Four Tops member Renaldo "Obie" Benson and songwriter Al Clevland wrote an initial rough version of the song, which Gaye took and collaborated with them to finish. The album's first single, also titled "What's Going On", addressed the political and social troubles of the world in a soulful, introspective way, contrasting to the more dramatic socially concious records made by Sly & the Family Stone and The Temptations over the previous three years. Gaye was inspired to write about the war by his brother, Frankie Gay, who had just returned from the front lines. The record was among the first soul records to place emphasis on political and social concerns such as environmentalism, political corruption, drug abuse, and the Vietnam War. What's Going On was a politically-charged and deeply personal Motown album, notable for including elements of jazz and classical music. As a result, he began recording the tracks that would eventually comprise his best-known work, What's Going On, handling all of his own production and most of his own songwriting. He tried various spirit-lifting diversions, including a short-lived attempt at a football career with the Detroit Lions, but continued to feel pain with no form of self-expression. Gaye subsequently went into self-seclusion, and did not record or perform for nearly two years. Tammi Terrell died of brain cancer on March 17, 1970. Meanwhile, Gaye's marriage was crumbling and he continued to feel irrelevant, singing endlessly about love while popular music underwent a revolution and began addressing social and political issues. Terrell's illness began a depression in Gaye; when his Norman Whitfield-produced "I Heard It Through the Grapevine" hit #1 on the US pop charts for seven weeks in 1968/1969 and became the biggest seling single in Motown history to that point, he refused to acknowledge his success, feeling that it was undeserved. By the time on the final Gaye/Terrell album, Easy, in 1969, Terrell's vocals were performed mostly by Valerie Simpson. Half of the songs on You're All I Need were actual Gaye/Terrell duets, but the other half were Terrell solo songs with Gaye's vocals overdubbed onto them. Motown decided to try and carry on with the Gaye/Terrell recordings, issuing the You're All I Need album in 1968, which featured the hits "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By". She was later diagnosed with a brain tumor, and her health continued to deterirate. On October 14, 1967, Terrell collapsed into Gaye's arms onstage while they were performing at the Hampden-Sydney College homecoming in Virginia. Real life couple Nickolas Ashford and Valerie Simpson provided the writing and production for the Gaye/Terrell records; while Gaye and Terrell themselves were not lovers, they convincingly portrayed lovers on record. Terrell and Gaye in particular had a good rapport, and their first album together, 1967's United, birthed the massive hits "Ain't No Mountain High Enough" and "Your Precious Love". A number of Gaye's hit singles for Motown were duets with female artists such as Mary Wells, Kim Weston and Tammi Terrell; the first Gaye/Wells album, 1964's Together, was Gaye's first charting album. He wanted instead to be a pop singer in the vein of Nat King Cole or Frank Sinatra, but settled for a blend of the styles of those artists and performers such as Jackie Wilson and his role model Sam Cooke. "Pride and Joy" (1963) became a smash hit, but Gaye was discontented with the role he felt Motown Records kept him locked in, as a romantic balladeer and crooner, aiming always for chart success in the singles market. 1963's "Hitch Hike" and "Can I Get a Witness" were also minor hits. The single was written by Smokey Robinson, who created the title as a sly reference to the sometimes moody Gaye. Marvin Gaye's first three Motown singles were all unsuccessful; he fnally scored a minor hit with his fourth attempt, "Stubborn Kind of Fellow", in 1962. Not only part of the Motown family, he also became part of the Gordy family when he married Berry Gorsy's sister Anna in 1961. Popular and well-liked around Motown, Gaye already carried himself in a sophisiticated, gentleman-like manner, and had little need of training from Motown's in-house Artist Development director Miss Maxine Powell. 2", and co-wrote Marth & the Vandellas' 1964 hit "Dancing in the Street" and The Marvelettes' 1965 hit "Beechwood 4-5789". Most notably, he is the drummer on Little Stevie Wonder's 1963 #1 hit "Fingertips--Pt. As a session drummer and part-time songwriter, Gaye worked with The Miracles, The Contours, Martha & the Vandellas, and other Motown acts. of Motown Records. After a concert in Detroit, Michigan, Gaye was recruited for a solo career by Berry Gordy, Jr. "Mama Loocie", relased in 1959 on Chess Records, was Gaye's first single with the Moonglows. With Bo Diddley, The Rainbows released a single, "Wyatt Earp" in 1958 on Okeh, and were then recruited by Harvey Fuqua to become The Moonglows. After high school, Gaye joined the United States Air Force and then, after being discharged, joined several doo wop groups, settling on The Rainbows, a popular local group in D.C. Gaye got his start singing in the church choir, later learning to play the piano and drums to escape from his physically abusive father. The church has very strict codes of conduct and does not celebrate any holidays. Gaye was born Marvin Pentz Gay, Jr. (He later added the "e" to imitate Sam Cooke, who did the same) in Washington, D.C., the son of the Reverend Marvin Gay, Sr., an ordained minister in the House of God, a conservative Christian sect which takes some elements of Pentecostalism and Orthodox Judaism. Kelly. This achievement would pave the way for the successes of later self-sufficient singer-songwriter-producers in Black music, such as Michael Jackson, Luther Vandross, Babyface, and R. Subsequent releases proved that Gaye, who had been a part-time songwriter for Motown artists during his early years with the label, could write and produce his own singles without having to rely on the Motown system. Gaye forced Motown to release his 1971 album What's Going On, which is today hailed as one of the best soul albums of all time. Along with Stevie Wonder, Gaye is notable for fighting the hitmaking but creatively restrictive Motown record-making process, in which performers and songwriters/record producers were generally kept in separate camps. His best records are still highly regarded, and he is often cited as one of the finest singers of his era. Marvin Gaye (Marvin Pentz Gay, Jr.) (April 2, 1939 - April 1, 1984) was an African American pop, soul and R&B singer who gained international fame during the 1960s and 1970s as an artist on the Motown label. New York/Philadelphia: Basic Civitas. ISBN 0-465-01769-X. Mercy, Mercy Me: The Art, Loves, and Demons of Marvin Gaye. Dyson, Michael Eric (2004). New York: Harmony Books. The Top 100 Rock 'n' Roll Albums of All Time. Gambaccini, Paul (1987). ISBN 030681191X. Cambridge, Mass: Da Capo Press. Divided Soul: The Life of Marvin Gaye. Ritz, David (1986). ISBN 037-550062-6. New York: Random House. Motown : Music, Money, Sex, and Power. Posner, Gerald (2002). Detroit Free Press. Marvin Gaye: a life marked by complexity (http://www.freep.com/motownat40/archives/040884mo.htm). Kim (April 8, 1984). Heron, W. 1973: "Stop, Look, Listen (To Your Heart)". 1973: "You're a Special Part of Me". 1970: "The Onion Song" (actually performed by Gaye and Valerie Simpson). 1969: "Good Lovin' Ain't Easy to Coem By". 1968: "Ain't Nothing Like the Real Thing". 1968: "You're All I Need to Get By". 1967: "Your Precious Love". 1967: "Ain't No Mountain High Enough". 1966: "It Takes Two". 1982: "Sexual Healing". 1977: "Got To Give It Up". 1976: "I Want You". 1974: "Distant Lover". 1973: "Let's Get It On". 1972: "Trouble Man". 1971: "Inner City Blues (Make Me Wanna Holler)". 1971: "Mercy Mercy Me (The Ecology)". 1971: "What's Going On". 1969: "Too Busy Thinking About My Baby". 1968: "I Heard It Through the Grapevine" (US #1). 1965: "Ain't That Peculiar". 1964: "How Sweet It Is (To Be Loved By You)". 1963: "Pride & Joy". 1963: "Can I Get a Witness". 1973: Diana & Marvin. 1969: Easy. 1968: You're All I Need. 1967: United. 1964: Together. 1982: Midnight Love. 1981: In Our Lifetime. 1978: Here, My Dear. 1977: Live at the London Palladium. 1976: I Want You. 1974: Marvin Gaye Live!. 1973: Let's Get It On. 1972: Trouble Man (soundtrack). 1971: What's Going On. 1970: That's The Way Love Is. 1969: Marvin Gaye & His Girls. 1969: M.P.G.. 1968: In the Groove (reissued in 1969 as I Heard It Through the Grapevine). 1966: The Moods of Marvin Gaye. 1965: A Tribute To The Great Nat "King" Cole. 1965: How Sweet It Is To Be Loved By You. 1964: When I'm Alone I Cry. 1964: Hello Broadway. 1963: Recorded Live on Stage. 1963: That Stubborn Kinda Fellow. 1961: The Soulful Moods of Marvin Gaye. |