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Marty Feldman

Marty Feldman (July 8, 1933 - December 2, 1982). English writer, comedian and film and television actor, famous for his bulging eyes, which were the result of a thyroid condition.

Like Spike Milligan, Feldman started his show-business career as a trumpet player, but soon turned to comedy. He formed a flourishing writing partnership with Barry Took in 1954. For British television they wrote sitcoms The Army Game, Bootsie and Snudge, and most notably the ground-breaking BBC radio show Round the Horne, which starred Kenneth Horne and Kenneth Williams. He was also a writer on The Frost Report with several future Pythons.

The television sketch comedy series At Last the 1948 Show featured Feldman's first screen performances. In one memorable sketch, first broadcast on March 1, 1967, Feldman harassed a patient shop assistant (John Cleese) for a series of fictitious books, finally achieving success with Ethel the Aardvark goes Quantity Surveying. The sketch was revived as part of the Monty Python stage show repertoire (without Feldman).

Following his success on At Last the 1948 Show, Feldman had a memorable series of his own shows on the BBC, called It's Marty. His performances on American television included The Dean Martin Show and Marty Feldman's Comedy Machine.

He is remembered for his role as the hunchback Igor in Young Frankenstein - in which, as usual, many of his lines were improvised.

Feldman appeared in The Adventure of Sherlock Holmes's Smarter Brother and several Mel Brooks films, including Silent Movie and Young Frankenstein. He directed and starred in The Last Remake of Beau Geste and died from a heart attack in Mexico filming his last performance in the film Yellowbeard.

He also released one long playing record called I Feel A Song Going Off (1969), re-released as The Crazy World of Marty Feldman. The songs were written, not by him, but by Dennis King, John Junkin and Bill Solly (a writer for Max Bygraves and The Two Ronnies).1

Feldman was an active member of the Communist Party of Great Britain.

References

1Kettering Magazine (http://www.bodnotbod.org.uk/kettering) Issue #2.


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1Kettering Magazine (http://www.bodnotbod.org.uk/kettering) Issue #2. ISBN 0-7119-9195-2. Feldman was an active member of the Communist Party of Great Britain. Welsh, Chris (2002), Peter Grant: The Man Who Led Zeppelin, London: Omnibus Press. The songs were written, not by him, but by Dennis King, John Junkin and Bill Solly (a writer for Max Bygraves and The Two Ronnies).1. Paul's churchyard, Hellingly, Sussex. He also released one long playing record called I Feel A Song Going Off (1969), re-released as The Crazy World of Marty Feldman. Peter and St.

He directed and starred in The Last Remake of Beau Geste and died from a heart attack in Mexico filming his last performance in the film Yellowbeard. Grant was buried on December 4, 1995 at St. Feldman appeared in The Adventure of Sherlock Holmes's Smarter Brother and several Mel Brooks films, including Silent Movie and Young Frankenstein. His son Warren was by his side. He is remembered for his role as the hunchback Igor in Young Frankenstein - in which, as usual, many of his lines were improvised. On the afternoon of November 21, 1995 while driving to his home, Horselungs Manor in Sussex, he suffered a fatal heart attack. His performances on American television included The Dean Martin Show and Marty Feldman's Comedy Machine. In 1992, he appeared in the film Carry On Columbus as a cardinal.

Following his success on At Last the 1948 Show, Feldman had a memorable series of his own shows on the BBC, called It's Marty. Marital problems and the death of drummer John Bonham took its toll on Grant's health and after the official breakup of Led Zeppelin he virtually retired from the music business. The sketch was revived as part of the Monty Python stage show repertoire (without Feldman). Just as the negotiations had just begun, Elvis unfortunately passed away on August 16, 1977. In one memorable sketch, first broadcast on March 1, 1967, Feldman harassed a patient shop assistant (John Cleese) for a series of fictitious books, finally achieving success with Ethel the Aardvark goes Quantity Surveying. In 1977, Grant was asked by Colonel Tom Parker to manage a proposed tour of Europe by Elvis Presley. The television sketch comedy series At Last the 1948 Show featured Feldman's first screen performances. When Grant was once questioned on what was the single most important thing a manager could say, his response was "know when to say no".

He was also a writer on The Frost Report with several future Pythons. In 1975, Grant turned down a lucrative offer to manage Queen. For British television they wrote sitcoms The Army Game, Bootsie and Snudge, and most notably the ground-breaking BBC radio show Round the Horne, which starred Kenneth Horne and Kenneth Williams. He also managed Bad Company and Maggie Bell. Like Spike Milligan, Feldman started his show-business career as a trumpet player, but soon turned to comedy. He formed a flourishing writing partnership with Barry Took in 1954. In 1974, Grant was the driving force in establishing Swan Song Records which gave Led Zeppelin further financial and artistic control over its own products. English writer, comedian and film and television actor, famous for his bulging eyes, which were the result of a thyroid condition. Grant was also instrumental in setting up Led Zeppelin's publishing company Superhype, in 1969.

Marty Feldman (July 8, 1933 - December 2, 1982). Grant's famous dressing room scene in the film The Song Remains the Same where he demands an explanation from concert staff on the sale of illegal photos, was typical of his no-nonsense dealings with people who tried to profit at the band's expense. By promoting Led Zeppelin's concerts he ensured that ticket profits wound up in the hands of the band rather than in the hands of promoters and booking agents. Live performances were more important than television appearances – if you wanted to see Led Zeppelin you had to experience one of their performances. Grant strongly believed that bands could make more money and have more artistic merit by producing albums rather than churning out singles.

He negotiated a sizable five-year record contract with Atlantic Records and his business philosophy would eventually pay off for the label. Without Peter Grant, it would have been doubtful Led Zeppelin would have been as successful. He also travelled closely with The Yardbirds ensuring that all costs were kept to a minimum, that members were also paid on time, and demanded publicity and artistic control by the band. Grant's no-nonsense approach to promoters and persuasive presence was influential in The Yardbirds making money from its concerts for the first time.

The experience however did give him ideas, which were put to good use later with Led Zeppelin. Producer Mickie Most had suggested to Napier-Bell that his friend Peter Grant would be an asset to The Yardbirds, but as it eventuated, his arrival was too late to save the band. It was in late 1966 that Simon Napier-Bell asked Grant to take over management of The Yardbirds, who were constantly touring yet struggling financially. Both Most and Grant set up the highly successful RAK Records label which produced a string of Number 1 hits throughout the 1970s.

His management was established in the same 155 Oxford Street office used by his friend Mickie Most, who previously used to work with Grant at the 2 Is Coffee Bar. By 1964, Grant had started to manage his own acts including The Nashville Teens, The Flintstones, an all-girl group called She Trinity, The New Vaudeville Band and the early years of Jeff Beck and Terry Reid. In 1963, Grant was hired by promoter Don Arden to act as tour manager for artists such as Bo Diddley, The Everly Brothers, Little Richard, Brian Hyland, Chuck Berry, Eddie Cochran, Gene Vincent, and The Animals. As the acting roles dried up, Grant made more money taking groups such as The Shadows to gigs.

The money he made from these ventures was invested in his own entertainment transport business. He was also Robert Morley's double on many of that actor's films. Between 1958 and 1963, Grant appeared on a number of movies including A Night to Remember (as a crew member on the Titanic), The Guns of Navarone (a British commando), Cleopatra (a palace guard), and television shows The Saint, Crackerjack, Dixon of Dock Green, and The Benny Hill Show. It kindled his enthusiasm for acting and Grant was hired by film studios as a bit part actor, stuntman, and body-double.

He was spotted by a professional wrestler called Paul Lincoln, who gave Grant the opportunity to wrestle on television as "Count Massimo". He worked briefly as an entertainment manager at a hotel in Jersey before working as a bouncer and doorman at London's famous 2 Is Coffee Bar, where many figures in the British music industry got their start such as Cliff Richard, Adam Faith, Tommy Steele, and others. He attended Charterhouse public school until leaving at the age of 13, when he became a sheet metal factory worker in Croydon. Grant however was soon attracted to the entertainment industry and became a stagehand for the Croydon Empire theatre until leaving in 1953. Grant was born in the south London suburb of South Norwood, Surrey.

He was a manager for The Yardbirds, Led Zeppelin, and Bad Company, a record executive for Swan Song Records, and was responsible for improving pay and conditions for musicians in dealings with concert promoters. Peter Grant, (April 5, 1935 – November 21, 1995) was one of the most influential managers in rock and roll. Carry On Columbus (1992). Cleopatra (1963).

The Guns of Navarone (1961). A Night to Remember (1958).