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Marie Prevost

Marie Prevost (November 8, 1898 - January 23, 1937) was an actress of the early days of cinema.

Marie Prevost

Born Mary Bickford Dunn in Sarnia, Ontario, she was educated in a Catholic convent school in Montreal, Quebec. Following the early death of her beloved father, she moved with her mother and sister to Los Angeles, California. While working as a secretary, the girl applied and obtained an acting job at the Hollywood studio owned by Mack Sennett. Himself from a small town outside Montreal, Mack Sennett dubbed her as the exotic French girl, adding Mary Dunn to his collection of bathing beauties under the stage name of Marie Prevost.

Placed in numerous minor comedic roles as the sexy, innocent young girl, she worked in several films for Sennett's studio until 1921 when she signed with Universal Studios. At Universal, Marie Prevost was still relegated to light comedies and after making only eight films she left to sign with Warner Brothers in 1922. It was there that she got her first big break appearing in a standout role in the F. Scott Fitzgerald story, The Beautiful and the Damned. Her performance brought good reviews and director Ernst Lubitsch chose her for a major role opposite Adolphe Menjou in The Marriage Circle. Of her performance as the beautiful seductress, Ernst Lubitsch said that she was one of the few actresses in Hollywood who knew how to underplay comedy to achieve the maximum effect.

This impressive performance, praised by the New York Times, resulted in Lubitsch casting her in Three Women in 1924 and in Kiss Me Again the following year. But, just when her career was blossoming, tragedy struck her family again in 1926. While her mother was traveling in Florida with actress Vera Steadman and another Canadian friend, Hollywood studio owner, Al Christie, an automobile accident took her mother's life. Devastated, the loss of her only remaining parent led to an addiction to alcohol and to Marie Prevost's own ultimate destruction.

She tried to get past her personal torment by burying herself in her work, becoming one of the busiest actresses of the day, starring in numerous roles as the temptingly beautiful seductress who in the end was always the honorable heroine. However, her depression caused her to binge on food resulting in significant weight gain. By the 1930s she was working less and less being offered only secondary parts, frequently in humiliating roles as a cheap-talking floozy. As a result of all this, her income declined and her growing dependency on alcohol added to her weight problems. By 1934, she had no work at all and her financial situation deteriorated dramatically. The downward spiral became greatly aggravated when her weight problems forced her into repeated crash dieting in order to keep whatever bit part a movie studio offered.

At the age of 38, almost penniless, and living alone in a rundown apartment house, Marie Prevost died of alcoholism and malnutrition. Her body was not discovered for days, and the police report stated that her pet dachshund "had chewed up her arms and legs in a futile attempt to awaken her." Her pauper's burial place is unknown.

After having performed in 105 films Marie Prevost has now been honored with a Star on the Hollywood Walk of Fame at 6201 Hollywood Blvd.

Films

  • Two Crooks - (1917)
  • Her Nature Dance - (1917)
  • She Loved Him Plenty - (1918)
  • His Smothered Love - (1918)
  • His Hidden Purpose - (1918)
  • Hide and Seek Detectives - (1918)
  • The Village Chestnut - (1918)
  • Yankee Doodle in Berlin - (1919)
  • When Love is Blind - (1919)
  • Down on the Farm - (1920)
  • Love, Honor and Behave - (1920)
  • Nobody's Fool - (1921)
  • Princess Virtue - (1921)
  • A Parisian Scandal - (1921)
  • Don't Get Personal - (1922)
  • The Crossroads of New York - (1922)
  • Kissed - (1922)
  • Her Night of Nights - (1922)
  • Red Lights - (1922)
  • The Beautiful and the Damned - (1923)
  • Three Women - (1924)
  • The Marriage Circle - (1924)
  • Kiss Me Again - (1925)
  • Up In Mabel's Room - (1926)
  • Getting Gertie's Garter - (1927)
  • The Rush Hour - (1927)
  • Getting Gertie's Garter - (1927)
  • The Girl in the Pullman - (1927)
  • A Blonde for a Night - (1928)
  • Rush Hour - (1928)
  • Godless Girl - (1929)
  • The Flying Fool - (1929 )
  • The Sideshow - (1930)
  • Party Girl - (1930)
  • Ladies of Leisure - (1930)
  • Sweethearts on Parade - (1930)
  • War Nurse - (1930)
  • The Runaround - (1931)
  • The Good Bad Girl - (1931)
  • Reckless Living - (1931)
  • Slightly Married - (1932)
  • Hell Divers - (1931)
  • Strange Marriage - (1932)
  • Parole Girl - (1933)
  • The Eleventh Commandment - (1933)
  • Keystone Hotel - (1935)
  • Hands Across the Table - (1935)
  • Tango - (1936 )
  • Ten Laps To Go - (1937) - (Her final film)

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After having performed in 105 films Marie Prevost has now been honored with a Star on the Hollywood Walk of Fame at 6201 Hollywood Blvd. James Church, Gerrards Cross. Her body was not discovered for days, and the police report stated that her pet dachshund "had chewed up her arms and legs in a futile attempt to awaken her." Her pauper's burial place is unknown. She is buried along with her husband in the graveyard of St. At the age of 38, almost penniless, and living alone in a rundown apartment house, Marie Prevost died of alcoholism and malnutrition. She suffered from Alzheimer's disease at the end of her life, and died 11 days after her 80th birthday, of complications from a hip injury. The downward spiral became greatly aggravated when her weight problems forced her into repeated crash dieting in order to keep whatever bit part a movie studio offered. She was a cousin of the politician, Tony Benn.

By 1934, she had no work at all and her financial situation deteriorated dramatically. Rutherford was awarded an OBE in 1961 and in 1967 she was created a Dame of the British Empire (DBE). As a result of all this, her income declined and her growing dependency on alcohol added to her weight problems. Her husband was the actor Stringer Davis, whom she married in 1945 and with whom she often appeared. By the 1930s she was working less and less being offered only secondary parts, frequently in humiliating roles as a cheap-talking floozy. Rutherford won a Best Supporting Actress Academy Award for The VIPs (1963), as the absent-minded Duchess of Brighton, opposite Elizabeth Taylor and Richard Burton. However, her depression caused her to binge on food resulting in significant weight gain. In 1961, she first played the film role with which she was most often associated in later life, that of Miss Marple in a series of films based on the novels of Agatha Christie.

She tried to get past her personal torment by burying herself in her work, becoming one of the busiest actresses of the day, starring in numerous roles as the temptingly beautiful seductress who in the end was always the honorable heroine. In most of these films, she had originally played the role on stage. Devastated, the loss of her only remaining parent led to an addiction to alcohol and to Marie Prevost's own ultimate destruction. However, her appearance was such that romantic heroines were almost out of the question, and she soon established her name in comedy, appearing in many of the most successful British films of the mid-20th century. While her mother was traveling in Florida with actress Vera Steadman and another Canadian friend, Hollywood studio owner, Al Christie, an automobile accident took her mother's life. Born in London, she made her stage debut in 1925 at the Old Vic. But, just when her career was blossoming, tragedy struck her family again in 1926. Dame Margaret Rutherford (May 11, 1892 - May 22, 1972) was a British character actress who first came to prominence following World War II in the film adaptations of Noel Coward's Blithe Spirit, and Oscar Wilde's The Importance of Being Earnest.

This impressive performance, praised by the New York Times, resulted in Lubitsch casting her in Three Women in 1924 and in Kiss Me Again the following year. The VIPs (1963) (Best Supporting Actress Oscar). Of her performance as the beautiful seductress, Ernst Lubitsch said that she was one of the few actresses in Hollywood who knew how to underplay comedy to achieve the maximum effect. Murder Most Foul (1964). Her performance brought good reviews and director Ernst Lubitsch chose her for a major role opposite Adolphe Menjou in The Marriage Circle. Murder Ahoy (1964). Scott Fitzgerald story, The Beautiful and the Damned. Murder at the Gallop (1963).

It was there that she got her first big break appearing in a standout role in the F. Murder She Said (1961). At Universal, Marie Prevost was still relegated to light comedies and after making only eight films she left to sign with Warner Brothers in 1922. The Mouse that Roared (1959). Placed in numerous minor comedic roles as the sexy, innocent young girl, she worked in several films for Sennett's studio until 1921 when she signed with Universal Studios. The Happiest Days of Your Life (1950). Himself from a small town outside Montreal, Mack Sennett dubbed her as the exotic French girl, adding Mary Dunn to his collection of bathing beauties under the stage name of Marie Prevost. The Importance of Being Earnest (1952) (in which she played Miss Prism).

While working as a secretary, the girl applied and obtained an acting job at the Hollywood studio owned by Mack Sennett. Blithe Spirit (1945) (in which she played Madame Arcati). Following the early death of her beloved father, she moved with her mother and sister to Los Angeles, California. Born Mary Bickford Dunn in Sarnia, Ontario, she was educated in a Catholic convent school in Montreal, Quebec. Marie Prevost (November 8, 1898 - January 23, 1937) was an actress of the early days of cinema.

Ten Laps To Go - (1937) - (Her final film). Tango - (1936 ). Hands Across the Table - (1935). Keystone Hotel - (1935).

The Eleventh Commandment - (1933). Parole Girl - (1933). Strange Marriage - (1932). Hell Divers - (1931).

Slightly Married - (1932). Reckless Living - (1931). The Good Bad Girl - (1931). The Runaround - (1931).

War Nurse - (1930). Sweethearts on Parade - (1930). Ladies of Leisure - (1930). Party Girl - (1930).

The Sideshow - (1930). The Flying Fool - (1929 ). Godless Girl - (1929). Rush Hour - (1928).

A Blonde for a Night - (1928). The Girl in the Pullman - (1927). Getting Gertie's Garter - (1927). The Rush Hour - (1927).

Getting Gertie's Garter - (1927). Up In Mabel's Room - (1926). Kiss Me Again - (1925). The Marriage Circle - (1924).

Three Women - (1924). The Beautiful and the Damned - (1923). Red Lights - (1922). Her Night of Nights - (1922).

Kissed - (1922). The Crossroads of New York - (1922). Don't Get Personal - (1922). A Parisian Scandal - (1921).

Princess Virtue - (1921). Nobody's Fool - (1921). Love, Honor and Behave - (1920). Down on the Farm - (1920).

When Love is Blind - (1919). Yankee Doodle in Berlin - (1919). The Village Chestnut - (1918). Hide and Seek Detectives - (1918).

His Hidden Purpose - (1918). His Smothered Love - (1918). She Loved Him Plenty - (1918). Her Nature Dance - (1917).

Two Crooks - (1917).