This page will contain news stories about Mamie Smith, as they become available.

Mamie Smith

Mamie Smith on the sleeve of volume 1 of the Complete Recorded Works reissue collection

Mamie Smith (May 26, 1883 - September 16, 1946) was a vaudeville singer, dancer, pianist and actress, and appeared in several motion pictures late in her career. As a vaudeville singer she performed a number of styles including jazz and blues. She entered blues history by being the first African American to make vocal blues recordings in 1920.

Smith was born as Mamie Robinson in Cincinnati, Ohio. She toured with African-American vaudeville and minstrel shows until settling in New York City in 1913, where she worked as a cabaret singer. She appeared in songwriter Perry Bradford's musical "Made in Harlem" in 1918.

In early 1920, Okeh Records planned to record popular singer Sophie Tucker performing a pair of songs by Perry Bradford. Tucker was ill and could not make it to the session; Bradford persuaded Okeh to allow Mamie Smith to record in Tucker's place. Smith recorded two sides ("That Thing Called Love" and "You Can't Keep A Good Man Down") on February 14, 1920, backed by a white studio band. Smith's record sold moderately well, so she and Bradford were invited back to make additional recordings. On August 10 of 1920, Smith recorded the Bradford-penned "Crazy Blues" and "It's Right Here For You, If You Don't Get It, 'Tain't No Fault of Mine". These were the first recordings of vocal blues by an African American singer, and the record became an explosive best seller, selling a million copies in one year. To the surprise of record companies, large numbers of the record were purchased by African-Americans, a market the record industry had hitherto neglected. "Crazy Blues" in particular was noted as a distinctively "colored" number performed by a "colored" performer. Although other African Americans had been recorded earlier (going back to George W. Johnson in the 1890s), they were all black artists who had a substantial following with white audiences. The success of Smith's record prompted record companies to seek to record other female blues singers and started the era of what is now known as classic female blues. It also opened up the record industry to recordings by and for African Americans in other genres.

Mamie Smith continued to make a series of popular recordings for Okeh throughout the 1920s. She also made some records for Victor. She toured the United States and Europe with her band "Mamie Smith & Her Jazz Hounds" as part of "Mamie Smith's Struttin' Along Review". She was billed as "The Queen of the Blues". (Shortly later, this billing of Mamie Smith was one-upped by Bessie Smith, who called herself "The Empress of the Blues".)

Mamie Smith appeared in an early soundie, Jail House Blues, in 1929. She retired from recording and performing in 1931. She returned to performing in 1939 to appear in the motion picture Paradise in Harlem. She appeared in further films, including Mystery in Swing, Sunday Sinners (1940), Stolen Paradise, Murder on Lenox Avenue (1941), and Because I Love You (1943).


This page about Mamie Smith includes information from a Wikipedia article.
Additional articles about Mamie Smith
News stories about Mamie Smith
External links for Mamie Smith
Videos for Mamie Smith
Wikis about Mamie Smith
Discussion Groups about Mamie Smith
Blogs about Mamie Smith
Images of Mamie Smith

She appeared in further films, including Mystery in Swing, Sunday Sinners (1940), Stolen Paradise, Murder on Lenox Avenue (1941), and Because I Love You (1943). This edition of the band also toured extensively as part of a '70s rock nostalgia package through the early 2000s. She returned to performing in 1939 to appear in the motion picture Paradise in Harlem. A version of Styx featuring Shaw, Gowan, and sole remaining original member James Young released an album called Cyclorama in February, 2003. She retired from recording and performing in 1931. DeYoung continued his solo career (his biggest solo album was "Desert Moon"), and Chuck Panozzo announced he was HIV positive in 2001. Mamie Smith appeared in an early soundie, Jail House Blues, in 1929. Chuck Panozzo also left at this time - partly out of loyalty to DeYoung, and also to mourn his brother's death (Glen Burtnik returned to fill Chuck's bass duties).

(Shortly later, this billing of Mamie Smith was one-upped by Bessie Smith, who called herself "The Empress of the Blues".). Before he had a chance to return to the group - whose members were perfectly willing to wait for him to recover - DeYoung found himself replaced by Lawrence Gowan on the record company's insistence that the band begin touring again as soon as possible. She was billed as "The Queen of the Blues". DeYoung was further hindered in attempts to reform due to a strange viral illness which made him excessively sensitive to light. She toured the United States and Europe with her band "Mamie Smith & Her Jazz Hounds" as part of "Mamie Smith's Struttin' Along Review". Once again, though, personality conflicts drove the band members apart. She also made some records for Victor. Continuing with Todd Sucherman replacing Panozzo, Styx's reunion tour was a success and the band soon released a new album Brave New World (1999).

Mamie Smith continued to make a series of popular recordings for Okeh throughout the 1920s. The entire band reunited in 1996 for a tour, but John Panozzo was unable to participate due to problems with alcohol that killed him soon after. It also opened up the record industry to recordings by and for African Americans in other genres. The new line-up released one album, Edge of the Century, before once again disbanding. The success of Smith's record prompted record companies to seek to record other female blues singers and started the era of what is now known as classic female blues. In 1990, with Shaw achieving some success with Damn Yankees, the remaining elements of Styx reformed with Glen Burtnik replacing Shaw. Johnson in the 1890s), they were all black artists who had a substantial following with white audiences. Shaw formed Damn Yankees in 1989 with Ted Nugent, Jack Blades and Michael Cartellone.

Although other African Americans had been recorded earlier (going back to George W. DeYoung released several successful solo albums centered around pop ballads and soft rock tunes, and James Young attempted a solo career with limited success. "Crazy Blues" in particular was noted as a distinctively "colored" number performed by a "colored" performer. By 1985, this most-successful version of Styx had disbanded and the members had moved onto moderately successful solo careers. To the surprise of record companies, large numbers of the record were purchased by African-Americans, a market the record industry had hitherto neglected. Roboto" and DeYoung's power ballad "Don't Let It End". These were the first recordings of vocal blues by an African American singer, and the record became an explosive best seller, selling a million copies in one year. Kilroy did contain several hits, including the synthesizer-based "Mr.

On August 10 of 1920, Smith recorded the Bradford-penned "Crazy Blues" and "It's Right Here For You, If You Don't Get It, 'Tain't No Fault of Mine". Kilroy sold well and was the centerpiece of an ambitious and theatrical stage show; however, the album and tour were a critical disaster and brought the tensions within the band to a breaking point. Smith's record sold moderately well, so she and Bradford were invited back to make additional recordings. Critics said that the concept behind the album was still very murky; several band members themselves admitted to not really getting it. Smith recorded two sides ("That Thing Called Love" and "You Can't Keep A Good Man Down") on February 14, 1920, backed by a white studio band. The band followed DeYoung's lead with their next project, Kilroy Was Here: another, more fully-realized concept album, this one set in a future where music itself has been outlawed. Tucker was ill and could not make it to the session; Bradford persuaded Okeh to allow Mamie Smith to record in Tucker's place. On the success of the ballad "Babe", Styx founder DeYoung had been pushing for a more theatrical and pop-oriented direction, while Shaw favored a harder-edged approach.

In early 1920, Okeh Records planned to record popular singer Sophie Tucker performing a pair of songs by Perry Bradford. During this period of greatest success, the band, particularly DeYoung and Shaw, began to be affected by interpersonal tensions. She appeared in songwriter Perry Bradford's musical "Made in Harlem" in 1918. In 1980, Styx released Paradise Theater, a loose concept album that became their biggest hit, reaching number one on the Billboard pop albums chart and yielding five top-40 singles including the top 10 hits "The Best Of Times" and "Too Much Time on My Hands". Smith was born as Mamie Robinson in Cincinnati, Ohio. She toured with African-American vaudeville and minstrel shows until settling in New York City in 1913, where she worked as a cabaret singer. Through the late 1970s the band enjoyed its greatest success, with the album releases Pieces of Eight (1978) finding the group moving in a more straight-ahead pop-rock direction and spawning the hit singles "Renegade" and "Blue Collar Man", and Cornerstone (1979) yielding the group's first number one hit, the DeYoung ballad "Babe", as well as their biggest international hit, "Boat on the River". She entered blues history by being the first African American to make vocal blues recordings in 1920. The first album with Shaw, Crystal Ball (1976), was moderately successful, and its followup, The Grand Illusion (1977) became the group's breakthrough hit, going platinum and spawning a top-ten hit and AOR radio staple in "Come Sail Away".

As a vaudeville singer she performed a number of styles including jazz and blues. Following the move to A&M, Curulewski left the band, replaced by singer and guitarist Tommy Shaw. Mamie Smith (May 26, 1883 - September 16, 1946) was a vaudeville singer, dancer, pianist and actress, and appeared in several motion pictures late in her career. On the heels of its belated hit single, Styx signed with A&M Records and released Equinox (1975), which sold well and yielded a minor hit in "Lorelei". In the spring of 1975, nearly two years after the album it came from was released, "Lady" hit the top ten, and Styx II went gold soon after. On the strength of these releases and constant playing in local clubs and schools, the band established a fan base in the Chicago area, but was unable to break into the mainstream until an early song, the power ballad "Lady" (from Styx II) began to earn some radio time, first in Chicago and then nation-wide.

The band's Wooden Nickel recordings, Styx (1972), Styx II (1973), The Serpent Is Rising (1974) and Man of Miracles (also 1974) were a mixture of straight-ahead rock with some dramatic prog-rock flourishes and art-rock aspirations. Changing their name briefly to TW4, the band added guitarists James Young and John Curulewski, and were soon signed to Wooden Nickel Records, under the name Styx. This earliest line-up of the group included singer and keyboardist Dennis DeYoung, and a rhythm section comprised of brothers Chuck and John Panozzo. The group originally formed in the Chicago area in the late 1960s as The Tradewinds.

Styx was an American rock and roll band popular in the 1970s and early 1980s. 200- The Big Bang Theory. 2003 Cyclorama. 2003 21st Century Live (live).

Louis (live). 2002 At the River's Edge: Live in St. 2001 Styx World: Live 2001 (live). 2000 Arch Allies: Live at Riverport (live) (with REO Speedwagon).

1999 Brave New World. 1997 Return to Paradise. 1990 Edge of the Century. 1984 Caught in the Act.

1983 Kilroy Was Here. 1980 Paradise Theater. 1979 Cornerstone. 1978 Pieces of Eight.

1977 The Grand Illusion. 1976 Crystal Ball. 1975 Equinox. 1974 Man of Miracles.

1974 The Serpent Is Rising. 1973 Styx II. 1972 Styx.