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Ludwig van Beethoven

Ludwig van Beethoven

Ludwig van Beethoven (baptized December 17, 1770; died March 26, 1827) was a German composer of classical music, who predominantly lived in Vienna, Austria. He was a major musical figure in the transitional period between the Classical and Romantic eras. Beethoven is widely regarded as one of the greatest of composers. His reputation has inspired—and in many cases intimidated—composers, musicians, and audiences who were to come after him. Among his most widely-recognized works are his Fifth Symphony, Ninth Symphony, the piano piece Für Elise, the Pathétique Sonata and the Moonlight Sonata.

Life and work

For more details on this topic, see Beethoven: life and work.

Beethoven was born in Bonn, Germany, to Johann van Beethoven (1740–1792), of Flemish origins, and Magdalena Keverich van Beethoven (1744–1787). Until relatively recently 16 December was shown in many reference works as Beethoven's "date of birth", since it is known he was baptized on 17 December and children at that time were generally baptized the day after their birth. However, modern scholarship declines to rely on such assumptions.

Beethoven's first music teacher was his father, who worked as a musician in the Electoral court at Bonn, but was also an alcoholic who beat him and unsuccessfully attempted to exhibit him as a child prodigy, like Mozart. However, Beethoven's talent was soon noticed by others. He was given instruction and employment by Christian Gottlob Neefe, as well as financial sponsorship by the Prince-Elector. Beethoven's mother died when he was 17, and for several years he was responsible for raising his two younger brothers.

Beethoven moved to Vienna in 1792, where he intended to study with Joseph Haydn, but the old man had little time for teaching and he passed Beethoven onto Johann Albrechtsberger. He quickly established a reputation as a piano virtuoso, and more slowly, as a composer. He settled into the career pattern he would follow for the remainder of his life: rather than working for the church or a noble court (as most composers before him had done), he was a freelancer, supporting himself with public performances, sales of his works, and stipends from noblemen who recognized his ability.

Beethoven's career as a composer is usually divided into Early, Middle, and Late periods.

In the Early period, he is seen as emulating his great predecessors Haydn and Mozart, at the same time exploring new directions and gradually expanding the scope and ambition of his work. Some important pieces from the Early period are the first and second symphonies, the first six string quartets, the first two piano concertos, and the first twenty piano sonatas, including the famous Pathétique and Moonlight.

The Middle period began shortly after Beethoven's personal crisis centering around deafness. The period is noted for large-scale works expressing heroism and struggle; these include many of the most famous works of classical music. The Middle period works include six symphonies (Nos. 3–8), the last three piano concertos and his only violin concerto, five string quartets (Nos. 7–11), the next six piano sonatas including the Waldstein, and Appassionata, and Beethoven's only opera, Fidelio.

Beethoven's Late period began around 1816 and lasted until Beethoven ceased to compose in 1826. The late works are greatly admired for and characterized by intellectual depth, intense and highly personal expression, and Beethoven's experimentation with forms (for example, the Quartet in C Sharp Minor has seven movements, while most famously the Ninth Symphony adds choral forces to the orchestra). The period includes the Missa Solemnis, the last six string quartets and the last six piano sonatas.

Considering the depth and extent of Beethoven's artistic explorations, as well as the composer's success in making himself comprehensible to the widest possible audience, the Austrian-born British musician and writer Hans Keller felt able to pronounce Beethoven "humanity's greatest mind altogether".

Beethoven's personal life was troubled. Around the age of 28, he started to become deaf, a calamity which led him for some time to contemplate suicide (see the 1802 Heiligenstadt Testament). He was attracted to unattainable (married or aristocratic) women, whom he idealized; he never married. A period of low productivity from about 1812 to 1816 is thought by some scholars to have been the result of depression, resulting from Beethoven's realization that he would never marry. Beethoven quarrelled, often bitterly, with his relatives and others (including a painful and public custody battle over his nephew Karl); he frequently behaved badly to other people. He moved often from dwelling to dwelling and had strange personal habits such as wearing filthy clothing while washing compulsively. He often had financial troubles.

It is common for listeners to perceive an echo of Beethoven's life in his music, which often depicts struggle followed by triumph. This description is often applied to Beethoven's creation of masterpieces in the face of his severe personal difficulties.

Beethoven was often in poor health, especially after his mid-20s, when he began to suffer from serious stomach pains. In 1826 his health took a drastic turn for the worse. His death in the following year was attributed to liver disease, but modern research on a lock of Beethoven's hair taken at the time of his death shows that lead poisoning could well have contributed to his ill-health and untimely death. (The levels of lead were more than 100 times higher than levels found in most people today.) It is unlikely, however, that lead poisoning was the cause of his deafness, which several researchers have seen as caused by an immunopathic disorder such as systemic lupus erythematosus. When the hair was analysed chemically in 1996, distinctive trace-metal patterns associated with genius, irritability, glucose disorders, and malabsorption were not present. Absence of detectable mercury levels was consistent with the view that Beethoven did not have syphilis, which was treated at the time with mercury compounds. The absence of drug metabolites indicates that Beethoven avoided opiate painkillers. History records that Beethoven continued working on his music until the day he died. This implies that Beethoven decided to keep his mind clear for his music.

Amongst possible sources of lead are ingested fish from the heavily polluted Danube River and lead compounds used to sweeten wine.

  • Statement by William J. Walsh, Ph.D., Director of Beethoven Research Project, The Health Research Institute and Pfeiffer Treatment Center, Naperville, Illinois on 17 October 2000[1]

(See also History of sonata form, Romantic music)

Musical style and innovations

Main article: Beethoven's musical style and innovations

Beethoven is viewed as the transitional figure between the Classical and Romantic eras of musical history. As far as musical form is concerned, he built on the principles of sonata form and motivic development that he had inherited from Haydn and Mozart, but greatly extended them, writing longer and more ambitious movements. The work of Beethoven's Middle period is celebrated for its frequent heroic expression, and the works of his Late period for their intellectual depth.

Personal beliefs and their musical influence

Beethoven was much taken by the ideals of the Enlightenment and by the growing Romanticism in Europe. He initially dedicated his third symphony, the Eroica (Italian for "heroic"), to Napoleon in the belief that the general would sustain the democratic and republican ideals of the French Revolution, but in 1804 tore out the title page upon which he had written a dedication to Napoleon, as Napoleon's imperial ambitions became clear, renamed the symphony as the "Sinfonia Eroica, composta per festeggiare il Sovvenire di un grand Uomo", or in English, "composed to celebrate the memory of a great man". The fourth movement of his Ninth Symphony features an elaborate choral setting of Schiller's ode An die Freude ("To Joy"), an optimistic hymn championing the brotherhood of humanity.

Scholars disagree on Beethoven's religious beliefs and the role they played in his work. For discussion, see Beethoven's religious beliefs.

Beethoven the Romantic?

A continuing controversy surrounding Beethoven is whether he was a Romantic composer. As documented elsewhere, since the meanings of the word "Romantic" and the definition of the period "Romanticism" both vary by discipline, Beethoven's inclusion as a member of that movement or period must be looked at in context.

If we consider the Romantic movement as an aesthetic epoch in literature and the arts generally, Beethoven sits squarely in the first half, along with literary Romantics such as the German poets Goethe and Schiller (whose texts both he and the much more straightforwardly Romantic Franz Schubert drew on for songs), and the English poet Percy Shelley. He was also called a Romantic by contemporaries such as Spohr and E.T.A. Hoffman. He is often considered the composer of the first Song Cycle, and was influenced by Romantic folk idioms, for example in his use of the work of Robert Burns. He set dozens of such poems (and arranged folk melodies) for voice, piano, and violin.

If on the other hand we consider the context of musicology, where Romantic music is dated later, the matter is one of considerably greater debate. For some experts, Beethoven is not a Romantic, and his being one is a myth; for others he stands as a transitional figure, or an immediate precursor to Romanticism; for others he is the prototypical, or even archetypical, Romantic composer, complete with myth of heroic genius and individuality. The marker buoy of Romanticism has been pushed back and forth several times by scholarship, and it remains a subject of intense debate, in no small part because Beethoven is seen as a seminal figure. To those for whom the Enlightenment represents the basis of Modernity, he must therefore be unequivocally a Classicist, while for those who see the Romantic sensibility as a key to later aesthetics (including the aesthetics of our own time), he must be a Romantic. Between these two extremes there are, of course, innumerable gradations.

Beethoven's grave in the Zentralfriedhof, Vienna.

By listening to Beethoven's music also, another scholarly analysis is possible: there is definitely an evolution in style from Beethoven's earliest compositions to his later works. The young Beethoven can be seen toiling to conform to the aesthetic models of his contemporaries: he wants to write music that is acceptable in the society of his days. Later, there is much more iconoclasm in his approach, like adding a chorus to a symphony, where a symphony had until then only been a purely instrumental genre. This means that the question changes from whether Beethoven was a classicist or a romantic, to: where is the pivotal moment that Beethoven tilted from dominant classicism to dominant romanticism?. Most scholars seem to concur: the presentation of the 5th and 6th symphonies in a single concert in 1808 is probably closest to that pivotal point. In the 5th symphony, he let a short pounding motto theme run through all movements of the composition (unheard of until then). Then the 6th symphony was the first example of a symphony composed as "program music" (what in Romanticism became standard practice), and it broke up the traditional arrangement of a symphony in four movements. Yet, after that, Beethoven still wrote his very "Classical" 8th symphony and some innocent-sounding chamber music for the English market. However, by the end of the first decade of the 19th century, Beethoven the romantic was without a doubt primary.

Eponyms

A few places and things have been named after Beethoven. The Beethoven Peninsula is one of them.


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The Beethoven Peninsula is one of them. The Rocket works out sometimes for five hours a day when he doesn't pitches. A few places and things have been named after Beethoven. Roger Clemens is famous for his extraordinary dedication to keeping himself in the best physical condition he possibly can. However, by the end of the first decade of the 19th century, Beethoven the romantic was without a doubt primary. During the 2005 season, Roger Clemens is the 6th highest paid player in Major League Baseball at $18,000,022.00. Yet, after that, Beethoven still wrote his very "Classical" 8th symphony and some innocent-sounding chamber music for the English market. His son Koby, 18, was drafted by the Astros as a catcher on July 14, 2005.

Then the 6th symphony was the first example of a symphony composed as "program music" (what in Romanticism became standard practice), and it broke up the traditional arrangement of a symphony in four movements. They have 4 sons: Koby Clemens, Kory, Kacy, and Kody ("K" is a baseball scorer's notation for "strikeout"). In the 5th symphony, he let a short pounding motto theme run through all movements of the composition (unheard of until then). Clemens married Debra Godfrey on November 24, 1984. Most scholars seem to concur: the presentation of the 5th and 6th symphonies in a single concert in 1808 is probably closest to that pivotal point. Clemens was fined $50,000. This means that the question changes from whether Beethoven was a classicist or a romantic, to: where is the pivotal moment that Beethoven tilted from dominant classicism to dominant romanticism?. (Ironically, he was only one of two major leaguers who refused to cross the picket line when the umpires later went on strike.) In the 1st inning of Game 2 of the 2000 World Series, Clemens threw a piece of a shattered bat out of his way and, as New York Mets' Mike Piazza claimed, directly at Piazza, clearing both benches.

Later, there is much more iconoclasm in his approach, like adding a chorus to a symphony, where a symphony had until then only been a purely instrumental genre. Clemens was suspended for the first 5 games of the 1991 season and fined $10,000. The young Beethoven can be seen toiling to conform to the aesthetic models of his contemporaries: he wants to write music that is acceptable in the society of his days. On October 10, 1990 he was ejected in the 2nd inning of an ALCS game for cursing at home plate umpire Terry Cooney. By listening to Beethoven's music also, another scholarly analysis is possible: there is definitely an evolution in style from Beethoven's earliest compositions to his later works. His storied temper has gotten him into hot water more than once. Between these two extremes there are, of course, innumerable gradations. He has 169 SOs, and a MLB-best 1.57 ERA.

To those for whom the Enlightenment represents the basis of Modernity, he must therefore be unequivocally a Classicist, while for those who see the Romantic sensibility as a key to later aesthetics (including the aesthetics of our own time), he must be a Romantic. During that time they were shut out eight times. The marker buoy of Romanticism has been pushed back and forth several times by scholarship, and it remains a subject of intense debate, in no small part because Beethoven is seen as a seminal figure. Through September 4, Clemens has an 11-6 record despite ranking 95th in run support, with the Astros scoring 3.57 runs on average in games in which was the pitcher of record. For some experts, Beethoven is not a Romantic, and his being one is a myth; for others he stands as a transitional figure, or an immediate precursor to Romanticism; for others he is the prototypical, or even archetypical, Romantic composer, complete with myth of heroic genius and individuality. Currently, Clemens is in the midst of having the finest season of his career, and could post baseball's lowest single-season ERA since Bob Gibson in 1968. If on the other hand we consider the context of musicology, where Romantic music is dated later, the matter is one of considerably greater debate. Only left-hander Warren Spahn is ahead of Clemens in wins among live-ball pitchers.

He set dozens of such poems (and arranged folk melodies) for voice, piano, and violin. On May 9, he finally got his second win of the season against the Florida Marlins, giving him 330 for his career. He is often considered the composer of the first Song Cycle, and was influenced by Romantic folk idioms, for example in his use of the work of Robert Burns. However, it took him a month to surpass Carlton, as he was victimized by horrendous run support in a string of five starts that produced one loss and four no-decisions. Hoffman. On April 8, 2005, Clemens won his first start of the season against the Cincinnati Reds, which tied him with Steve Carlton for second in wins for live-ball pitchers. He was also called a Romantic by contemporaries such as Spohr and E.T.A. He has more career wins than any other right-handed pitcher of the live-ball era.

If we consider the Romantic movement as an aesthetic epoch in literature and the arts generally, Beethoven sits squarely in the first half, along with literary Romantics such as the German poets Goethe and Schiller (whose texts both he and the much more straightforwardly Romantic Franz Schubert drew on for songs), and the English poet Percy Shelley. The deal gave Clemens the highest yearly salary earned by a pitcher in MLB history. As documented elsewhere, since the meanings of the word "Romantic" and the definition of the period "Romanticism" both vary by discipline, Beethoven's inclusion as a member of that movement or period must be looked at in context. However, on January 21, 2005 both sides agreed on a one-year, $18m contract, thus avoiding arbitration. A continuing controversy surrounding Beethoven is whether he was a Romantic composer. The Astros submitted an offer of $13.5m and Clemens countered with a record $22m demand. For discussion, see Beethoven's religious beliefs. Clemens again decided to put off retirement before the 2005 season after the Houston Astros offered salary arbitration.

Scholars disagree on Beethoven's religious beliefs and the role they played in his work. This also made him the fourth pitcher to win the award in both leagues, after Gaylord Perry, Pedro Martínez, and Randy Johnson. The fourth movement of his Ninth Symphony features an elaborate choral setting of Schiller's ode An die Freude ("To Joy"), an optimistic hymn championing the brotherhood of humanity. He became the oldest player ever to win this award, at age 42. He initially dedicated his third symphony, the Eroica (Italian for "heroic"), to Napoleon in the belief that the general would sustain the democratic and republican ideals of the French Revolution, but in 1804 tore out the title page upon which he had written a dedication to Napoleon, as Napoleon's imperial ambitions became clear, renamed the symphony as the "Sinfonia Eroica, composta per festeggiare il Sovvenire di un grand Uomo", or in English, "composed to celebrate the memory of a great man". After the season, he won his seventh Cy Young Award, extending his record number of awards. Beethoven was much taken by the ideals of the Enlightenment and by the growing Romanticism in Europe. Clemens had an 18-4 record in 2004, giving him a career record of 328-164.

The work of Beethoven's Middle period is celebrated for its frequent heroic expression, and the works of his Late period for their intellectual depth. On May 5, 2004, Clemens recorded his 4,137th career strikeout to place him second on the all-time list behind Nolan Ryan, and finished the season with 4,317 strikeouts. As far as musical form is concerned, he built on the principles of sonata form and motivic development that he had inherited from Haydn and Mozart, but greatly extended them, writing longer and more ambitious movements. He chose to put off his retirement, signing a one-year deal with his hometown Houston Astros on January 12, 2004, joining close friend and former Yankees teammate Andy Pettitte. Beethoven is viewed as the transitional figure between the Classical and Romantic eras of musical history. His career record upon reaching the milestones was an impressive 300-155; his record at the end of the season was 310-160 with 4,099 strikeouts. (See also History of sonata form, Romantic music). He became the 21st pitcher ever to record 300 wins and just the third ever to record 4,000 strikeouts, joining Nolan Ryan (5,714) and Steve Carlton (4,136).

Amongst possible sources of lead are ingested fish from the heavily polluted Danube River and lead compounds used to sweeten wine. The 300th win came on his fourth try; the Yankee bullpen blew his chance of a win in his previous two attempts. This implies that Beethoven decided to keep his mind clear for his music. Louis Cardinals in Yankee Stadium, Clemens recorded his 300th career win and 4,000th career strikeout, the first player in history to record both milestones in the same game. History records that Beethoven continued working on his music until the day he died. On June 13, 2003, pitching against the St. The absence of drug metabolites indicates that Beethoven avoided opiate painkillers. Early in 2003, he announced his retirement, effective at the end of that season.

Absence of detectable mercury levels was consistent with the view that Beethoven did not have syphilis, which was treated at the time with mercury compounds. He finished the season at 20-3 and added another Cy Young Award to his resume. When the hair was analysed chemically in 1996, distinctive trace-metal patterns associated with genius, irritability, glucose disorders, and malabsorption were not present. In 2001, he became the first pitcher in history to start a year 20–1. (The levels of lead were more than 100 times higher than levels found in most people today.) It is unlikely, however, that lead poisoning was the cause of his deafness, which several researchers have seen as caused by an immunopathic disorder such as systemic lupus erythematosus. In 1999 and 2000, he won World Series titles with the Yankees. His death in the following year was attributed to liver disease, but modern research on a lock of Beethoven's hair taken at the time of his death shows that lead poisoning could well have contributed to his ill-health and untimely death. Clemens was traded to the New York Yankees before the 1999 season for David Wells, Homer Bush, and Graeme Lloyd.

In 1826 his health took a drastic turn for the worse. In his 2 seasons there, he won the Cy Young both years. Beethoven was often in poor health, especially after his mid-20s, when he began to suffer from serious stomach pains. After Boston general manager Dan Duquette claimed Clemens was in the "twilight of his career" and opted not to re-sign him following the '96 season, Clemens signed with the Toronto Blue Jays. This description is often applied to Beethoven's creation of masterpieces in the face of his severe personal difficulties. Remarkably, Clemens accomplished the feat twice; on April 29, 1986 against the Seattle Mariners, and on September 18, 1996 against the Detroit Tigers, more than 10 years later. It is common for listeners to perceive an echo of Beethoven's life in his music, which often depicts struggle followed by triumph. Randy Johnson also struck out 20 batters in the first 9 innings of a game, but since the game went into extra innings, Johnson was not awarded the record).

He often had financial troubles. Clemens is one of only two pitchers to have thrown 20 strikeouts in a 9-inning major league game (Kerry Wood is the other. He moved often from dwelling to dwelling and had strange personal habits such as wearing filthy clothing while washing compulsively. "I'd probably crack his head open to show him how valuable I was." Clemens remains the only starting pitcher since Vida Blue in 1971 to win a league MVP award. Beethoven quarrelled, often bitterly, with his relatives and others (including a painful and public custody battle over his nephew Karl); he frequently behaved badly to other people. "I wish he were still playing," Clemens responded. A period of low productivity from about 1812 to 1816 is thought by some scholars to have been the result of depression, resulting from Beethoven's realization that he would never marry. Hall of Fame slugger Hank Aaron angered the hurler by saying that pitchers should not be eligible for the MVP.

He was attracted to unattainable (married or aristocratic) women, whom he idealized; he never married. In 1986 his 24 wins helped guide the Sox to the World Series (which they lost) and earned Clemens the American League Most Valuable Player award for the regular season and the first of his seven Cy Young Awards (he also won the AL award in 1987, 1991, 1997, 1998 and 2001 and the National League award in 2004). Around the age of 28, he started to become deaf, a calamity which led him for some time to contemplate suicide (see the 1802 Heiligenstadt Testament). He was drafted 19th overall by the Boston Red Sox, making his major league debut on May 15, 1984. Beethoven's personal life was troubled. He attended Spring Woods High School in Houston, and was on the mound when the University of Texas won the 1983 College World Series. Considering the depth and extent of Beethoven's artistic explorations, as well as the composer's success in making himself comprehensible to the widest possible audience, the Austrian-born British musician and writer Hans Keller felt able to pronounce Beethoven "humanity's greatest mind altogether". Clemens spent most of his childhood in Texas.

The period includes the Missa Solemnis, the last six string quartets and the last six piano sonatas. He throws and bats right-handed. The late works are greatly admired for and characterized by intellectual depth, intense and highly personal expression, and Beethoven's experimentation with forms (for example, the Quartet in C Sharp Minor has seven movements, while most famously the Ninth Symphony adds choral forces to the orchestra). William Roger Clemens (born August 4, 1962 in Dayton, Ohio), nicknamed "The Rocket", is among the preeminent Major League baseball pitchers of the 1980s, 1990s, and 2000s. Beethoven's Late period began around 1816 and lasted until Beethoven ceased to compose in 1826. 7–11), the next six piano sonatas including the Waldstein, and Appassionata, and Beethoven's only opera, Fidelio.

3–8), the last three piano concertos and his only violin concerto, five string quartets (Nos. The Middle period works include six symphonies (Nos. The period is noted for large-scale works expressing heroism and struggle; these include many of the most famous works of classical music. The Middle period began shortly after Beethoven's personal crisis centering around deafness.

Some important pieces from the Early period are the first and second symphonies, the first six string quartets, the first two piano concertos, and the first twenty piano sonatas, including the famous Pathétique and Moonlight. In the Early period, he is seen as emulating his great predecessors Haydn and Mozart, at the same time exploring new directions and gradually expanding the scope and ambition of his work. Beethoven's career as a composer is usually divided into Early, Middle, and Late periods. He settled into the career pattern he would follow for the remainder of his life: rather than working for the church or a noble court (as most composers before him had done), he was a freelancer, supporting himself with public performances, sales of his works, and stipends from noblemen who recognized his ability.

He quickly established a reputation as a piano virtuoso, and more slowly, as a composer. Beethoven moved to Vienna in 1792, where he intended to study with Joseph Haydn, but the old man had little time for teaching and he passed Beethoven onto Johann Albrechtsberger. Beethoven's mother died when he was 17, and for several years he was responsible for raising his two younger brothers. He was given instruction and employment by Christian Gottlob Neefe, as well as financial sponsorship by the Prince-Elector.

However, Beethoven's talent was soon noticed by others. Beethoven's first music teacher was his father, who worked as a musician in the Electoral court at Bonn, but was also an alcoholic who beat him and unsuccessfully attempted to exhibit him as a child prodigy, like Mozart. However, modern scholarship declines to rely on such assumptions. Until relatively recently 16 December was shown in many reference works as Beethoven's "date of birth", since it is known he was baptized on 17 December and children at that time were generally baptized the day after their birth.

Beethoven was born in Bonn, Germany, to Johann van Beethoven (1740–1792), of Flemish origins, and Magdalena Keverich van Beethoven (1744–1787). . Among his most widely-recognized works are his Fifth Symphony, Ninth Symphony, the piano piece Für Elise, the Pathétique Sonata and the Moonlight Sonata. His reputation has inspired—and in many cases intimidated—composers, musicians, and audiences who were to come after him.

Beethoven is widely regarded as one of the greatest of composers. He was a major musical figure in the transitional period between the Classical and Romantic eras. Ludwig van Beethoven (baptized December 17, 1770; died March 26, 1827) was a German composer of classical music, who predominantly lived in Vienna, Austria. Walsh, Ph.D., Director of Beethoven Research Project, The Health Research Institute and Pfeiffer Treatment Center, Naperville, Illinois on 17 October 2000[1].

Statement by William J.