The Jackson 5

The Jacksons: An American Dream was later rebroadcast on VH-1 and released to VHS and DVD. * - indicates wholly or partially live album. The miniseries was the highest rated show of the week, won an Emmy Award and was nominated for three more, and won two Young Artist Awards. On January 4, Ray was shot in the leg while chasing thieves who had snatched the purse of his companion in the French Quarter of New Orleans, and on June 30 Dave suffered a stroke in an elevator at the London offices of the BBC, where he had been promoting his latest solo album, Bug, he was hospitalised and released on August 27. Williams as Suzanne de Passe, Bumper Robinson as teenage Jackie, Jason Weaver as pre-teenage Michael, and Terrence Dashon Howard as adult Jackie. Moreover, both Ray and Dave suffered injuries in 2004 which will postpone any Kinks reunion for some time. Among the actors featured in the miniseries were Angela Bassett as Katherine Jackson, Lawrence-Hilton Jacobs as Joseph Jackson, Billy Dee Williams as Berry Gordy, Vanessa L. They have each released solo albums and toured extensively.

The first installement of the miniseries covered the decades from Katherine and Joseph Jackson's first meeting in 1945 up until the first Jackson 5 releases on Motown in 1969, while the second part covered the years from 1970 to 1984, and the effects of the Jackson 5's phenominal success on the family. One of Ray's projects included a symphony commissioned by the Norfolk and Norwich Festival. In 1992, Suzanne de Passe and Jermaine Jackson worked with Motown to produce The Jacksons: An American Dream, a five-hour television miniseries broadcast based on the history of the Jacksons in two parts on ABC. In the early 2000s, talk of a Kinks reunion has circulated, but for the past several years, both Ray and Dave Davies have been preoccupied with their own projects. Main Entry: The Jacksons: An American Dream. Dave Davies' "Kink", was published in the spring of 1996. Two years later, The Jacksons made a reunion appearance on Michael's September 7, 2001 concert at Madison Square Garden, which was later broadcast as a television special on November 13 on CBS. Ray Davies also took his toll and acted as a godfather, while promoting his autobiography, "X-Ray", which was published in early 1995 in the U.K.

The Jackson 5 were inducted into the Rock and Roll Hall of Fame in 1997 and the Vocal Group Hall of Fame in 1999. Particularly Blur frontman Damon Albarn several times stressed that the Kinks are one of the bands that made biggest impact on his songwriting. Marlon unsuccessfully attempted to start a solo career of his own, while Tito, Randy, and Jackie went on to become successful session musicians. Several of the most popular Britpop bands of the decade, including Blur and Oasis cited the Kinks as a major influence on their careers. Michael and Jermaine resumed their respective solo careers, with Michael becoming one of the most well-known performers in the world. Despite a lack of commercial success, the band's profile began to rise in 1995. The brothers eventually drifted apart, reuniting only once for the album 2300 Jackson St. in 1989. and without a label in the U.S.

The Jacksons released the album Victory in 1984, featuring the hit single "State of Shock" with guest star Mick Jagger, and supported the album with the massively successful Victory tour. In 1994, the band was dropped from Columbia Records, leaving the group to release the live To the Bone on an independent label in the U.K. Michael continued to perform with his brothers, releasing the album Triumph in 1980, which featured the hit song "Can You Feel It." Although Triumph was mildly successful, it was nothing compared to Michael's Off the Wall or its follow-up, Thriller, which went on to become the most successful album of all-new material ever. By this time, only Ray and Dave Davies remained from the original lineup. Quincy Jones was the producer of the film's songs, and he and Michael began work on Michael’s first Epic solo album, Off the Wall, the next year. Off the Wall, released in 1979, sold six million copies and featured four #1 hit singles, causing some speculation about whether Michael would leave the Jacksons. The Kinks' first album for Columbia, Phobia, arrived in 1993 to fair reviews but poor sales. Frank Baum's The Wonderful Wizard of Oz. Later in the year, the band signed with Columbia Records and released an EP called Did Ya, which didn't chart.

In 1977, Michael starred alongside Diana Ross in the Motown/Universal Pictures motion picture The Wiz, an adaptation of the Broadway musical based upon L. In 1991, a compilation of their MCA records, Lost & Found (1986-1989), appeared, signalling that their contract with the label had expired. The show was the first variety show hosted by an African-American family. The Kinks were inducted into the Rock & Roll Hall of Fame in 1990, but the induction did not help revive their career. The Jacksons debued on June 16, 1976, and ran on CBS until its cancellation the following March. During 1989, keyboardist Ian Gibbons left the band. In summer 1976, CBS television executive Fred Silverman signed the Jackson family (including Michael, Marlon, Tito, Jackie, Randy, Rebbie, LaToya, and Janet) to appear in their own variety show, to compete with ABC's The Osmonds. Two years later, the Kinks released their last studio record for MCA, UK Jive.

At first part of CBS's Philadelphia International division, and later moving over to Epic Records, the Jacksons continued releasing popular singles such as "Enjoy Yourself" and "Shake Your Body (Down to the Ground).". The following year, the Kinks released another live album, appropriately titled The Road, which spent a brief time on the charts. The Jacksons were also forced to trade Jermaine for youngest Jackson brother Randy, since Jermaine chose to stay with Motown and the Gordys. Think Visual, their first album for their new label, was released in late 1986. It was a mild success but there were no hit singles from the record. Motown sued for breach of contract, and although they eventually let the group go, the Jacksons were forced to change their name to The Jacksons because Motown owned the "Jackson 5" trademark. In early 1986, the band signed with MCA Records in the U.S., London in the U.K. In 1975, Joe had the group sign with CBS Records, in hopes of getting better royalties and more creative control, angered at Motown's refusal to allow the Jacksons to play their own instruments on record. Word of Mouth was the last album they would record for Arista Records.

Their albums declined somewhat in critical acclaim and financial success during the latter part of their Motown tenure, although albums such as Lookin' Thru the Windows (1972) and Get It Together (1973) frequently included successful album tracks, including their version of "Hum Along and Dance", a popular number in their live act. Released in late 1984, the album was similar in tone to the last few Kinks records, but it was a commercial disappointment and began a period of decline for the band; they never ever released another record that entered the Top 40. Later Top 20 hits included "Lookin' Through the Windows" (1972) and the disco-styled "Dancing Machine" (1974). As Ray finished production on Return to Waterloo, he wrote the next Kinks album, Word of Mouth. After 1972, the Jackson 5's releases were less immensely successful, but they still did very well. Nevertheless Mick continued his work in the Konk studios. Jermaine started a solo career of his own in 1972, and had a Top Ten hit with his Shep and the Limelites cover "Daddy's Home." The following year, Jermaine married Berry Gordy's daughter Hazel, against the wishes of his father. Instead of breaking up, the Kinks reshuffled their lineup, but Mick Avory, the band's drummer for 20 years, tired with incessable punch-ups and break-ups quit the band and was replaced by Bob Henrit.

His other successful solo singles included "Rockin' Robin" (1972) and "I Wanna Be Where You Are" (1973). For the remainder of 1983, Ray Davies worked on a film project, Return to Waterloo, which caused considerable tension between himself and his brother. Michael also sung the title track for the 1972 motion picture Ben. State of Confusion followed the release of "Come Dancing", and it was another success, peaking at number 12 in the U.S. In 1971, Motown also began a spin-off solo career for Michael, whose first single, "Got to Be There", was a Top 5 hit. it climbed to number 12. Motown licensed dozens of Jackson 5-related products, and Rankin-Bass produced The Jackson 5ive, a Saturday morning cartoon that debuted on September 11, 1971 and ran for two seasons on ABC. In spring of 1983, "Come Dancing" became the group's biggest American hit since "Tired of Waiting for You," thanks to the video's repeated exposure on MTV; in the U.S., the song peaked at number six, in the U.K.

Other early Top 5 hits included "Mama's Pearl" and "Never Can Say Goodbye." "Jacksonmania" swept the nation, with thousands of young girls falling in love with the Jackson brothers, especially Jermaine and little Michael. For most of 1982, the band was on tour. The Jackson 5 became an instant sensation, with "I Want You Back" and its 1970 follow-ups "ABC", "The Love You Save", and "I'll Be There" all going to #1 on the Billboard Hot 100 singles chart. The Kinks' next album, Give the People What They Want, appeared in late 1981; the record peaked at number 15 and went gold. Most of the early Jackson 5 singles were written and produced by The Corporation, who crafted for the Jackson 5 a combination of the "Motown Sound" and bubblegum pop that they termed "bubblegum soul". Even though punk rockers like the Jam and the Pretenders were covering Kinks songs in the late 70s, the group was becoming more commercial with each release, culminating in the heavy rock of Low Budget 1979, which became the group's biggest American success, peaking at number 11. "I Want You Back" was the only single from the Jackson 5's first album, Diana Ross Presents the Jackson 5, which was released in December 1969. Soon, the band was playing arenas in the United States.

the Jackson 5 performed it and Sly & the Family Stone's "Sing A Simple Song" as part of their television debut on The Hollywood Palace as special guests of Diana Ross & the Supremes. After a British tour, Dalton left the band again, along with keyboardist John Gosling; bassist Jim Rodford and keyboardist Gordon Edwards filled the vacancies. A week after "I Want You Back" was released asa single on October 7. success. The Jackson 5's first single, "I Want You Back," was written and produced by a collective of Motown songwriters and producers, including Berry Gordy, Alphonso Mizell, Deke Richards, and Freddie Perren, who were collectively known as The Corporation. Misfits, the band's second Arista album, was also a U.S. Diana Ross formally introduced the Jackson 5 to the public on August 11, 1969, at a Beverly Hills, California club called The Daisy. As the band was completing the follow-up to Sleepwalker, Pyle left the group and was replaced by the returning Dalton.

In 1969, Gordy moved the entire Jackson family to California, and he and de Passe began the process of grooming them as the label's next big act. Sleepwalker, the Kinks' first album for Arista, became a major hit in the U.S. The early Taylor-produced Jackson 5 records were all covers of both contemporary hits and Motown-standards, including Sly & the Family Stone's "Stand!" and their famous rendition of The Miracles' "Who's Lovin' You", written by Smokey Robinson. Bassist John Dalton left the group near the completion of their debut Arista album; he was replaced by Andy Pyle. recording studio in Detriot. On Arista, the band refashioned themselves as a hard rock band and bounced back to the charts. Motown began negotiations to buy out the Jackson 5's Steeltown contract; in the meantime, Bobby Taylor began producing the group's first recordings at Motown's Hitsville U.S.A. In 1976, the Kinks left their record company RCA and signed with Arista Records.

Gordy's initial reluctance disappeared when he finally saw the boys perform, and decide to sign them to Motown. In 1976, the Kinks recorded Davies' third straight rock opera, Schoolboys in Disgrace, which rocked harder than any album they released on RCA. Taylor was also very impressed with the boys, and he and Motown executive Suzanne de Passe arranged for the Jackson 5 to audition for Berry Gordy in person that summer. Despite poor reviews, Soap Opera was a more commercially successful record than its predecessor. For one of their performances in 1968, the Jackson 5 opened for Motown group Bobby Taylor & the Vancouvers at Chicago's Regal Theater. Davies began another musical, Starmaker, for the BBC; the project eventually metamorphosed into Soap Opera, which was released in the spring of 1975. That same year, the Jackson 5 made their first recordings for the Steeltown label in 1967; one of them, "Big Boy," became a regional hit. Act 2 appeared in the summer of 1974; the sequel received worse treatment than its predecessor.

Knight recommended the group to Motown chief Berry Gordy, but Gordy, who already had Stevie Wonder on his roster, was hesitant to take on another child act because of the child labor laws and other problems involved. When the first installment of the opera finally appeared in late 1973, it was harshly criticized and given a cold reception from the public. In 1967, the Jackson 5 won the Amateur Night competition at the Apollo Theater in Harlem, impressing Motown Records artist Gladys Knight. Inspired by fellow modders the Who in 1973, Ray Davies composed a full-blown rock opera called Preservation. During this period, the boys toured Indiana extensively, and after winning a major local talent show in 1966 with a rendition of The Temptations' "My Girl", led by Michael, they began playing professional gigs. A few months after the release of Muswell Hillbillies, Reprise released a double-album compilation called The Kink Kronikles, which outsold their RCA debut. Everybody's in Showbiz (1973), a double record set consisting of one album of studio tracks and another of live material, was a disappointment in the U.K., although the album was more successful in the U.S. Already showing talent as a singer and dancer, Michael eventually replaced Jermaine as lead vocalist, and Joe soon renamed the band The Jackson 5.. The album failed to be the commercial blockbuster RCA had hoped for.

Jermaine sang lead and played bass, and Tito played guitar. Johnny and Ronnie were replaced the next year by Marlon and Michael, who was only 5 years old. Released in late 1971, Muswell Hillbillies, the group's first album for RCA, marked a return to the nostalgia of the Kinks' late-'60s albums, only with more pronounced country and music hall influences. Joe Jackson served as the manager, at first only part-time, and then eventually quitting his job at the steel mill. By the end of 1971, the Kinks had secured a five-album deal with RCA Records, which brought them a million dollar advance. In 1962, Jackie, Tito, and Jermaine began performing around the Gary area with two neighborhood children, Johnny Jackson and Ronnie Rancifer, in a group called The Jackson Brothers. The band's contract with Reprise expired in early 1971, leaving the Kinks free to pursue a new record contract. Joe eventually discovered that the older three boys were playing his guitar when one of the strings broke [5] (http://edition.cnn.com/TRANSCRIPTS/0311/30/lkl.00.html); although he was furious at first, he realized the boys had talent, and began making plans to create a musical act for them. and U.K., helping the band become concert favorites in the U.S.

1958) would be allowed to watch, as long as they didn't tell. Released in the fall of 1970, Lola versus Powerman and the Moneygoround, Part One was their most successful record since the mid-'60s in both the U.S. Younger brothers Marlon (b. 1957) and Michael (b. and the U.S. 1954) borrowing their father's guitar without his pernmission and playing along to the radio. The first appearance of Gosling on a Kinks record was "Lola." Featuring a harder rock foundation than their last few singles, "Lola" was a Top Ten hit in both the U.K. 1953), and Jermaine (b. As they were recording the follow-up to Arthur, the Kinks expanded their lineup to include keyboardist John Gosling.

The children found an outlet in music, with elder brothers Jackie (born 1951), Tito (b. Like its two predecessors, Arthur contained distinctly British lyrical and musical themes, but it was a modest success. Joe, a steel mill employee who often performed in an R&B band called "The Falcons" with his brother Luther, was a strict disciplinarian; many of the Jackson children recall being severely beaten by Joe for misbehaving. Before they began the tour, the Kinks released Arthur (Or the Decline and Fall of the British Empire). The Jacksons were a working-class family from Gary, Indiana. Katherine raised the children as Jehovah's Witnesses, and they therefore were not allowed to have many leisure activities. In early 1969, the American ban upon the Kinks was lifted, leaving the band free to tour the U.S. for the first time in four years. The Jackson 5 was inducted into the Rock and Roll Hall of Fame in 1997, and have two songs ("ABC" and "I Want You Back") that are among the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Peter Quaife soon grew tired of the band's lack of success, and he left the band by the end of the year, being replaced by John Dalton.

Their influence on later performers has been profound, inspiring a number of performers from diverse fields, including indie rock band Dashboard Confessional [2] (http://www.dashboardconfessional.com/index.cfm/action/info./), New Jack Swing group New Edition [3] (http://www.andwedanced.com/charts/apr1983.htm) and boy band Hanson [4] (http://www.vh1.com/artists/az/hanson/bio.jhtml). While the album was unsuccessful, it was well-received by critics, particularly in the U.S. Coming after the label's most famous acts, the Jacksons were "the last big stars to come rolling off (the Motown) assembly line" (Berry Gordy, founder of Motown Records). Released in the fall of 1968, the latter was culmination of Davies' nostalgic tendencies. At the time of their early success, soul and funk stars, especially coming from Motown Records, were among the most popular musicians; Motown had launched the careers of dozens of the decade's biggest stars. Released in the spring of 1968, the Kinks' "Wonderboy" was the band's first single not to crack the Top Ten since "You Really Got Me." They recovered somewhat with "Days," but the band's commercial decline was evident by the lack of success of The Kinks Are the Village Green Preservation Society. The Jackson 5's sound was influenced by many of the biggest stars of the 1960s, especially including family funk band Sly & the Family Stone, album-oriented soul pioneer Marvin Gaye, doo wop boy band Frankie Lymon & the Teenagers and soul shouters like Jackie Wilson, Joe Tex, Stevie Wonder and James Brown [1] (http://edition.cnn.com/TRANSCRIPTS/0311/30/lkl.00.html). hit for the band.

Originally signed to the Motown label before switching to CBS Records in 1975, the Jackson 5 were one of the most popular groups of the era, eventually selling over 100 million records worldwide and becoming the only performers to have their first four singles reach the top of the American charts. Following the lackluster performance of Something Else, the Kinks rushed out a new single, "Autumn Almanac," which became another big U.K. All but two members of the group (early members Johnny Jackson and Ronnie Rancifer) were the male children of Katherine and Joseph Jackson (who served as the boys' manager): Jackie, Tito, Jermaine, Marlon, Michael, and Randy, who replaced Jermaine in 1975. Despite the Kinks' musical growth, their chart performance was beginning to stagnate. The Jackson 5 (also spelled The Jackson Five or The Jackson 5ive, abbreviated as J5, and later known as The Jacksons) were an American popular music act, active from 1962 to 1990, whose repertoire combined R&B, soul, funk, and later disco. Released in the fall of 1967, Something Else By The Kinks continued the progressions of Face to Face. Ronnie Rancifer (1962-1975): An original member of the Jackson 5, Ronnie remained the group's on-stage keyboardist from its inception unti lthe end of its Motown tenure. in the spring of 1967.

Johnny Jackson (1962-1975): An original member of the Jackson 5, Johnny remained the group's on-stage drummer from its inception unti lthe end of its Motown tenure. In May 1967, they returned with "Waterloo Sunset," a ballad that reached number two in the U.K. He became an official member of the group in 1975, after Jermaine departed and the group switched to CBS. "Sunny Afternoon" was a teaser for the band's great leap forward, Face to Face, a record that featured a vast array of musical styles. Randy Jackson (1972-1989): Randy unofficially began performing with the Jackson 5 in 1972, playing congas. "Sunny Afternoon" was one of Davies' wry social satires and the song was the biggest hit of the summer of 1966 in the U.K., reaching number one. He was the only one of the brothers to have a consistent solo career, and has become one of the most famous musicians in the world. The Kinks' next album, The Kinks Kontroversy, demonstrated the progression in Davies' songwriting.

Michael Jackson (1963-1989): During his tenure with the Jackson 5, Michael was clearly the most popular member. Consequently, Davies' songs grew more introspective, relying more on English influences such as music hall and English folk, than the rest of his British contemporaries. Marlon then became a real estate broker and co-owner of Major Broadcasting Corporation. For four years, the Kinks were prohibited from returning to the U.S., which not only meant that the group was deprived of the world's largest music market, but that they were effectively cut off from the musical and social upheavals of the late 60s. He released one solo LP. At the conclusion of their summer 1965 American tour, the Kinks were banned from re-entering the United States by the American government for unspecified reasons. He eventually eloped with a fan, Carol, and, due to friction with his brothers, did not perform on the group's last album. Not only was the group recording at a breakneck pace, they were touring relentlessly, as well, which caused much tension within the band.

Marlon Jackson (1963-1989): Joing the year after the band was formed along with Michael, Marlon was sometimes beaten for his failure to live up to his brother's dancing skills. During this time, the band also produced two full-length albums and several EPs. He stayed with Motown to pursue a solo career, achieving moderate success. "All Day and All of the Night," the group's fourth single, was released late in 1964 and it rose all the way to number two; in America, it hit number seven. Jermaine Jackson (1962-1975; 1984-1989): A singer, Jermaine stayed with the group until the others switched from Motown to CBS Records. "You Really Got Me" reached number one within a month of its release; released on Reprise in the U.S., the single climbed into the Top Ten. Tito Jackson (1962-1989): Another original member, Tito has enjoyed a solo career as a blues musician. Not only was the final version the blueprint for the Kinks' early sound, but scores of groups used the heavy, power chords as a foundation.

He had a solo career, releasing three albums, and eventually married Enid Jackson, also later having an affair with singer Paula Abdul. The band's third single, "You Really Got Me", was much better received and shot the charts. Jackie Jackson (1962-1989): The eldest brother, Jackie was a singer and, prior to a musical career, a baseball player. "Long Tall Sally" was released in February 1964, but it failed to chart, as did their second single, "You Still Want Me". Before the single was released, the group changed their name to the Kinks. The Ravens recorded their debut single, a cover of Little Richard's "Long Tall Sally," in January 1964.

Before signing to the label, the Ravens replaced drummer Willet with Mick Avory, who became drummer for the band in the next 20 years. Talmy helped the band land a contract with Pye in 1964. Eventually, their demo tape reached Shel Talmy, an American record producer who was under contract to Pye Records. By the summer of 1963, the group had decided to call itself the Ravens and had recruited a new drummer, Mickey Willet.

Soon, the brothers recruited a schoolmate of Ray's, Peter Quaife, to play with them; like the Davies brothers, Quaife played guitar, but he switched to bass. 3 February 1947), who were born and raised in Muswell Hill, London. In their teens, the brothers began playing skiffle and rock & roll. 21 June 1944) and Dave Davies (b. Throughout their long career, the core of the Kinks remained brothers Ray (b.

. Ray Davies' intensely British outlook and his penchant for nationalist nostalgia was consciously imititated by 90s Brit Pop bands such as Pulp or Blur. Their early incarnation as rebellious three-chord rockers provided a template for punk, and their later psychedelic albums (particularly The Village Green Preservation Society) are frequently cited by underground musicians and music fans as an apogee of pop songwriting. Nevertheless, the Kinks are one of the most influential British Invasion bands.

The band never gained the same degree of popularity as their peers because legal problems prevented them from touring in America throughout most of the late 1960s. The Davies brothers had a tempestous relationship, and their frequent quarrels often degenerated into fist-fights, sometimes taking place onstage. The name is thought to refer to the style of "kinky" boots and clothing then in fashion, partly thanks to the Avengers television series. The group was briefly called The Ravens until, at their manager Larry Page of Page One Records' urging, they changed their name to The Kinks just before their first recording.

The lineup with which they began their recording career was Dave Davies (lead guitar, vocals, songwriting); his brother Ray Davies (primary songwriter, primary vocalist, rhythm guitar); Pete Quaife (bass guitar, vocals); and Mick Avory (drums). The Kinks, a British Invasion pop/rock band, were formed in London in 1963 by Dave Davies and Peter Quaife. January 1997 The Days EP #35 UK. August 1983 "Come Dancing" #12 UK.

May 1972 "Supersonic Rocket Ship" #16 UK. December 1970 "Apeman" #5 UK. July 1970 "Lola" #2 UK. January 1970 "Victoria" #33 UK.

April 1969 "Plastic Man" #31 UK. July 1968 "Days" #12 UK. April 1968 "Wonderboy" #36 UK. October 1967 "Autumn Almanac" #3 UK.

May 1967 "Waterloo Sunset" #2 UK. November 1966 "Dead End Street" #5 UK. June 1966 "Sunny Afternoon" #1 UK. March 1966 "Dedicated Follower Of Fashion" #4 UK.

December 1965 "Till The End Of The Day" #8 UK. August 1965 "See My Friend" #10 UK. May 1965 "Set Me Free" #9 UK. March 1965 "Everybody's Gonna Be Happy" #17 UK.

January 1965 "Tired Of Waiting For You" #1 UK. October 1964 "All Day And All Of The Night" #2 UK #7 US. August 1964 "You Really Got Me" #1 UK.  ??? 1964 "You Still Want Me".

February 1964 "Long Tall Sally". To the Bone, 1994 (UK), 1996 (US)*. Lost & Found (1986-1989) (1991). UK Jive, 1989.

Live: The Road, 1987*. One for the Road, 1980*. Everybody's in Show-Biz, 1972*. The Kink Kronikles 1971.

Live at Kelvin Hall, 12 Jan 1968 (recorded 1966)*. Schoolboys in Disgrace, 1975. Soap Opera, 1975. Preservation Act 2, 1974.

Preservation Act 1, 1973. Phobia, 1993. Think Visual, 1986. Word of Mouth, 1984.

State of Confusion, 1983. Give the People What They Want, 1981. Low Budget, 1979. Misfits, 1978.

Sleepwalker, 1977. Muswell Hillbillies, 24 Nov 1971. Lola versus Powerman and the Moneygoround, Part One, 27 Nov 1970. Arthur (Or the Decline and Fall of the British Empire), 10 Oct 1969.

The Kinks Are the Village Green Preservation Society, 22 Nov 1968. Something Else By The Kinks, 15 Sept 1967. Face to Face, 28 Oct 1966. The Kinks Kontroversy, 26 Nov 1965.

Kinda Kinks, 5 Mar 1965. The Kinks (Released in the US as You Really Got Me), 2 Oct 1964.