Heart (band)

Their collaboration in Heart resulted in numerous multi-platinum albums, nine US top ten singles, and worldwide career sales of more than 20 million records. However, it could be said that the Mary Chain's great legacy was the realization that punk rock/industrial noise was not diametrically opposed to pop melody, that the two could be woven together into music far more than the sum of its parts. Founded in Seattle in 1974 by sisters, Ann Wilson and Nancy Wilson, the band had a sound heavily influenced by Led Zeppelin with elements of folk-rock and power ballads. Contemporary bands such as The Raveonettes simply would not exist without the Mary Chain's influence. Heart was one of the most successful female fronted band in the annals of hard rock. The Mary Chain's influence remains to this day, an influence that has been confirmed by the numerous cover versions of Mary Chain songs. "All I Wanna Do Is Make Love to You" [#2, May 1990]. Their debut album Psychocandy, along with the Cocteau Twins, was a huge influence on the British Shoegazing movement of the late '80s as well as on numerous American bands.

"Who Will You Run To" [#7, September 1987]. The Jesus and Mary Chain are easily one of the most influential bands of all time in indie circles. "Alone" [#1, June 1987 (3 weeks)]. In 2005, some six years after the Mary Chain split up, their Heat track, taken from the Sound of Speed compilation, was used in a television advertising campaign for Coor's Beer in the UK. "Nothin' at All" [#10, May 1986]. William left the band following that show and the band finished up their US and Japanese dates without him. "These Dreams" [#1, February 1986 (1 week)]. Though it was not until October 1999 that the split was made official, on September 12 1998 the Reid brothers had a falling out onstage during a sold out gig at Chicago's famous House of Blues club about 15 minutes into their set.

"Never" [#4, October 1985]. For Sub Pop they recorded 1998's Munki album, which would turn out to be their last before splitting the following year. "What about Love?" [#10, July 1985]. Following the final album in their odds-n-sods trilogy, 1995's Hate Rock N' Roll, the Mary Chain parted ways with Blanco y Negro, their record label of over a decade, and signed to American indie rock label Sub Pop. "Tell It Like It Is" [#8, December 1980]. Following the tour to support the album and the release of another compilation of odds-n-sods, The Sound of Speed, they returned to the studio to record their fifth album proper, the largely acoustic Stoned & Dethroned which would see release in 1994. "Magic Man" [#9, September 1976]. The single was followed by the release of the album Honey's Dead in 1992.

Brigade [#3, June 1990]. Spitting feedback and punk rock bile in every direction, the track was banned from Radio and the video was banned from TV play due to its potentially offensive lyrics ("I wanna die just like JFK, I wanna die in the USA".) The Reid brothers had not calmed down after all, proving that they could still rage, kick and spit with the best of them. Bad Animals [#2, July 1987]. They proved their detractors wrong with their next single, Reverence. Heart [#1, August 1985]. It seemed that they had calmed down. Greatest Hits/Live [#13, December 1980/January 1981]. By this time, the violence that was originally associated with the band was practically non-existent and the Reid brothers were being less antagonistic and aggressive in general.

Bebe Le Strange [#5, March 1980]. Boasting heavy use of synthesized bass and keyboards, the album was not received quite as well as its predecessors though it was still a strong, consistent album, and contained the singles Head On and the Dylan ode, Blues From a Gun. Little Queen [#9, June 1977]. Following the odds-n-sods collection Barbed Wire Kisses in 1988 and constant touring, the album Automatic was released in September 1989. Dreamboat Annie [#7, August 1976]. The fluid nature of the Mary Chain's line up continued throughout their entire career, with a revolving door of drummers, bassists and guitarists being recruited for TV appearances and gigs whenever they were required, the only constants being the Reid brothers. Jupiter's Darling (2004). The gigs were very poorly received and they quickly reverted back to live drums, drafting in Richard Thomas for two years, subsequently replaced by Steve Monti in 1990.

Alive in Seattle (2003) (live). In 1987 and 1988 they toured without a drummer, instead employing a roadie to play a tape of drum tracks through the PA system. The Road Home (1995) (live). Ironically, the band's live shows, at one time considered the most exciting element of the band and the reason for most of their success, were now overshadowed by their records. Desire Walks On (1993). Featuring a more melodic sound, the album was recorded almost entirely by the Reids themselves, replacing live drums with a drum machine, and received overwhelmingly positive reviews by the British music press. Rock the House (1991) (live). He was replaced with John Moore, though he was gone as well by the release of the band's second album, Darklands, in September 1987 (Moore went on to form Black Box Recorder with Luke Haines).

Brigade (1990). Following the release of the follow up single Some Candy Talking, Bobby Gillespie left to front Primal Scream on a full time basis. Bad Animals (1987). The record received unanimously positive reviews and is now considered a landmark recording. Heart (1985). The album fused together the Reid's two primary influences, the indie guitar noise of The Velvet Underground with the '60s pop leanings of Phil Spector and The Beach Boys. Passionworks (1983). The same year, the band signed to Blanco y Negro and released the You Trip Me Up and Never Understand singles which were soon followed by their debut album Psychocandy.

Private Audition (1982). The music press were present at the show, and this event subsequently became known as "The Jesus and Mary Chain Riot". Greatest Hits/Live (1981) (compilation & live). By the time the Mary Chain started their short set, the audience was already in the mood for violence, and because of the size of the audience, the riot that occurred was far bigger and wilder than any other that had occurred at a Mary Chain gig. Bebe Le Strange (1980). Support band Meat Whiplash had stirred up violence before the Mary Chain even set foot onto the stage by throwing a wine bottle into the audience. Dog & Butterfly (1978). On March 15, 1985, the Mary Chain played a gig at the North London Polytechnic in front of one of their largest crowds up to that point.

Magazine (1978). The violence that followed the band's every action culminated in an event that is now a part of indie folklore. Little Queen (1977). He would simply make sure people from the music press were present while these events naturally transpired, and so ensuring blanket coverage in the music papers. Dreamboat Annie (1976). All of this delighted manager and Creation Records boss Alan McGee, who obviously found it very easy to get attention for the band. Denny Fongheiser – Drums. Many shows culminated with the Reids trashing their equipment, which was often followed by the audience rioting.

Fernando Saunders – Bass Guitar. Any reporters or photographers from the music press would be verbally insulted and spat at. Denny Carmassi – Drums. Playing in front of small audiences, the Mary Chain earned their notoriety by playing very short gigs, some lasting no more than 10 minutes and consisting of a either the mangling of a couple of covers songs or a constant wall of feedback and distortion, as well as playing with their backs to the audience and refusing to speak to them. Mark Andes – Bass Guitar. Controversial by design, the Mary Chain's early gigs have become the stuff of legend in indie circles. Michael Derosier – Drums. Though the single received universal critical acclaim from the British music press, and the band were championed fanatically by the NME, it was their live shows that drew them the most attention and notoriety.

Steve Fossen – Bass Guitar. The latter was quickly replaced in favour of Primal Scream frontman Bobby Gillespie, and the band recorded their debut single, Upside Down, that would be released in October 1984 on Creation Records. Howard Leese – Guitar, keyboards, synthesizer. To fully realise their vision of the band, the Reid brothers recruited bassist Douglas Hart and drummer Murray Galglish. Roger Fisher – Guitar, mandolin. In much the same way as The Smiths, The Mary Chain originally revolved around the songwriting partnership of its two main members. Nancy Wilson – Guitar, mandolin, keyboards, harmonica, vocals. Hailing from East Kilbride in Scotland, they released a constant string of albums, singles and EPs until their demise in 1999.

Ann Wilson – Lead Vocals, flute, guitar, bass, autoharp, keyboards. The Jesus and Mary Chain were a British Indie rock band that revolved around the songwriting partnership of brothers Jim Reid and William Reid. BBC - Live in Concert, 2003. 21 Singles, 2002. The Complete John Peel Sessions, 2000.

Munki, 1998. Hate Rock N' Roll, 1995. Stoned & Dethroned, 1994. The Sound of Speed, 1993.

Honey's Dead, 1992. Automatic, 1989. Barbed Wire Kisses, 1988. Darklands, 1986.

Psychocandy, 1985 - Perhaps their finest moment.