This page will contain news stories about Fritz Lang, as they become available.Fritz LangFriedrich Anton Christian Lang (December 5, 1890 - August 2, 1976) was an Austrian film director, screenwriter and occasional film producer, one of the most famous emigrés from Germany's school of expressionism to work in Hollywood. Fritz LangAlthough some consider Lang's work to be simple melodrama, he produced a coherent oeuvre that helped to establish the characteristics of film noir, with its recurring themes of psychological conflict, paranoia, fate and moral ambiguity. His work influenced filmmakers as disparate as Jacques Rivette and William Friedkin. His most famous films are probably Metropolis and M, made before he moved to the United States. Lang was an artist and a painter who enlisted in the army and fought in World War I. While recovering from both injuries and shell shock, he joined Germany's Ufa studio just as the Expressionist movement was waxing. In this first phase of his career, Lang alternated between art films such as Der Müde Tod and populist thrillers such as Die Spinnen (a two-part film), combining popular genres with Expressionist techniques to create an unprecedented synthesis of popular entertainment with art cinema, culminating in his most famous silent works: Dr. Mabuse, der Spieler (1922), a crime epic (running four hours in two parts in its original version, recently restored by the Munich Filmmuseum) focusing on the psychological conflict between the master criminal Mabuse and detective Von Wenk; Die Nibelungen (1924), and his most famous film, Metropolis (1927). Legend has it that Metropolis greatly impressed the leaders of the growing Nazi movement, though Lang detested their philosophy and wrote anti-Nazi statements into his 1933 film Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse). Mabuse was banned when the Nazis seized power, but Joseph Goebbels still respected Lang enough to offer him the head position of the German film industry. Rather than accept the position, Lang fled Germany. Thea von Harbou, his wife and long-time collaborator, had joined the Nazi party and remained behind. In 1931, between Metropolis and Das Testament des Dr. Mabuse, Lang directed what many film scholars consider to be his masterpiece: M, a disturbing story of a child murderer (Peter Lorre in his first starring role) who is hunted down and brought to trial by Berlin's criminal underworld. M remains a powerful work; it was remade in 1951 by Joseph Losey, but this version had little impact on audiences, and has become harder to see than the original film. Upon his arrival in Hollywood, Lang joined the MGM studio and directed the impressive crime drama Fury. Lang made twenty-one features in the next twenty-one years, working in a variety of genres at every major studio in Hollywood, occasionally producing his films as an independent. These films, often compared unfavourably by contemporary critics to Lang's earlier works, have since been reevaluated as the equal of, if not superior to, his German films. During this period, his visual style simplified and his worldview became increasingly pessimistic, culminating in the cold, geometric style of his last American films, While the City Sleeps (1956) and Beyond a Reasonable Doubt (1957). Lang epitomized the stereotype of the tyrannical German director; he was known for being hard to work with. He wore a monocle that added to the stereotype (though film historians say this particular cliché began with Erich von Stroheim), and his image has been parodied in a number of media, including GWAR's long form video Phallus in Wonderland. During the 1950s, Lang found it harder to find congenial production conditions in Hollywood and, following a major disagreement with the producer of Beyond A Reasonable Doubt, he returned to Germany to make his last films. These works received mixed reviews, some condemning them as stylised and detached, while others praised them for the same qualities. Lang's eyesight steadily deteriorated throughout the 1950s and, after a final Dr. Mabuse film, Die 1000 Augen des Dr. Mabuse (1960), he returned to the United States. He continued collecting research material and drafting screenplays, but never made another film. He died in 1976 and was interred in the Forest Lawn-Hollywood Hills Cemetery in Los Angeles. Filmography
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He died in 1976 and was interred in the Forest Lawn-Hollywood Hills Cemetery in Los Angeles. Additional films by Victor Mature include The Egyptian (1954) and Chief Crazy Horse (1955). He continued collecting research material and drafting screenplays, but never made another film. Demille's Bible epic, Samson and Delilah. Mabuse (1960), he returned to the United States. Victor also starred with Hedy Lamarr in Cecil B. Lang's eyesight steadily deteriorated throughout the 1950s and, after a final Dr. Mabuse film, Die 1000 Augen des Dr. Both films deal with the fate of the robe worn by Jesus before the crucifixion. These works received mixed reviews, some condemning them as stylised and detached, while others praised them for the same qualities. For the next decade, Mature settled into playing hard-boiled characters in a range of genres such as westerns and Biblical films, such as The Robe (with Richard Burton and Jean Simmons) and the popular sequel to The Robe, Demetrius and the Gladiators (with Susan Hayward). During the 1950s, Lang found it harder to find congenial production conditions in Hollywood and, following a major disagreement with the producer of Beyond A Reasonable Doubt, he returned to Germany to make his last films. After the war, Mature was cast by John Ford in My Darling Clementine, playing Doc Holliday opposite Henry Fonda's Wyatt Earp. He wore a monocle that added to the stereotype (though film historians say this particular cliché began with Erich von Stroheim), and his image has been parodied in a number of media, including GWAR's long form video Phallus in Wonderland. However, with the US entry into World War II, Mature entered military service. Lang epitomized the stereotype of the tyrannical German director; he was known for being hard to work with. His first leading role was as a fur-clad caveman in One Million B.C. (1940), after which he joined 20th Century Fox to star opposite actresses such as Betty Grable and Rita Hayworth. During this period, his visual style simplified and his worldview became increasingly pessimistic, culminating in the cold, geometric style of his last American films, While the City Sleeps (1956) and Beyond a Reasonable Doubt (1957). He was most commonly associated with the term "beefcake" due to his muscular physique and stolid onscreen manner. These films, often compared unfavourably by contemporary critics to Lang's earlier works, have since been reevaluated as the equal of, if not superior to, his German films. Victor Mature (born in Louisville, Kentucky; 1915–1999) was an American film actor. Lang made twenty-one features in the next twenty-one years, working in a variety of genres at every major studio in Hollywood, occasionally producing his films as an independent. Upon his arrival in Hollywood, Lang joined the MGM studio and directed the impressive crime drama Fury. M remains a powerful work; it was remade in 1951 by Joseph Losey, but this version had little impact on audiences, and has become harder to see than the original film. Mabuse, Lang directed what many film scholars consider to be his masterpiece: M, a disturbing story of a child murderer (Peter Lorre in his first starring role) who is hunted down and brought to trial by Berlin's criminal underworld. In 1931, between Metropolis and Das Testament des Dr. Thea von Harbou, his wife and long-time collaborator, had joined the Nazi party and remained behind. Rather than accept the position, Lang fled Germany. Mabuse was banned when the Nazis seized power, but Joseph Goebbels still respected Lang enough to offer him the head position of the German film industry. Mabuse). Mabuse (The Testament of Dr. Legend has it that Metropolis greatly impressed the leaders of the growing Nazi movement, though Lang detested their philosophy and wrote anti-Nazi statements into his 1933 film Das Testament des Dr. Mabuse, der Spieler (1922), a crime epic (running four hours in two parts in its original version, recently restored by the Munich Filmmuseum) focusing on the psychological conflict between the master criminal Mabuse and detective Von Wenk; Die Nibelungen (1924), and his most famous film, Metropolis (1927). In this first phase of his career, Lang alternated between art films such as Der Müde Tod and populist thrillers such as Die Spinnen (a two-part film), combining popular genres with Expressionist techniques to create an unprecedented synthesis of popular entertainment with art cinema, culminating in his most famous silent works: Dr. While recovering from both injuries and shell shock, he joined Germany's Ufa studio just as the Expressionist movement was waxing. Lang was an artist and a painter who enlisted in the army and fought in World War I. His most famous films are probably Metropolis and M, made before he moved to the United States. His work influenced filmmakers as disparate as Jacques Rivette and William Friedkin. Although some consider Lang's work to be simple melodrama, he produced a coherent oeuvre that helped to establish the characteristics of film noir, with its recurring themes of psychological conflict, paranoia, fate and moral ambiguity. Friedrich Anton Christian Lang (December 5, 1890 - August 2, 1976) was an Austrian film director, screenwriter and occasional film producer, one of the most famous emigrés from Germany's school of expressionism to work in Hollywood. Mabuse) (1960). Mabuse (The Thousand Eyes of Dr. Die 1000 Augen des Dr. Das indische Grabmal (The Indian Tomb, or: Journey to the Lost City) (1959). Der Tiger von Eschnapur (The Tiger of Eschnapur, or: The Tiger of Bengal) (1959). Beyond a Reasonable Doubt (1957). While the City Sleeps (1956). Moonfleet (1955). Human Desire (1954). The Big Heat(1953). The Blue Gardenia (1953). Clash by Night (1952). Rancho Notorious (1952). American Guerrilla in the Philippines (1950). House by the River (1950). Secret Beyond the Door (1948). Cloak and Dagger (1946). Scarlet Street (1945). The Woman in the Window (1944). Ministry of Fear (1944). Hangmen Also Die (1943). Moontide (1942) (uncredited). Confirm or Deny (1941) (uncredited). Man Hunt (1941). Western Union (1941). The Return of Frank James (1940). You and Me (1938). You Only Live Once (1937). Fury (1936). Liliom (1934). Mabuse) (1933). Mabuse (The Testament of Dr. Das Testament des Dr. M (1931). Frau im Mond (Woman in the Moon) (1929). Spione (Spies) (1928). Metropolis (1927). Die Nibelungen: Kriemhilds Rache (Die Nibelungen: Kriemheld's Revenge) (1924). Die Nibelungen: Siegfried (Die Nibelungen: Siegfried) (1924). Mabuse, The Gambler) (1922). Mabuse, der Spieler (Dr. Dr. Vier um die Frau (Four Around a Woman) (1921). Der Müde Tod (Beyond the Wall) (1921). Das Wandernde Bild (The Wandering Image) (1920). Teil: Das Brillantenschiff (Spiders, Part 2: The Diamond Ship) (1920). Die Spinnen, 2. Der Herr der Liebe (Master of Love) (1919). Die Pest in Florenz (The Plague in Florence) (1919). Harakiri (Madame Butterfly) (1919). Teil: Der Goldene See (Spiders, Part 1: The Golden Lake)(1919). Die Spinnen, 1. Halbblut (The Half-Caste) (1919). |