This page will contain discussion groups about Frank Zappa, as they become available.Frank ZappaFrank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American rock/jazz fusion musician, composer, and satirist. Early life and influencesBorn in Baltimore, Maryland on 21 December 1940, Zappa was of mixed Sicilian, Italian, Greek, Arab, French, Irish, and German ancestry. He was the oldest of four children, with two brothers and a sister. In January 1951 the Zappa family relocated to the west coast because of Frank's asthma, settling in Monterey, California, on the coast about 100 miles south of San Francisco. They moved to Pomona, then El Cajon before moving a short distance once again to San Diego in the early 1950s. By 1955 the Zappa family relocated to Lancaster, which at the time was a small aircraft and farming town in the Antelope Valley in the Mojave Desert 73 miles north of downtown Los Angeles north of the San Gabriel Mountains. By age 15, Frank had attended six different high schools, which may have contributed to his sense of alienation in adult life. His father, a chemist and mathematician who was born in Sicily, worked nearby at Edwards Air Force Base which had at the time a federal government chemical warfare research facility. Due to their proximity to Edwards AFB, he kept gas masks at home in case of an accident, and this evidently had a profound effect on the young Frank. References to germs, germ warfare and other aspects of the 'secret' defence industry occur throughout his work. His father once wrote and published a small mathematical volume on gambling odds. Lancaster's location gave the young Zappa access to the exciting sounds coming from radio stations in Los Angeles and beyond, as well as exposure to the hype that went with it, and his parents were affluent enough to afford a record player, records, a TV, and musical instruments. TV also exerted a strong influence and references to TV and TV shows, including quotations from themes and advertising jingles, can be found in almost every piece he wrote. Another formative event was a persistent sinus problem during his early teens. To Frank's lasting horror, his doctor treated the stubborn ailment by inserting a pellet of radium into his nose on a probe. Nasal imagery and references to the nose also recur, both in his writing and in the classic collage album covers created by his longtime visual collaborator, Cal Schenkel. As a student, he was bored and given to distracting the rest of the class with his antics, and was once suspended from school for a dangerous prank involving explosive chemicals and a Parents' Open House night. He left community college after one semester in order to make low-budget films. He maintained his disdain for formal education throughout his life, taking his children out of school at age 15 and refusing to pay for their college. Nevertheless, he was in essence a polymath. He was highly intelligent, ambitious and articulate, widely read, and possessed a voracious intelligence, drive, singular concentration, enormous creativity and a huge capacity for work and organisation. However, he was passionately interested in music, developing wide-ranging and highly idiosyncratic musical interests and demonstrating superior ability at an early age. His parents were not musicians but had broad musical tastes also, and he grew up influenced in equal measures by avant-garde composers such as Edgar Varèse and Igor Stravinsky, local rhythm and blues and doo-wop groups (particularly local pachuco groups), and modern jazz, including bebop and free jazz, all of which influences show up in his work. Zappa was from the first interested in sounds for their own sake, which led to his interest in modern composers. His introduction to Stravinsky seems to have been a pivotal musical discovery but he was soon ranging even further afield, musically, in addition to his interests in jazz, doo-wop, R&B, and rock'n'roll. After reading a magazine review panning Varèse's dissonant drum piece in "Ionisation" (actually The Complete Works of Edgard Varèse, Volume One) as 'a weird jumble of drums and other unpleasant sounds', the teenage Zappa became convinced that he should seek out Varèse's music. When he spotted a copy of The Complete Works of Edgard Varèse, Volume One in a local record store, where it was being used as a hi-fi demonstration record, he convinced the salesman to sell him the copy despite the fact that he didn't have the full price, beginning a lifelong passion for Varèse and his music. Zappa's mother gave him considerable encouragement. Although she greatly disliked Varèse's music, she was indulgent enough to give Frank the gift of a long distance call to the composer at his home in New York as a fifteenth birthday present. Unfortunately, Varèse was away in Europe at the time, but the young fan spoke to the composer's wife. He and Varèse subsequently wrote to each other. Zappa had Varèse's letter framed and he kept it for the rest of his life. [1] (http://csunix1.lvc.edu/~snyder/em/zappa.html) Zappa began his playing career on drums, taking his first lessons at school in the summer of 1953, aged 13. He drummed with local teenage combos, but later switched to guitar, which he quickly mastered. Although he performed as a singer-guitarist for most of his career, Zappa always retained a strong interest in rhythm and percussion. His bands have been notable for the excellence of their drummers and works such as The Black Page are notorious for the virtuoso complexity of their rhythmic structure and arrangement, featuring radical changes of tempo and metre and short, densely arranged passages which are contrasted with free-form breaks and extended improvisations. Classically trained percussionist and drummer Terry Bozzio, who played for Zappa in the late 1970s as well as playing and recording many well-known classical and avant-garde works, is on record as saying that Zappa's writing for percussion is as difficult and complex as anything else he has played. In 1956 Zappa met Captain Beefheart (Don Van Vliet) while taking classes at Antelope Valley High School, when Zappa was playing guitar in a local band, The Blackouts, a racially-mixed outfit that also included Euclid James "Motorhead" Sherwood, who later lived with Zappa at 'Studio Z' and was a member of the Mothers of Invention, playing on many of their most famous recordings. They became close friends, influencing each other musically, and becoming collaborators in the late Sixties and mid- Seventies (on the album Bongo Fury, released 1975), although they later became estranged for a period of years. Van Vliet's own feelings about Frank Zappa were perhaps best summarized in a quote published in a March 1994 issue of Musician magazine: "I knew him for thirty-seven years, and in the end, the relationship was private." In 1957 Zappa was given his first guitar and quickly developed into a highly accomplished and inventive player. He considered his solos "air sculptures", and developed an eclectic, fluent and extremely individual style, eventually becoming one of the most highly regarded electric guitarists of his time. It is possible that he might have become a professional jazz musician, but he was soon drawn into rock music, although he retained a lifelong attachment to jazz forms, voicings and structures and often drew his band members from the jazz world, if only because of the high degree of musical competence his music demanded. Zappa's interest in composing and arranging burgeoned in his later high school years and he dreamed of being taken seriously as a composer. Although he was primarily self-taught, his music teacher gave him considerable encouragement. By his final year he was writing prolifically and had not only composed, arranged and conducted an avant-garde performance piece for the school orchestra, but had also contrived to have the event both broadcast on local radio and recorded. A portion of this historic recording is included on the CD The Lost Episodes. Zappa did see his childhood dream realized, as the London Symphony Orchestra played a program of his music, and the Ensemble Modern in 1992 received a 20-minute ovation after performing a program of his work a the Frankfurt Opera House. During high school Zappa had also developed a strong interest in graphic arts. After graduating in June 1958 he worked for a time in advertising. His sojourn in the commercial world was another important influence on his work, and within a few years Zappa was co-opting the techniques he learned as a commercial artist, and was using them to deconstruct music, the music business, the media and society at large by combining them with the ideas he had gleaned from his studies of dada, situationism, and surrealism. Zappa always took a keen interest in the visual presentation of his work, rapidly developing from album cover designer (e.g. Absolutely Free) to director of his own films and videos. Zappa's album covers are highly distinctive, and frequently bizarre and surreal. His two most important visual collaborators were Cal Schenkel in the Sixties and early Seventies, and Donald Roller Wilson in the Eighties and Nineties. One of Zappa's best-known and best-loved album images is that created for the 1969 compilation Weasels Ripped My Flesh, a disturbingly surreal painting by renowned album artist Neon Park. Zappa moved to Los Angeles in 1959 and spent most of the rest of his life there. He began working as a graphic artist while trying to establish himself as a musician and composer. Among his earliest professional recordings are two adventurous and remarkably accomplished scores for the low-budget films Run Home Slow and The World's Greatest Sinner. In 1962 he appeared as a solo artist on the Steve Allen Show performing a satirical dadaist piece involving a bicycle. Although many of the tapes of this series were later destroyed, the video of Zappa's remarkable performance survives. He married his first wife Kay the same year but the relationship soon deteriorated and they divorced two years later. In 1963 he began playing professionally around Los Angeles and bought the small Pal Recording Studio in Rancho Cucamonga, California (formerly called Cucamonga), which he renamed "Studio Z". Zappa had begun recording at Pal since the early 1960s and after receiving a payment for one of his film scores he was able to buy the studio. Soon after, his marriage ended and he moved out of his apartment and into the studio, where he began routinely working 12 hours per day and more, setting a pattern that would endure for almost all of his life. Although only a small business, Pal was particularly attractive to Zappa because it contained a unique 5-track tape recorder built by the previous owner, Paul Buff. At this time, only a handful of the most expensive commercial studios had multitrack facilities and for smaller studios, the industry standard was still mono or two-track. By the time he recorded his first LP with The Mothers in 1966 he was already an accomplished recording and mastering engineer and from his third LP on and for the rest of his career, he produced all his own work. After being approached by a customer who wanted him to produce a suggestive tape for a stag party, Zappa and some friends jokingly faked the "erotic" recording, which purported to contain the sounds of people having sex. Unfortunately the customer turned out to be an undercover member of the Vice Squad and Zappa was jailed for ten days on charges of supplying pornography. His entrapment and brief imprisonment left a permanent mark on him, and was a key event in the formation of his anti-authoritarian stance. The Mothers of InventionAfter a short career as a professional songwriter — his elegiac "Memories of El Monte" was recorded by The Penguins — in 1964 Zappa joined a local R&B band, The Soul Giants, as a guitarist. He soon assumed leadership, renaming the band "The Mothers" (and, later still, "Frank Zappa and the Mothers of Invention" at the insistence of the record company). They gradually began to gain attention on the burgeoning Los Angeles underground 'freak scene' and in 1965 they were spotted by leading record producer Tom Wilson, who had earned acclaim as the producer of the seminal Bob Dylan albums Bringin' It All Back Home and Highway 61 Revisited, as well as the breakthrough 'electric' version of Simon & Garfunkel's Sounds of Silence. Wilson was also notable for being one of the only African-Americans working as a major label pop producer at this time. Wilson signed The Mothers to the Verve label, which had built up a strong reputation for its fine modern jazz recordings in the 1940s and 1950s, but was then attempting to diversify into pop and rock, but with an "artistic" or "experimental" bent. Around this time, Zappa also met and signed with longtime manager Herb Cohen. With Wilson credited as producer, The Mothers recorded their groundbreaking double album debut Freak Out! (1966), a mixture of often topical R&B and experimental sound collage that attempted to capture the 'freak' subculture of Los Angeles at that time. One of the first record albums united by an underlying theme, it was also only the second double LP of rock music ever released, and firmly established Zappa as a major new voice in rock music. Wilson is also credited with producing the even more accomplished follow-up Absolutely Free; but for the third LP, Wilson was listed as 'Executive producer', and Zappa took over as producer for all the Mothers and solo Zappa recordings issued from that time on. It's clear that even on the two first albums, Zappa was already responsible for virtually all of the musical decisions, with Wilson providing the industry clout, credibility, and connections to get the unknown group the financial resources they needed to produce a double album with use of an orchestra; by the third album, Zappa had already enough of a proven track record to allow for a more accurate description in the album's credits of their respective roles. During this period, Wilson also had Zappa collaborate with The Animals on the song "All Night Long" on their album Animalism. Zappa's second and third studio albums were landmarks of record production and were highlighted by liberal use of his famous 'cut-up' editing techniques. The brilliant Absolutely Free (1967) continued Zappa's lyrical preoccupations with the hypocrisy and conformism of American society and the sinister suppression of underground and alternative culture. It was followed by the album widely regarded as the peak of the group's late Sixties work, We're Only In It For The Money (1968) which featured some of the most radical audio editing and production yet heard in pop music, and ruthlessly satirised the hippie and flower power phenomena. The cover photo (which included Jimi Hendrix) famously parodied that of the Beatles' Sgt Pepper's Lonely Hearts Club Band. This was bookended by two closely linked companion pieces. The dazzling audio collage Lumpy Gravy (1967) took Zappa's production techniques to a new peak and, according to Zappa himself, took nine months to edit. After We're Only In It For The Money, next was his Doo-Wop tribute Cruising with Ruben & the Jets. Other important Mothers recordings from this period (including the pivotal song Oh No) were collected in the 1970 compilation album Weasels Ripped My Flesh. During the late Sixties Zappa continued his rapid artistic development, emerging as a superb lead guitarist, a skilled producer and engineer, and a composer and arranger of extraordinary range and facility. He increasingly used tape editing as a compositional tool; his editing skills are apparent on the stunning work he produced in the late Sixties with The Mothers. Zappa evolved a unique compositional approach — which he dubbed 'conceptual continuity' — that ranged across virtually every genre of music. His work combines satirical lyrics and pop melodies with virtuoso instrumental prowess, where long, jazz-inflected improvisational passages are counterbalanced with densely edited and seemingly chaotic collage sequences that mix music, sound effects and snatches of conversation. He also became famous for regularly quoting musical phrases that influenced or amused him — one of his most famous and regular quotes was the riff from the perennial Sixties rock hit 'Louie Louie', which appears in various forms in more than twenty separate recordings over the whole span of his career. He also frequently quoted from or referred to TV show themes and advertising jingles, from famous rock songs such as My Sharona and Stairway To Heaven, and from classical works such as Stravinsky's "The Rite Of Spring". Zappa earned a fearsome reputation as a ruthless taskmaster who possessed a seemingly limitless capacity for work (he regularly worked as much as twenty hours a day in the studio until very late in his career) who also possessed immense technical knowledge and a photographic memory of the contents of his vast archive. He also became known for dismissing the contributions of his musicians, going so far as to withhold royalties rather than share the glory. During a residency in New York's Greenwich Village in late 1966, Zappa became friends with Jimi Hendrix and is reputed to have introduced Hendrix to the Wah-wah pedal. The Mothers' anarchic stage shows were legendary — during one famous 1967 performance at the Garrick Theatre in New York, Zappa managed to entice some soldiers from the audience onto the stage, where they proceeded to dismember a collection of baby dolls. Around 1968 Zappa also began regularly recording his concerts, beginning with a simple two-track portable recorder and eventually progressing to a portable 48-track digital system. In the process he built up a vast archive of live recordings. In the late 1990s some of the best of these recordings were collected for the 12-CD set You Can't Do That On Stage Anymore. Because of his insistence on precise tuning and timing in concert, from the 1970s on Zappa was able to augment his studio productions with excerpts from live shows, and he is known to have inserted 'live' guitar solos into the final studio recordings of some compositions. Although they were lauded by critics and their peers and had a rabid cult following, mainstream audiences often found much of the Mothers' music, appearance and attitude impossible to comprehend, and the band was often greeted with derision. More importantly, the financial strain and interpersonal tensions involved in keeping a large jazz-rock ensemble on the road eventually led to the group's demise in 1969, although numerous members would remain with or return to Zappa in years to come. During this period Zappa also produced the extraordinary double album Trout Mask Replica for his old friend Captain Beefheart as well as releases by Alice Cooper, Tim Buckley, Wild Man Fischer and The GTOs. 1970sAfter he disbanded the original Mothers, Zappa released the acclaimed solo instrumental album Hot Rats, featuring his jazz-inflected guitar playing backed by jazz, blues and R&B players session players including violinist Don "Sugarcane" Harris, drummer John Guerin, and bassist Shuggie Otis. It remains one of his most popular and accessible recordings and arguably had a major influence on the development of the jazz-rock fusion genre. Around 1970 Zappa put together a new version of The Mothers that included British drummer Aynsley Dunbar, jazz keyboardist George Duke, previous Mothers member, multi-instrumentalist Ian Underwood and singers Howard Kaylan and Mark Volman, who had been the lead singers in Sixties folk-pop band The Turtles. They were nicknamed "The Phlorescent Leach and Eddie" by Zappa. (Their own music was later published under Liccianetti Music.) Because contractual problems prevented them from recording as The Turtles or even under their own names, Volman and Kaylan were often billed as "Flo and Eddie". The new lineup debuted on Zappa's next solo LP Chunga's Revenge, which was followed by the sprawling soundtrack to the movie project 200 Motels, featuring both The Mothers and The Royal Philharmonic Orchestra. At the time George Duke was in the band and appears both in the film and on the sound track as a musician. He left the band to play with Cannonball Adderly and was replaced Don Preston from the original Mothers, who acted in the film, but is not playing on the soundtrack. This double disc album was followed by two superb live sets, Fillmore East - June 1971 and Just Another Band From LA, which included the 20-minute track "Billy The Mountain", Zappa's satire on rock opera, set in Southern California. The former features hilariously low-concept cover art just at the apex of the era of great rock "album cover artwork". The latter was released according to FZ to provide some royalties to the band members who were suddenly in limbo, unable to tour. In 1971 there were two serious setbacks. While performing in Montreux, Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a disastrous fire that burned the casino where they were playing — an event immortalised in Deep Purple's "Smoke On The Water". Then in December, Zappa was attacked on stage at the Rainbow Theatre, London. The jealous husband of a female fan pushed Frank offstage landing him unconscious in the orchestra pit, with serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx (which caused his voice to drop a third after it healed). This left him wheelchair bound for a time, forcing him off the road for over a year. (He was wearing a leg brace for a period thereafter, had a noticeable limp and couldn't stand for very long while onstage.) He said one leg healed shorter than the other -- a reference found years later in the lyrics of "Dancin' Fool" . He employed a bodyguard thereafter when touring, John Smothers, a former L.A.P.D. officer. In 1971-72 he released two strongly jazz-oriented solo LPs, Waka Jawaka and The Grand Wazoo, which were recorded during the layoff from live concert touring, using floating lineups of session players and Mothers alumni. He began touring again in late 1972, first with a Grand Wazoo 'big band' and with groups that variously included Ian Underwood on brass and reeds, Ian's wife Ruth on vibes, Sal Marquez (trumpet), Napoleon Murphy Brock (sax and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), George Duke (kbds, vocals) and Jean-Luc Ponty (violin). He continued a high rate of production through the early 1970s, including the excellent and accessible albums One Size Fits All and Apostrophe, OverNite Sensation and Roxy and Elswhere featuring ever-changing versions of a band no longer called the Mothers. 1980sIn 1980, Zappa helped former band members Warren Cuccurullo and Terry Bozzio launch their new band, Missing Persons, by letting them record their 4-song demo EP in his brand new UMRK (Utility Muffin Research Kitchen) studios. After a break Zappa returned, and much of his later work was influenced by his use of the synclavier as a compositional and performance tool and his mastery of studio techniques for producing specific instrumental effects. His work was also more explicitly political satirising the rise of television evangelists and the Republican party. On September 19, 1985, Zappa testified before the US Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music censorship (though others would say watchdog) organization founded by then-Senator Al Gore's wife Tipper Gore and including many other political wives, including the wives of five members of the committee. He said,
Zappa put some of the PMRC hearings to music in his song "Porn Wars." Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton, Al Gore (who admitted to being a Zappa fan), and, most notably, a funny exchange with Florida Senator Paula Hawkins over what toys the Zappa children played with. His last tour in a "rock band format" took place in 1988 with a 12-piece group which was reported to have a repertoire of over 800 (mostly Zappa) compositions, but which split acrimoniously before the tour was completed. The tour was documented on the albums The Best Band You Never Heard In Your Life (Zappa "standards" and obscure cover tunes), Make a Jazz Noise here (mostly instrumental and experimental music), and Broadway The Hard Way (new original material), with bits also to be found on You Can't Do That On Stage Anymore Volume 6. 1990sIn the early 1990s Zappa devoted almost all of his energy to modern orchestral and synclavier works. In 1990 he was diagnosed with prostate cancer, a disease which caused his death in 1993. Although ill, in 1992 he appeared as a guest conductor with the Ensemble Modern in a series of concerts in Germany devoted to his compositions, recordings from which appeared on Yellow Shark. During these years, he edited numerous CD collections of concert recordings made throughout his career. In 1993, he completed Civilization, Phaze III, a major synclavier work he had begun in the '80s. He stated in interviews that he was working on hundreds of synclavier pieces, most of which remained unfinished. Frank Zappa died on December 4, and was interred in the Westwood Village Memorial Park Cemetery in Westwood, California. Zappa was inducted into the Rock and Roll Hall of Fame in 1995. That same year the only known cast of Zappa was installed in the center of Vilnius, the capital of Lithuania. Zappa was immortalized by Konstantinas Bogdanas, the famous Lithuanian sculptor who had previously cast portraits of Vladimir Lenin. In 2002 a bronze bust was installed in a square in Bad Doberan, a small town in the north of Germany, where, since 1990, there's an international Festival celebrating the music of Frank Zappa. Zappa received a posthumous Grammy Lifetime Achievement Award in 1997. Other informationZappa was married twice, once to Kay Sherman (1959–1964) and then to Gail Sloatman, whom he remained with until his death. Sloatman and Zappa had four children, two sons and two daughters, all of whom had rather unusual names. They are: Moon Unit, Dweezil, Ahmet Rodan, and Diva. After his death an internet email campaign to the International Astronomical Union's Minor Planet Center led to an asteroid being named in his honor: 3834 Zappafrank, the asteroid having been discovered by Czech astronomers. [2] (http://www.klet.org/names/view.php3?astnum=3834) [3] (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/asteroid.html) Since then other things have been named in his honor including: another asteroid (16745 Zappa), a gene (ZapA gene of Proteus mirabilis, a microbe that causes urinary tract infections [4] (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/ZapA.html)), a goby fish (Zappa confluentus [5] (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/fish.html) ), a jellyfish (Phialella zappa which was actually named by Nando! (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/jellyfish.html)), an extinct mollusc (Amauratoma zappa), and a spider with an abdominal mark supposedly resembling Zappa's mustache (Pachygnatha zappa [6] (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/spider.html)). Zappa portrays the voice of the pope in a 1992 episode of Ren & Stimpy. Note on his nameAs his autobiography The Real Frank Zappa Book notes, his real name was "Frank", never "Francis". Until rediscovering his birth certificate as an adult, Zappa himself believed he had been christened Francis, and he is credited as Francis on some of his early albums. Some encyclopedias still incorrectly claim that his real name was "Francis". Zappa means "hoe" in Italian. Samples
Quotation"I _(you just fill in the blank)_, do hereby solemnly swear, in accordance with the regulations of the contract with this here rock and roll engagement, and the imbecilic laws of the State of Florida, and the respective regulations perpetrated by Red-Necks everywhere, do hereby solemnly swear, UNDER NO CIRCUMSTANCES, TO REVEAL MY TUBE, WAD, DINGUS, WEE-WEE, AND/OR PENIS ANYPLACE ON THIS STAGE!! This Does NOT include Private Showings in the motel room, however." "Mothers of Invention Anti-Smut Loyalty Oath," September 1970 DiscographyCover of Sheik Yerbouti (1979)
Further reading
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"I _(you just fill in the blank)_, do hereby solemnly swear, in accordance with the regulations of the contract with this here rock and roll engagement, and the imbecilic laws of the State of Florida, and the respective regulations perpetrated by Red-Necks everywhere, do hereby solemnly swear, UNDER NO CIRCUMSTANCES, TO REVEAL MY TUBE, WAD, DINGUS, WEE-WEE, AND/OR PENIS ANYPLACE ON THIS STAGE!! This Does NOT include Private Showings in the motel room, however." "Mothers of Invention Anti-Smut Loyalty Oath," September 1970. See List of Las Vegans for more. Zappa means "hoe" in Italian. Las Vegas is frequently depicted in film and television:. Some encyclopedias still incorrectly claim that his real name was "Francis". The Las Vegas Motor Speedway (LVMS), just north of the city hosts NASCAR and other automotive events. Until rediscovering his birth certificate as an adult, Zappa himself believed he had been christened Francis, and he is credited as Francis on some of his early albums. There are also many options for boating, golf, hiking, rock climbing, and parks which offer a wide range of activities. As his autobiography The Real Frank Zappa Book notes, his real name was "Frank", never "Francis". Not having a professional sports team does not mean there is a lack of sports activities in the area. Zappa portrays the voice of the pope in a 1992 episode of Ren & Stimpy. A number of museums are available around Las Vegas. [2] (http://www.klet.org/names/view.php3?astnum=3834) [3] (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/asteroid.html) Since then other things have been named in his honor including: another asteroid (16745 Zappa), a gene (ZapA gene of Proteus mirabilis, a microbe that causes urinary tract infections [4] (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/ZapA.html)), a goby fish (Zappa confluentus [5] (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/fish.html) ), a jellyfish (Phialella zappa which was actually named by Nando! (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/jellyfish.html)), an extinct mollusc (Amauratoma zappa), and a spider with an abdominal mark supposedly resembling Zappa's mustache (Pachygnatha zappa [6] (http://homepage.ntlworld.com/andymurkin/Resources/MusicRes/ZapRes/spider.html)). The city and surrounding areas offer many attractions for both visitors and locals to enjoy. After his death an internet email campaign to the International Astronomical Union's Minor Planet Center led to an asteroid being named in his honor: 3834 Zappafrank, the asteroid having been discovered by Czech astronomers. Plans to restore Los Angeles–Las Vegas Amtrak service using a Talgo train have been discussed since the Desert Wind was discontinued, however, as of 2005, no such service has been established. They are: Moon Unit, Dweezil, Ahmet Rodan, and Diva. Until 1997, the Amtrak Desert Wind train service ran through Las Vegas using the Union Pacific Railroad (UP) rails that run through the city; Amtrak service to Las Vegas has since been replaced by Amtrak's Thruway Motorcoach bus service. Sloatman and Zappa had four children, two sons and two daughters, all of whom had rather unusual names. Primary roadways into Las Vegas include I-15 (north to Salt Lake City–south to San Diego), US 93 (north to Ely and Jackpot–south to Kingman, Arizona) and US 95 (north towards Reno–south to Searchlight) provide interstate highway access. Zappa was married twice, once to Kay Sherman (1959–1964) and then to Gail Sloatman, whom he remained with until his death. Intercity bus service to Las Vegas is provided by traditional intercity bus carriers, including Greyhound; many charter services, including Green Tortoise; and several Chinatown bus lines. Zappa received a posthumous Grammy Lifetime Achievement Award in 1997. Although general aviation traffic flies into McCarran International, Other airstrips are available. In 2002 a bronze bust was installed in a square in Bad Doberan, a small town in the north of Germany, where, since 1990, there's an international Festival celebrating the music of Frank Zappa. The airport also serves private aircraft, domestic and international passenger flights, and freight/cargo flights. Zappa was immortalized by Konstantinas Bogdanas, the famous Lithuanian sculptor who had previously cast portraits of Vladimir Lenin. McCarran International Airport provides commercial flights into the Las Vegas valley. That same year the only known cast of Zappa was installed in the center of Vilnius, the capital of Lithuania. The Las Vegas Monorail runs from the MGM Grand Hotel at the south end of the Strip to the Sahara Hotel at the north end of the Strip. Zappa was inducted into the Rock and Roll Hall of Fame in 1995. The CAT Bus is the a popular means of public transportation among locals and tourists with 52 bus routes operating covering a large portion of the valley. Frank Zappa died on December 4, and was interred in the Westwood Village Memorial Park Cemetery in Westwood, California. In 2002, on a lot adjacent to the city's 61 ac (247,000 m²), the World Market Center was announced and is intended to be the nations and possibly the worlds preeminent furniture wholesale showroom and market place. He stated in interviews that he was working on hundreds of synclavier pieces, most of which remained unfinished. The IRS is expected to create a demand for additional businesses in the area, epecially in the daytime hours. In 1993, he completed Civilization, Phaze III, a major synclavier work he had begun in the '80s. It is hoped that the condominium projects bring a younger crowd to the urban setting. During these years, he edited numerous CD collections of concert recordings made throughout his career. The city successfully lured the Internal Revenue Service to move operations from outside the city limits to a new building downtown that opened in April 2005. Although ill, in 1992 he appeared as a guest conductor with the Ensemble Modern in a series of concerts in Germany devoted to his compositions, recordings from which appeared on Yellow Shark. Several high rise condominium projects were announced for Las Vegas. In 1990 he was diagnosed with prostate cancer, a disease which caused his death in 1993. In the early 2000s, some promising signs emerged. In the early 1990s Zappa devoted almost all of his energy to modern orchestral and synclavier works. These changes have yet to make a noticeable impact. The tour was documented on the albums The Best Band You Never Heard In Your Life (Zappa "standards" and obscure cover tunes), Make a Jazz Noise here (mostly instrumental and experimental music), and Broadway The Hard Way (new original material), with bits also to be found on You Can't Do That On Stage Anymore Volume 6.. The city council agreed on zoning changes on Fremont Street, allowing bars to be closer together duplicating what other cities have, like the Gaslamp Quarter of San Diego. His last tour in a "rock band format" took place in 1988 with a 12-piece group which was reported to have a repertoire of over 800 (mostly Zappa) compositions, but which split acrimoniously before the tour was completed. After several proposals, virtually all of that piece of land has no firm development plans. Zappa put some of the PMRC hearings to music in his song "Porn Wars." Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton, Al Gore (who admitted to being a Zappa fan), and, most notably, a funny exchange with Florida Senator Paula Hawkins over what toys the Zappa children played with. The city purchased 61 ac (247,000 m²) of property from Union Pacific Railroad during the 1990s with the goal of creating something that would draw tourists and locals to the downtown area. He said,. As of March 2005, the property is for sale. On September 19, 1985, Zappa testified before the US Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music censorship (though others would say watchdog) organization founded by then-Senator Al Gore's wife Tipper Gore and including many other political wives, including the wives of five members of the committee. While there have been changes in ownership and management, Neonopolis has not been able to lease all the space available. His work was also more explicitly political satirising the rise of television evangelists and the Republican party. The multi-level Neonopolis, complete with food court and theaters, was built offer more retail and services downtown. After a break Zappa returned, and much of his later work was influenced by his use of the synclavier as a compositional and performance tool and his mastery of studio techniques for producing specific instrumental effects. While greatly slowing the decline, it did not stop the decline in tourism and revenue. In 1980, Zappa helped former band members Warren Cuccurullo and Terry Bozzio launch their new band, Missing Persons, by letting them record their 4-song demo EP in his brand new UMRK (Utility Muffin Research Kitchen) studios. The Fremont Street Experience (FSE) was built in an effort to draw tourists downtown. He continued a high rate of production through the early 1970s, including the excellent and accessible albums One Size Fits All and Apostrophe, OverNite Sensation and Roxy and Elswhere featuring ever-changing versions of a band no longer called the Mothers. With the Strip expansion in the 1990s, downtown Las Vegas began to suffer. He began touring again in late 1972, first with a Grand Wazoo 'big band' and with groups that variously included Ian Underwood on brass and reeds, Ian's wife Ruth on vibes, Sal Marquez (trumpet), Napoleon Murphy Brock (sax and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), George Duke (kbds, vocals) and Jean-Luc Ponty (violin). Chinatown initially consisted of only one large shopping center complex, but the area was recently expanded for new shopping centers that contain various Asian businesses. In 1971-72 he released two strongly jazz-oriented solo LPs, Waka Jawaka and The Grand Wazoo, which were recorded during the layoff from live concert touring, using floating lineups of session players and Mothers alumni. As a reflection of the city's rapid growing population, the new Chinatown of Las Vegas was constructed in the early 1990s on Spring Mountain Road. officer. The Las Vegas Valley metropolitan area is home to 1,583,172 residents according to the county's 2003 estimate. He employed a bodyguard thereafter when touring, John Smothers, a former L.A.P.D. Las Vegas's incorporated population of 478,434 is an understatement of the city's recent population boom, as much of the greater Las Vegas metropolitan area is unincorporated. (He was wearing a leg brace for a period thereafter, had a noticeable limp and couldn't stand for very long while onstage.) He said one leg healed shorter than the other -- a reference found years later in the lyrics of "Dancin' Fool" . As of 2001, the greater Las Vegas metropolitan area is the fastest growing population center in the United States. This left him wheelchair bound for a time, forcing him off the road for over a year. Consequently, the city has recently enjoyed an enormous boom both in population and in tourism. The jealous husband of a female fan pushed Frank offstage landing him unconscious in the orchestra pit, with serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx (which caused his voice to drop a third after it healed). Having been late to develop an urban core of any substantial size, Las Vegas has retained very affordable real estate prices in comparison to nearby urban centers. Then in December, Zappa was attacked on stage at the Rainbow Theatre, London. The lack of any state, individual or corporate income tax, and very simple incorporation requirements, have fostered the success of this effort. While performing in Montreux, Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a disastrous fire that burned the casino where they were playing — an event immortalised in Deep Purple's "Smoke On The Water". A concerted effort has been made by city fathers to diversify the Las Vegas economy from tourism by attracting light manufacturing, banking, and other commercial interests. In 1971 there were two serious setbacks. This resulted in a drop in tourism from which the downtown area is still trying to recover. The latter was released according to FZ to provide some royalties to the band members who were suddenly in limbo, unable to tour. When The Mirage opened in 1989, it started a movement of people and construction away from downtown Las Vegas to the Las Vegas Strip. The former features hilariously low-concept cover art just at the apex of the era of great rock "album cover artwork". The World Market Center is an example of this. This double disc album was followed by two superb live sets, Fillmore East - June 1971 and Just Another Band From LA, which included the 20-minute track "Billy The Mountain", Zappa's satire on rock opera, set in Southern California. The redevelopment listed below shows how the city's trying to diversify the economy and revitalize the downtown area. He left the band to play with Cannonball Adderly and was replaced Don Preston from the original Mothers, who acted in the film, but is not playing on the soundtrack. The primary driver is, and has been, tourism and gaming which have fueled the Las Vegas economy. At the time George Duke was in the band and appears both in the film and on the sound track as a musician. Although winter snows are usually visible from December to June on the mountains surrounding the valley, it rarely snows in Las Vegas itself. The new lineup debuted on Zappa's next solo LP Chunga's Revenge, which was followed by the sprawling soundtrack to the movie project 200 Motels, featuring both The Mothers and The Royal Philharmonic Orchestra. July through September, the Mexican Monsoon often brings enough moisture from the Gulf of Mexico across Mexico and into the southwest to cause afternoon thunderstorms. (Their own music was later published under Liccianetti Music.) Because contractual problems prevented them from recording as The Turtles or even under their own names, Volman and Kaylan were often billed as "Flo and Eddie". Showers also occur, but less frequently, in the Spring or Fall. They were nicknamed "The Phlorescent Leach and Eddie" by Zappa. Winters are cool and windy, with the balance of Las Vegas' annual 4.2 in (102 mm) of rainfall coming from January to March. Around 1970 Zappa put together a new version of The Mothers that included British drummer Aynsley Dunbar, jazz keyboardist George Duke, previous Mothers member, multi-instrumentalist Ian Underwood and singers Howard Kaylan and Mark Volman, who had been the lead singers in Sixties folk-pop band The Turtles. Las Vegas has a desert climate with very little rainfall, and extreme heat in the summer; highs of 105 °F (40 °C) are common from May to September, and for several days each year, temperatures may exceed 115 °F (46 °C). After he disbanded the original Mothers, Zappa released the acclaimed solo instrumental album Hot Rats, featuring his jazz-inflected guitar playing backed by jazz, blues and R&B players session players including violinist Don "Sugarcane" Harris, drummer John Guerin, and bassist Shuggie Otis. It remains one of his most popular and accessible recordings and arguably had a major influence on the development of the jazz-rock fusion genre. As of April 2005, the population of the entire Las Vegas Valley is about 2 million people. During this period Zappa also produced the extraordinary double album Trout Mask Replica for his old friend Captain Beefheart as well as releases by Alice Cooper, Tim Buckley, Wild Man Fischer and The GTOs. Out of the total population, 15.4% of those under the age of 18 and 8.3% of those 65 and older are living below the poverty line. More importantly, the financial strain and interpersonal tensions involved in keeping a large jazz-rock ensemble on the road eventually led to the group's demise in 1969, although numerous members would remain with or return to Zappa in years to come. 11.9% of the population and 8.6% of families are below the poverty line. Although they were lauded by critics and their peers and had a rabid cult following, mainstream audiences often found much of the Mothers' music, appearance and attitude impossible to comprehend, and the band was often greeted with derision. The per capita income for the city is $22,060. In the late 1990s some of the best of these recordings were collected for the 12-CD set You Can't Do That On Stage Anymore. Because of his insistence on precise tuning and timing in concert, from the 1970s on Zappa was able to augment his studio productions with excerpts from live shows, and he is known to have inserted 'live' guitar solos into the final studio recordings of some compositions. Males have a median income of $35,511 versus $27,554 for females. In the process he built up a vast archive of live recordings. The median income for a household in the city is $44,069, and the median income for a family is $50,465. Around 1968 Zappa also began regularly recording his concerts, beginning with a simple two-track portable recorder and eventually progressing to a portable 48-track digital system. For every 100 females there are 103.3 males. For every 100 females age 18 and over, there are 102.5 males. The Mothers' anarchic stage shows were legendary — during one famous 1967 performance at the Garrick Theatre in New York, Zappa managed to entice some soldiers from the audience onto the stage, where they proceeded to dismember a collection of baby dolls. The median age is 34 years. During a residency in New York's Greenwich Village in late 1966, Zappa became friends with Jimi Hendrix and is reputed to have introduced Hendrix to the Wah-wah pedal. In the city the population is spread out with 25.9% under the age of 18, 8.8% from 18 to 24, 32.0% from 25 to 44, 21.7% from 45 to 64, and 11.6% who are 65 years of age or older. He also became known for dismissing the contributions of his musicians, going so far as to withhold royalties rather than share the glory. The average household size is 2.66 and the average family size is 3.20. Zappa earned a fearsome reputation as a ruthless taskmaster who possessed a seemingly limitless capacity for work (he regularly worked as much as twenty hours a day in the studio until very late in his career) who also possessed immense technical knowledge and a photographic memory of the contents of his vast archive. 25.0% of all households are made up of individuals and 7.5% have someone living alone who is 65 years of age or older. He also frequently quoted from or referred to TV show themes and advertising jingles, from famous rock songs such as My Sharona and Stairway To Heaven, and from classical works such as Stravinsky's "The Rite Of Spring". There are 176,750 households out of which 31.9% have children under the age of 18 living with them, 48.3% are married couples living together, 12.2% have a female householder with no husband present, and 33.5% are non-families. He also became famous for regularly quoting musical phrases that influenced or amused him — one of his most famous and regular quotes was the riff from the perennial Sixties rock hit 'Louie Louie', which appears in various forms in more than twenty separate recordings over the whole span of his career. 23.61% of the population are Hispanic or Latino of any race. His work combines satirical lyrics and pop melodies with virtuoso instrumental prowess, where long, jazz-inflected improvisational passages are counterbalanced with densely edited and seemingly chaotic collage sequences that mix music, sound effects and snatches of conversation. The racial makeup of the city is 69.86% White, 10.36% African American, 0.75% Native American, 4.78% Asian, 0.45% Pacific Islander, 9.75% from other races, and 4.05% from two or more races. Zappa evolved a unique compositional approach — which he dubbed 'conceptual continuity' — that ranged across virtually every genre of music. There are 190,724 housing units at an average density of 649.9/km² (1,683.3/mi²). He increasingly used tape editing as a compositional tool; his editing skills are apparent on the stunning work he produced in the late Sixties with The Mothers. The population density is 1,630.3/km² (4,222.5/mi²). During the late Sixties Zappa continued his rapid artistic development, emerging as a superb lead guitarist, a skilled producer and engineer, and a composer and arranger of extraordinary range and facility. As of the census2 of 2000, there are 478,434 people, 176,750 households, and 117,538 families residing in the city. Other important Mothers recordings from this period (including the pivotal song Oh No) were collected in the 1970 compilation album Weasels Ripped My Flesh. As befits a desert, much of the landscape is rocky and dusty, although, within the city, there is a great deal of greenery including lawns despite a movement to encourage xeriscaping. After We're Only In It For The Money, next was his Doo-Wop tribute Cruising with Ruben & the Jets. The city is located in an arid basin surrounded by mountains varying in color from pink to rust to gray. The dazzling audio collage Lumpy Gravy (1967) took Zappa's production techniques to a new peak and, according to Zappa himself, took nine months to edit. The total area is 0.04% water. This was bookended by two closely linked companion pieces. 293.5 km² (113.3 mi²) of it is land and 0.1 km² (0.1 mi²) of it is water. The cover photo (which included Jimi Hendrix) famously
parodied that of the Beatles' Sgt Pepper's Lonely Hearts Club
Band. According to
the United States Census Bureau, the city has
a total area of 293.6 km² (113.4 mi²). It was followed by the album widely regarded as the peak of the group's late
Sixties work, We're Only In It For The
Money (1968) which featured some of the most radical audio editing and production yet heard in pop music, and ruthlessly
satirised the hippie and flower
power phenomena. Las Vegas is located at 36° 11′ 39″ N
115° 13′ 19″ W
(http://kvaleberg.com/extensions/mapsources/index.php?params=36_11_39_N_115_13_19_W_) (36.194168,
-115.222060)1. The brilliant Absolutely Free
(1967) continued Zappa's lyrical preoccupations with the hypocrisy and conformism of American society and the sinister
suppression of underground and alternative culture. Marriage licenses are filed at the Clark
County Courthouse.. Zappa's second and third studio albums were landmarks of record production and were highlighted by liberal use of his famous
'cut-up' editing techniques. Elected and Government Officials of the City of Las Vegas: During this period, Wilson also had Zappa collaborate with The Animals on the song "All Night Long" on their album Animalism. A Paiute Indian reservation occupies about 1 acre (4,000 m²) in the downtown area of Las Vegas. It's clear that even on the two first albums, Zappa was already responsible for virtually all of the musical decisions, with Wilson providing the industry clout, credibility, and connections to get the unknown group the financial resources they needed to produce a double album with use of an orchestra; by the third album, Zappa had already enough of a proven track record to allow for a more accurate description in the album's credits of their respective roles. The City Manager also maintains an intergovernmental relationships with federal, state, county and other local governments. Wilson is also credited with producing the even more accomplished follow-up Absolutely Free; but for the third LP, Wilson was listed as 'Executive producer', and Zappa took over as producer for all the Mothers and solo Zappa recordings issued from that time on. The City Manager is responsible for the administration and the day to day operation of all of the municipal services and city departments. One of the first record albums united by an underlying theme, it was also only the second double LP of rock music ever released, and firmly established Zappa as a major new voice in rock music. In the event that the Mayor cannot preside over a City Council meeting the Mayor Pro-Tem is the presiding body of the meeting until such time as the Mayor returns to his seat. With Wilson credited as producer, The Mothers recorded their groundbreaking double album debut Freak Out! (1966), a mixture of often topical R&B and experimental sound collage that attempted to capture the 'freak' subculture of Los Angeles at that time. The Mayor sits as a Councilmember-At-Large and presides over all of the City Council meetings. Around this time, Zappa also met and signed with longtime manager Herb Cohen. The City of Las Vegas government operates as a council-manager government. Wilson signed The Mothers to the Verve label, which had built up a strong reputation for its fine modern jazz recordings in the 1940s and 1950s, but was then attempting to diversify into pop and rock, but with an "artistic" or "experimental" bent. They are also represented by advisory boards, which are appointed by and give nonbinding suggestions to the Clark County Commission. Wilson was also notable for being one of the only African-Americans working as a major label pop producer at this time. Residents of these towns cannot vote for the Mayor and City Council of Las Vegas, but they can vote for members of the Clark County Commission, which governs their areas. They gradually began to gain attention on the burgeoning Los Angeles underground 'freak scene' and in 1965 they were spotted by leading record producer Tom Wilson, who had earned acclaim as the producer of the seminal Bob Dylan albums Bringin' It All Back Home and Highway 61 Revisited, as well as the breakthrough 'electric' version of Simon & Garfunkel's Sounds of Silence. These towns formed during a 1940s water dispute between the City of Las Vegas and early homeowners south of San Francisco Street, now Sahara Avenue. He soon assumed leadership, renaming the band "The Mothers" (and, later still, "Frank Zappa and the Mothers of Invention" at the insistence of the record company). The largest of these towns are Paradise (188,768) between Las Vegas and Henderson, Sunrise Manor (184,801) east of Las Vegas and North Las Vegas, and Spring Valley (161,286) southwest of Las Vegas. After a short career as a professional songwriter — his elegiac "Memories of El Monte" was recorded by The Penguins — in 1964 Zappa joined a local R&B band, The Soul Giants, as a guitarist. In fact, of the nearly 1.6 million people who live in the Las Vegas valley, only 478,434 live inside Las Vegas city limits. Unfortunately the customer turned out to be an undercover member of the Vice Squad and Zappa was jailed for ten days on charges of supplying pornography. His entrapment and brief imprisonment left a permanent mark on him, and was a key event in the formation of his anti-authoritarian stance. Most of the people and businesses who call Las Vegas home actually live in neighboring unicorporated communities that have no city government or in other nearby cities, some of which are listed below. After being approached by a customer who wanted him to produce a suggestive tape for a stag party, Zappa and some friends jokingly faked the "erotic" recording, which purported to contain the sounds of people having sex. Exceptions are those with their own law enforcement agency; including North Las Vegas, Henderson and Boulder City. By the time he recorded his first LP with The Mothers in 1966 he was already an accomplished recording and mastering engineer and from his third LP on and for the rest of his career, he produced all his own work. The Las Vegas Metropolitan Police Department provides most law enforcement services in the city and surrounding county. At this time, only a handful of the most expensive commercial studios had multitrack facilities and for smaller studios, the industry standard was still mono or two-track. The nickname favored by local government and promoters of tourism is The Entertainment Capital of the World. The city's glamorous image has made it a popular setting for films and television programs. Although only a small business, Pal was particularly attractive to Zappa because it contained a unique 5-track tape recorder built by the previous owner, Paul Buff. Las Vegas is sometimes called Sin City due to the popularity of legalized gambling, availability of alcoholic beverages any time of the day and night (like all of Nevada), various forms and degrees of adult entertainment, and legalized prostitution in nearby counties (Nevada law prohibits prostitution in counties which have large populations). Soon after, his marriage ended and he moved out of his apartment and into the studio, where he began routinely working 12 hours per day and more, setting a pattern that would endure for almost all of his life. Ever since then, Las Vegas has been a major international center for gambling. Zappa had begun recording at Pal since the early 1960s and after receiving a payment for one of his film scores he was able to buy the studio. Gangsters Benjamin "Bugsy" Siegel and Meyer Lansky are widely credited as the organizers and prime movers behind early development of Las Vegas. In 1963 he began playing professionally around Los Angeles and bought the small Pal Recording Studio in Rancho Cucamonga, California (formerly called Cucamonga), which he renamed "Studio Z". Several such early enterprises are widely reputed to have been backed by money from crime syndicates based in the eastern United States. He married his first wife Kay the same year but the relationship soon deteriorated and they divorced two years later. Incorporated in 1911 [6] (http://www.lasvegasnevada.gov/history/default.htm), and with gambling legalized in 1931, Las Vegas started its rise to world fame in 1941, when developers began building large hotels incorporating gambling casinos. Although many of the tapes of this series were later destroyed, the video of Zappa's remarkable performance survives. [5] (http://www.lasvegasnevada.gov/history/default.htm). In 1962 he appeared as a solo artist on the Steve Allen Show performing a satirical dadaist piece involving a bicycle. Las Vegas was founded on May 15, 1905 when 110 ac (445,000 m²), in what would later become downtown, were auctioned to ready buyers. Among his earliest professional recordings are two adventurous and remarkably accomplished scores for the low-budget films Run Home Slow and The World's Greatest Sinner. This allowed Las Vegas to become a water stop, first for wagon trains and later railroads, on the trail between Los Angeles, California, and points east such as Albuquerque, New Mexico. He began working as a graphic artist while trying to establish himself as a musician and composer. During the 1900s, the springs were piped into the town providing a reliable source of fresh water. Zappa moved to Los Angeles in 1959 and spent most of the rest of his life there. [4] (http://www.lasvegasnevada.gov/history/default.htm). One of Zappa's best-known and best-loved album images is that created for the 1969 compilation Weasels Ripped My Flesh, a disturbingly surreal painting by renowned album artist Neon Park. The Mormons returned in 1895. His two most important visual collaborators were Cal Schenkel in the Sixties and early Seventies, and Donald Roller Wilson in the Eighties and Nineties. Farmers used the local springs to irrigate their crops. Zappa's album covers are highly distinctive, and frequently bizarre and surreal. The State Land Act of 1885 offered land at $1.25 per acre ($309/km²) and farming became the primary industry for the next 20 years. Zappa always took a keen interest in the visual presentation of his work, rapidly developing from album cover designer (e.g. Absolutely Free) to director of his own films and videos. Army built Fort Baker there in 1864. His sojourn in the commercial world was another important influence on his work, and within a few years Zappa was co-opting the techniques he learned as a commercial artist, and was using them to deconstruct music, the music business, the media and society at large by combining them with the ideas he had gleaned from his studies of dada, situationism, and surrealism. The U.S. After graduating in June 1958 he worked for a time in advertising. The Mormons built a fort in 1855 but abandoned the site in 1857 due to the natives raiding the supplies and rejecting the teachings. During high school Zappa had also developed a strong interest in graphic arts. In 1855, following annexation by the United States, Brigham Young assigned 30 Mormon missionaries to the area and convert the Paiute Indian population. Zappa did see his childhood dream realized, as the London Symphony Orchestra played a program of his music, and the Ensemble Modern in 1992 received a 20-minute ovation after performing a program of his work a the Frankfurt Opera House. Frémont traveled into the Las Vegas Valley in 1844, while it was still part of Mexico. A portion of this historic recording is included on the CD The Lost Episodes. John C. By his final year he was writing prolifically and had not only composed, arranged and conducted an avant-garde performance piece for the school orchestra, but had also contrived to have the event both broadcast on local radio and recorded. At that time, some low areas of the Las Vegas Valley contained artesian springs that created extensive green areas in contrast to the surrounding desert, hence the name "Las Vegas", Spanish for "The Meadows" (some translation tools report "The Fertile Valleys"). Although he was primarily self-taught, his music teacher gave him considerable encouragement. Las Vegas was given its name by Spaniards in the Antonio Armijo party, who watered there while heading north and west along the Old Spanish Trail from Texas. Zappa's interest in composing and arranging burgeoned in his later high school years and he dreamed of being taken seriously as a composer. This 4½ mi (7¼ km) stretch of Las Vegas Boulevard is mostly outside the Las Vegas city limits, in the township of Paradise. It is possible that he might have become a professional jazz musician, but he was soon drawn into rock music, although he retained a lifelong attachment to jazz forms, voicings and structures and often drew his band members from the jazz world, if only because of the high degree of musical competence his music demanded. The name Las Vegas is often also applied to the unincorporated areas of Clark County that surround the city, especially the resort areas on and near the Las Vegas Strip. He considered his solos "air sculptures", and developed an eclectic, fluent and extremely individual style, eventually becoming one of the most highly regarded electric guitarists of his time. Las Vegas is the largest city founded in the 20th century. In 1957 Zappa was given his first guitar and quickly developed into a highly accomplished and inventive player. The metropolitan area of Las Vegas boasts a population of 1,650,671 people (July 1, 2004 estimate [3] (http://factfinder.census.gov/servlet/DTTable?_bm=y&-context=dt&-ds_name=PEP_2004_EST&-CONTEXT=dt&-mt_name=PEP_2004_EST_G2004_T001&-tree_id=804&-redoLog=true&-transpose=N&-_caller=geoselect&-geo_id=05000US32003&-search_results=04000US32&-format=&-_lang=en&-show_geoid=Y)). Van Vliet's own feelings about Frank Zappa were perhaps best summarized in a quote published in a March 1994 issue of Musician magazine: "I knew him for thirty-seven years, and in the end, the relationship was private.". Las Vegas is the original county seat of Clark County since 1909 [2] (http://www.lasvegasnevada.gov/history/default.htm). They became close friends, influencing each other musically, and becoming collaborators in the late Sixties and mid- Seventies (on the album Bongo Fury, released 1975), although they later became estranged for a period of years. In the 2000 census, the city reported a population of 478,434 [1] (http://factfinder.census.gov/servlet/GCTTable?_bm=y&-geo_id=04000US32&-_box_head_nbr=GCT-PH1&-ds_name=DEC_2000_SF1_U&-format=ST-7). The Census Bureau's official population estimate as of 2003 was 518,313. In 1956 Zappa met Captain Beefheart (Don Van Vliet) while taking classes at Antelope Valley High School, when Zappa was playing guitar in a local band, The Blackouts, a racially-mixed outfit that also included Euclid James "Motorhead" Sherwood, who later lived with Zappa at 'Studio Z' and was a member of the Mothers of Invention, playing on many of their most famous recordings. Las Vegas is the largest city in Nevada, United States, and a major tourist, shopping, vacation and gambling destination. Classically trained percussionist and drummer Terry Bozzio, who played for Zappa in the late 1970s as well as playing and recording many well-known classical and avant-garde works, is on record as saying that Zappa's writing for percussion is as difficult and complex as anything else he has played. On May 21, 2005, Las Vegas was the subject of the Swedish entry in the 50th Eurovision Song Contest. His bands have been notable for the excellence of their drummers and works such as The Black Page are notorious for the virtuoso complexity of their rhythmic structure and arrangement, featuring radical changes of tempo and metre and short, densely arranged passages which are contrasted with free-form breaks and extended improvisations. Television stations in Las Vegas. Although he performed as a singer-guitarist for most of his career, Zappa always retained a strong interest in rhythm and percussion. List of television stations in Nevada. He drummed with local teenage combos, but later switched to guitar, which he quickly mastered. List of radio stations in Nevada. Zappa began his playing career on drums, taking his first lessons at school in the summer of 1953, aged 13. List of mayors of Las Vegas, Nevada. [1] (http://csunix1.lvc.edu/~snyder/em/zappa.html). Angeles City, Pampanga, Philippines. Zappa had Varèse's letter framed and he kept it for the rest of his life. Brisbane, Australia (July 1995). He and Varèse subsequently wrote to each other. Huludao, China. Unfortunately, Varèse was away in Europe at the time, but the young fan spoke to the composer's wife. An San, South Korea. Although she greatly disliked Varèse's music, she was indulgent enough to give Frank the gift of a long distance call to the composer at his home in New York as a fifteenth birthday present. Phuket, Thailand (February 10, 1977). Zappa's mother gave him considerable encouragement. Steve Wynn (Casino Owner). When he spotted a copy of The Complete Works of Edgard Varèse, Volume One in a local record store, where it was being used as a hi-fi demonstration record, he convinced the salesman to sell him the copy despite the fact that he didn't have the full price, beginning a lifelong passion for Varèse and his music. Mike Tyson (Boxer). His introduction to Stravinsky seems to have been a pivotal musical discovery but he was soon ranging even further afield, musically, in addition to his interests in jazz, doo-wop, R&B, and rock'n'roll. After reading a magazine review panning Varèse's dissonant drum piece in "Ionisation" (actually The Complete Works of Edgard Varèse, Volume One) as 'a weird jumble of drums and other unpleasant sounds', the teenage Zappa became convinced that he should seek out Varèse's music. Kevin Sorbo (actor). Zappa was from the first interested in sounds for their own sake, which led to his interest in modern composers. Bugsy Siegel (Gangster). His parents were not musicians but had broad musical tastes also, and he grew up influenced in equal measures by avant-garde composers such as Edgar Varèse and Igor Stravinsky, local rhythm and blues and doo-wop groups (particularly local pachuco groups), and modern jazz, including bebop and free jazz, all of which influences show up in his work. Siegfried and Roy, Siegfried Fischbacher and Roy Horn, (Magicians). However, he was passionately interested in music, developing wide-ranging and highly idiosyncratic musical interests and demonstrating superior ability at an early age. Debbie Reynolds (Entertainer). He was highly intelligent, ambitious and articulate, widely read, and possessed a voracious intelligence, drive, singular concentration, enormous creativity and a huge capacity for work and organisation. Page O'Hara (Actress). Nevertheless, he was in essence a polymath. Wayne Newton (Entertainer). He maintained his disdain for formal education throughout his life, taking his children out of school at age 15 and refusing to pay for their college. Greg Maddux (Former Atlanta Braves Baseball Player). He left community college after one semester in order to make low-budget films. Liberace (Entertainer). As a student, he was bored and given to distracting the rest of the class with his antics, and was once suspended from school for a dangerous prank involving explosive chemicals and a Parents' Open House night. Jerry Lewis (Entertainer). Nasal imagery and references to the nose also recur, both in his writing and in the classic collage album covers created by his longtime visual collaborator, Cal Schenkel. Robin Leach (Writer, TV show host). To Frank's lasting horror, his doctor treated the stubborn ailment by inserting a pellet of radium into his nose on a probe. King Lizzard (Entertainer). Another formative event was a persistent sinus problem during his early teens. Larry Johnson (NBA Basketball Player). TV also exerted a strong influence and references to TV and TV shows, including quotations from themes and advertising jingles, can be found in almost every piece he wrote. Howard Hughes. Lancaster's location gave the young Zappa access to the exciting sounds coming from radio stations in Los Angeles and beyond, as well as exposure to the hype that went with it, and his parents were affluent enough to afford a record player, records, a TV, and musical instruments. Clint Holmes (Singer, Song Writer). His father once wrote and published a small mathematical volume on gambling odds. Goodman (Mayor). References to germs, germ warfare and other aspects of the 'secret' defence industry occur throughout his work. Oscar B. Due to their proximity to Edwards AFB, he kept gas masks at home in case of an accident, and this evidently had a profound effect on the young Frank. Danny Gans (Entertainer). His father, a chemist and mathematician who was born in Sicily, worked nearby at Edwards Air Force Base which had at the time a federal government chemical warfare research facility. Céline Dion (Singer). By age 15, Frank had attended six different high schools, which may have contributed to his sense of alienation in adult life. Tony Curtis (Actor). By 1955 the Zappa family relocated to Lancaster, which at the time was a small aircraft and farming town in the Antelope Valley in the Mojave Desert 73 miles north of downtown Los Angeles north of the San Gabriel Mountains. Randall Cunningham (NFL Football Player). They moved to Pomona, then El Cajon before moving a short distance once again to San Diego in the early 1950s. David Brenner (Comic). In January 1951 the Zappa family relocated to the west coast because of Frank's asthma, settling in Monterey, California, on the coast about 100 miles south of San Francisco. Stephanie Louden (LPGA). He was the oldest of four children, with two brothers and a sister. Jenna Jameson (Adult Film Star). Born in Baltimore, Maryland on 21 December 1940, Zappa was of mixed Sicilian, Italian, Greek, Arab, French, Irish, and German ancestry. Charisma Carpenter (Actress, Buffy's Cordelia Chase). Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American rock/jazz fusion musician, composer, and satirist. Kurt Busch (NASCAR). Dangerous Kitchen: The Subversive World of Zappa, by Kevin Courrier, ECW Press (June, 2002) ISBN 1550224476. Andre Agassi (Tennis Player). Zappa: A Biography, by Barry Miles, Publisher: Grove Press (November 9, 2004), ISBN 080211783X. List of television shows filmed in Las Vegas. Being Frank: My Time with Frank Zappa, by Nigery Lennon. List of television shows set in Las Vegas. Under the Same Moon, by Suzannah Thana Harris. List of movies shot in Las Vegas. Them or Us, by Frank Zappa. List of movies set in Las Vegas. My Brother was a Mother, by Patrice "Candy" Zappa. Michael Mack – 6th Ward Councilmember (Term Expires in 2005, not running for re-election). Cosmik Debris: The Collective History and Improvisations of Frank Zappa, by Greg Russo, Crossfire Pubns; 2nd Rev edition (January 9, 2003), ISBN 0964815702. Lawrence Weekly – 5th Ward Councilmember (Term Expires in 2007). The Early Years of Frank Zappa and the Mothers of Invention, by Billy James. Larry Brown – 4th Ward Councilmember (Term Expires in 2005, has no opponent in 2005 election). Necessity Is.. Steve Wolfson, Esq – 2nd Ward Councilmember (Term Expires in 2009, has no opponent in 2005 election)¹. Electric Don Quixote: The Definitive Story of Frank Zappa, by Neil Slaven. Lois Tarkanian – 1st Ward Councilmember (Term Expires in 2007)². Mother! the Frank Zappa Story, by Michael Gray. Gary Reese – Mayor Pro-Tem and 3rd Ward Councilmember (Term Expires in 2007). Lunar Notes-Zoot Horn Rollo's Captain Beefheart Experience, by Bill Harkleroad, contains several references about Zappa's collaboration with Don Van Vliet, better known as Captain Beefheart. Goodman – Mayor and Councilmember at Large (Term Expires in 2007). In Cold Sweat-Interviews With Really Scary Musicians, by Thomas Wictor, contains an extensive interview with Scott Thunes, one of Zappa's most creative bassists. Oscar B. Frank Zappa; The Negative Dialectics of Poodle Play, by Ben Watson, contains extensive notes on history, tours and releases. Barbara Jo (Roni) Ronemus – City Clerk. No Commercial Potential--The Saga of Frank Zappa, by David Walley. Douglas Selby – City Manager. Includes his Senate testimony. The Real Frank Zappa Book, by Frank Zappa and Peter Occhiogrosso, is the definitive Zappa autobiography. QuAUDIOPHILIAc (2004). Joe's Domage (2004). Joe's Corsage (2004). Zappa: Greggery Peccary & Other Persuasions (Ensemble Modern) (2003). Halloween (2003). FZ:OZ (2002). Bohuslän Big Band plays Frank Zappa (Bohuslän Big Band) (2000). The Zappa Album (Ensemble Ambrosius) (2000. Frankly A Cappella (The Persuasions) (2000). Everything Is Healing Nicely (1999). Son of Cheep Thrills (1999). Cheep Thrills (1998). Cucamonga Years: The Early Works of Frank Zappa 1962-1964 (1998). Mystery Disc (1998). Frankincense: The Muffin Men Play Zappa (Muffin Men) (1997). Have I Offended Someone? (1997). Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute (1996). Läther (1996). The Lost Episodes (1996). Music By Frank Zappa (Omnibus Wind Ensemble) (1995). Strictly Commercial (1995). Harmonia Meets Zappa (Harmonia Ensemble) (1994). Civilization, Phaze III (1994). The Yellow Shark (Ensemble Modern) (1993). Zappa's Universe - A Celebration Of 25 Years Of Frank Zappa's Music (Joel Thorne/Orchestra of Our Time)(1993). Ahead Of Their Time (1993). Yahozna Plays Zappa (Yahonza) (1992). Playground Psychotics (1992). 6 (1992). You Can't Do That on Stage Anymore, Vol. 5 (1992). You Can't Do That on Stage Anymore, Vol. Conceptual Continuity (1976). Our Man In Nirvana (1968). Swiss Cheese/Fire! (2 discs) (1971). At The Circus (1978). Electric Aunt Jemima (1968). Tengo Na Minchia Tanta (1970). Disconnected Synapses (1970). Beat The Boots II 8 discs (boxed or separate) (1992):
Anyway The Wind Blows (2 discs) (1979). Unmitigated Audacity (1974). Freaks & Motherfu*#@%! (1970). The Ark (1968}. As An Am (1981-82). Beat The Boots I 9 discs (boxed or separate) (1991):
You Can't Do That on Stage Anymore, Vol. The BRT Big Band Plays Frank Zappa (BRT Big Band) (1990). The Best Band You Never Heard In Your Life (1989). 3 (1989). You Can't Do That on Stage Anymore, Vol. Broadway The Hard Way (1989). 2 (1988). You Can't Do That on Stage Anymore, Vol. 1 (1988). You Can't Do That on Stage Anymore, Vol. Guitar (1988). London Symphony Orchestra vol 2 (1987). Jazz From Hell (1986). Does Humor Belong In Music? (1986). Frank Zappa Meets The Mothers Of Prevention (1985). Francesco Zappa (1984). Thing-Fish (1984). Them or Us (1984). Boulez Conducts Zappa: The Perfect Stranger (1984). London Symphony Orchestra vol 1 (1983). Baby Snakes (1983). The Man From Utopia (1983). Ship Arriving Too Late To Save A Drowning Witch (1982). You Are What You Is (1981). Shut Up 'N' Play Yer Guitar (1981). Tinseltown Rebellion (1981). Joe's Garage (1979). Orchestral Favorites (1979). Sheik Yerbouti (1979). Sleep Dirt (1979). Studio Tan (1978). Zappa In New York (1978). Zoot Allures (1976). Bongo Fury (1975). One Size Fits All (1975). Roxy & Elsewhere (1974). Apostrophe (1974). Over-Nite Sensation (1973) (See 1973 in music). The Grand Wazoo (1972) (See 1972 in music). Waka/Jawaka (1972) (See 1972 in music). Just Another Band From L.A. (1972) (See 1972 in music). 200 Motels (1971). Fillmore East - June 1971 (1971). King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa (Jean-Luc Ponty) (1970). Chunga's Revenge (1970). Weasels Ripped My Flesh (1970). Burnt Weeny Sandwich (1969). Hot Rats (1969). The !@#$ of the Mothers of Invention (1969). Worst of the Mothers (1969). Mothermania: The Best of the Mothers (1969). Uncle Meat (1969). Cruising with Ruben & the Jets (1968). We're Only In It For The Money (1968). Lumpy Gravy (1967). Absolutely Free (1967). Freak Out! (1966). Download sample of "Hungry Freaks, Daddy" from Freak Out!. |