This page will contain news stories about Fashion, as they become available.FashionThe term fashion applies to a prevailing mode of expression. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole. The terms "fashionable" and "unfashionable" are employed to describe whether someone or something fits in with the currently popular mode of expression. The term "fashion" is often used in a negative sense, as a synonym for fads and trends. In this sense, fashions are essentially a relief from boredom, or a distraction from important matters, for the idle rich. The term is also frequently used in a positive sense, as a synonym for glamour and style. In this sense, fashions are a sort of communal art, through which a culture examines its notions of beauty and goodness. Fashions are social psychology phenomena common to many fields of human activity and thinking. The rises and falls of fashions have been especially documented and examined in the following fields:
Of these fields, costume especially has become so linked in the public eye with the term "fashion" that the more general term "costume" has been relegated by many to only mean fancy dress or masquerade wear, while the term "fashion" means clothing generally, and the study of it. This linguistic switch is due to the so-called fashion plates which were produced during the Industrial Revolution, showing novel ways to use new textiles. For a broad cross-cultural look at clothing and its place in society, refer to the entries for Clothing and Costume. The remainder of this article deals with clothing fashions in the industrialized world. Fashion and variationAlbrecht Dürer's drawing contrasts a well-turned out bourgeoisie from Nuremberg (left) with her counterpart from Venice, in 1496-97. The Venetian lady's high chopines make her taller.The European idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of German or Italian gentlemen may show ten entirely different hats. But the local culture still set the bounds, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). Fashions among upper-class Europeans began to move in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (Thornton), the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat (see Cravat). The pace of change picked up in the 1780s with the publication of French engravings that showed the latest Paris styles. By 1800, all Western Europeans were dressing alike: local variation became first a sign of provincial culture, and then a badge of the conservative peasant (James Laver; Fernand Braudel). Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia. Modern Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person's personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start; people who like or respect them may start to wear clothes of a similar style. Fashions may vary significantly within a society according to age, social class, generation, occupation and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The term "fashion victim" refers to someone who slavishly follows the current fashions (implementations of fashion).. One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (Compare some of the work of Roland Barthes.)
Fashion and the process of change1913 cartoon on the dictates of fashion, from the old "Life" magazine.Fashion, by definition, changes constantly. The change may proceed more rapidly than in most other fields of human activity (language, thought, etc). For some, modern fast-paced change in fashion embodies many of the negative aspects of capitalism: it results in waste and encourages people qua consumers to buy things unnecessarily. Others, especially young people, enjoy the diversity that changing fashion can apparently provide, seeing the constant change as a way to satisfy their desire to experience "new" and "interesting" things. Note too though that fashion can change to enforce uniformity, as in the case where so-called Mao suits became the national uniform of Mainland China. Materially affluent societies can offer a variety of different fashions, in clothes or accessories, to choose from. At the same time there remains an equal or larger range designated (at least currently) 'out of fashion'. (These or similar fashions may cyclically come back 'into fashion' in due course, and remain 'in fashion' again for a while.) Practically every aspect of appearance that can be changed has been changed at some time. In the past, new discoveries and lesser-known parts of the world could provide an impetus to change fashions based on the exotic: Europe in the eighteenth or nineteenth centuries, for example, might favor things Turkish at one time, things Chinese at another, and things Japanese at a third. The global village has reduced the options of exotic novelty in more recent times. Fashion houses and their associated fashion designers, as well as high-status consumers (including celebrities), appear to have some role in determining the rates and directions of fashion change. Fashion and statusFashion can suggest or signal status in a social group. Groups with high cultural status like to keep 'in fashion' to display their position; people who do not keep 'in fashion' within a so-called "style tribe" can risk shunning (see also peer pressure). Because keeping 'in fashion' often requires considerable amounts of money, fashion can be used to show off wealth (compare conspicuous consumption). Adherence to fashion trends can thus form an index of social affluence and an indicator of social mobility. Fashion can help attract a partner. Many people often use fashion as an indicator of what a person is like. As well as showing certain features of a person's personality that appeal to prospective mates, keeping up with fashion can advertise a person's status to such candidates. Perhaps even more importantly, it sends a signal of superiority to potential competitors of the same gender, who are frequently better informed about what's fashionable than the potential mates are. Conversely, a person who exhibits a fashion style that rejects or deliberately tries to offend the current trend may also have an advantage in finding other like-minded individuals. "Fashion sense" consists of the ability to tell what clothing and/or accessories look good and what do not. Since the entire notion of fashion depends on subjectivity, so does the question of who possesses "fashion sense". Some people style themselves as "fashion consultants" and charge clients to help the latter choose what to wear. Designers show the public what is new and in style by using fashion models to display the clothing. Image consultants help people revamp or create fashion sense. Fashion can operate differently depending on gender, or it can promote homogeneity as in unisex styles. Classification of fashionsEthnically-based fashions:
Modern underground fashion:
The ultimate world capital of fashion is Paris, which is home to the premier fashion houses of the world including Chanel, Yves Saint Laurent, Givenchy and Louis Vuitton. The other major fashion capitals are London, New York and Milan which together with Paris each host a bi-annual 'Fashion Week' where both established and new designers showcase their latest collections. This page about Fashion includes information from a Wikipedia article. Additional articles about Fashion News stories about Fashion External links for Fashion Videos for Fashion Wikis about Fashion Discussion Groups about Fashion Blogs about Fashion Images of Fashion |
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The other major fashion capitals are London, New York and Milan which together with Paris each host a bi-annual 'Fashion Week' where both established and new designers showcase their latest collections. Zabuton are often used for sitting on tatami floors. The ultimate world capital of fashion is Paris, which is home to the premier fashion houses of the world including Chanel, Yves Saint Laurent, Givenchy and Louis Vuitton. In Japanese, a zabuton (za, sitting + futon) is a cushion for sitting on. Modern underground fashion:. Quite often these futons are marketed as "earth friendly," especially since they do not contain the chemicals with which some conventional bedding is manufactured. Ethnically-based fashions:. Additionally, these alternative futons tend to be hand-made. Fashion can operate differently depending on gender, or it can promote homogeneity as in unisex styles. While still not traditional futons, they lack the springs and synthetic casings of traditional mattresses and tend to be constructed primarily out of cotton. Image consultants help people revamp or create fashion sense. There is, however, a growing market in Japan for high quality bedding made in the Western style. Designers show the public what is new and in style by using fashion models to display the clothing. Most Japanese people would not recognize a Western-style "futon" as a futon. Some people style themselves as "fashion consultants" and charge clients to help the latter choose what to wear. Western-style futons are a cheap alternative to a bed or other furniture, and are often sold in sets that include the mattress and frame. Since the entire notion of fashion depends on subjectivity, so does the question of who possesses "fashion sense". They are usually placed on a configurable frame for dual use as a bed and a couch, but are not intended to be stored away during the day. "Fashion sense" consists of the ability to tell what clothing and/or accessories look good and what do not. They are usually filled with foam as well as batting, often in several layers, and are almost always much thicker and larger than Japanese futons, resembling a traditional mattress in size. Conversely, a person who exhibits a fashion style that rejects or deliberately tries to offend the current trend may also have an advantage in finding other like-minded individuals. Western futons are different from Japanese futons in several ways. Perhaps even more importantly, it sends a signal of superiority to potential competitors of the same gender, who are frequently better informed about what's fashionable than the potential mates are. In addition, many Japanese people beat their futons regularly using a special tool, traditionally made from bamboo, resembling a Western carpet beater. As well as showing certain features of a person's personality that appeal to prospective mates, keeping up with fashion can advertise a person's status to such candidates. Futons must be aired in sunlight regularly, especially if not put away during the day. Many people often use fashion as an indicator of what a person is like. Futons are designed to be placed on tatami flooring, and are traditionally folded away and stored in a closet during the day to allow the tatami to breathe and to allow for flexibility in the use of the room. Fashion can help attract a partner. Such sets can be purchased for under 10,000 yen. Adherence to fashion trends can thus form an index of social affluence and an indicator of social mobility. They are often sold in sets which include the futon mattress (shikibuton), a comforter (kakebuton) or blanket (mōfu), a summer blanket resembling a large towel (towelket), and pillow (makura), generally filled with beans, buckwheat chaff or plastic beads. Because keeping 'in fashion' often requires considerable amounts of money, fashion can be used to show off wealth (compare conspicuous consumption). Japanese futons are flat, about 5 cm (2 in) thick with a fabric exterior stuffed with cotton or synthetic batting. Groups with high cultural status like to keep 'in fashion' to display their position; people who do not keep 'in fashion' within a so-called "style tribe" can risk shunning (see also peer pressure). They are sold in Japan at specialty stores called futon-ya, and are also available at department stores. Fashion can suggest or signal status in a social group. A futon (布団) is a type of mattress that makes up a Japanese bed. Fashion houses and their associated fashion designers, as well as high-status consumers (including celebrities), appear to have some role in determining the rates and directions of fashion change. The global village has reduced the options of exotic novelty in more recent times. In the past, new discoveries and lesser-known parts of the world could provide an impetus to change fashions based on the exotic: Europe in the eighteenth or nineteenth centuries, for example, might favor things Turkish at one time, things Chinese at another, and things Japanese at a third. Practically every aspect of appearance that can be changed has been changed at some time. (These or similar fashions may cyclically come back 'into fashion' in due course, and remain 'in fashion' again for a while.). At the same time there remains an equal or larger range designated (at least currently) 'out of fashion'. Materially affluent societies can offer a variety of different fashions, in clothes or accessories, to choose from. Note too though that fashion can change to enforce uniformity, as in the case where so-called Mao suits became the national uniform of Mainland China. Others, especially young people, enjoy the diversity that changing fashion can apparently provide, seeing the constant change as a way to satisfy their desire to experience "new" and "interesting" things. For some, modern fast-paced change in fashion embodies many of the negative aspects of capitalism: it results in waste and encourages people qua consumers to buy things unnecessarily. The change may proceed more rapidly than in most other fields of human activity (language, thought, etc). Fashion, by definition, changes constantly. (Compare some of the work of Roland Barthes.). One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. The term "fashion victim" refers to someone who slavishly follows the current fashions (implementations of fashion).. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. Fashions may vary significantly within a society according to age, social class, generation, occupation and geography as well as over time. When people who have cultural status start to wear new or different clothes a fashion trend may start; people who like or respect them may start to wear clothes of a similar style. What a person chooses to wear can reflect that person's personality or likes. Modern Westerners have a wide choice available in the selection of their clothes. Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia. By 1800, all Western Europeans were dressing alike: local variation became first a sign of provincial culture, and then a badge of the conservative peasant (James Laver; Fernand Braudel). The pace of change picked up in the 1780s with the publication of French engravings that showed the latest Paris styles. Men's fashions derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat (see Cravat). Fashions among upper-class Europeans began to move in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (Thornton), the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. But the local culture still set the bounds, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). The European idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of German or Italian gentlemen may show ten entirely different hats. . The remainder of this article deals with clothing fashions in the industrialized world. For a broad cross-cultural look at clothing and its place in society, refer to the entries for Clothing and Costume. This linguistic switch is due to the so-called fashion plates which were produced during the Industrial Revolution, showing novel ways to use new textiles. Of these fields, costume especially has become so linked in the public eye with the term "fashion" that the more general term "costume" has been relegated by many to only mean fancy dress or masquerade wear, while the term "fashion" means clothing generally, and the study of it. The rises and falls of fashions have been especially documented and examined in the following fields:. Fashions are social psychology phenomena common to many fields of human activity and thinking. In this sense, fashions are a sort of communal art, through which a culture examines its notions of beauty and goodness. The term is also frequently used in a positive sense, as a synonym for glamour and style. In this sense, fashions are essentially a relief from boredom, or a distraction from important matters, for the idle rich. The term "fashion" is often used in a negative sense, as a synonym for fads and trends. The terms "fashionable" and "unfashionable" are employed to describe whether someone or something fits in with the currently popular mode of expression. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole. The term fashion applies to a prevailing mode of expression. urban fashion. BDSM fashion. Industrial fashion. Black metal fashion. Death rock fashion. Gothic fashion. Punk fashion. Cyberpunk fashion. Primitivism. Orientalism. Chinoiserie. Baroque and Rococo Silks.. Thornton, Peter. Technology, such as the choice of programming techniques. Philosophy and spirituality (One might argue that religion is prone to fashions, although official religions tend to change so slowly that the term cultural shift is perhaps more appropriate than "fashion"). Politics and media, especially the topics of conversation encouraged by the media. Etiquette. Entertainment, games, hobbies, sports, and other pastimes. Economics and spending choices, as studied in behavioral finance. Forms of address, slang, and other forms of speech. Dance and music. Cuisine. Body type, clothing or costume, cosmetics, grooming, and personal adornment. Arts and crafts. Architecture, interior design, and landscape design. |