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Fashion

The term fashion applies to a prevailing mode of expression. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole. The terms "fashionable" and "unfashionable" are employed to describe whether someone or something fits in with the currently popular mode of expression.

The term "fashion" is often used in a negative sense, as a synonym for fads and trends. In this sense, fashions are essentially a relief from boredom, or a distraction from important matters, for the idle rich. The term is also frequently used in a positive sense, as a synonym for glamour and style. In this sense, fashions are a sort of communal art, through which a culture examines its notions of beauty and goodness.

Fashions are social psychology phenomena common to many fields of human activity and thinking. The rises and falls of fashions have been especially documented and examined in the following fields:

  • Architecture, interior design, and landscape design
  • Arts and crafts
  • Body type, clothing or costume, cosmetics, grooming, and personal adornment
  • Cuisine
  • Dance and music
  • Forms of address, slang, and other forms of speech
  • Economics and spending choices, as studied in behavioral finance
  • Entertainment, games, hobbies, sports, and other pastimes
  • Etiquette
  • Politics and media, especially the topics of conversation encouraged by the media
  • Philosophy and spirituality (One might argue that religion is prone to fashions, although official religions tend to change so slowly that the term cultural shift is perhaps more appropriate than "fashion")
  • Technology, such as the choice of programming techniques

Of these fields, costume especially has become so linked in the public eye with the term "fashion" that the more general term "costume" has been relegated by many to only mean fancy dress or masquerade wear, while the term "fashion" means clothing generally, and the study of it. This linguistic switch is due to the so-called fashion plates which were produced during the Industrial Revolution, showing novel ways to use new textiles. For a broad cross-cultural look at clothing and its place in society, refer to the entries for Clothing and Costume. The remainder of this article deals with clothing fashions in the industrialized world.

Fashion and variation

Albrecht Dürer's drawing contrasts a well-turned out bourgeoisie from Nuremberg (left) with her counterpart from Venice, in 1496-97. The Venetian lady's high chopines make her taller.

The European idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of German or Italian gentlemen may show ten entirely different hats. But the local culture still set the bounds, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). Fashions among upper-class Europeans began to move in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (Thornton), the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat (see Cravat).

The pace of change picked up in the 1780s with the publication of French engravings that showed the latest Paris styles. By 1800, all Western Europeans were dressing alike: local variation became first a sign of provincial culture, and then a badge of the conservative peasant (James Laver; Fernand Braudel).

Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia. Modern Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person's personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start; people who like or respect them may start to wear clothes of a similar style.

Fashions may vary significantly within a society according to age, social class, generation, occupation and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The term "fashion victim" refers to someone who slavishly follows the current fashions (implementations of fashion)..

One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (Compare some of the work of Roland Barthes.)

  • Thornton, Peter. Baroque and Rococo Silks.

Fashion and the process of change

1913 cartoon on the dictates of fashion, from the old "Life" magazine.

Fashion, by definition, changes constantly. The change may proceed more rapidly than in most other fields of human activity (language, thought, etc). For some, modern fast-paced change in fashion embodies many of the negative aspects of capitalism: it results in waste and encourages people qua consumers to buy things unnecessarily. Others, especially young people, enjoy the diversity that changing fashion can apparently provide, seeing the constant change as a way to satisfy their desire to experience "new" and "interesting" things. Note too though that fashion can change to enforce uniformity, as in the case where so-called Mao suits became the national uniform of Mainland China.

Materially affluent societies can offer a variety of different fashions, in clothes or accessories, to choose from. At the same time there remains an equal or larger range designated (at least currently) 'out of fashion'. (These or similar fashions may cyclically come back 'into fashion' in due course, and remain 'in fashion' again for a while.)

Practically every aspect of appearance that can be changed has been changed at some time. In the past, new discoveries and lesser-known parts of the world could provide an impetus to change fashions based on the exotic: Europe in the eighteenth or nineteenth centuries, for example, might favor things Turkish at one time, things Chinese at another, and things Japanese at a third. The global village has reduced the options of exotic novelty in more recent times.

Fashion houses and their associated fashion designers, as well as high-status consumers (including celebrities), appear to have some role in determining the rates and directions of fashion change.

Fashion and status

Fashion can suggest or signal status in a social group. Groups with high cultural status like to keep 'in fashion' to display their position; people who do not keep 'in fashion' within a so-called "style tribe" can risk shunning (see also peer pressure). Because keeping 'in fashion' often requires considerable amounts of money, fashion can be used to show off wealth (compare conspicuous consumption). Adherence to fashion trends can thus form an index of social affluence and an indicator of social mobility.

Fashion can help attract a partner. Many people often use fashion as an indicator of what a person is like. As well as showing certain features of a person's personality that appeal to prospective mates, keeping up with fashion can advertise a person's status to such candidates. Perhaps even more importantly, it sends a signal of superiority to potential competitors of the same gender, who are frequently better informed about what's fashionable than the potential mates are. Conversely, a person who exhibits a fashion style that rejects or deliberately tries to offend the current trend may also have an advantage in finding other like-minded individuals.

"Fashion sense" consists of the ability to tell what clothing and/or accessories look good and what do not. Since the entire notion of fashion depends on subjectivity, so does the question of who possesses "fashion sense". Some people style themselves as "fashion consultants" and charge clients to help the latter choose what to wear. Designers show the public what is new and in style by using fashion models to display the clothing. Image consultants help people revamp or create fashion sense. Fashion can operate differently depending on gender, or it can promote homogeneity as in unisex styles.

Classification of fashions

Ethnically-based fashions:

  • Chinoiserie
  • Orientalism
  • Primitivism

Modern underground fashion:

  • Cyberpunk fashion
  • Punk fashion
  • Gothic fashion
  • Death rock fashion
  • Black metal fashion
  • Industrial fashion
  • BDSM fashion
  • urban fashion

The ultimate world capital of fashion is Paris, which is home to the premier fashion houses of the world including Chanel, Yves Saint Laurent, Givenchy and Louis Vuitton. The other major fashion capitals are London, New York and Milan which together with Paris each host a bi-annual 'Fashion Week' where both established and new designers showcase their latest collections.


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The other major fashion capitals are London, New York and Milan which together with Paris each host a bi-annual 'Fashion Week' where both established and new designers showcase their latest collections. Lamps are covered under furnishings or lighting. The ultimate world capital of fashion is Paris, which is home to the premier fashion houses of the world including Chanel, Yves Saint Laurent, Givenchy and Louis Vuitton.
. Modern underground fashion:. Other:. Ethnically-based fashions:. Sets:.

Fashion can operate differently depending on gender, or it can promote homogeneity as in unisex styles. Surfaces:. Image consultants help people revamp or create fashion sense. Seating:. Designers show the public what is new and in style by using fashion models to display the clothing. Storage:. Some people style themselves as "fashion consultants" and charge clients to help the latter choose what to wear. .

Since the entire notion of fashion depends on subjectivity, so does the question of who possesses "fashion sense". Domestic furniture works, in conjunction with furnishings such as clocks and lighting, to create comfortable and convenient interior spaces. "Fashion sense" consists of the ability to tell what clothing and/or accessories look good and what do not. In addition to furniture's functional role, it can serve a symbolic or religious purpose. Conversely, a person who exhibits a fashion style that rejects or deliberately tries to offend the current trend may also have an advantage in finding other like-minded individuals. Furniture can be a product of artistic design and is considered a form of decorative art. Perhaps even more importantly, it sends a signal of superiority to potential competitors of the same gender, who are frequently better informed about what's fashionable than the potential mates are. Storage furniture (which often makes use of doors, drawers, and shelves) is used to hold or contain smaller objects such as clothes, tools, books, and household goods.

As well as showing certain features of a person's personality that appeal to prospective mates, keeping up with fashion can advertise a person's status to such candidates. Furniture is the collective term for the movable objects which support the human body (seating furniture and beds), provide storage, and hold objects on horizontal surfaces above the ground. Many people often use fashion as an indicator of what a person is like. Stadium seating. Fashion can help attract a partner. Park furniture. Adherence to fashion trends can thus form an index of social affluence and an indicator of social mobility. Hutch.

Because keeping 'in fashion' often requires considerable amounts of money, fashion can be used to show off wealth (compare conspicuous consumption). Headboard. Groups with high cultural status like to keep 'in fashion' to display their position; people who do not keep 'in fashion' within a so-called "style tribe" can risk shunning (see also peer pressure). Door furniture. Fashion can suggest or signal status in a social group. Bed. Fashion houses and their associated fashion designers, as well as high-status consumers (including celebrities), appear to have some role in determining the rates and directions of fashion change. Aquarium furniture.

The global village has reduced the options of exotic novelty in more recent times. Street furniture. In the past, new discoveries and lesser-known parts of the world could provide an impetus to change fashions based on the exotic: Europe in the eighteenth or nineteenth centuries, for example, might favor things Turkish at one time, things Chinese at another, and things Japanese at a third. Dining set (group). Practically every aspect of appearance that can be changed has been changed at some time. Dinette (group). (These or similar fashions may cyclically come back 'into fashion' in due course, and remain 'in fashion' again for a while.). Bedroom set (group).

At the same time there remains an equal or larger range designated (at least currently) 'out of fashion'. Table. Materially affluent societies can offer a variety of different fashions, in clothes or accessories, to choose from. Folding table. Note too though that fashion can change to enforce uniformity, as in the case where so-called Mao suits became the national uniform of Mainland China. End table. Others, especially young people, enjoy the diversity that changing fashion can apparently provide, seeing the constant change as a way to satisfy their desire to experience "new" and "interesting" things. Desk.

For some, modern fast-paced change in fashion embodies many of the negative aspects of capitalism: it results in waste and encourages people qua consumers to buy things unnecessarily. Coffee table. The change may proceed more rapidly than in most other fields of human activity (language, thought, etc). Stool (type of chair). Fashion, by definition, changes constantly. Sofa. (Compare some of the work of Roland Barthes.). Settee.

One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. Recliner. The term "fashion victim" refers to someone who slavishly follows the current fashions (implementations of fashion).. Ottoman. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. Love seat. Fashions may vary significantly within a society according to age, social class, generation, occupation and geography as well as over time. Footstool.

When people who have cultural status start to wear new or different clothes a fashion trend may start; people who like or respect them may start to wear clothes of a similar style. Couch. What a person chooses to wear can reflect that person's personality or likes. Chair. Modern Westerners have a wide choice available in the selection of their clothes. Bench. Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia. Wardrobe.

By 1800, all Western Europeans were dressing alike: local variation became first a sign of provincial culture, and then a badge of the conservative peasant (James Laver; Fernand Braudel). Sideboard. The pace of change picked up in the 1780s with the publication of French engravings that showed the latest Paris styles. Dresser (Chest of drawers). Men's fashions derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat (see Cravat). Cupboard. Fashions among upper-class Europeans began to move in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (Thornton), the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. China cabinet.

But the local culture still set the bounds, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). Chest. The European idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of German or Italian gentlemen may show ten entirely different hats. Cabinet (furniture). . Bookcase. The remainder of this article deals with clothing fashions in the industrialized world. Frank Lloyd Wright.

For a broad cross-cultural look at clothing and its place in society, refer to the entries for Clothing and Costume. Shakers. This linguistic switch is due to the so-called fashion plates which were produced during the Industrial Revolution, showing novel ways to use new textiles. Bauhaus. Of these fields, costume especially has become so linked in the public eye with the term "fashion" that the more general term "costume" has been relegated by many to only mean fancy dress or masquerade wear, while the term "fashion" means clothing generally, and the study of it. Art Deco. The rises and falls of fashions have been especially documented and examined in the following fields:. Arts and Crafts movement.

Fashions are social psychology phenomena common to many fields of human activity and thinking. Art Nouveau. In this sense, fashions are a sort of communal art, through which a culture examines its notions of beauty and goodness. The term is also frequently used in a positive sense, as a synonym for glamour and style. In this sense, fashions are essentially a relief from boredom, or a distraction from important matters, for the idle rich.

The term "fashion" is often used in a negative sense, as a synonym for fads and trends. The terms "fashionable" and "unfashionable" are employed to describe whether someone or something fits in with the currently popular mode of expression. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole. The term fashion applies to a prevailing mode of expression.

urban fashion. BDSM fashion. Industrial fashion. Black metal fashion.

Death rock fashion. Gothic fashion. Punk fashion. Cyberpunk fashion.

Primitivism. Orientalism. Chinoiserie. Baroque and Rococo Silks..

Thornton, Peter. Technology, such as the choice of programming techniques. Philosophy and spirituality (One might argue that religion is prone to fashions, although official religions tend to change so slowly that the term cultural shift is perhaps more appropriate than "fashion"). Politics and media, especially the topics of conversation encouraged by the media.

Etiquette. Entertainment, games, hobbies, sports, and other pastimes. Economics and spending choices, as studied in behavioral finance. Forms of address, slang, and other forms of speech.

Dance and music. Cuisine. Body type, clothing or costume, cosmetics, grooming, and personal adornment. Arts and crafts.

Architecture, interior design, and landscape design.