This page will contain external links about Fairy, as they become available.FairyA fairy is a spirit (supernatural being) found in the legends, folklore, and mythology of many cultures. They are generally humanoid in form, though of a higher, spiritual nature and so possessed of preternatural abilities, along with such mystical qualities as otherworldly beauty and grace, an ethereal glow, wings, or the like. They are also regarded as aloof, ephemeral, mercurial, and whimsical, among other qualities that place them outside of a human scope and have a tendency to make them associated or confused with other mythological creatures. EtymologyThe words fae and faerie came to English from French and, ultimately, Latin or more further from Persia (the word Pari). An interesting correlation is the word "fey," which may be derived ultimately from the same Latin root and is now returning to mean the same as "fae." The Latin root fata, meaning fate in the sense of one of the Parcae, is an indication that fays have abilities associated with knowledge (foresight) and manipulation (luck, blessing, cursing) of fate, both of which are qualities of faeries in myth. Fata influenced modern Italian's fata and Spanish's hada, both of which mean fairy, and the Old French fée, which gained the meaning "enchanter." By adding the ending -rie, we get féerie, meaning a "state of fée" or "enchantment." This also befits the fae, who are known for casting illusions and altering emotions, particularly so as to make themselves alluring, frightening, or unseen. Modern English inherited the two terms "fae" and "fairy," along with all the associations attached to them. Since the subjects of the words are somewhat alien and ethereal, the terms are often used interchangeably and are more prone to spelling alterations than other words. Another word, "fey," has historically meant "doomed to die," mostly in Scotland. However, it gained the meaning "touched by otherworldly or magical quality; clairvoyant, supernatural." In modern English, the word seems to be conjoining into "fae" as variant spelling. If "fey" derives from "fata," which seems as like as "fairy" deriving from "fata," then the word history of the two words is itself fae.1 There is, however, a slight distinction between the two words "fae" and "faerie." Properly, "fae" is a noun referring to a specific race of otherworldly beings exercising mystical abilities (either the elves [or equivalent thereof] in mythology or their insect-winged, floral descendents in English folklore), while "faerie" is an adjective meaning "of, like, or associated with fays, their otherworldly home, their activities, and their produced goods and effects." Thus, a leprechaun and a ring of mushrooms are both faerie things (a fairy leprechaun and a fairy ring.) NatureFairies of the meadow, by Nils BlommérThe question of a faerie "nature" has been the topic of many a myth or scholarly paper for a very long time. This is partially due to the fact that, by being supernatural and chaotic entities, they are difficult to pin down as being anything in particular and partially due to the fact that humans have yet to answer completely what constitutes the racial ethos of humanity. Consequently, faerie runs amok with creatures that are completely unrelated save that they are mythologic in origin. There is a central archetypal figure behind most of the stories described as a tall, delicate, radiant being of humanoid aspect. Such beings are most often called "the shining ones." However, the mercurial and inherently magical nature of fairies has led to their association and confusion with most other mythical creatures. Dwarves, giants, dragons, unicorns, and the like have at some point been made out to be faeries, if not faye themselves. Fairies in literatureWilliam Shakespeare's play A Midsummer Night's Dream deals extensively with the subject of fairy-folk and their interaction with a group of amateur theatrical players. This work details the spell cast by the mischievous fairy Puck (at the behest of the fairy-king Oberon) on Oberon's wife Titania, who falls in love with the first mortal she casts eyes upon, the unfortunate Bottom, whom Puck has transmogrified into having a donkey's head. William S. Gilbert liked fairies and wrote several plays about them. The best is the Gilbert and Sullivan operetta Iolanthe which deals with a conflict between fairies and the House of Lords and, among other issues, touches on some of the practical consequences of fairy/human marriages and cross-breeding in a humorous manner. In his Fairy Folk Tales of Ireland (1892), W. B. Yeats coined the expression "trooping fairies" to refer to those fairies who liked to travel together in groups, related to the sidhe, Christianised remnants of the Tuatha Dé Danann. This is in contrast to the solitary fairies, such as the banshee, leprechaun, or pooka. Typically Yeats's trooping fairies are compared to the elves of English lore. Fairies figure prominently in most of Neil Gaiman's works, primarily The Books of Magic, Stardust, and Sandman. Tad Williams's book War of the Flowers deals extensively with passing over into a modern realm of fairies. Isaac Asimov includes a short story about fairies in his collection of fantasy tales, Magic. Fairies are imagined to be sentient insectoids, and the lepidoptera forms the ones most often associated with the term, though the protagonist fairy is of the beetle line! George MacDonald's book Phantastes. Raymond E. Feist's book, Faerie Tale, is about a small family in modern age meeting up with some of the darker aspects of fairies, as well as the Fairie Realm itself. The Susanna Clarke novel Jonathan Strange & Mr Norrell is about a pair of rival magicians who make use of and are subsequently used by "the gentleman with the thistle-down hair" also known as the fairy king of "Lost-Hope". In the earlier versions of Tolkien's Middle Earth, the creatures later known as Elves were called Fairies. In the Artemis Fowl series, by Eoin Colfer, Fairies are highly technologically advanced, peaceful beings who live underground in Haven City and Atlantis City, unbeknownst to humans. There are many species, including elfs, dwarfs, sprites, trolls, pixies, goblins and gremlins. The Revenge of the Shadow King, by Derek Benz and J.S. Lewis, discusses the history of the faerie kingdom, its rulers Oberon and Titania, and the disastrous results of their world colliding with that of our own. Fairies in visual artsArtists such as Brian Froud, Alan Lee, Myrea Pettit, Ida Rentoul Outhwaite, Cicely Mary Barker, Amy Brown and Peg Maltby have all created beautiful illustrations of fairies. Conversely, the Victorian painter Richard Dadd was responsible for some paintings of fairy-folk with an altogether more sinister and malign nature. Another notable Victorian painter of fairies was the artist and illustrator Arthur Rackham. Interest in fairy themed art in Britain enjoyed a brief renaissance following the Cottingley fairies photographs, and a number of artists turned to painting fairy themes.
Fairies in modern popular cultureKylie Minogue in Moulin Rouge!
In DebatesA fairly common practice in debate (especially concerning the supernatural) is to state that the opponent's views are akin to believing in fairies etc. This page about Fairy includes information from a Wikipedia article. Additional articles about Fairy News stories about Fairy External links for Fairy Videos for Fairy Wikis about Fairy Discussion Groups about Fairy Blogs about Fairy Images of Fairy |
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A fairly common practice in debate (especially concerning the supernatural) is to state that the opponent's views are akin to believing in fairies etc. Fruits are also found commonly in such manufactured foods as cookies, muffins, yoghurt, ice cream, cakes, and many more. Interest in fairy themed art in Britain enjoyed a brief renaissance following the Cottingley fairies photographs, and a number of artists turned to painting fairy themes. Many fruits, including fleshy fruits like apples and mangos, and nuts like walnut, are commercially valuable as human food, eaten both fresh and made into jams, marmalade and other preserves for future consumption. Another notable Victorian painter of fairies was the artist and illustrator Arthur Rackham. This is an evolutionary mechanism to increase dispersal distance away from the parent. Conversely, the Victorian painter Richard Dadd was responsible for some paintings of fairy-folk with an altogether more sinister and malign nature. Other fruits are elongated and flattened out naturally and so become thin, like wings or helicopter blades. Artists such as Brian Froud, Alan Lee, Myrea Pettit, Ida Rentoul Outhwaite, Cicely Mary Barker, Amy Brown and Peg Maltby have all created beautiful illustrations of fairies. Some fruits have coats covered with spikes or hooked burrs, either to prevent themselves from being eaten by animals or to stick to the hairs of animals, using them as dispersal agents. Lewis, discusses the history of the faerie kingdom, its rulers Oberon and Titania, and the disastrous results of their world colliding with that of our own. Variations in fruit structures largely relate to dissemination (called dispersal) of the seeds they contain. The Revenge of the Shadow King, by Derek Benz and J.S. Seedlessness in table grapes results from the abortion of the embryonic plant that is produced by fertilization, a phenomenon known as stenospermocarpy which requires normal pollination and fertilization. There are many species, including elfs, dwarfs, sprites, trolls, pixies, goblins and gremlins. Most seedless citrus fruits require a pollination stimulus; bananas and pineapples do not. In the Artemis Fowl series, by Eoin Colfer, Fairies are highly technologically advanced, peaceful beings who live underground in Haven City and Atlantis City, unbeknownst to humans. Parthenocarpic fruit set may or may not require pollination. In the earlier versions of Tolkien's Middle Earth, the creatures later known as Elves were called Fairies. In some species, seedlessness is the result of parthenocarpy, where fruits set without fertilization. The Susanna Clarke novel Jonathan Strange & Mr Norrell is about a pair of rival magicians who make use of and are subsequently used by "the gentleman with the thistle-down hair" also known as the fairy king of "Lost-Hope". Some cultivars of citrus fruits (especially navel oranges and mandarin oranges), table grapes, grapefruit, and watermelons are valued for their seedlessness. Feist's book, Faerie Tale, is about a small family in modern age meeting up with some of the darker aspects of fairies, as well as the Fairie Realm itself. Commercial cultivars of bananas and pineapples are seedless. Raymond E. Seedlessness is an important feature of some fruits of commerce. George MacDonald's book Phantastes. After fertilization, each flower develops into a drupe, and as the drupes expand, they connate (merge) into a multiple fleshy fruit called a syncarp. Fairies are imagined to be sentient insectoids, and the lepidoptera forms the ones most often associated with the term, though the protagonist fairy is of the beetle line!. First an inflorescence of white flowers called a head is produced. Isaac Asimov includes a short story about fairies in his collection of fantasy tales, Magic. In the photograph on the right, stages of flowering and fruit development in the noni or Indian mulberry (Morinda citrifolia) can be observed on a single branch. Tad Williams's book War of the Flowers deals extensively with passing over into a modern realm of fairies. Examples are the pineapple, edible fig, mulberry, osage-orange, and breadfruit. Fairies figure prominently in most of Neil Gaiman's works, primarily The Books of Magic, Stardust, and Sandman. Each flower produces a fruit, but these mature into a single mass. Typically Yeats's trooping fairies are compared to the elves of English lore. A multiple fruit is one formed from a cluster of flowers (called an inflorescence). This is in contrast to the solitary fairies, such as the banshee, leprechaun, or pooka. Yeats coined the expression "trooping fairies" to refer to those fairies who liked to travel together in groups, related to the sidhe, Christianised remnants of the Tuatha Dé Danann. In all these examples, the fruit develops from a single flower with numerous pistils. B. The strawberry is also an aggregate-accessory fruit, only one in which the seeds are contained in achenes. In his Fairy Folk Tales of Ireland (1892), W. In some bramble fruits (such as blackberry) the receptacle is elongate and part of the ripe fruit, making the blackberry an aggregate-accessory fruit. The best is the Gilbert and Sullivan operetta Iolanthe which deals with a conflict between fairies and the House of Lords and, among other issues, touches on some of the practical consequences of fairy/human marriages and cross-breeding in a humorous manner. An example is the raspberry, whose simple fruits are termed drupelets because each is like a small drupe attached to the receptacle. Gilbert liked fairies and wrote several plays about them. An aggregate fruit, or etaerio, develops from a flower with numerous simple pistils. William S. Types of fleshy, simple fruits (with examples) are:. This work details the spell cast by the mischievous fairy Puck (at the behest of the fairy-king Oberon) on Oberon's wife Titania, who falls in love with the first mortal she casts eyes upon, the unfortunate Bottom, whom Puck has transmogrified into having a donkey's head. Fruits in which part or all of the pericarp (fruit wall) is fleshy at maturity are simple fleshy fruits. William Shakespeare's play A Midsummer Night's Dream deals extensively with the subject of fairy-folk and their interaction with a group of amateur theatrical players. Types of dry, simple fruits (with examples) are:. Dwarves, giants, dragons, unicorns, and the like have at some point been made out to be faeries, if not faye themselves. Dry fruits may be either dehiscent (opening to discharge seeds), or indehiscent (not opening to discharge seeds). However, the mercurial and inherently magical nature of fairies has led to their association and confusion with most other mythical creatures. Simple fruits can be either dry or fleshy and result from the ripening of a simple or compound ovary with only one pistil. Such beings are most often called "the shining ones.". There are three basic types of fruits:. There is a central archetypal figure behind most of the stories described as a tall, delicate, radiant being of humanoid aspect. To these two basic definitions can be added the clarification that in botanical terminology, a nut is a type of fruit and not another term for seed. Consequently, faerie runs amok with creatures that are completely unrelated save that they are mythologic in origin. Seeds are ripened ovules; fruits are the ripened ovularies or carpels that contain the seeds. This is partially due to the fact that, by being supernatural and chaotic entities, they are difficult to pin down as being anything in particular and partially due to the fact that humans have yet to answer completely what constitutes the racial ethos of humanity. It will also be seen that many common terms for seeds and fruit are incorrectly applied, a fact that complicates understanding of the terminology. The question of a faerie "nature" has been the topic of many a myth or scholarly paper for a very long time. Fruits are so varied in form and development, that it is difficult to devise a classification scheme that includes all known fruits. There is, however, a slight distinction between the two words "fae" and "faerie." Properly, "fae" is a noun referring to a specific race of otherworldly beings exercising mystical abilities (either the elves [or equivalent thereof] in mythology or their insect-winged, floral descendents in English folklore), while "faerie" is an adjective meaning "of, like, or associated with fays, their otherworldly home, their activities, and their produced goods and effects." Thus, a leprechaun and a ring of mushrooms are both faerie things (a fairy leprechaun and a fairy ring.). Since other parts of the flower may contribute to the structure of the fruit, it is important to study flower structure to understand how a particular fruit forms. If "fey" derives from "fata," which seems as like as "fairy" deriving from "fata," then the word history of the two words is itself fae.1. When such other floral parts are a significant part of the fruit, it is called an accessory fruit. However, it gained the meaning "touched by otherworldly or magical quality; clairvoyant, supernatural." In modern English, the word seems to be conjoining into "fae" as variant spelling. In some fruits, especially simple fruits derived from an inferior ovary, other parts of the flower (such as the floral tube, including the petals, sepals, and stamens), fuse with the ovary and ripen with it. Another word, "fey," has historically meant "doomed to die," mostly in Scotland. The pericarp is often differentiated into two or three distinct layers called the exocarp (outer layer - also called epicarp), mesocarp (middle layer), and endocarp (inner layer). Since the subjects of the words are somewhat alien and ethereal, the terms are often used interchangeably and are more prone to spelling alterations than other words. The wall of the fruit, developed from the ovary wall of the flower, is called the pericarp. Modern English inherited the two terms "fae" and "fairy," along with all the associations attached to them. With some multiseeded fruits the extent of development of the flesh of the fruit is proportional to the number of fertilized ovules. Fata influenced modern Italian's fata and Spanish's hada, both of which mean fairy, and the Old French fée, which gained the meaning "enchanter." By adding the ending -rie, we get féerie, meaning a "state of fée" or "enchantment." This also befits the fae, who are known for casting illusions and altering emotions, particularly so as to make themselves alluring, frightening, or unseen. Fruit development continues until the seeds have matured. The Latin root fata, meaning fate in the sense of one of the Parcae, is an indication that fays have abilities associated with knowledge (foresight) and manipulation (luck, blessing, cursing) of fate, both of which are qualities of faeries in myth. The ovary eventually comes to form, along with other parts of the flower in many cases, a structure surrounding the seed or seeds that is the fruit. An interesting correlation is the word "fey," which may be derived ultimately from the same Latin root and is now returning to mean the same as "fae.". The petals of the flower fall off and the ovule develops into a seed. The words fae and faerie came to English from French and, ultimately, Latin or more further from Persia (the word Pari). After an ovule is fertilized in a process known as pollination, the ovary begins to expand. . In the commercial world, European Union rules define carrot as a fruit for the purposes of measuring the proportion of "fruit" contained in carrot jam. They are also regarded as aloof, ephemeral, mercurial, and whimsical, among other qualities that place them outside of a human scope and have a tendency to make them associated or confused with other mythological creatures. For example, rhubarb may be considered a fruit, though only the astringent stalk or petiole is edible. They are generally humanoid in form, though of a higher, spiritual nature and so possessed of preternatural abilities, along with such mystical qualities as otherworldly beauty and grace, an ethereal glow, wings, or the like. Rarely, culinary "fruits" are not fruits in the botanical sense. A fairy is a spirit (supernatural being) found in the legends, folklore, and mythology of many cultures. These include cucurbits (e.g., squash and pumpkin), maize, tomato, cucumber, aubergine (eggplant), and sweet pepper, along with nuts, and some spices, such as allspice, nutmeg and chiles. Fairy painting. Many foods are botanically fruits, but are treated as vegetables in cooking. . A plant that does not produce fruit is known as acarpous, meaning essentially "without fruit". Such fruits are seedless. In a few species, the fruit may develop in the absence of pollination/fertilization, a process known as parthenocarpy. With most fruits pollination is a vital part of fruit culture, and the lack of knowledge of pollinators and pollenizers can contribute to poor crops or poor quality crops. Some gymnosperms, such as yew, have fleshy arils that resemble fruits and some junipers have berry-like, fleshy cones. The term false fruit (pseudocarp, accessory fruit) is sometimes applied to a fruit like the fig (a multiple-accessory fruit; see below) or to a plant structure that resembles a fruit but is not derived from a flower or flowers. However, a great many common vegetables, as well as nuts and grains, are the fruit of the plant species they come from. In cuisine, when discussing fruit as food, the term usually refers to just those plant fruits that are sweet and fleshy, examples of which include plum, apple and orange. Botanical terminology for fruits is inexact and will remain so. No one terminology really fits the enormous variety that is found among plant fruits. Evolution has led plants to adopt certain basic mechanisms, seemingly without close regard to the tissues involved. Fruits are the means by which flowering plants disseminate seeds. In many species, the fruit incorporates the ripened ovary and surrounding tissues. In botany, a fruit is the ripened ovary—together with seeds—of a flowering plant. Stone fruit drupe (plum, cherry, peach, olive). berry - (tomato, avocado). utricle. silique - (radish). schizocarp - (carrot). samara - (elm, ash, maple key). nut - (hazelnut, beech, oak acorn). loment. legume - (pea, bean, peanut). follicle - (milkweed). fibrous drupe - (coconut, walnut). caryopsis - (wheat). capsule - (Brazil nut). achene - (buttercup). Multiple fruit. Aggregate fruit. Simple fruit. |