This page will contain videos about Dooley Wilson, as they become available.Dooley WilsonDooley Wilson (born Arthur Wilson April 3, 1886 in Tyler, Texas; d. May 30, 1953) worked in black theatre in Chicago and New York from 1908 to the 1930s; in the motion pictures and in Broadway musicals in the 1930s, 1940s, and 1950s, and was on the cast of the television show Beulah in 1952 and 1953. He received the nickname "Dooley" while working in the Pekin Theatre in Chicago, circa 1908, because of his then-signature Irish song "Mr. Dooley," which he performed in whiteface. His breakthrough Broadway appearance came in the role of Little Joe, a stereotypic lazy rascal in the musical Cabin in the Sky (1940-1941). He played Pompey, an escaped slave, in the musical Bloomer Girl (1946-1948). His performance of the song "The Eagle and Me" in this show was selected by Dwight Blocker Bowers for inclusion in a Smithsonian recordings compilation, American Musical Theatre. Wilson appeared in over twenty motion pictures, but won immortality for his role as Sam in the 1942 film Casablanca. For his role, he was paid $350 a week for seven weeks. Sydney Greenstreet, in comparison, was paid $3750 a week. Sam is a singer and pianist employed by nightclub owner Rick (Humphrey Bogart). The Herman Hupfield song As Time Goes By appears as a continuing musical and emotional motif throughout the film. Rick and Ilsa (Ingrid Bergman) regard it as "their song" and associate it with the days of their love affair in Paris. Because of their breakup and Ilsa's marriage to another, Rick has forbidden the song to be played in his club. When Ilsa appears in his nightclub she requests it and Sam acquiesces. Dooley Wilson gives a genial and warm rendition of the song. The performance is remembered for itself, as well as for its cinematic associations. The song makes Rick aware of Ilsa's presence and her continuing feelings for him. According to Aljean Harmetz, Variety singled him out for the effectiveness of the song, and the Hollywood Reporter said he created "something joyous." In a later scene, Rick sits in a darkened nightclub, alone except for Sam, drinking heavily and torturing himself by insisting that Sam repeatedly play the song, saying "You played it for her, you can play it for me... If she can stand it, I can! Play it!" This is the line often misquoted as "Play it again, Sam!" In the film, Wilson as Sam performs several other songs for the cafe audience: It Had To Be You, Shine, and Knock On Wood. Wilson was a singer and drummer, but not a pianist. Sam's piano playing in the film was actually performed by Elliot Carpenter, who was placed where Wilson could see and imitate his hand movements. The only blacks on the Casablanca set, Wilson and Carpenter became and remained friends. In Casablanca, Wilson's acting performance in the role of Sam was dignified, genuine and convincing, and is an important emotional element in the film. This page about Dooley Wilson includes information from a Wikipedia article. Additional articles about Dooley Wilson News stories about Dooley Wilson External links for Dooley Wilson Videos for Dooley Wilson Wikis about Dooley Wilson Discussion Groups about Dooley Wilson Blogs about Dooley Wilson Images of Dooley Wilson |
|
In Casablanca, Wilson's acting performance in the role of Sam was dignified, genuine and convincing, and is an important emotional element in the film. Arthur was born in New York City and grew up in the state of Maryland. The only blacks on the Casablanca set, Wilson and Carpenter became and remained friends. in a one-woman show which opened in Broadway in 2002 as Bea Arthur on Broadway: Just Between Friends. Sam's piano playing in the film was actually performed by Elliot Carpenter, who was placed where Wilson could see and imitate his hand movements. In 1981, she appeared in Woody Allen's The Floating Lightbulb; two decades later she toured the U.S. Wilson was a singer and drummer, but not a pianist. On stage, her roles include Lucy Brown in the 1954 Off-Broadway premiere of The Threepenny Opera, Yente the Matchmaker in the 1964 premiere of Fiddler on the Roof on Broadway, and a 1966 Tony Award-winning portrayal of Vera Charles in Mame. In the film, Wilson as Sam performs several other songs for the cafe audience: It Had To Be You, Shine, and Knock On Wood.. In the latter she played the character Dorothy Zbornak, a middle-aged woman who lived in a Florida house with two room mates (Betty White and Rue McClanahan) and Dorothy's short-tempered yet hip old mother, played by Estelle Getty. If she can stand it, I can! Play it!" This is the line often misquoted as "Play it again, Sam!". In the former she played Maude Findlay, an outspoken liberal living in Westchester County, New York. In a later scene, Rick sits in a darkened nightclub, alone except for Sam, drinking heavily and torturing himself by insisting that Sam repeatedly play the song, saying "You played it for her, you can play it for me.. Her notable television roles include the title role on the popular sitcom Maude in the 1970s and a co-starring role on The Golden Girls in the 1980s. According to Aljean Harmetz, Variety singled him out for the effectiveness of the song, and the Hollywood Reporter said he created "something joyous.". Beatrice Arthur (born Bernice Frankel on May 13, 1923), is an American actress and comedienne. The song makes Rick aware of Ilsa's presence and her continuing feelings for him. The performance is remembered for itself, as well as for its cinematic associations. Dooley Wilson gives a genial and warm rendition of the song. When Ilsa appears in his nightclub she requests it and Sam acquiesces. Because of their breakup and Ilsa's marriage to another, Rick has forbidden the song to be played in his club. Rick and Ilsa (Ingrid Bergman) regard it as "their song" and associate it with the days of their love affair in Paris. The Herman Hupfield song As Time Goes By appears as a continuing musical and emotional motif throughout the film. Sam is a singer and pianist employed by nightclub owner Rick (Humphrey Bogart). Sydney Greenstreet, in comparison, was paid $3750 a week. For his role, he was paid $350 a week for seven weeks. Wilson appeared in over twenty motion pictures, but won immortality for his role as Sam in the 1942 film Casablanca. His performance of the song "The Eagle and Me" in this show was selected by Dwight Blocker Bowers for inclusion in a Smithsonian recordings compilation, American Musical Theatre.. He played Pompey, an escaped slave, in the musical Bloomer Girl (1946-1948). His breakthrough Broadway appearance came in the role of Little Joe, a stereotypic lazy rascal in the musical Cabin in the Sky (1940-1941). Dooley," which he performed in whiteface. He received the nickname "Dooley" while working in the Pekin Theatre in Chicago, circa 1908, because of his then-signature Irish song "Mr. May 30, 1953) worked in black theatre in Chicago and New York from 1908 to the 1930s; in the motion pictures and in Broadway musicals in the 1930s, 1940s, and 1950s, and was on the cast of the television show Beulah in 1952 and 1953. Dooley Wilson (born Arthur Wilson April 3, 1886 in Tyler, Texas; d. |