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Dixie Chicks

The Dixie Chicks: Martie, Natalie and Emily

The Dixie Chicks is a country music group, formed in 1989 in Dallas, Texas, USA.

Group history

The original members of the Dixie Chicks were the sisters Martie Erwin and Emily Erwin, Laura Lynch and Robin Lynn Macy. Martie and Emily have married and their names are now Martie Maguire and Emily Robison.

Robin Lynn Macy left in late 1992, preferring a "purer" bluegrass sound. She joined Sara Hickman and Patty Lege to form the group Domestic Science Club, which issued two albums before disbanding. Macy later founded a group called Big Twang, which cut one CD before its band members went their separate ways.

Laura Lynch was replaced in 1995 by Natalie Maines, daughter of producer and steel guitar player Lloyd Maines. The new lineup had a massive hit with their album Wide Open Spaces on Sony's Monument label. This was followed by another smash hit CD, Fly. As of early 2005 these albums have sold over 12 million and 10 million copies respectively.

The group was involved in a dispute with their record label for two years, and their next album Home was an independent production, produced by Lloyd Maines and released in 2002 after the Chicks and Sony reconciled their differences. Despite having a "non-commercial" sound – unlike the two previous records, Home lacks drums and is dominated by very-up-tempo bluegrass and pensive ballads – it was also a major success and has sold over 6 million copies (which might have been more but for the political controversy).

The sound

The current line-up consists of group leader Martie (fiddle, mandolin, and vocals), Emily (guitar, dobro, banjo, and vocals), and Natalie (lead vocals and in concert, guitar). While Martie and Emily are accomplished musicians, Natalie has a strong and distinctive voice. The group's mixture of bluegrass and mainstream country music appeals to a wide spectrum of record buyers. The group's visual image ranges from pretty to jokey to fiery, which further enhances their general appeal.

She needs wide open spaces
Room to make her big mistakes

This romantic, adventurous sense of independence is the major theme of the Maines-era Chicks; it is strongly evident too in "Cowboy Take Me Away", another of their signature songs, and then later in their cover of Stevie Nicks' "Landslide". But the Chicks can also deliver gleeful revenge epics such as "Goodbye Earl" (which led to their first mild brush with controversy when some radio stations shied away from playing it) or raucous, ribald numbers such as "Sin Wagon" (a concert staple rave-up). In contrast, a key track from Home was a rendering of Patty Griffin's "Top of the World" (for which the subsequent tour was named), which features a startingly unusual point of view and seeks to portray an almost unbearable sense of regret.

Political controversy

On March 5, 2003, Natalie Maines provoked controversy in America by saying, during a concert in London, that the band was "ashamed the president of the United States is from Texas". Maines is a native of Lubbock, Texas. Following the uproar and a boycott of their music, the singer attempted to clarify matters on March 12 with the statement "I feel the President is ignoring the opinions of many in the U.S. and alienating the rest of the world."

This statement failed to quiet her critics, and on March 14 she issued an apology stating "As a concerned American citizen, I apologize to President Bush because my remark was disrespectful. I feel that whoever holds that office should be treated with the utmost respect. We are currently in Europe and witnessing a huge anti-American sentiment as a result of the perceived rush to war. While war may remain a viable option, as a mother, I just want to see every possible alternative exhausted before children and American soldiers' lives are lost. I love my country. I am a proud American."

Some fans remained angry and pressed on with a boycott of Dixie Chick music and stations that played their music, while other fans were disappointed that she apologized. In one display of anti-Dixie-Chick publicity, former Dixie Chick fans were encouraged to bring their Dixie Chicks CDs so that they could be crushed by a bulldozer. The extent of the backlash resulted in the artists being concerned about their personal safety and that of their families. Bruce Springsteen and Madonna were among those who came out in support of the right of the women to express their opinion. Not one to back down from controversy, even Madonna herself was pressured to cancel the release of her anti-war video "American Life" which featured a Bush parody.

On April 24, the Dixie Chicks launched a publicity campaign to explain their position. During a prime-time interview with TV personality Diane Sawyer, Maines said she remained proud of her original statement. The band also appeared naked (with private parts strategically covered) on the May 2, 2003 cover of Entertainment Weekly magazine with slogans such as "Traitors," "Saddam's Angels," "Dixie Sluts," "Proud Americans," "Hero," "Free Speech," and "Brave" printed on their bodies. Many critics called the moves publicity stunts, since they were launched on the eve of a U.S. concert tour.

The original controversy was launched when a Guardian review of the group's London concert was picked up by U.S. media. For an article on how the Guardian reported the saga, see [1] (http://www.guardian.co.uk/international/story/0,3604,943170,00.html).

President Bush responded to the controversy surrounding the Dixie Chicks in an interview with Tom Brokaw on April 24:

"[T]he Dixie Chicks are free to speak their mind. They can say what they want to say...[T]hey shouldn't have their feelings hurt just because some people don't want to buy their records when they speak out...[F]reedom is a two-way street...I...don't really care what the Dixie Chicks said. I want to do what I think is right for the American people, and if some singers or Hollywood stars feel like speaking out, that's fine. That's the great thing about America. It stands in stark contrast to Iraq..." [2] (http://www.nytimes.com/2003/04/25/international/worldspecial/25BUSH-TEXT.html?pagewanted=all)

At the first concert of their nation-wide tour the Dixie Chicks received a very positive reception. The concert was held in Greenville, South Carolina on May 1 and was attended by a sell-out crowd of 15,000. The women had come prepared to face up to opposition and Natalie Maines invited those who had come to boo to do so but the crowd erupted in cheers.

Nevertheless, the band remained controversial. On May 6th, a Colorado radio station suspended two of its disc jockeys for playing music by the Dixie Chicks in violation of a ban on their music. On May 22 at the Academy of Country Music (ACM) awards ceremony in Las Vegas there were boos when the group's nomination for entertainer of the year awards was announced. However, the broadcast's host, Vince Gill, reminded the audience that everyone is entitled to freedom of speech. The Academy made the award to Toby Keith, an outspoken critic of the group.

In the fall of 2003 the Dixie Chicks starred in a broadcast TV commercial for Lipton Ice Tea which made a tongue-in-cheek reference to the corporate blacklisting and the grassroots backlash: in the tea spot, the Chicks are about to give a stadium concert when the electricity suddenly goes out - but they manage to electrify the stadium all by themselves, belting out a rousing "a capella" version of "Set Me Free" to the raving cheers of the fans.

A controversy has arisen regarding exactly who was responsible for launching the boycott of their music and the extent their fans supported the boycott. Some critics of the boycott, such as Michael Moore, claim the boycott was not a product of large numbers of fans angry at their comments but an organized plot by Bush-supporting radio chain executives and the Republican Party leadership. They claim the ban on playing their music by country music stations owned by Clear Channel Communications was not simply initiated by local station managers or DJs on their own or in response to angry listeners but was coordinated by top executives who wanted to curry favor among the Bush administration and Republicans in Congress for policies such as relaxation of media ownership rules. They also claim people working for the Republican party engaged in a deceptive phone campaign to convince country radio stations to remove the Dixie Chicks music from their playlist. Ultimately, they say, this led to the false perception that most Dixie Chicks fans were strongly opposed to Natalie Maines exercising her free speech right by making an anti-Bush remark. They point to the fact that the band’s then-current album sales were up and their concerts where largely selling out to support their claims. The boycott’s critics suggest that there was a deliberate attempt to create the false impression that many fans had turned against the Dixie Chicks in order to try and send a message to other celebrities that anti-Bush administration remarks could hurt your career. Clear Channel Communications and the RNC have denied these accusations.

In October 2004, the Dixie Chicks joined the "Vote for Change" tour, playing a series of concerts in American swing states. These concerts were organized by MoveOn.org with the general goal of mobilizing people to vote for John Kerry and against George W. Bush in that year's Presidential campaign. The Dixie Chicks' appearances were joint performances with James Taylor. This effort was unsuccessful in getting Kerry elected, and during the concerts Maines' stage remarks revealed a certain amount of nervousness over what the Dixie Chicks' future career path would be.

Discography

  • Thank Heavens for Dale Evans (1990)
  • Home on the Radar Range (45rpm single) (1991)
  • Little Ol' Cowgirl (1992)
  • Shouldn't a Told You That (without Robin Lynn Macy) (1993)
  • Wide Open Spaces (with Natalie Maines replacing Laura Lynch) (1998)
  • Fly (album) (1999)
  • Home (album) (2002)
  • An Evening with the Dixie Chicks (live concert DVD) (2002)
  • Top of the World Tour (live concert album (CD and DVD)) (2003)


Awards

2004 Awards

2004 Patrick Lippert award from MTV's Rock The Vote, for "protecting freedom of expression" [3] (http://www.softcom.net/webnews/wed/cw/Uus-rockthevote.RwyB_EJN.html)

2003 Awards

2003 FINEMAN PR (http://www.finemanpr.com/blunders.html)'s "Top 10 PR Blunders List" [4] (http://www.azreporter.com/news/features/2003/prblunders.html)
VH1's "Big Quote of 2003" [5] (http://www.vh1.com/shows/events/big_in/2003/show_cat.jhtml)
2003 Grammy Award: Best Country Album- Home
2003 Grammy Award: Best Country Performance by a Duo or Group with Vocal - "Long Time Gone"
2003 Grammy Award: Best Country Instrumental Performance-"Lil' Jack Slade"
2003 Grammy Award: Best Recording Package- Home

2002 Awards

2002 Billboard Music Award: "Country Duo/Group of the Year"
2002 Country Music Association (CMA) Award: "Vocal Group of the Year"
2002 CMT Flameworthy Award: "Video Visionary Award"
2002 American Music Award: "Favorite Country Band, Duo or Group"
2002 American Music Award: "Favorite Country Album" for Home
2002 People's Choice Award: "Favorite Musical Group or Band"

2001 Awards

2001 TNN/CMT: "Favorite Group/Duo"
2001 American Music Award: "Favorite Band/Duo/Group"
2001 Academy of Country Music (ACM): "Entertainer of the Year"
2001 ACM: "Vocal Group of the Year"
2001 ACM: "Video of the Year" - Goodbye Earl

2000 Awards

2000 Country Music Association (CMA): "Album of the Year" - FLY
2000 CMA: "Entertainer of the Year"

Further reading

  • Dickerson, James L. (2000). Dixie Chicks: Down-Home and Backstage. Taylor Trade Publishing. ISBN 0878331891.

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. They still perform regularly as a duo around the world. This effort was unsuccessful in getting Kerry elected, and during the concerts Maines' stage remarks revealed a certain amount of nervousness over what the Dixie Chicks' future career path would be. The Everly Brothers have a Star on the Hollywood Walk of Fame at 7000 Hollywood Blvd. The Dixie Chicks' appearances were joint performances with James Taylor. In 1986 they were among the first 10 artists inducted into the Rock and Roll Hall of Fame, and they were inducted into the Country Music Hall of Fame in 2001. Bush in that year's Presidential campaign. The Everly Brothers have had a total of 26 Billboard Top 40 singles.

These concerts were organized by MoveOn.org with the general goal of mobilizing people to vote for John Kerry and against George W. In addition, their approach to harmony singing influenced nearly every rock and roll group of the 1960s. In October 2004, the Dixie Chicks joined the "Vote for Change" tour, playing a series of concerts in American swing states. With soft, mainly acoustic guitar backing, sweet close-harmony vocals, non-threatening lyrics, and clean-cut white faces, the Everly Brothers were, in their heyday, never perceived as a threat to society, as were performers such as Chuck Berry and Little Richard; they are one of rock and roll music's most important acts because their music, while arguably containing just as much subversion and sexual tension as that of many another group, helped bridge the gap between rock and country music in a way that appealed to fans of both genres. Clear Channel Communications and the RNC have denied these accusations. In short, their mid- and late-'60s material is considered by many critics and listeners to compare favorably to that done by the Beatles and the Byrds. The boycott’s critics suggest that there was a deliberate attempt to create the false impression that many fans had turned against the Dixie Chicks in order to try and send a message to other celebrities that anti-Bush administration remarks could hurt your career. In 1967 they had a hit single, "Bowling Green," and in 1968 they recorded another album now regarded as a classic, Roots, which featured their own compositions alongside songs by Randy Newman and others.

They point to the fact that the band’s then-current album sales were up and their concerts where largely selling out to support their claims. Following the British Invasion, Everly Brothers recordings like "I'll See Your Light" and "It Only Costs a Dime" (both 1965) began to reflect many of the changes in popular music they had, with their earlier work, put into motion; they recorded, with members of the Hollies contributing songs such as "So Lonely" and "Don't Run and Hide," a classic album entitled Two Yanks in England (1966), at the time somewhat under-appreciated (and currently unavailable on CD) but now considered one of their best efforts. Ultimately, they say, this led to the false perception that most Dixie Chicks fans were strongly opposed to Natalie Maines exercising her free speech right by making an anti-Bush remark. Records, they continued to have hits, such as 1960's "Cathy's Clown" and "The Ferris Wheel" (from 1964), but the years after 1962 saw the Everly Brothers become less commercially viable than before even as they became artistically more accomplished. They also claim people working for the Republican party engaged in a deceptive phone campaign to convince country radio stations to remove the Dixie Chicks music from their playlist. She later died in a train accident.) Working with the Bryants, the harmonic duo had a number of hits in the USA and the UK, the biggest of which were "Wake Up Little Susie," "(All I Have to Do Is) Dream," and "Bird Dog." In 1960, when they signed with Warner Bros. They claim the ban on playing their music by country music stations owned by Clear Channel Communications was not simply initiated by local station managers or DJs on their own or in response to angry listeners but was coordinated by top executives who wanted to curry favor among the Bush administration and Republicans in Congress for policies such as relaxation of media ownership rules. They had a hit with the single "Claudette," written by Roy Orbison (Claudette was the name of Roy's wife.

Some critics of the boycott, such as Michael Moore, claim the boycott was not a product of large numbers of fans angry at their comments but an organized plot by Bush-supporting radio chain executives and the Republican Party leadership. They soon became known as the stalwarts of Archie Bleyer's Cadence Records label. A controversy has arisen regarding exactly who was responsible for launching the boycott of their music and the extent their fans supported the boycott. The song, written by the songwriting husband and wife team of Felice and Boudleaux Bryant , became their first million-seller. In the fall of 2003 the Dixie Chicks starred in a broadcast TV commercial for Lipton Ice Tea which made a tongue-in-cheek reference to the corporate blacklisting and the grassroots backlash: in the tea spot, the Chicks are about to give a stadium concert when the electricity suddenly goes out - but they manage to electrify the stadium all by themselves, belting out a rousing "a capella" version of "Set Me Free" to the raving cheers of the fans. However their next single, "Bye Bye Love," (which had been rejected by 30 other acts, including Elvis Presley) became an across-the-board smash, reaching #2 on the pop charts, and #1 on both the Country, and the R & B charts. The Academy made the award to Toby Keith, an outspoken critic of the group. The sons of two Kentucky country musicians, The Everly Brothers recorded their first single, "Keep A' Lovin' Me, " in 1956, under the aegis of Chet Atkins, but it flopped.

However, the broadcast's host, Vince Gill, reminded the audience that everyone is entitled to freedom of speech. Don (born February 1, 1937 in Brownie, a small coal-mining town (now defunct) near Central City, Muhlenberg County, Kentucky) and Phil Everly (born January 18, 1939 in Chicago, Illinois) are country-influenced rock and roll performers who had their greatest success in the 1950s. On May 22 at the Academy of Country Music (ACM) awards ceremony in Las Vegas there were boos when the group's nomination for entertainer of the year awards was announced. Heartaches And Harmonies (1994). On May 6th, a Colorado radio station suspended two of its disc jockeys for playing music by the Dixie Chicks in violation of a ban on their music. Some Hearts (1989). Nevertheless, the band remained controversial. The Everly Brothers (Bella Musica) (1988).

The women had come prepared to face up to opposition and Natalie Maines invited those who had come to boo to do so but the crowd erupted in cheers. Born Yesterday (1986). The concert was held in Greenville, South Carolina on May 1 and was attended by a sell-out crowd of 15,000. All They Had To Do Was Dream (1985). At the first concert of their nation-wide tour the Dixie Chicks received a very positive reception. Home Again (1985). President Bush responded to the controversy surrounding the Dixie Chicks in an interview with Tom Brokaw on April 24:. EB 84 (1984).

media. For an article on how the Guardian reported the saga, see [1] (http://www.guardian.co.uk/international/story/0,3604,943170,00.html). The Everly Brothers (Profile) (1981). The original controversy was launched when a Guardian review of the group's London concert was picked up by U.S. New Album (1977). concert tour. Everlys (1975). Many critics called the moves publicity stunts, since they were launched on the eve of a U.S. Pass The Chicken And Listen (1973).

The band also appeared naked (with private parts strategically covered) on the May 2, 2003 cover of Entertainment Weekly magazine with slogans such as "Traitors," "Saddam's Angels," "Dixie Sluts," "Proud Americans," "Hero," "Free Speech," and "Brave" printed on their bodies. Don't Worry Baby (1973). During a prime-time interview with TV personality Diane Sawyer, Maines said she remained proud of her original statement. Stories We Could Tell (1972). On April 24, the Dixie Chicks launched a publicity campaign to explain their position. Everly Brothers Show (1970). Not one to back down from controversy, even Madonna herself was pressured to cancel the release of her anti-war video "American Life" which featured a Bush parody. Chained To A Memory (1970).

Bruce Springsteen and Madonna were among those who came out in support of the right of the women to express their opinion. Wake Up Little Susie (Harmony) (1969). The extent of the backlash resulted in the artists being concerned about their personal safety and that of their families. Roots (1968). In one display of anti-Dixie-Chick publicity, former Dixie Chick fans were encouraged to bring their Dixie Chicks CDs so that they could be crushed by a bulldozer. The Everly Brothers Sing (1967). Some fans remained angry and pressed on with a boycott of Dixie Chick music and stations that played their music, while other fans were disappointed that she apologized. The Hit Sound Of The Everly Brothers (1967).

I am a proud American.". Two Yanks In England (1966). I love my country. In Our Image (1966). While war may remain a viable option, as a mother, I just want to see every possible alternative exhausted before children and American soldiers' lives are lost. Beat & Soul (1965). We are currently in Europe and witnessing a huge anti-American sentiment as a result of the perceived rush to war. Gone, Gone, Gone (1965).

I feel that whoever holds that office should be treated with the utmost respect. Rock 'n' Soul (1965). This statement failed to quiet her critics, and on March 14 she issued an apology stating "As a concerned American citizen, I apologize to President Bush because my remark was disrespectful. Folk Songs Of The Everly Brothers (1962). and alienating the rest of the world.". Instant Party (1962). Following the uproar and a boycott of their music, the singer attempted to clarify matters on March 12 with the statement "I feel the President is ignoring the opinions of many in the U.S. Christmas With The Everly Brothers (1962).

Maines is a native of Lubbock, Texas. Souvenir Sampler (1961). On March 5, 2003, Natalie Maines provoked controversy in America by saying, during a concert in London, that the band was "ashamed the president of the United States is from Texas". Both Sides Of An Evening (1961). In contrast, a key track from Home was a rendering of Patty Griffin's "Top of the World" (for which the subsequent tour was named), which features a startingly unusual point of view and seeks to portray an almost unbearable sense of regret. A Date With The Everly Brothers (1961). But the Chicks can also deliver gleeful revenge epics such as "Goodbye Earl" (which led to their first mild brush with controversy when some radio stations shied away from playing it) or raucous, ribald numbers such as "Sin Wagon" (a concert staple rave-up). The Fabulous Style Of The Everly Brothers (1960).

This romantic, adventurous sense of independence is the major theme of the Maines-era Chicks; it is strongly evident too in "Cowboy Take Me Away", another of their signature songs, and then later in their cover of Stevie Nicks' "Landslide". Rockin' With (Mini EP) (1960). The group's visual image ranges from pretty to jokey to fiery, which further enhances their general appeal. It's Everly Time (1960). The group's mixture of bluegrass and mainstream country music appeals to a wide spectrum of record buyers. Songs Our Daddy Taught Us (Ace) (1959). While Martie and Emily are accomplished musicians, Natalie has a strong and distinctive voice. Songs Our Daddy Taught Us (Rhino) (1959).

The current line-up consists of group leader Martie (fiddle, mandolin, and vocals), Emily (guitar, dobro, banjo, and vocals), and Natalie (lead vocals and in concert, guitar). The Everly Brothers (Cadence) (1958). Despite having a "non-commercial" sound – unlike the two previous records, Home lacks drums and is dominated by very-up-tempo bluegrass and pensive ballads – it was also a major success and has sold over 6 million copies (which might have been more but for the political controversy). The Real Everly Brothers (1958). The group was involved in a dispute with their record label for two years, and their next album Home was an independent production, produced by Lloyd Maines and released in 2002 after the Chicks and Sony reconciled their differences. As of early 2005 these albums have sold over 12 million and 10 million copies respectively.

This was followed by another smash hit CD, Fly. The new lineup had a massive hit with their album Wide Open Spaces on Sony's Monument label. Laura Lynch was replaced in 1995 by Natalie Maines, daughter of producer and steel guitar player Lloyd Maines. Macy later founded a group called Big Twang, which cut one CD before its band members went their separate ways.

She joined Sara Hickman and Patty Lege to form the group Domestic Science Club, which issued two albums before disbanding. Robin Lynn Macy left in late 1992, preferring a "purer" bluegrass sound. Martie and Emily have married and their names are now Martie Maguire and Emily Robison. The original members of the Dixie Chicks were the sisters Martie Erwin and Emily Erwin, Laura Lynch and Robin Lynn Macy.

The Dixie Chicks is a country music group, formed in 1989 in Dallas, Texas, USA. ISBN 0878331891. Taylor Trade Publishing. Dixie Chicks: Down-Home and Backstage.

(2000). Dickerson, James L. Top of the World Tour (live concert album (CD and DVD)) (2003). An Evening with the Dixie Chicks (live concert DVD) (2002).

Home (album) (2002). Fly (album) (1999). Wide Open Spaces (with Natalie Maines replacing Laura Lynch) (1998). Shouldn't a Told You That (without Robin Lynn Macy) (1993).

Little Ol' Cowgirl (1992). Home on the Radar Range (45rpm single) (1991). Thank Heavens for Dale Evans (1990).