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Desmond Dekker

Desmond Dekker (born Desmond Dacres in Kingston, Jamaica on July 16, 1941) is a ska and reggae singer and songwriter. Together with his backing group, The Aces (consisting of Wilson James and Easton Barrington Howard), he had the first international Jamaican hit with "Israelites". Other hits include "007 (Shanty Town)" (1967), "It Mek" (1968), "The Israelites" and "You Can Get It If You Really Want".

Before the ascent of Bob Marley, Desmond Dekker was the most well-known Jamaican musician outside of his country, and one of the most popular within it. He was born in Kingston in 1941, and became an orphan as a teenager. Dekker began working as a welder, singing around his workplace while his coworkers encouraged him. In 1961, he auditioned for Coxsone Dodd (Studio One) and Duke Reid (Treasure Isle). Neither were impressed by his talents, and the young man moved on to Leslie Kong's Beverley record label, where he auditioned before Derrick Morgan, then the label's biggest star. With Morgan's suport, Dekker was signed but did not record until 1963, because Leslie Kong wanted to wait for the perfect song. Dekker's "Honour Your Father and Mother" was to be that song.

"Honour Your Father and Mother" was a hit, and was followed by "Sinners Come Home" and "Labour for Learning", as well as a name change (from Desmond Dacres to Desmond Dekker). His fourth hit, however, made him into one of the island's biggest stars. It was "King of Ska", a rowdy and jubilant song on which Dekker was backed by The Cherrypies (also known as The Maytals). The song remains well-known among ska afficionados. Dekker then recruited four brothers, Carl, Patrick, Clive and Barry Howard, who became his backing band, known as The Four Aces.

Dekker and the Howards recorded a number of hits, including "Parents", "Get Up Edina", "This Woman" and "Mount Zion". Until 1967, Dekker's songs were polite and conveyed respectable, mainstream messages. In that year, however, he appeared on Derrick Morgan's "Tougher Than Tough", which helped begin a trend of popular songs glamourizing the violent rude boy culture. Dekker's own songs did not go to the extremes of many other popular tunes, though he did introduce lyrics which resonated with the rude boys, starting with one of his best-known songs, "007 (Shanty Town)". The song established Dekker as a rude boy icon, and also became an established hero in the United Kingdom's mod scene. "007 (Shanty Town)" was a Top 15 hit in the UK, and he toured the country with a posse of mods following him.

Dekker continued with songs along the same vein, such as "Rude Boy Train" and "Rudie Got Soul", as well as continuing with his previous themes of religion and morality in songs like "It's a Shame", "Wise Man", "Hey Grandma", "Unity", "It Pays", "Mother's Young Girl" and "Sabotage". His "Pretty Africa" is a long-standing favorite among his fans, and may be the earliest popular song promoting repatriation. Many of the hits from this era came from his debut album, 007 (Shanty Town).

In 1968, Dekker's "The Israelites" was released, appearing on both the US and UK charts, eventually topping the latter and peaking in the Top Ten of the former. He was the first Jamaican performer to enter US markets with pure Jamaican music, though he never repeated the feat. That same year saw the release of "Beautiful and Dangerous", "Writing on the Wall", "Music Like Dirt", "Bongo Girl" and "Shing a Ling".

1969 saw the release of "It Mek", which first saw only lukewarm success but was re-recorded and became a hit both in Jamaica and the UK. He also released "Problems" and "Pickney Gal", both of which were popular in Jamaica, but saw only limited success elsewhere.

In the 1970s, Dekker spent most of his time touring and moved to the UK, where he continued to record. Among his best known releases of this period was "You Can Get It If You Really Want", written by Jimmy Cliff, which Dekker had not wanted to record but was convinced by Leslie Kong. Kong, whose production had been an instrumental part of both Dekker's and Cliff's careers, died in 1971, and both his protegé's were lost for a period before returning to music.

Dekker continued recording, but with only limited success, until he began working with the production duo Bruce Anthony in 1974. His first hit with the pair was 1975's "Sing a Little Song", which was a British Top Ten. He was unable to follow its success, however, and did not chart in the UK for some time, also finding only a limited audience in Jamaica.

At the end of the 1970s, Dekker signed with Stiff Records, a punk label linked with the Two-Tone movement, a fusion of punk and ska. He recorded an album called Black & Dekker, which featured his previous hits backed by The Rumour, Graham Parker's backing band. His first single was "Israelites", a Top Ten Belgian hit, and was followed by "Please Don't Bend", Jimmy Cliff's "Many Rivers to Cross" and "Book of Rules". His next album was Compass Point, produced by Robert Palmer. Though Compass Point did not sell well, Dekker was still a popular live performer, and he toured with The Rumour. In the early 80s, as the Two Tone movement died out, he saw his fortunes dwindle, and he declared bankruptcy in 1984.

Only a single live album was released in the late 80s, but a new version of "The Israelites" reawakened public interest in 1990, following its use in a Maxell ad. He re-recorded some old singles, and worked with The Specials for 1992's King of Kings's, which used hits from Dekker's musical heroes, including Derrick Morgan.


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He re-recorded some old singles, and worked with The Specials for 1992's King of Kings's, which used hits from Dekker's musical heroes, including Derrick Morgan. Greg Lake has toured the USA with Ringo Starr in 2002. Only a single live album was released in the late 80s, but a new version of "The Israelites" reawakened public interest in 1990, following its use in a Maxell ad. Drummer Carl Palmer tours on an irregular basis with his Carl Palmer Band, playing electric guitar adaptations of ELP's keyboard work in the club circuit. In the early 80s, as the Two Tone movement died out, he saw his fortunes dwindle, and he declared bankruptcy in 1984. Keith Emerson has been touring Britain with his old bandmates from The Nice during 2003. Though Compass Point did not sell well, Dekker was still a popular live performer, and he toured with The Rumour. Lake admitted that he did not train his voice: a few live shows were generally enough to get it in shape, he claimed.

His next album was Compass Point, produced by Robert Palmer. Keith Emerson complained in public (on the internet) that although he and Carl Palmer worked out on a daily basis to maintain their musical skills, Greg Lake hardly took effort to do the same. His first single was "Israelites", a Top Ten Belgian hit, and was followed by "Please Don't Bend", Jimmy Cliff's "Many Rivers to Cross" and "Book of Rules". Greg Lake insisted on producing the next album, having produced all successful ELP albums in the early 70s. He recorded an album called Black & Dekker, which featured his previous hits backed by The Rumour, Graham Parker's backing band. Conflicts about a new album inspired a new and final break up. At the end of the 1970s, Dekker signed with Stiff Records, a punk label linked with the Two-Tone movement, a fusion of punk and ska. Their last show was in San Diego, California, in 1998.

He was unable to follow its success, however, and did not chart in the UK for some time, also finding only a limited audience in Jamaica. However enjoyable these tours were, ELP played in significantly smaller venues for significantly smaller audiences. His first hit with the pair was 1975's "Sing a Little Song", which was a British Top Ten. Their tour schedules brought them to Japan, South America, Europe, the USA and Canada and ELP played fresh new versions of older work. Dekker continued recording, but with only limited success, until he began working with the production duo Bruce Anthony in 1974. The last ELP tours were in 1996, 1997 and 1998. Among his best known releases of this period was "You Can Get It If You Really Want", written by Jimmy Cliff, which Dekker had not wanted to record but was convinced by Leslie Kong. Kong, whose production had been an instrumental part of both Dekker's and Cliff's careers, died in 1971, and both his protegé's were lost for a period before returning to music. Emerson and Palmer recovered to tour again.

In the 1970s, Dekker spent most of his time touring and moved to the UK, where he continued to record. So it was no surprise that the follow up album In the Hot Seat (1994) did not live up to expectations. He also released "Problems" and "Pickney Gal", both of which were popular in Jamaica, but saw only limited success elsewhere. But, reportedly, Palmer suffered from carpal tunnel syndrome and Emerson has been treated for a repetitive stress disorder in one hand. 1969 saw the release of "It Mek", which first saw only lukewarm success but was re-recorded and became a hit both in Jamaica and the UK. Their 1992/1993 world tours were successful, culminating in a splendid performance at the Wiltern Theatre in Los Angeles in early 1993 that has been heavily boot-legged. That same year saw the release of "Beautiful and Dangerous", "Writing on the Wall", "Music Like Dirt", "Bongo Girl" and "Shing a Ling". The original ELP lineup then reformed in 1991 and issued a come-back album, Black Moon, in 1992.

He was the first Jamaican performer to enter US markets with pure Jamaican music, though he never repeated the feat. (Palmer declined to participate in a reunion, preferring to stay with Asia.) In 1987, Emerson and Palmer joined with Robert Berry to form the band 3. In 1968, Dekker's "The Israelites" was released, appearing on both the US and UK charts, eventually topping the latter and peaking in the Top Ten of the former. In 1986, Emerson and Lake formed another "ELP" band with heavy metal drummer Cozy Powell. Many of the hits from this era came from his debut album, 007 (Shanty Town). Their last studio album of the 1970s, Love Beach (1978), was dismissed even by the trio itself, who admitted it was delivered to fulfill a contractual obligation. His "Pretty Africa" is a long-standing favorite among his fans, and may be the earliest popular song promoting repatriation. Eventually they drifted apart due to personality conflicts and irreconcilable differences concerning musical direction.

Dekker continued with songs along the same vein, such as "Rude Boy Train" and "Rudie Got Soul", as well as continuing with his previous themes of religion and morality in songs like "It's a Shame", "Wise Man", "Hey Grandma", "Unity", "It Pays", "Mother's Young Girl" and "Sabotage". But as disco, punk rock and new wave styles began to alter the musical landscape, ELP could no longer generate the excitement of being forerunners in musical innovation. "007 (Shanty Town)" was a Top 15 hit in the UK, and he toured the country with a posse of mods following him. These late-'70s tours found ELP working harder than ever to stay in touch with their audience. The song established Dekker as a rude boy icon, and also became an established hero in the United Kingdom's mod scene. The band toured the US and Canada in 1977 and 1978 on a killing schedule of night after night performances — some with a full orchestra, which was a heavy burden on the tour revenues. Dekker's own songs did not go to the extremes of many other popular tunes, though he did introduce lyrics which resonated with the rude boys, starting with one of his best-known songs, "007 (Shanty Town)". The 1977 album Works is a testimony to their craftmanship, but ELP had lost contact with the changing musical scene.

In that year, however, he appeared on Derrick Morgan's "Tougher Than Tough", which helped begin a trend of popular songs glamourizing the violent rude boy culture. ELP then took a three-year break to reinvent their music — but they failed. Until 1967, Dekker's songs were polite and conveyed respectable, mainstream messages. (It was the same sympathetic organ every time, called the L100, that was repaired overnight for the next show.) Their roadie at the time was Lemmy, who gave Emerson the knife that was used to force the keys on the organ to stay down instead of the screwdriver that Emerson had been forcing between keys for the purpose. Dekker and the Howards recorded a number of hits, including "Parents", "Get Up Edina", "This Woman" and "Mount Zion". Their extravagant and often aggressive live shows received much criticism in this regard — although in retrospect it was all rather small change compared to later rock spectacles: the theatrics were limited to a Persian carpet, a spinning grand piano, a few bangs on huge Chinese cymbals and a Hammond organ being molested on stage. Dekker then recruited four brothers, Carl, Patrick, Clive and Barry Howard, who became his backing band, known as The Four Aces. Their style came in for heavy abuse from critics; a popular joke of the time went, "How do you spell pretentious? ...ELP." Onstage the band exhibited an unorthodox mix of virtuoso musicianship and over-the-top theatrical bombast.

The song remains well-known among ska afficionados. Many of their pieces are arrangements of, or contain quotations from, classical music, and they can be said to fit into the sub-genre of symphonic rock. It was "King of Ska", a rowdy and jubilant song on which Dekker was backed by The Cherrypies (also known as The Maytals). The band's compositions were heavily influenced by classical music in addition to jazz and — some say — hard rock. His fourth hit, however, made him into one of the island's biggest stars. The ELP sound was heavily dominated by the Hammond organ and Moog synthesizer of flamboyant keyboard player Emerson. "Honour Your Father and Mother" was a hit, and was followed by "Sinners Come Home" and "Labour for Learning", as well as a name change (from Desmond Dacres to Desmond Dekker). ELP's California Jam performance was broadcast nationwide in the US and is often seen as the summit of the band's career.

Dekker's "Honour Your Father and Mother" was to be that song. Their debut performance had been a relatively modest show at the August 1970 Isle of Wight Festival, which marked the end of the "flower power" era. By April 1974, ELP were top of the bill during the California Jam Festival, pushing co-stars Deep Purple to second billing. With Morgan's suport, Dekker was signed but did not record until 1963, because Leslie Kong wanted to wait for the perfect song. The subsequent world tours were documented with another live recording, Welcome Back my Friends to the Show that Never Ends. Neither were impressed by his talents, and the young man moved on to Leslie Kong's Beverley record label, where he auditioned before Derrick Morgan, then the label's biggest star. The lyrics were largely written by Pete Sinfield. In 1961, he auditioned for Coxsone Dodd (Studio One) and Duke Reid (Treasure Isle). Giger, was released and became the band's best-known studio album.

Dekker began working as a welder, singing around his workplace while his coworkers encouraged him. In late 1973 Brain Salad Surgery, with an eye-catching sleeve designed by H.R. He was born in Kingston in 1941, and became an orphan as a teenager. The 1972 album Trilogy contained ELP's best-selling single, the understated "From the Beginning". Before the ascent of Bob Marley, Desmond Dekker was the most well-known Jamaican musician outside of his country, and one of the most popular within it. The March 1971 live recording (Newcastle, UK) of the band's interpretation of Modest Mussorgsky's Pictures at an Exhibition was issued as a low-priced record, the success of which contributed to the band's overall popularity. Other hits include "007 (Shanty Town)" (1967), "It Mek" (1968), "The Israelites" and "You Can Get It If You Really Want". Tarkus (1971) was their first successful concept album, described as a story about "reverse evolution".

Together with his backing group, The Aces (consisting of Wilson James and Easton Barrington Howard), he had the first international Jamaican hit with "Israelites". They self-produced their first six albums, starting with Emerson, Lake and Palmer (1970), which contained the hit "Lucky Man". Desmond Dekker (born Desmond Dacres in Kingston, Jamaica on July 16, 1941) is a ska and reggae singer and songwriter. Their first four years were a creatively fertile period. ELP formed in 1970. They were an early "supergroup", with Emerson coming from The Nice, Lake from King Crimson and Palmer from Atomic Rooster.

The three members are:. In the 1970s, they were extremely popular, selling over 30 million albums and headlining huge concerts.
Emerson, Lake & Palmer (ELP) were a British progressive rock group. "ELP" can also stand for Extra Long Play, a format for the VCR tape..

2001 Pictures at an Exhibition (remastered 1972 album, live and studio versions). 1997 Live at the Isle of Wight Festival 1970 (live). 1994 The best of Emerson, Lake & Palmer. 1994 In the Hot Seat.

1993 The Return of the Manticore (4 disc box set). 1993 Live at the Royal Albert Hall (live). 1992 Black Moon. 1987 To the Power of 3 (as 3).

1986 Emerson, Lake and Powell (as Emerson, Lake and Powell). 1979 In Concert (live) - later expanded and remastered as Works Live. 1978 Love Beach. 1978 Works Volume II.

1976 Works Volume I (double). Ladies and Gentlemen, Emerson, Lake & Palmer (live triple). 1974 Welcome Back My Friends to the Show That Never Ends.. 1973 Brain Salad Surgery.

1972 Trilogy. 1972 Pictures at an Exhibition (live). 1971 Tarkus. 1970 Emerson, Lake and Palmer.

Carl Palmer (drums, percussion) born 20th of March 1950. Greg Lake (guitar, bass guitar, vocals) born 10th of November 1947. Keith Emerson (keyboards) born 2nd of November 1944.