This page will contain additional articles about Daft Punk, as they become available.Daft PunkDaft Punk is the main project of Guy-Manuel de Homem-Christo (born February 8, 1974) and Thomas Bangalter (born January 3, 1975), two dance music artists from Paris. Its name was inspired by a review in the British music magazine Melody Maker, which described their first collaboration, a Beach Boys inspired guitar group named Darling that recorded on Stereolab's Duophonic imprint in 1992, as "a bunch of daft punk". Daft Punk's debut single The New Wave (Soma, 1993) was followed by their first commercially successful single "Da Funk" (1995). The album Homework (Virgin, 1996) was regarded as an innovative synthesis of techno, house, acid house and electro, and widely acknowledged as one of the most influential dance music albums of the nineties. In addition to "Da Funk", "Around the World" was the most successful single from Homework. 2001's Discovery, with its more commercial, synth-pop-oriented style, disappointed some fans of Homework. Nevertheless, it sold very well, and the single "One More Time" was a major club hit. Some have interpreted the title "Discovery" as meaning "very Disco", as much of the album hearkens to the disco era; "Homework" can also be a reference to the respective album's focus, house music (Home ≈ House). Much of Daft Punk's newer fan base knows them mainly from Discovery. Daft Punk are notable for their use of visuals in music. The duo "became" robots for all of their publicity shots and interviews. The music videos for their singles from Homework featured memorable characters and were directed by cult video producers, including Spike Jonze and Michel Gondry. The album Discovery subsequentally became the soundtrack to the anime film Interstella 5555, which they co-produced with Leiji Matsumoto. With Music Sounds Better With You, Thomas Bangalter had a major club hit in 1998, released under the name Stardust on his own Roulé-label. In 2002 he produced the motion picture soundtrack for Gaspar Noé's Irréversible. Bangalter also teamed up with DJ Falcon to create Together, who subsequently released the club smash So Much Love To Give. Guy-Manuel de Homem-Christo operates his own music label, Crydamoure. Four years after the release of Discovery, Daft Punk realeased their follow up album, Human After All. Selected DiscographyAlbums
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Four years after the release of Discovery, Daft Punk realeased their follow up album, Human After All. Jim Morrison's metaphorical persona The Lizard King is explained with this link. Bangalter also teamed up with DJ Falcon to create Together, who subsequently released the club smash So Much Love To Give. Guy-Manuel de Homem-Christo operates his own music label, Crydamoure. Their enduring popularity is reflected by continuing sales of their early work. In 2002 he produced the motion picture soundtrack for Gaspar Noé's Irréversible. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.". With Music Sounds Better With You, Thomas Bangalter had a major club hit in 1998, released under the name Stardust on his own Roulé-label. Just anything to get people to think. The album Discovery subsequentally became the soundtrack to the anime film Interstella 5555, which they co-produced with Leiji Matsumoto. Jim Morrison said: "I like any reaction I can get with my music. The music videos for their singles from Homework featured memorable characters and were directed by cult video producers, including Spike Jonze and Michel Gondry. Some people of the "establishment" thought that they were just mere American rock music rebels. The duo "became" robots for all of their publicity shots and interviews. The Doors are remembered for shamanistic live performances. Daft Punk are notable for their use of visuals in music. Densmore was initally replaced by Stewart Copeland, formerly of The Police, but he withdrew after several performances and was replaced by Ty Dennis, drummer with Krieger's band. Much of Daft Punk's newer fan base knows them mainly from Discovery. It was also reported that both Morrison's family and that of Pamela Courson had joined Densmore in seeking to prevent Manzarek and Krieger from using The Doors' name. Some have interpreted the title "Discovery" as meaning "very Disco", as much of the album hearkens to the disco era; "Homework" can also be a reference to the respective album's focus, house music (Home ≈ House). His motion was denied in court in May that year, although Manzarek publucly reiterated that the invitation for Densmore to return to the group still stood. Nevertheless, it sold very well, and the single "One More Time" was a major club hit. In February 2003 he filed an injunction against his former bandmates hoping to prevent them from using the name "The Doors". 2001's Discovery, with its more commercial, synth-pop-oriented style, disappointed some fans of Homework. Densmore subsequently claimed that he had in fact not been invited to take part in the reunion. In addition to "Da Funk", "Around the World" was the most successful single from Homework. At their first concert the group announced that drummer John Densmore would not perform, and it was later reported that he was unable to play because he suffered from tinnitius. The album Homework (Virgin, 1996) was regarded as an innovative synthesis of techno, house, acid house and electro, and widely acknowledged as one of the most influential dance music albums of the nineties. In the place of Morrison, the new lineup was fronted by British vocalist Ian Astbury, former lead singer of UK band The Cult, with Angelo Barbera from Krieger's band on bass. Daft Punk's debut single The New Wave (Soma, 1993) was followed by their first commercially successful single "Da Funk" (1995). In 2002 Manzarek and Krieger reunited and created a new version of The Doors, called The Doors 21st Century. Its name was inspired by a review in the British music magazine Melody Maker, which described their first collaboration, a Beach Boys inspired guitar group named Darling that recorded on Stereolab's Duophonic imprint in 1992, as "a bunch of daft punk". In late 2002, Manzarek and Krieger revived the Doors, recruiting singer Ian Astbury of The Cult, as well as drummer Ty Dennis and bassist Angelo Barbera, both of the Robby Krieger Band, calling themselves Doors of the 21st Century, and are still touring today. Daft Punk is the main project of Guy-Manuel de Homem-Christo (born February 8, 1974) and Thomas Bangalter (born January 3, 1975), two dance music artists from Paris. While many were amazed at Kilmer's impersonation, the film had numerous factual inaccuracies and members of the group later voiced displeasure at Stone's portrayal of Morrison, at times making him look like an out-of-control psycho. Virgin Records Daft Punk official website (http://www.virginrecords.com/daft_punk/). In 1991 director Oliver Stone released his film The Doors, starring Val Kilmer as Morrison and with a cameo by Densmore. Daft Punk discography on Discogs.com (http://www.discogs.com/artist/Daft+Punk). The follow-up was a resounding critical and commercial failure, and after the release of Full Circle, the band split, feeling that it was just not right without Morrison. Official german website (http://www.daftpunk.de/). While far from being a commercial failure, Other Voices was well reviewed but was also far from a smash record as well. Official website (http://www.daftpunk.com/). After initially considering replacing Morrison with a new singer, Krieger and Manzarek took over on vocals, and released two more albums, Other Voices and Full Circle. Face to Face - Hot Dance Music/Club Play, reached #1. The remaining Doors continued for some time. Harder, Better, Faster, Stronger - Hot Dance Music/Club Play, peaked at #3. However, in his book Wonderland Avenue, Morrison's former associate Danny Sugerman states that during his last meeting with Courson, which took place shortly before she too died of a heroin overdose, she confessed to Sugerman that she had introduced Morrison to the drug and that, because he had a fear of needles, she had injected him with the dose that killed him. Digital Love - Hot Dance Music/Club Play, peaked at #9. Rumours persisted for many years that Morrison had faked his death to escape the spotlight, as did the rumour that Morrison had actually died at a Paris nightclub and that his body had been surreptitiously taken back to his apartment. One More Time - Top 40 Tracks, peaked at #32. Morrison died there in mysterious circumstances on 3 July 1971; his death was generally believed to be from a drug overdose (probably heroin), although it was later revealed that no autopsy had been performed before Morrison's body was buried at the Pere-Lachaise Cemetery. One More Time - Top 40 Mainstream, peaked at #33. Woman, Morrison decided to take some time out and with girlfriend Pamela Courson moved to Paris. One More Time - Hot 100, peaked at #61. In 1971, following the recording of L.A. One More Time - Rhythmic Top 40, reached #27. The atmospheric single "Riders On The Storm" became a mainstay of rock radio programming for decades. One More Time - Hot Dance Music/Maxi-single Sales, peaked at #2. The result was widely considered a classic, featuring some of the strongest material and performances since their 1967 debut. One More Time - Canadian singles chart, reached #1. It was conceived as a "back to basics" album which would explore their blues and R&B roots, although during rehearsals the group had a serious falling-out with Rothchild. Denouncing the new reportoire as "cocktail music", he quit and handed the production reins to Botnick. One More Time - Hot Dance Music/Club Play, reached #1. Woman in 1971. Revolution 909 - Hot Dance Music/Club Play, peaked at #12. The group staged a strong return to form with their excellent 1970 LP Morrison Hotel and looked set to regain their crown as one of America's premier acts with the superb L.A. Da Funk - Hot Dance Music/Club Play, reached #1. Their fourth album, The Soft Parade (1969) saw the band struggling to maintain momentum; an attempting to expand the group's sound with strings and brass, it is generally considered the least successful of their LPs with Morrison, who was by then developing a serious drinking problem and becoming increasinglly difficult and unreliable in the studio, with the result that sessions were now dragging on over weeks, where they had formerly taken days. Around the World - Hot 100, peaked at #61. The album features superb performances recorded on their 1968-69 American tours and includes a full-length live performance of "The Celebration Of The Lizard". Around the World - Hot Dance Music/Club Play, reached #1. Apparently trying to escape the image of "The Lizard King" that had come to dominate him, Morrison put on weight and grew a thick beard, forcing Elektra to use photos taken earlier in his career for the cover of their excellent Absolutely Live LP, reeleased in late 1969. Interstella 5555 (Movie, DVD, 2003). In the last two years of his life Morrison curtailed his former herculean intake of psychedelic drugs and began drinking heavily, which in turn soon began to affect his performance, both on stage and in the studio. - A Story about Dogs, Androids, Firemen and Tomatoes (DVD/VHS, 1999). Before one concert when the announcer introduced the group as "Jim Morrison and The Doors", Morrison in a rage refused to appear unless he announced the group again, solely as "The Doors". D.A.F.T. While Morrison as the lead singer received the most attention of the group, as well as getting a far larger image of himself on album covers, he was quite adamant about all the members of the group getting recognition. Human After All (2005). My eyes have been opened up a bit.". Daft Club (Remix LP) (2003). But I guess it was a valuable experience because before the trial I had a very unrealistic schoolboy attitude about the American judicial system. Alive 1997 (2001). About a year and a half. Discovery (2001). Morrison said: "I wasted a lot of time with the Miami trial. Homework (1996). The incident remains inconclusive. The misdemeanour charges stuck. Misdemeanour and felony charges were brought against Morrison. In one known incident, at a 1969 concert in Miami, Florida, Morrison allegedly exposed himself. Singer Grace Slick once recalled seeing Morrison at a concert, high on drugs, and so active that he needed to be pulled off stage. However, Morrison sang the original line instead, and on live television with no delay ABC was powerless to stop it. Morrison on stage gave a whole new life to a rock band on stage in concert, and Manzarek recalled that Morrison stopped being himself on stage and became more of a "whirling dervish", or shaman, showing things of a more primeval nature. The Doors quickly earned a reputation as a challenging and entertaining live act, as well as having a rebellious reputation. In one appearance with a live performance on the American Broadcasting Company network, the network's censors demanded the group change its lyrics in its song, Light My Fire, altering the line, "Girl we couldn't get much higher" to "Girl we couldn't get much better". The song received some criticism at the time for its resemblance to The Kinks' 1965 hit "All Day And All Of The Night". While Morrison and Manzarek were walking on the beach in California, they passed an African-American girl, and Morrison wrote the lyrics to Hello I Love You in a single night, referring to the girl as the "dusky jewel". Many of the songs made by The Doors were done in a communal way, reflected Manzarek, with Morrison usually contributing the lyrics and some melody, while the others hammered out the beat and flow of the song. Woman LP. However, guitarist Lonnie Mack guested on bass on several tracks on their Morrison Hotel LP and Jerry Scheff (longtime bassist for Elvis Presley) played bass on their L.A. The Doors were unusual among rock groups in that they did not use a bass guitarist in concert, with Manzarek playing the bass lines on an Fender electric keyboard bass, an offshoot of the well-known Fender electric piano. The jazz drumming of John Densmore, the swirling keyboards of Ray Manzarek, whose left hand played the parts typically associated with bass guitar, and Robby Krieger's guitar playing, which showed the influence of flamenco, Indian, the blues and classical music, combined to form a distinctive sound. To fans of the Doors, the music included socially, psychologically and politically charged lyrics mostly written by 'the Lizard King', Jim Morrison . They scored another major hit around this time with the single "Touch Me", which featured saxophonist Curtis Amy and a small orchestra. It also included the song "The Unknown Soldier", for which they created another superb self-directed music video, and "Not To Touch The Earth", excerpted from their legendary thirty-minute concept piece "The Celebration Of The Lizard", although they were reportedly unable to record a satifactory version of the entire piece for the LP. It became their first #1 LP and the single "Hello, I Love You" was their second US #1 single. Their third LP Waiting For The Sun (1968) showed the band beginning to branch out from their initial format as they exhausted their original reportoire and began writing new material. The second Doors LP Strange Days was almost as strong as the first and it cemented the group's reputation. With his saturnine good looks, magnetic stage presence and skin-tight leather trousers, Morrison quickly became one of the major pop sex symbols of his day, although he soon became frustrated with the strictures of stardom. Released in January 1967, the album caused a sensation in music circles and the first single released from it, "Light My Fire", became a major hit, establishing the group alongside Jefferson Airplane, The Grateful Dead and as one of the top new American bands of 1967. Morrison and Manzarek also directed an innovative promotional film for the single "Break On Through", which was an important stepping stone in the development of the music video genre. With the band at the peak of their form and bristling with energy and ambition, the album was recorded in only a few days, almost entirely live in the studio, with most songs captured in a single take. Their self-titled debut LP featured most of the major songs from their set, including the ten-minute musical drama, "The End". Rothchild, the band were signed to the Elektra Records label beginning a long and successful partnership with Rothschild and engineer Bruce Botnick. After being spotted by producer Paul A. The band took their name from the title of a book by Aldous Huxley, The Doors of Perception, which was in turn borrowed from a line of poetry by the 18th century artist and poet William Blake: "If the doors of perception were cleansed, everything would appear to man as it truly is, infinite.". The latter two, with a female bass player, were rapidly recruited and the band took up a number of club residences first at LA's London Fog and later the Whisky A Go-Go. Manzarek was already in a band called Rick And The Ravens while Krieger and Densmore were playing with The Psychedelic Rangers, but knew Manzarek from shared meditation instruction. Morrison sang Manzarek some of his poetry and song lyrics including Moonlight Drive. The group started in 1965 in Los Angeles, California, after a meeting between UCLA film school students Jim Morrison and Ray Manzarek. 1946). 1947) and John Densmore (drums, b. 1939), Robby Krieger (guitar, b. 1971), Ray Manzarek (organ, keyboard, b. The Doors were a musical band of the 1960s and early 1970s, consisting of Jim Morrison (lead vocals, b. 1943 d. Riders on the Storm: My Life With Jim Morrison and the Doors, by John Densmore, Delta Books, ISBN 0385304471. No One Here Gets Out Alive, by Jerry Hopkins and Danny Sugerman, Warner Books, ISBN 0446602280. Light My Fire: My Life With the Doors, by Ray Manzarek, Berkeley Publishing Group, ISBN 0425170454. Download sample of Break on Through (To the Other Side) from The Doors. Bright Midnight: Live In America - 2002. An American Prayer: Jim Morrison - 1978 (last live recording with Jim Morrison). Full Circle - 1972. Other Voices - 1971. Woman - 1971. L.A. Absolutely Live - 1970. Morrison Hotel - 1970. The Soft Parade - 1969. Waiting for the Sun - 1968. Strange Days - 1967. The Doors - 1967. |