DNA (band)

DNA on DNA 2004 - No More Records, NoCD12. He says that he went into show business because his family needed the money and that his biggest regret is that he started too soon and hit too big. American Clavé Sampler: various artists (one DNA track) 1993 - American Clave (USA), AMCL 1020/1026 (2xCD). Recently he has been appearing with Frankie Avalon and Bobby Rydell to perform concerts as The Golden Boys. Last Live at CBGB 1993 - Avant (Japan), Avant 006 (CD). He never regained his former stature but has continued performing for more than 40 years. The Fruit of Original Sin: various artists (Three DNA tracks) 1981 - Les Disques Du Crepuscule, twi 035 (2xLP). Fabian went on to appear in more than 30 films, including Five Weeks in a Balloon, The Longest Day and Ride the Wild Surf (1964) (with Tab Hunter).

A Taste of DNA 1981 - American Clavé, AMCL 1003EP (12"). His career in music basically ended with the payola scandal of the 1960s, and it was revealed that his records were doctored significantly to improve his voice. No New York: various artists (Four DNA tracks) 1978 - Antilles, AN 7067 (LP). Born Fabiano Bonaparte, he adopted the stage name Fabian Forte but has always been known by his first name only. With songwriters Doc Pomus and Mort Shuman, Fabian released a series of hit singles including "I'm a Man", "Hound Dog Man", "Turn Me Loose" (a blues song), and his biggest hit, "Tiger". "You & You" b/w "Little Ants" 1978 - Lust/Unlust Music, 11-CAN-234. He rose to national prominence after performing several times on American Bandstand. They have since taken the name The DNA Disciples to avoid confusion with the no wave band described above, and also produced a second Suzanne Vega remix, "Rusted Pipe". Fabian (born February 6, 1943 in Philadelphia, Pennsylvania) was an American teen idol of the late 1950s and early 1960s.

DNA was also the pseudonym taken by two British dance producers for a remix of Suzanne Vega's "Tom's Diner". The contemporary indie rock band Blonde Redhead takes its name from a DNA song. Lindsay and Mori and to a lesser extent Crutchfield have remained active in music. DNA on DNA, a comprehensive CD chronicle of the band, was released by No More Records in 2004.

DNA's final encore was a cover of Led Zeppelin's "Whole Lotta Love." Sadly, this is not included on the CD Last Live at CBGB, released more than a decade later on John Zorn's Avant label. It's a measure of the cult following the band had developed that its final concerts were three consecutive sold-out nights at CBGB. Lindsay, Mori, and Wright decided to dissolve the band in 1982. Some live DNA tracks appeared on compilation albums while the band was still in existence.

DNA recorded but one (brief, approximately 10 minutes) album - A Taste of DNA - for Kip Hanrahan's American Clavé label (later on Rough Trade) in 1980. Live shows were frequent in this period, but rarely outside of the CBGB - Mudd Club - TR3 circuit in lower Manhattan. The Lindsay-Mori-Wright lineup of DNA developed something of a cult following between 1979 and 1982, but more with art than with rock audiences. Song structures became tighter, briefer, more abstract, and have been compared to haiku.

The music became even more spare and angular, with Wright's bass lines creating a sometimes menacing sound. As Wright played bass and not keyboards, and was the only member of the band really to have any conventional instrumental technique, the change in DNA's sound was dramatic. He was replaced by Tim Wright, previously of the Cleveland band Pere Ubu. Shortly after the recording of No New York, Crutchfield left DNA to form a new band, Dark Day.

The other three bands appearing on this album were The Contortions, Teenage Jesus and the Jerks, and Mars. Within their first year, they had cemented their reputation as a paradigmatic no wave band when Brian Eno selected them as one of the four groups documented on the No New York LP, the first recording to expose no wave groups to an audience outside of lower Manhattan. This lineup of DNA played occasionally at CBGB and Max's Kansas City and recorded one 7" single. After the rapid departure of Stevenson and Cervenka, Lindsay and Crutchfield hastily recruited Ikue Mori - a Japanese woman with little command of English and no drum set - to be DNA's drummer.

This incarnation of the band was very brief, not playing even one concert. Stevenson went on to play bass for Teenage Jesus and the Jerks; Cervenka was the younger sister of Exene Cervenka of X. DNA originally consisted of Lindsay, Crutchfield, Gordon Stevenson, and Mirielle Cervenka, and took its name from a song by another no wave band, Mars. Their music was described as spare, noisy, and angular and was compared to some of Captain Beefheart's output and even to Anton Webern.

Rather than playing their instruments in a traditional manner, they instead focused on making unique and unusual sounds. Formed in 1978 by guitarist Arto Lindsay and keyboardist Robin Crutchfield, DNA were inspired by a promoter who wanted a band composed of first-time musicians. DNA was a short-lived but influential New York rock band, associated with the no wave movement.