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Cradle of Filth

(left to right) Adrian Erlandsson, Dave Pybus, Dani Filth, Martin Powell, Paul Allender. Not pictured: James McKillboy.

Cradle of Filth, formed in 1991, is a conglomeration of black metal and gothic metal, although their music has been somewhat difficult to classify. The group has progressed from a rawer, more traditional black metal sound to a fully orchestrated symphonic metal feel. Their music has often touched on gothic metal overtones, and has been both ridiculed and praised by critics. Most black metal fans criticise the group as coverage by Kerrang and MTV have brought them a much more mainstream and commercial image. Thus some black metal fans deem them "sell outs", while hardcore fans remain.

Basic info

  • Genre: symphonic black metal, gothic metal, Vampyric Metal, extreme metal
  • Country: Britain
  • Status: Active
  • Time: 1991-

Characteristics of the works of Cradle of Filth include complex (and long!) song structures and orchestrations. A noteworthy feature of their music is the use of vocals as a rhythmical instrument, akin to rap music (although sounding very different): timing of syllables and usage of rhymes convey rhythm rather than melody. The lyrics have certainly been influenced by the works of Marquis de Sade and they are - albeit vulgar - of a high level, considering either the use of vocabulary or expressive or poetic qualities, especially for a heavy metal band.

A common theme to the lyrics, music videos or album cover illustrations is moral decadence, often placed in the baroque era. Cradle of Filth succeed in combining the aforementioned arts of "higher" quality to a "lower" level such as splatter movie esthetics or banal, rude use of vocabulary.

Current Tour

Cradle of Filth's current tour is entitled "Swansong for a Nation" (US/Canada for November-December 2004). It began just after Hallowe'en (October 31, 2004). The set list is as follows (length: ):

  1. Satyriasis (Intro)
  2. Gilded Cunt
  3. Nemesis
  4. The Principle of Evil Made Flesh
  5. Tortured Soul Asylum
  6. Mannequin
  7. Funeral in Carpathia
  8. Her Ghost in the Fog
  9. Nymphetamine
  10. The Forest Whispers my Name
  11. The Promise of Fever
  12. Cruelty Brought Three Orchids
  13. From the Cradle to Enslave

Biography

After the band's formation and a period of rapid line-up fluctuation as four demos were recorded, Cradle of Filth signed to Cacophonous and released The Principle of Evil Made Flesh in 1994. After further member changes, the band released Dusk and Her Embrace, a critically acclaimed album that greatly expanded the band's fanbase throughout Europe and among black metal fans elsewhere. As the band became known for increasingly theatrical stage shows, Cruelty and the Beast was released to even greater acclaim, though sales were poor. The following year the band continued primarily on the touring route but did put out a DVD, PanDaemonAeon, and an accompanying EP, From the Cradle to Enslave, featuring the music from the production. One of the best-known and favourite songs the band has ever produced was the title track of the EP, "From the Cradle to Enslave."

Cradle produced their fourth full-length studio album the following year: Midian, named after the biblical city of monsters, was fittingly released on Hallowe'en night, October 31, 2000. Their style at this point was probably their most defined, with Paul Allender joining the lineup on guitars, but their music was by no means mainstream, with titles such as "Lord Abortion," and yet another cult favourite, "Her Ghost in the Fog," which was featured in the soundtrack of the movie Ginger Snaps. Their music at this point was hard, but highly melodic and as usual, incredibly verbose and eloquent.

Following the moderate success of Midian they released a "transition mini-album," as lead singer and frontman Dani Filth later referred to it, Bitter Suites to Succubi. Besides the obvious pun, the album was a mixture of four new songs, re-recordings of three songs from The Principle of Evil Made Flesh, two instrumental tracks, and a cover of The Sisters of Mercy's "No Time To Cry." Though stylistically it is similar to Midian the album is regarded as a failure by most critics.

More line-up shifts followed. In 2003 they signed with Sony Music, and produced their fifth full-length studio album, 2003's Damnation and a Day, which was much less melodic black metal than symphonic metal with black undertones, or what is referred to as black symphonic metal. Though it disappointed some fans, this concept album, showing the events of the bible through the eyes of the devil, featured a 40 piece orchestra and 32 piece choir, and even more complex songs, both stylistically and lyrically. It also produced at least two videos on MTV2 - videos and MTV2 appearances being a rarity for Cradle of Filth.

Some claim that the band is no longer playing "true" black metal music. Whilst this is for the most part true, they still have black metal undertones in their music, and after leaving Sony near the beginning of 2004, claim their most recent album Nymphetamine (released summer 2004) as their return to actual black metal. Dani Filth says that it is half-way between Cruelty and the Beast and Dusk and Her Embrace.

Interestingly, it has been in hot debate since near the time Cradle of Filth became popular as to if they are true "black metal" or not. Comparing Cradle to most Norwegian black metal, they are completely different; this has led to them being deemed "melodic black metal," and generally the Norwegian black metal community shuns them as well as bands such as Dimmu Borgir that were brought into popularity following the pseudo-mainstream success of Cradle. Regardless of how "pure" their black metal sound is, most fans disregard the whole debate, as does Dani Filth. In his words, when asked to describe what kind of metal he thinks Cradle of Filth is, "Cradle of Filth is Cradle of Filth." Drummer Adrian Erlandsson describes Cradle of Filth as "Extreme Metal" and also disregards Cradle of Filth falling into the category of black metal due to the fact they sound nothing like bands such as Darkthrone, Immortal, Bathory, etc.

Trivia

  • Dani Filth's real name is Daniel Lloyd Davey. He has a long-time girlfriend (Toni) and a daughter (Luna), as well as three cats. His favourite band is The Misfits.
  • Sarah Jezebel Deva, though she has been with the band since the start, has never been considered a band member.
  • One highlight of their career include a show during which a man jumped on stage with an eight-inch carving knife, intending to stab Dani (spoke of briefly on the Nawrdwar interview).
  • The torture room in From the Cradle to Enslave music video is a homage to Terry Gilliam's movie Brazil.

Band members

Current band members

  • Dani Filth (Daniel Lloyd Davey) - Vocals - (1991-)
  • Sarah Jezebel Deva - Female Backing Vocals - (1991-)
  • Adrian Erlandsson - Drums - (2000-) (ex-At the Gates, ex-The Haunted, Terror)
  • Paul Allender - Guitars - (1991-1996, 2000-) (The Blood Divine)
  • Martin Powell - Keyboards - (2000-) (ex-My Dying Bride, ex-Anathema, ex-Cryptal Darkness)
  • Dave Pybus - Bass - (2002-2005) (ex-Anathema, Dreambreed)
  • James McKillboy - Guitars - (2004-)

Former band members

  • Gian Pyres - Guitars
  • Brian Hipp - Guitars
  • Stuart Anstis - Guitars (1996-2000)
  • Paul Ryan - Guitars
  • Darren White - Drums
  • Was Sarginson - Drums
  • Nicholas Howard Barker - Drums
  • John Richard - Bass
  • Robin Eaglestone - Bass
  • Benjamin Ryan - Keyboards
  • Les "Lecter" Smith - Keyboards
  • Damien Gregori - Keyboards
  • Dave Hirschheimer-Drums
  • Jared Demeter-Guitars
  • Jeff Acres-Guitars
  • Mark Newby-Robson-Keyboards

Discography

Studio releases

  • The Principle of Evil Made Flesh - (1994)
  • V Empire or Dark Fairytales in Phallustein (EP) - (1996)
  • Dusk and Her Embrace - (1996)
  • Cruelty and the Beast - (1998)
  • From the Cradle to Enslave (EP) - (1999)
  • Midian - (2000)
  • Damnation and a Day - (2003)
  • Nymphetamine - (2004)

Live and other releases

  • A Pungent And Sexual Miasma (split with Malediction) - (1992)
  • Invoking the Unclean (Demo) - (1992)
  • Orgiastic Pleasures (Demo) - (1992)
  • The Black Goddess Rises (Demo) - (1992)
  • Total Fucking Darkness (Demo) - (1993)
  • Sodomizing The Virgin Vamps (Total Fucking Darkness demo + live tracks) - (1997)
  • PanDaemonAeon (VHS/DVD) - (1998)
  • RareDaemonAeon (Compilation/Covers) - (2001)
  • Bitter Suites To Succubi (compilation) - (2001)
  • Lovecraft & Witch Hearts (Compilation) - (2002)
  • Heavy Left Handed & Candid (VHS/DVD) - (2002)
  • Live Bait For The Dead (Live) - (2002)
  • Babylon AD (So Glad For The Madness) (DVD) - (2003)
  • Mannequin (DVD) - (2003)
  • Nymphetamine Special Edition-(2005))

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Regardless of how "pure" their black metal sound is, most fans disregard the whole debate, as does Dani Filth. In his words, when asked to describe what kind of metal he thinks Cradle of Filth is, "Cradle of Filth is Cradle of Filth." Drummer Adrian Erlandsson describes Cradle of Filth as "Extreme Metal" and also disregards Cradle of Filth falling into the category of black metal due to the fact they sound nothing like bands such as Darkthrone, Immortal, Bathory, etc. 1997 Stranded. Comparing Cradle to most Norwegian black metal, they are completely different; this has led to them being deemed "melodic black metal," and generally the Norwegian black metal community shuns them as well as bands such as Dimmu Borgir that were brought into popularity following the pseudo-mainstream success of Cradle. 1998 Stranded (In Dub). Interestingly, it has been in hot debate since near the time Cradle of Filth became popular as to if they are true "black metal" or not. 1998 Future of the Future (Stay Gold) [Australia]. Dani Filth says that it is half-way between Cruelty and the Beast and Dusk and Her Embrace. 1998 Future of the Future (Stay Gold) [US].

Whilst this is for the most part true, they still have black metal undertones in their music, and after leaving Sony near the beginning of 2004, claim their most recent album Nymphetamine (released summer 2004) as their return to actual black metal. 1998 Future of the Future (Stay Gold) [UK]. Some claim that the band is no longer playing "true" black metal music. 1999 Summer's Over. It also produced at least two videos on MTV2 - videos and MTV2 appearances being a rarity for Cradle of Filth. 1999 Mohammad Is Jesus. Though it disappointed some fans, this concept album, showing the events of the bible through the eyes of the devil, featured a 40 piece orchestra and 32 piece choir, and even more complex songs, both stylistically and lyrically. 2003 Global Underground: Toronto [12" Single].

In 2003 they signed with Sony Music, and produced their fifth full-length studio album, 2003's Damnation and a Day, which was much less melodic black metal than symphonic metal with black undertones, or what is referred to as black symphonic metal. 2004 Flashdance. More line-up shifts followed.
Single/EP. Besides the obvious pun, the album was a mixture of four new songs, re-recordings of three songs from The Principle of Evil Made Flesh, two instrumental tracks, and a cover of The Sisters of Mercy's "No Time To Cry." Though stylistically it is similar to Midian the album is regarded as a failure by most critics. 1998 Junk Science [Japan]. Following the moderate success of Midian they released a "transition mini-album," as lead singer and frontman Dani Filth later referred to it, Bitter Suites to Succubi. 1999 Junk Science [Bonus Tracks].

Their music at this point was hard, but highly melodic and as usual, incredibly verbose and eloquent.
Box Set/Compilation. Their style at this point was probably their most defined, with Paul Allender joining the lineup on guitars, but their music was by no means mainstream, with titles such as "Lord Abortion," and yet another cult favourite, "Her Ghost in the Fog," which was featured in the soundtrack of the movie Ginger Snaps. 1995 Penetrate Deeper. Cradle produced their fourth full-length studio album the following year: Midian, named after the biblical city of monsters, was fittingly released on Hallowe'en night, October 31, 2000. 3. One of the best-known and favourite songs the band has ever produced was the title track of the EP, "From the Cradle to Enslave.". 1996 DJ's Take Control, Vol.

The following year the band continued primarily on the touring route but did put out a DVD, PanDaemonAeon, and an accompanying EP, From the Cradle to Enslave, featuring the music from the production. 1997 Cream Separates. As the band became known for increasingly theatrical stage shows, Cruelty and the Beast was released to even greater acclaim, though sales were poor. 1998 Junk Science. After further member changes, the band released Dusk and Her Embrace, a critically acclaimed album that greatly expanded the band's fanbase throughout Europe and among black metal fans elsewhere. 1999 Yoshiesque [UK]. After the band's formation and a period of rapid line-up fluctuation as four demos were recorded, Cradle of Filth signed to Cacophonous and released The Principle of Evil Made Flesh in 1994. 1999 Yoshiesque.

The set list is as follows (length: ):. 2000 Renaissance Ibiza. It began just after Hallowe'en (October 31, 2004). 2001 Global Underground: Moscow. Cradle of Filth's current tour is entitled "Swansong for a Nation" (US/Canada for November-December 2004). 2. A common theme to the lyrics, music videos or album cover illustrations is moral decadence, often placed in the baroque era. Cradle of Filth succeed in combining the aforementioned arts of "higher" quality to a "lower" level such as splatter movie esthetics or banal, rude use of vocabulary. 2001 Yoshiesque, Vol.

The lyrics have certainly been influenced by the works of Marquis de Sade and they are - albeit vulgar - of a high level, considering either the use of vocabulary or expressive or poetic qualities, especially for a heavy metal band. 2003 Global Underground: Toronto: Sharam [Afterclub Mix]. A noteworthy feature of their music is the use of vocals as a rhythmical instrument, akin to rap music (although sounding very different): timing of syllables and usage of rhymes convey rhythm rather than melody. 2003 Global Underground: Toronto: Dubfire [Afterclub Mix]. Characteristics of the works of Cradle of Filth include complex (and long!) song structures and orchestrations. 2003 Global Underground: Toronto [Box Set]. Thus some black metal fans deem them "sell outs", while hardcore fans remain. 2003 Global Underground: Toronto.

Most black metal fans criticise the group as coverage by Kerrang and MTV have brought them a much more mainstream and commercial image. 3. Their music has often touched on gothic metal overtones, and has been both ridiculed and praised by critics. 2003 Yoshiesque, Vol. The group has progressed from a rawer, more traditional black metal sound to a fully orchestrated symphonic metal feel.
Albums. Cradle of Filth, formed in 1991, is a conglomeration of black metal and gothic metal, although their music has been somewhat difficult to classify. 2000 Renaissance Ibiza.

Nymphetamine Special Edition-(2005)). 2. Mannequin (DVD) - (2003). 2001 Yoshiesque, Vol. Babylon AD (So Glad For The Madness) (DVD) - (2003). 1998 Junk Science. Live Bait For The Dead (Live) - (2002). 2004 Flashdance.

Heavy Left Handed & Candid (VHS/DVD) - (2002). Most Popular albums. Lovecraft & Witch Hearts (Compilation) - (2002).
. Bitter Suites To Succubi (compilation) - (2001).
. RareDaemonAeon (Compilation/Covers) - (2001). And for those of us who are chomping at the bit for some more original Deep Dish material, rest assured because it's on its way.

PanDaemonAeon (VHS/DVD) - (1998). Currently locked away in their DC studio, the in-demand duo are putting the finishing touches to a Madonnaremix. Sodomizing The Virgin Vamps (Total Fucking Darkness demo + live tracks) - (1997). You can also find them causing dance floor euphoria in Ibiza this year as they sign on for a Renaissance residency for the summer. Total Fucking Darkness (Demo) - (1993). Their residencies continue at Twilo in NYC, Renaissance in Nottingham UK, 1015 in San Francisco and The End in London. The Black Goddess Rises (Demo) - (1992). Somehow Ali and Sharam still manage to find the time to jet around the world with their record boxes stuffed full of priceless pieces of plastic.

Orgiastic Pleasures (Demo) - (1992). Keep your eyes peeled for more releases from Brother Brown - whose "Under The Water" was a standout tune on the first "Yoshiesque". Invoking the Unclean (Demo) - (1992). Yoshitoshi continues to drop superior quality tunes on a very regular basis - recent successes include: Eddie Amador's "Rise", "Bases Loaded" by 2 Smokin' Barrels (actually San Francisco's Tony Hewitt and London's Terry Francis), Luzon's "The Baguio Track" and a debut release from Oliver Lieb's Smoked titled "Metropolis". A Pungent And Sexual Miasma (split with Malediction) - (1992). Keeping it diverse keeps us excited and we're there dancing right along with the people on the dance floor." The pair were recently holed up in their studio working on a new Renaissance mix which will be followed by another "Yoshiesque"' compilation later in the year. Nymphetamine - (2004). Says Ali:"We like playing tracks that people may not have heard before, styles that they may not think they're into.

Damnation and a Day - (2003). Deep Dish know that good music is good music and - like Tenaglia before them - they have no snobbery when it comes to making people dance. Midian - (2000). Refreshingly diverse and reassuringly unique, Deep Dish continue to fly in the face of the purists who believe in the one-sound-suits-all theory of DJing. From the Cradle to Enslave (EP) - (1999). A melting pot of styles and genres, "Yoshiesque"' manages to capture the classy groove of the perfect Deep Dish set. Cruelty and the Beast - (1998). Infusing their trademark eclectic sound with down-tempo, hard techno, trance, house and drum & bass, the album is a lovingly constructed dance floor experience.

Dusk and Her Embrace - (1996). Deep, dark and delicious, "Yoshiesque" is a perfect example of what to expect should you be lucky enough to attend one of the Deep Dish DJ residencies around the globe. V Empire or Dark Fairytales in Phallustein (EP) - (1996). "Yoshiesque" is partly a retrospective look at the label's releases to date and partly an example of the Deep Dish clubbing experience. The Principle of Evil Made Flesh - (1994). With the release last year of their "Yoshiesque" compilation - a stunning mix of deep house, garage, tech house and techno - Deep Dish continue to readjust and re-tweak the parameters of contemporary dance music whilst never losing sight of the dance floor. Mark Newby-Robson-Keyboards. Yoshitoshi has provided a welcome outlet for the likes of Brother Brown, Morel, Miguel Migs, Kings Of Tomorrow, YMC, Chiapet and Eddie Amador.

Jeff Acres-Guitars. With a roster building into one of the finest in the country, Yoshitoshi is firmly established as supplier of some of the best beats from around the world. Jared Demeter-Guitars. A labor that has paid enormous dividends; only a few years since its inception and Yoshitoshi is a breeding ground for talent, giving a home to artists who otherwise may never be heard by the club-going masses. Dave Hirschheimer-Drums. However, licensing tracks from smaller labels around the world, as well as finding new artists from demo tapes and bringing their projects to fruition, has been a labor of love for the duo in recent years. Damien Gregori - Keyboards. Set up as a subsidiary of the larger Deep Dish label, Yoshitoshi was initially intended as a side-project, which would enable them to release their friends' recordings.

Les "Lecter" Smith - Keyboards. Enthused and invigorated by what they'd been hearing on these DJing excursions abroad, they had already founded the Yoshitoshi imprint in 1994. Benjamin Ryan - Keyboards. They've spent their time since "Junk Science" on a number of high profile projects, not least their own Djing events and residencies around the globe. Robin Eaglestone - Bass. In 2000 Ali and Sharam could quite easily claim to be the most industrious men in dance music. John Richard - Bass. "Stranded" became a worldwide dance floor hit and "The Future Of The Future (Stay Gold)" even made it onto daytime radio and flirted with Europe's pop charts.

Nicholas Howard Barker - Drums. It was in 1996 that they first began to lay down tracks for "Junk Science" the album which would turn them, almost overnight, into dance music superstars. Was Sarginson - Drums. By 1995, and with an anthemic remix of De'Lacy's "Hideaway"' under their belt, the pair were riding on the crest of a deep house wave which was all set to make a huge splash across Europe. Following remixes for the likes of Carl Craig and collaborations with old school friend Brian "BT" Transeau, the name Deep Dish became synonymous with the flourishing deep house scene. Darren White - Drums. By 1992 their production and DJing skills had already attracted the attention of Tribal records (for whom they appeared on the "Penetrate Deeper" compilation) and their DJ hero Danny Tenaglia. Paul Ryan - Guitars. It was a 1991 chance meeting at a party where they were both on deck duty that led the duo to set up Deep Dish records.

Stuart Anstis - Guitars (1996-2000). Ever prolific, the pair now spend their valuable time as producers, remixers, DJs and recording artists, as well as finding time to run two record labels. Brian Hipp - Guitars. As the offers came pouring in, Ali and Sharam took great care to select choice projects, which reflected their taste for diversity and experimentation. Gian Pyres - Guitars. In the ensuing post-Junk media fall-out Deep Dish's Midas touch continued with a spate of classic remixes - including Brother Brown, Gabrielle, Amber, Morel and Beth Orton - and Ali "Dubfire" Shirazinia and Sharam Tayebi immediately became two of the most sought-after producers/remixers/DJs in the world. James McKillboy - Guitars - (2004-). The impact it had was instantly obvious, and Deep Dish's success at making records that sound as good on the radio or home stereo as they do on the dance floor has led many artists to follow them down the road of deeper musical innovation.

Dave Pybus - Bass - (2002-2005) (ex-Anathema, Dreambreed). Although Deep Dish sprang from the flourishing deep house scene, with "Junk Science"' they managed to transcend genres, finding favor with music lovers of every like. Martin Powell - Keyboards - (2000-) (ex-My Dying Bride, ex-Anathema, ex-Cryptal Darkness). Ingenious and bold, "Junk Science" was the surprise Album Of The Year. Paul Allender - Guitars - (1991-1996, 2000-) (The Blood Divine). Helped along by the success of shimmeringly sublime singles like" The Future Of The Future (Stay Gold)"' (vocals courtesy of the lovely Tracey Thorn) and "Stranded", the album - a blistering mix of deep lush house, Chicago techno, jazz-tinged soul, soaring strings and moody atmospherics - was so diverse and unexpected that reviewers and record buyers alike were left gasping. Adrian Erlandsson - Drums - (2000-) (ex-At the Gates, ex-The Haunted, Terror). The ground breaking 1998 album saw music critics in virtual meltdown while they struggled for superlatives.

Sarah Jezebel Deva - Female Backing Vocals - (1991-). Indisputably, it was "Junk Science"' that brought Washington D.C.'s Deep Dish into the glare of the world's spotlight. Dani Filth (Daniel Lloyd Davey) - Vocals - (1991-).
Name: Ali Dubfire Shirazinia and Sharam From: Iran. The torture room in From the Cradle to Enslave music video is a homage to Terry Gilliam's movie Brazil.
. One highlight of their career include a show during which a man jumped on stage with an eight-inch carving knife, intending to stab Dani (spoke of briefly on the Nawrdwar interview). They also own the store "Yoshi Toshi" in the Georgetown area of D.C.; it sells dance music records and high-fashion clothing.

Sarah Jezebel Deva, though she has been with the band since the start, has never been considered a band member. Deep Dish have appeared as the featured artist on the BBC Radio 1 Essential Mix on several occasions, most recently in 2004 when their set from Creamfields, Liverpool, England was broadcast live on the show on the 29th of August. His favourite band is The Misfits. Deep Dish have also collaborated with Danny Howells to remix the Eminem track Without Me. He has a long-time girlfriend (Toni) and a daughter (Luna), as well as three cats. More recently, Deep Dish have remixed tracks by artists such as Dido (Thank You and Stoned) and the collaboration between Timo Maas and Kelis (Help Me). Dani Filth's real name is Daniel Lloyd Davey. This track appeared on Deep Dish's artist album, Junk Science, which was released in 1998.

From the Cradle to Enslave. Earlier collaborations include The Future of the Future (Stay Gold) with British group Everything But the Girl. Cruelty Brought Three Orchids. They often collaborate with DC artist Richard Morel and made a dance hit with his song True (the Faggot is You). The Promise of Fever. Based in Washington, DC they are well known for providing house or dance remixes of tracks by very famous stars like Madonna, Cher and Gabrielle, and also for DJing live at clubs. The Forest Whispers my Name. Deep Dish is a dance music duo consisting of Iranian-American members Ali "Dubfire" Shirazinia and Sharam Tayebi.

Nymphetamine. Her Ghost in the Fog. Funeral in Carpathia. Mannequin.

Tortured Soul Asylum. The Principle of Evil Made Flesh. Nemesis. Gilded Cunt.

Satyriasis (Intro). Time: 1991-. Status: Active. Country: Britain.

Genre: symphonic black metal, gothic metal, Vampyric Metal, extreme metal.

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