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Cradle of Filth

(left to right) Adrian Erlandsson, Dave Pybus, Dani Filth, Martin Powell, Paul Allender. Not pictured: James McKillboy.

Cradle of Filth, formed in 1991, is a conglomeration of black metal and gothic metal, although their music has been somewhat difficult to classify. The group has progressed from a rawer, more traditional black metal sound to a fully orchestrated symphonic metal feel. Their music has often touched on gothic metal overtones, and has been both ridiculed and praised by critics. Most black metal fans criticise the group as coverage by Kerrang and MTV have brought them a much more mainstream and commercial image. Thus some black metal fans deem them "sell outs", while hardcore fans remain.

Basic info

  • Genre: symphonic black metal, gothic metal, Vampyric Metal, extreme metal
  • Country: Britain
  • Status: Active
  • Time: 1991-

Characteristics of the works of Cradle of Filth include complex (and long!) song structures and orchestrations. A noteworthy feature of their music is the use of vocals as a rhythmical instrument, akin to rap music (although sounding very different): timing of syllables and usage of rhymes convey rhythm rather than melody. The lyrics have certainly been influenced by the works of Marquis de Sade and they are - albeit vulgar - of a high level, considering either the use of vocabulary or expressive or poetic qualities, especially for a heavy metal band.

A common theme to the lyrics, music videos or album cover illustrations is moral decadence, often placed in the baroque era. Cradle of Filth succeed in combining the aforementioned arts of "higher" quality to a "lower" level such as splatter movie esthetics or banal, rude use of vocabulary.

Current Tour

Cradle of Filth's current tour is entitled "Swansong for a Nation" (US/Canada for November-December 2004). It began just after Hallowe'en (October 31, 2004). The set list is as follows (length: ):

  1. Satyriasis (Intro)
  2. Gilded Cunt
  3. Nemesis
  4. The Principle of Evil Made Flesh
  5. Tortured Soul Asylum
  6. Mannequin
  7. Funeral in Carpathia
  8. Her Ghost in the Fog
  9. Nymphetamine
  10. The Forest Whispers my Name
  11. The Promise of Fever
  12. Cruelty Brought Three Orchids
  13. From the Cradle to Enslave

Biography

After the band's formation and a period of rapid line-up fluctuation as four demos were recorded, Cradle of Filth signed to Cacophonous and released The Principle of Evil Made Flesh in 1994. After further member changes, the band released Dusk and Her Embrace, a critically acclaimed album that greatly expanded the band's fanbase throughout Europe and among black metal fans elsewhere. As the band became known for increasingly theatrical stage shows, Cruelty and the Beast was released to even greater acclaim, though sales were poor. The following year the band continued primarily on the touring route but did put out a DVD, PanDaemonAeon, and an accompanying EP, From the Cradle to Enslave, featuring the music from the production. One of the best-known and favourite songs the band has ever produced was the title track of the EP, "From the Cradle to Enslave."

Cradle produced their fourth full-length studio album the following year: Midian, named after the biblical city of monsters, was fittingly released on Hallowe'en night, October 31, 2000. Their style at this point was probably their most defined, with Paul Allender joining the lineup on guitars, but their music was by no means mainstream, with titles such as "Lord Abortion," and yet another cult favourite, "Her Ghost in the Fog," which was featured in the soundtrack of the movie Ginger Snaps. Their music at this point was hard, but highly melodic and as usual, incredibly verbose and eloquent.

Following the moderate success of Midian they released a "transition mini-album," as lead singer and frontman Dani Filth later referred to it, Bitter Suites to Succubi. Besides the obvious pun, the album was a mixture of four new songs, re-recordings of three songs from The Principle of Evil Made Flesh, two instrumental tracks, and a cover of The Sisters of Mercy's "No Time To Cry." Though stylistically it is similar to Midian the album is regarded as a failure by most critics.

More line-up shifts followed. In 2003 they signed with Sony Music, and produced their fifth full-length studio album, 2003's Damnation and a Day, which was much less melodic black metal than symphonic metal with black undertones, or what is referred to as black symphonic metal. Though it disappointed some fans, this concept album, showing the events of the bible through the eyes of the devil, featured a 40 piece orchestra and 32 piece choir, and even more complex songs, both stylistically and lyrically. It also produced at least two videos on MTV2 - videos and MTV2 appearances being a rarity for Cradle of Filth.

Some claim that the band is no longer playing "true" black metal music. Whilst this is for the most part true, they still have black metal undertones in their music, and after leaving Sony near the beginning of 2004, claim their most recent album Nymphetamine (released summer 2004) as their return to actual black metal. Dani Filth says that it is half-way between Cruelty and the Beast and Dusk and Her Embrace.

Interestingly, it has been in hot debate since near the time Cradle of Filth became popular as to if they are true "black metal" or not. Comparing Cradle to most Norwegian black metal, they are completely different; this has led to them being deemed "melodic black metal," and generally the Norwegian black metal community shuns them as well as bands such as Dimmu Borgir that were brought into popularity following the pseudo-mainstream success of Cradle. Regardless of how "pure" their black metal sound is, most fans disregard the whole debate, as does Dani Filth. In his words, when asked to describe what kind of metal he thinks Cradle of Filth is, "Cradle of Filth is Cradle of Filth." Drummer Adrian Erlandsson describes Cradle of Filth as "Extreme Metal" and also disregards Cradle of Filth falling into the category of black metal due to the fact they sound nothing like bands such as Darkthrone, Immortal, Bathory, etc.

Trivia

  • Dani Filth's real name is Daniel Lloyd Davey. He has a long-time girlfriend (Toni) and a daughter (Luna), as well as three cats. His favourite band is The Misfits.
  • Sarah Jezebel Deva, though she has been with the band since the start, has never been considered a band member.
  • One highlight of their career include a show during which a man jumped on stage with an eight-inch carving knife, intending to stab Dani (spoke of briefly on the Nawrdwar interview).
  • The torture room in From the Cradle to Enslave music video is a homage to Terry Gilliam's movie Brazil.

Band members

Current band members

  • Dani Filth (Daniel Lloyd Davey) - Vocals - (1991-)
  • Sarah Jezebel Deva - Female Backing Vocals - (1991-)
  • Adrian Erlandsson - Drums - (2000-) (ex-At the Gates, ex-The Haunted, Terror)
  • Paul Allender - Guitars - (1991-1996, 2000-) (The Blood Divine)
  • Martin Powell - Keyboards - (2000-) (ex-My Dying Bride, ex-Anathema, ex-Cryptal Darkness)
  • Dave Pybus - Bass - (2002-2005) (ex-Anathema, Dreambreed)
  • James McKillboy - Guitars - (2004-)

Former band members

  • Gian Pyres - Guitars
  • Brian Hipp - Guitars
  • Stuart Anstis - Guitars (1996-2000)
  • Paul Ryan - Guitars
  • Darren White - Drums
  • Was Sarginson - Drums
  • Nicholas Howard Barker - Drums
  • John Richard - Bass
  • Robin Eaglestone - Bass
  • Benjamin Ryan - Keyboards
  • Les "Lecter" Smith - Keyboards
  • Damien Gregori - Keyboards
  • Dave Hirschheimer-Drums
  • Jared Demeter-Guitars
  • Jeff Acres-Guitars
  • Mark Newby-Robson-Keyboards

Discography

Studio releases

  • The Principle of Evil Made Flesh - (1994)
  • V Empire or Dark Fairytales in Phallustein (EP) - (1996)
  • Dusk and Her Embrace - (1996)
  • Cruelty and the Beast - (1998)
  • From the Cradle to Enslave (EP) - (1999)
  • Midian - (2000)
  • Damnation and a Day - (2003)
  • Nymphetamine - (2004)

Live and other releases

  • A Pungent And Sexual Miasma (split with Malediction) - (1992)
  • Invoking the Unclean (Demo) - (1992)
  • Orgiastic Pleasures (Demo) - (1992)
  • The Black Goddess Rises (Demo) - (1992)
  • Total Fucking Darkness (Demo) - (1993)
  • Sodomizing The Virgin Vamps (Total Fucking Darkness demo + live tracks) - (1997)
  • PanDaemonAeon (VHS/DVD) - (1998)
  • RareDaemonAeon (Compilation/Covers) - (2001)
  • Bitter Suites To Succubi (compilation) - (2001)
  • Lovecraft & Witch Hearts (Compilation) - (2002)
  • Heavy Left Handed & Candid (VHS/DVD) - (2002)
  • Live Bait For The Dead (Live) - (2002)
  • Babylon AD (So Glad For The Madness) (DVD) - (2003)
  • Mannequin (DVD) - (2003)
  • Nymphetamine Special Edition-(2005))

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Regardless of how "pure" their black metal sound is, most fans disregard the whole debate, as does Dani Filth. In his words, when asked to describe what kind of metal he thinks Cradle of Filth is, "Cradle of Filth is Cradle of Filth." Drummer Adrian Erlandsson describes Cradle of Filth as "Extreme Metal" and also disregards Cradle of Filth falling into the category of black metal due to the fact they sound nothing like bands such as Darkthrone, Immortal, Bathory, etc. In 2001, the French government honored her memory with her image on a postage stamp. Comparing Cradle to most Norwegian black metal, they are completely different; this has led to them being deemed "melodic black metal," and generally the Norwegian black metal community shuns them as well as bands such as Dimmu Borgir that were brought into popularity following the pseudo-mainstream success of Cradle. In 1997, the angle of the rues Girardon and Abreuvoir in the Butte Montmartre in Paris was inaugurated as "Place Dalida" and is where a life-size bust was erected to her memory. Interestingly, it has been in hot debate since near the time Cradle of Filth became popular as to if they are true "black metal" or not. Dalida is buried in the Cimetière de Montmartre, Paris, her gilded life-size statue one of the most outstanding of the many sculpted works in the famous cemetery. Dani Filth says that it is half-way between Cruelty and the Beast and Dusk and Her Embrace. forgive me.".

Whilst this is for the most part true, they still have black metal undertones in their music, and after leaving Sony near the beginning of 2004, claim their most recent album Nymphetamine (released summer 2004) as their return to actual black metal. On May 3, 1987 she died as a result of an overdose of sleeping pills leaving behind a suicide note that said: "Life has become unbearable .. Some claim that the band is no longer playing "true" black metal music. She recovered from these tragedies and continued to perform but by her own accounts, life had little meaning and she spent years searching for personal fulfillment, including traveling to Nepal to study the Hindu religion. It also produced at least two videos on MTV2 - videos and MTV2 appearances being a rarity for Cradle of Filth. She was living with the flamboyant and less than reputable, Richard Chanfray (referred to as the Comte de St Germain) when he took his own life in July 1983. Though it disappointed some fans, this concept album, showing the events of the bible through the eyes of the devil, featured a 40 piece orchestra and 32 piece choir, and even more complex songs, both stylistically and lyrically. In 1967 her new lover, the Italian singer, Luigi Tenco also took his own life and Dalida too attempted suicide.

In 2003 they signed with Sony Music, and produced their fifth full-length studio album, 2003's Damnation and a Day, which was much less melodic black metal than symphonic metal with black undertones, or what is referred to as black symphonic metal. A few years later, her still distraught ex-husband died of a self-inflicted gunshot wound. More line-up shifts followed. In 1961 she married her mentor Lucien Morisse, but the marriage lasted only a few months when she left him for the painter Jean Sobieski (later the father of American actress Leelee Sobieski). Besides the obvious pun, the album was a mixture of four new songs, re-recordings of three songs from The Principle of Evil Made Flesh, two instrumental tracks, and a cover of The Sisters of Mercy's "No Time To Cry." Though stylistically it is similar to Midian the album is regarded as a failure by most critics. Yet, despite her fame and fortune, her personal life was difficult and filled with much drama and tragedy. Following the moderate success of Midian they released a "transition mini-album," as lead singer and frontman Dani Filth later referred to it, Bitter Suites to Succubi. During her career, Dalida recorded 500 French songs, 200 of which were translated into Italian, and 200 into other languages. She sold more than 80 million records world-wide, winning numerous awards, scoring 55 gold records.

Their music at this point was hard, but highly melodic and as usual, incredibly verbose and eloquent. She would go on to record in several languages, touring the globe including sold-out performances at Carnegie Hall in New York City. Their style at this point was probably their most defined, with Paul Allender joining the lineup on guitars, but their music was by no means mainstream, with titles such as "Lord Abortion," and yet another cult favourite, "Her Ghost in the Fog," which was featured in the soundtrack of the movie Ginger Snaps. In 1957, she appeared at the Paris Olympia as the opening act for Charles Aznavour and later the same year for Gilbert Bécaud. Cradle produced their fourth full-length studio album the following year: Midian, named after the biblical city of monsters, was fittingly released on Hallowe'en night, October 31, 2000. Using the stage name, "Dalida", she recorded songs, her second single titled "Bambino" brought instant fame. One of the best-known and favourite songs the band has ever produced was the title track of the EP, "From the Cradle to Enslave.". Despite her looks, her first films were less than successful, but she began performing in music halls and cabarets, singing in French, Italian and other languages.

The following year the band continued primarily on the touring route but did put out a DVD, PanDaemonAeon, and an accompanying EP, From the Cradle to Enslave, featuring the music from the production. She developed into a beautiful young lady, and in 1954 she won the Miss Egypt beauty contest and immediately left for Paris, France, to pursue a career in motion pictures. As the band became known for increasingly theatrical stage shows, Cruelty and the Beast was released to even greater acclaim, though sales were poor. Born Yolande Christina Gigliotti of Italian parents in Shoubra, a district of Cairo, Egypt, she was the child of an opera violinist and was given singing lessons at an early age. After further member changes, the band released Dusk and Her Embrace, a critically acclaimed album that greatly expanded the band's fanbase throughout Europe and among black metal fans elsewhere. Dalida (January 17, 1933 - May 3, 1987) was an Egyptian, FrenchItalian singer. After the band's formation and a period of rapid line-up fluctuation as four demos were recorded, Cradle of Filth signed to Cacophonous and released The Principle of Evil Made Flesh in 1994. 2001 Révolution 5° Du Nom (remix album).

The set list is as follows (length: ):. 1998 Le Rêve Oriental (remix album). It began just after Hallowe'en (October 31, 2004). 1997 L'An 2005 (remix album). Cradle of Filth's current tour is entitled "Swansong for a Nation" (US/Canada for November-December 2004). 1997 Olympia 1959 (live inedit). A common theme to the lyrics, music videos or album cover illustrations is moral decadence, often placed in the baroque era. Cradle of Filth succeed in combining the aforementioned arts of "higher" quality to a "lower" level such as splatter movie esthetics or banal, rude use of vocabulary. 1996 À Ma Manière (remix album).

The lyrics have certainly been influenced by the works of Marquis de Sade and they are - albeit vulgar - of a high level, considering either the use of vocabulary or expressive or poetic qualities, especially for a heavy metal band. (remix album). A noteworthy feature of their music is the use of vocals as a rhythmical instrument, akin to rap music (although sounding very different): timing of syllables and usage of rhymes convey rhythm rather than melody. 1995 Comme Si J'Étais Là.. Characteristics of the works of Cradle of Filth include complex (and long!) song structures and orchestrations. 1987 Tigani Bi Arab (realised in Egypt). Thus some black metal fans deem them "sell outs", while hardcore fans remain. 1986 Le Visage De L'Amour.

Most black metal fans criticise the group as coverage by Kerrang and MTV have brought them a much more mainstream and commercial image. 1984 Dali. Their music has often touched on gothic metal overtones, and has been both ridiculed and praised by critics. 1983 Les P'Tits Mots. The group has progressed from a rawer, more traditional black metal sound to a fully orchestrated symphonic metal feel. 1982 Mondialement Vôtre. Cradle of Filth, formed in 1991, is a conglomeration of black metal and gothic metal, although their music has been somewhat difficult to classify. 1982 Spécial Dalida.

Nymphetamine Special Edition-(2005)). 1981 Olympia 81 (live). Mannequin (DVD) - (2003). 1980 Le Spectacle Du Palais Des Sports 1980 (live). Babylon AD (So Glad For The Madness) (DVD) - (2003). 1980 Gigi In Paradisco. Live Bait For The Dead (Live) - (2002). 1979 Dédié À Toi (Monday Tuesday).

Heavy Left Handed & Candid (VHS/DVD) - (2002). 1978 Génération 78 / Voilà Pourquoi Je Chante / Ça Me Fait Rêver. Lovecraft & Witch Hearts (Compilation) - (2002). 1977 Salma Ya Salama. Bitter Suites To Succubi (compilation) - (2001). 1977 Pour Toujours : Bande Originale (soundtrack). RareDaemonAeon (Compilation/Covers) - (2001). 1977 Olympia 77 (live).

PanDaemonAeon (VHS/DVD) - (1998). 1977 Femme Est La Nuit. Sodomizing The Virgin Vamps (Total Fucking Darkness demo + live tracks) - (1997). 1976 Coup De Chapeau Au Passé. Total Fucking Darkness (Demo) - (1993). 1975 J'Attendrai. The Black Goddess Rises (Demo) - (1992). 1975 Sempre piu' (realised in Italy).

Orgiastic Pleasures (Demo) - (1992). 1974 Manuel. Invoking the Unclean (Demo) - (1992). 1974 Olympia 74 (live). A Pungent And Sexual Miasma (split with Malediction) - (1992). 1973 Julien. Nymphetamine - (2004). 1973 Sings In Italian For You (realised in Italy).

Damnation and a Day - (2003). 1972 Il Faut Du Temps. Midian - (2000). 1972 Olympia 71 (live). From the Cradle to Enslave (EP) - (1999). 1971 Une Vie. Cruelty and the Beast - (1998). 1970 Ils Ont Changé Ma Chanson.

Dusk and Her Embrace - (1996). 1969 Ma Mère Me Disait. V Empire or Dark Fairytales in Phallustein (EP) - (1996). 1969 Canta In Italiano (realised in Italy). The Principle of Evil Made Flesh - (1994). 1968 Le Temps Des Fleurs. Mark Newby-Robson-Keyboards. 1968 Un Po' D'Amore (realised in Italy).

Jeff Acres-Guitars. 1967 Ciao Amore, Ciao (realised in Italy). Jared Demeter-Guitars. 1967 Olympia 67 (studio). Dave Hirschheimer-Drums. 1966 Pensiamoci Ogni Sera (realised in Italy). Damien Gregori - Keyboards. 1965 Il Silenzio (Bonsoir Mon Amour).

Les "Lecter" Smith - Keyboards. 1964 Amore Scusami. Benjamin Ryan - Keyboards. 1963 Eux. Robin Eaglestone - Bass. 1962 Le Petit Gonzalès. John Richard - Bass. 1961 Milord (realised in Italy).

Nicholas Howard Barker - Drums. 1961 Loin De Moi. Was Sarginson - Drums. 1961 Garde-Moi La Dernière Danse. Darren White - Drums. 1960 Les Enfants Du Pirée. Paul Ryan - Guitars. 1959 Love In Portofino.

Stuart Anstis - Guitars (1996-2000). 1959 Le Disque D'Or De Dalida. Brian Hipp - Guitars. 1958 Les Gitans. Gian Pyres - Guitars. 1958 Gondolier. James McKillboy - Guitars - (2004-). 1957 Miguel.

Dave Pybus - Bass - (2002-2005) (ex-Anathema, Dreambreed). 1957 Son Nom Est Dalida. Martin Powell - Keyboards - (2000-) (ex-My Dying Bride, ex-Anathema, ex-Cryptal Darkness). Voilà pourquoi je chante (1978). Paul Allender - Guitars - (1991-1996, 2000-) (The Blood Divine). Viva la pappa (1965). Adrian Erlandsson - Drums - (2000-) (ex-At the Gates, ex-The Haunted, Terror). Vedrai Vedrai (1979).

Sarah Jezebel Deva - Female Backing Vocals - (1991-). Vado Via (1973). Dani Filth (Daniel Lloyd Davey) - Vocals - (1991-). Une femme à quarante ans (1981). The torture room in From the Cradle to Enslave music video is a homage to Terry Gilliam's movie Brazil. Un po d'amore (1968). One highlight of their career include a show during which a man jumped on stage with an eight-inch carving knife, intending to stab Dani (spoke of briefly on the Nawrdwar interview). Tu n'as pas très bon caractère (1957).

Sarah Jezebel Deva, though she has been with the band since the start, has never been considered a band member. Tu croiras (1963). His favourite band is The Misfits. Tony (1982). He has a long-time girlfriend (Toni) and a daughter (Luna), as well as three cats. Ti Amo (Je t'aime) (1977). Dani Filth's real name is Daniel Lloyd Davey. Ta femme (1974).

From the Cradle to Enslave. T'aimer follement (1960). Cruelty Brought Three Orchids. Soleil / Mediterraneo (1984). The Promise of Fever. Si j'avais des millions (1968). The Forest Whispers my Name. Salma Ya Salama (1977).

Nymphetamine. Romantica (1960). Her Ghost in the Fog. Rio do Brasil (1980). Funeral in Carpathia. Reviens-moi (1985). Mannequin. c'était loin (1977) - with Richard Chanfrey as "St-Germain".

Tortured Soul Asylum. Remember.. The Principle of Evil Made Flesh. Que sont devenues les fleurs? (1962). Nemesis. Quand s'arrêtent les violons (1977). Gilded Cunt. Quand on n'a que l'amour (1957/1979).

Satyriasis (Intro). Quand je n'aime plus je m'en vais (1981). Time: 1991-. l'argent...) (1979). Status: Active. Problemorama (L'argent.. Country: Britain. Pour te dire je t'aime (1984).

Genre: symphonic black metal, gothic metal, Vampyric Metal, extreme metal. Pour ne pas vivre seul (1972). Petit homme (1966). Paroles... (1973) - with Alain Delon. Paroles..

Parlez-moi de lui (1966). Parle plus bas (Le Parrain) (1972). Parce que je ne t'aime plus (1986). Ô Sole Mio (1960).

Oh! Lady Mary (1969). Nostlagie (1981). Nuits d'Espagne (1961). Ne lui dis pas (1975).

Mourir sur scène (1983). Monday, Tuesday... Laissez-moi danser / Let me dance tonight (1979). Milord (1960). Mein Lieber Herr (1975).

Marjolaine (1981). Maman, la plus belle du monde (1957). Mama (1967). Ma vie je la chante (1974).

Lucas (1983). Love in Portofino (1959). Les p'tits mots (1983). Les grilles de ma maison (1967).

Les gitans (1958). Les hommes de ma vie (1986). Les enfants du Pirée (1960). Les choses de l'amour (1971).

Les anges noirs (1968). Le Vénitien de Levallois (1985). Le temps des fleurs (1968). Le temps d'aimer (1985).

Le sixième jour (1986). Le restaurant italien (1983). Le promesse d'amore (1969). Le petit Gonzalès (1962).

Le petit bonheur (1976). Le Lambeth Walk (1978). Le jour où la pluie viendra (1958/1982). Le jour le plus long (1962).

Le jour du retour (1963). Le Flamenco (1965). Lady d'Arbanville (1970). La vie en rose (1965/1976).

La Sainte Totoche (1965). La leçon de Twist (1962). La Danse de Zorba (Zorba's Dance) / La Danza di Zorba (1965/1986). La colpa e tua (1971).

La chanson du Mundial '82 (1982). L'ultimo valzer (1967). L'Innamorata (1984). L'Arlequin de Tolède / Arlecchino (1960).

L'An 2005 (1969). L'amour et moi (1981). Kalimba de Luna (1984). Jouez Bouzouki (1982).

Je suis toutes les femmes (1980). Je suis malade (1973). Je reviens te chercher (1967). Je pars (1958).

Je m'endors dans tes bras (1968). Je l'attends(1962). J'attendrai / Tornerai (1975). J'ai rêvé (1959).

Itsi bitsi petit bikini (1960). Ils ont changé ma chanson (1970). Il venait d'avoir 18 ans / 18 Anni / He must have been eighteen (1973). Il Silenzio (Bonsoir mon amour) (1965).

Il pleut sur Bruxelles (1981). Il faut danser reggae (1979). Histoire d'un amour (1957). Hene Ma Tov (1965).

Helwa Ya Baladi (1979). Hava Naguila (1958). Guitare et tambourin (1958). Gondolier (1958).

Gigi in Paradisco (1980). Gigi l'Amoroso (1974). Génération 78 (1978) - with Bruno Guillain. Gamil El Soura (1983).

Garde-moi la dernière danse (1961). Fini, la comédie (1981). Femme est la nuit (1977). Femme (1983).

Eux (1963). de l'amour (1975) - with Richard Chanfrey as "St-Germain". Et de l'amour.. Darla Dirladada (1970).

Danza (1982). Dans le bleu du ciel bleu (1958). Dan Dan Dan (1968). Ça me fait rêver (1978) - with Bruno Guillain.

Confidences sur la fréquence (1982). Concerto pour une voix (1970). Comme disait Mistinguett (1979). Come Prima (Tu me donnes) (1958).

Ciao, Ciao Bambina (1959). Ciao Amore, Ciao (1967). Chaque instant de chaque jour (1964). Chanteur des années 80 (1980).

Captain Sky (1977). C'était mon ami (1984). C'est mieux comme ça (Le Parrain 2) (1975). Buenas Noches mi Amor (1957).

Besame Mucho (Embrasse-moi) (1976). Bang Bang (1966). Bambino (1956). Avec le temps (1971).

Avant de te connaître (1970). Aranjuez la tua voce (1967). Anima Mia (1974). Amoureuse de la vie (1977).

Amore Scusami (1964). Americana (1981). Am tag als der Regen Kam (1959/1982). Aghani Aghani (1982).

À qui? (1967). À ma manière (1980). (Manuel Benitez) El Cordobes (1966). Le sixième jour / The Sixth Day - (1986) - Youssef Chahine.

Dalida pour toujours - (documentary, 1977). Comme sur des roulettes - (1977). Io to amo - (1968). Ménage à l'Italienne - (1965).

L'inconnue de Hong Kong - (1963) with Serge Gainsbourg. Parlez moi d'amour - (1960). Rapt au deuxième bureau - (1958). Brigade des moeurs - (1957).

Sigara we Kass /A glass and a cigarette - (1954). The mask of Toutankhamon - (1954). Joseph and his brothers - (1954) with Omar Sharif.

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