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Comic book

A comic book is a magazine or book containing sequential art in the form of a narrative. Comic books are often called comics for short. Although the term implies otherwise, the subject matter in comic books is not necessarily humorous, and in fact its dramatic seriousness varies widely. The term "comics" in this context does not refer to comic strips (such as Peanuts or Dilbert). In the last quarter of the 20th century, greater acceptance of the comics form among the general reading populace coincided with a greater usage of the term graphic novel, often meant to differentiate a book of comics with a spine from its stapled, pamphlet form, but the difference between the terms seems fuzzy at best as comics become more widespread in libraries, mainstream bookstores, and other places.

The earliest comic books were simply collections of comic strips that had originally been printed in newspapers. The commercial success of these collections led to work being created specifically for the comic-book form, which fostered specific conventions such as splash pages. Long-form comic books, generally with hardcover or trade-paper binding came to be known as graphic novels, but as noted above, the term's definition is especially fluid. Like jazz and a handful of other cultural artifacts, comic books are a rare indigenous American art form, [1] [2] though prototypical examples of the form exist.

American comic books have become closely associated with the superhero sub-genre. In the U.K., the term comic book is used to refer to American comic books by their readers and collectors, while the general populace would mainly consider a comic book a hardcover book collecting comics stories. The analogous term in the United Kingdom is a comic, short for comic paper or comic magazine.

The comic book in the United States of America

Since the invention of the comic book format in the 1930s, the United States has been the leading producer, with only the British comic (during the inter-war period through the 1970s) and Japanese manga as close competitors in terms of quantity of titles (although, Japan outweighs America currently in overall sales by a vast margin). The majority of all comic books in the U.S. are marketed at younger teenagers, though the market also produces work for general as well as more mature audiences.

The history of the comic book in the United States is split into several ages or historical eras: The Platinum Age, The Golden Age, The Silver Age, The Bronze Age, and The Modern Age. The exact boundaries of these eras, the terms for which originated in fandom press, is a debatable point among comic book historians. The Golden Age is generally thought as lasting from 1938's introduction of Superman until the early 1950s, during which comic books enjoyed a surge of popularity, the archetype of the superhero was invented and defined, and many of comic books' most popular superheroes debuted. The Platinum Age refers to any material produced prior to this. While comics as an artform could arguably extend as far back as sequential cave paintings from thousands of years ago, comic books are dependent on printing, and the starting point for them in book form is generally considered to be the tabloid-sized The Funnies begun in 1929, or the more traditional sized Funnies on Parade from 1933. Both of these were simply reprints of newspaper strips.

The Silver Age of Comic Books is generally considered to date from the first successful revival of the dormant superhero form — the debut of the Barry Allen Flash in Showcase #4 (Sept.-Oct. 1956) — and last through the early 1970s, during which time Marvel Comics revolutionized the medium with such naturalistic superheroes as the Fantastic Four and Spider-Man. The beginings of the Bronze and Modern ages are far more disputable. Indeed, some suggest that we are still in the Bronze Age. Starting points that have been suggested for the Bronze Age of comics are Conan #1 (Oct. 1970), Green Lantern/Green Arrow #76 (Apr. 1970) or Amazing Spider-Man #96 (May 1971) (the non-Comics Code issue). The start of the Modern Age (occassionally refered to as the Copper Age) has even more potential starting points, but is most likely the publication of Alan Moore's Watchmen in 1986.

Comics published after World War II in 1945 are sometimes refered to being from the Atomic Age (refering to the dropping of the atomic bomb), and books published after Nov. 1961 are sometimes refered to as being from the Marvel Age (refering to the advent of Marvel Comics). However, these eras are refered to far less frequently than the traditional metalic eras.

Notable events in the history of the American comic book include the psychiatrist Frederic Wertham's criticisms of the medium in his book Seduction of the Innocent, which saw the Senate Subcommittee on Juvenile Delinquency investigate comic books. In response to this attention from government and the media, the U.S. comic book industry created the Comics Code Authority in 1954 and drafted the Comics Code, a move which saw the particularly targeted EC change its satirical comic book Mad from comic book to magazine format in order to circumvent the Code.

Underground comics

During the late 1960s and early 1970s, a surge of underground comics occurred. These comics were published and distributed independently of the established mainstream, and most reflected the youth counterculture and drug culture of the time. Many were notable for their uninhibited, irreverent style; their frankness in graphic sex, nudity, language and overt politics hadn't been seen in comics outside of their precursors, the pornographic and even more underground "Tijuana bibles". Underground comics were virtually never sold on newsstands but in such youth-oriented outlets as head shops and record stores, and by mail order.

The underground-comics movement is often considered to have started with Zap Comix #1 (1968) by cartoonist Robert Crumb, a former Cleveland greeting-card artist living in San Francisco. Crumb later created the popular characters Fritz the Cat and Mr. Natural, and published Gilbert Shelton's The Fabulous Furry Freak Brothers.

Independent and alternative comics

The rise of comic-book specialty stores in the late 1970s created a dedicated market for "independent" or "alternative comics"; two of the first were the anthology series Star Reach, published by comic-book writer Mike Friedrich from 1974-1979, and Harvey Pekar's American Splendor, published from the 1970s through the present day. Some independent comics continued in the tradition of underground comics, though were generally less overtly graphic, and others resembled the output of mainstream publishers in format and genre but were published by smaller artist-owned ventures or by a single artists. A few (notably RAW) were experimental attempts to bring comics closer to the world of fine art.

The "small press" scene continued to grow and diversify. By the 1980s, several such independent publishers as Eclipse Comics, First Comics, and Fantagraphics were releasing a wide range of styles and formats from color superhero, detective and science fiction comic books to black-and-white magazine-format stories of Latin American magical realism.

A number of small publishers in the 1990s changed the format and distribution of their comics to more closely resemble non-comics publishing. The "minicomics" form, an extremely informal version of self-publishing, arose in the 1980s and became increasingly popular among artists in the 1990s, despite reaching an even more limited audience than the small press.

Decline of serial comic-book format

In the early 2000s, sales of standard monthly comic books declined while graphic novels made increasing headway at retail bookstores. Along with the shift toward graphic novels among comics publishers, traditional book publishers such as Pantheon have released several dozen graphic novels, including works originally released by comics publishers with much less publicity.

The comics of Europe

Franco-Belgian comics

Belgium and France are two countries that have a long tradition in comics and comic books, where they are called BDs (from Bande Dessinée) in French. Belgian comic books originally written in Dutch are influenced by the francophone "Franco-Belgian" comics, but have a different feel.

La bande dessinée is derived from the original description of the artform as "drawn strips". It is not insignificant that the French term contains no indication of subject matter, unlike the American terms "comics" and "funnies," which imply an art form not to be taken seriously. Indeed, the distinction of comics as the "ninth art" is prevalent in Francophone scholarship on the form (le neuvième art), as is the concept of comics criticism and scholarship itself. Relative to the respective size of their countries, the innumerable authors in the region publish huge numbers of comic books. In North America, the more serious Franco-Belgian comics are often seen as equivalent to graphic novels, for various reasons, but whether they are long or short, bound or in magazine format, in Europe there is no need for a more sophisticated term, as the art's name does not itself imply something frivolous.

In France, most comics are published at the behest of the author, who will work within his self-appointed time frame, so a wait from six months to two years between installments is common. Most books are first published as a hard cover oversized book, usually 48 or 64 pages, with later re-releases in soft cover.

The British comic

Originally the same size as the comic book in the United States, although lacking the glossy cover, the British comic has adopted a magazine size, with The Beano and The Dandy the last to adopt this size in the 1980s. Although generally referred to as a comic, it can also be referred to as a comic magazine, and has also been known historically as a comic paper. Some comics, such as Judge Dredd and other 2000 AD titles, have been published in a tabloid form known as a "programme", or "prog" for short.

Although Ally Sloper's Half Holiday (1884), the first comic published in Britain, was marketed at adults, publishers quickly targeted a younger market, which has led to most publications being for children and created an association in the public's mind of comics being somewhat juvenile.

Popular titles within the United Kingdom have included The Beano, The Dandy, The Eagle, 2000 AD and Viz. Underground comics and "small press" titles have also been published within the United Kingdom, notably Oz and Escape Magazine.

The content of Action, another title aimed at children and launched in the mid 1970s became the subject of discussion in the House of Commons, and although this was on a smaller scale to such similar investigations in the United States, it also led to a moderation of content published within comics, although such moderatiuon was never formalised to the extent of a creation of any code, and nor was it particularly lasting.

The United Kingdom has also established a healthy market in the reprinting and repackaging of material, notably material originated within the United States. The lack of reliable supplies of American comic books led to a variety of black and white reprints, including Marvel's 1950s monster comics, Fawcett's Captain Marvel, and some other characters such as Sheena, Mandrake the Magician and the Phantom. Several reprint companies were involved in repackaging American material for the British market, notably the importer and distributor Thorpe & Porter.

Marvel eventually established a UK office, with DC Comics and Dark Horse Comics also opening offices for periods in the 1990s. The repackaging of European material has been less frequent, although the Tintin and Asterix serials have been successfully translated and repackaged in soft cover books.

The comic annual

At Christmas time publishers will repackage and commission material for comic annuals, hardback A4 books. DC Thomson also repackage The Broons and Oor Wullie strips in softcover A4 books for the festive season.

Italian comics

In Italy, comics (known as fumetti) made their debut as humouristic strips at the end of the 19th century, and later evolved in adventure stories inspired to those coming from the U.S. After World War II, however, artists like Hugo Pratt and Guido Crepax imposed Italian comics to an international audience. "Author" comics contain often strong erotic contents. Best sellers remain popular comic books Diabolik or the Bonelli line, namely Tex Willer or Dylan Dog.

Mainstream comics are usually published on the monthly basis, in a black and white digest size format, with about 100-132 pages of story. Collections of classic material for the most famous character, usually with over 200 pages, are also common. Author comics are published in the French BD format, with an example being Pratt's Corto Maltese.

Italian cartoonists have and receive great influences from other countries including Belgium, France, Spain and Argentina. Italy is also famous for being one of the foremost producers of Walt Disney comic stories, particularly. Donald Duck's superhero alter ego, Paperinik, known in English as Superduck, was created in Italy.

Other European comics

Although Switzerland contributes less to the body of work, it is significant that many scholars point to a Francophone Swiss, Rodolphe Töpffer, as the true father of comics. This choice is still controversial, with critics feeling that Töppfer's work is perhaps somewhat unconnected to the genesis of the artform as it is now known in the region.

The graphic novel

The term graphic novel was first coined by Richard Kyle in 1964, mainly as an attempt to distinguish the newly translated works from Europe which were then being published from what Kyle saw as the more juvenile publications common in the United States.

The term was popularized when Will Eisner used it on the cover of the paperback edition of his work A Contract with God, and Other Tenement Stories (1978). This was a more mature work than many had come to expect from the comics medium, and the critical and commercial success of A Contract with God helped to establish the term "graphic novel" in common usage.

Regional categories

  • American comic book
  • Argentine comics
  • British comics
  • Canadian comics
  • Chinese comics- (LianHuanhua, Manhua)
  • Indian comics
  • LianHuanHua - (Chinese comics, sequential picture books)
  • Manga (Japanese comics)
  • Manhua (Chinese comics)
  • Manhwa (Korean comics)
  • European comics
    • Franco-Belgian comics - Bande Dessinée, BD
    • Italian comics - Fumetti
  • Brazilian comics - Histórias em Quadrinhos, HQ

Other forms

  • Tijuana bible (aka 8-pagers)
  • Underground comics
  • Alternative comics
  • Adult comics
  • Political and religious comics

Genres

Note: As with film and literature, genres are rarely pure and often blend. Frankenstein, for example, is a science fiction/horror novel; The Adventures of Brisco County, Jr. is a Western/comedy TV series. Not all superhero comics are necessarily science fiction; Marvel Comics' Daredevil, for example, despite an initial science-fiction premise, may be more usefully classified as a crime drama.

  • Action/adventure comics (of which superhero is a sub-genre)
  • Adaptations of narratives in other media, often movies
  • Anthromorphic/funny animal comics (see also furry)
  • Autobiographical comics
  • Crime comics
  • Dramatic adventure comics
  • Historical comics
  • Horror comics
  • Humor comics
  • Journalistic comics
  • Religious comics
  • Romance comics
  • Satiric comics
  • Science-fiction comics
  • War comics
  • Western comics

Some particularly notable comic books

  • 2000 AD (British)
  • Acme Novelty Library (United States - Fantagraphics)
  • Akira (Japanese)
  • Asterix (French)
  • Batman (United States - DC Comics)
  • The Beano (British)
  • The Dandy (British)
  • Donald Duck (United States - Dell Comics, Gold Key Comics)
  • The Fantastic Four (United States - Marvel Comics)
  • Green Lantern (United States - DC Comics)
  • The Incredible Hulk (United States - Marvel Comics)
  • Lone Wolf and Cub (Japanese)
  • Lucky Luke (Belgium - Dupuis and Dargaud)
  • Monica's Gang (Turma da Mônica) (Brazilian)
  • Mortadelo y Filemón (Spain)
  • Mickey Mouse (United States-Disney)
  • Raw (United States - Raw Books)
  • The Smurfs (Belgium - Dupuis)
  • The Amazing Spider-Man (United States - Marvel Comics)
  • Sandman (United States - DC Vertigo Comics, 1988 World Fantasy Award (unique win for a comic-book series)
  • Spike and Suzy (Belgian Flemish, originally called Suske en Wiske)
  • Superman (United States - DC Comics)
  • Tintin (Belgian - Casterman)
  • Viz (British)
  • Wonder Woman (United States - DC Comics)
  • X-Men (United States - Marvel Comics)
  • Zap Comix (United States-Last Gasp, Apex Novelties)

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Not all superhero comics are necessarily science fiction; Marvel Comics' Daredevil, for example, despite an initial science-fiction premise, may be more usefully classified as a crime drama. Dictionary definitions from Wiktionary
Textbooks from Wikibooks
Quotations from Wikiquote
Source texts from Wikisource
Images and media from Commons
News stories from Wikinews. Frankenstein, for example, is a science fiction/horror novel; The Adventures of Brisco County, Jr. is a Western/comedy TV series. Significant religious groups include Roman Catholics (27%), Protestants (1.2%), and Czechoslovak Hussites (1%). Note: As with film and literature, genres are rarely pure and often blend. Despite the very visible presence of cathedrals and church buildings all over the country, the majority of Czechs (59%) are agnostics or atheists or without any dogmatic organization of belief, mostly as a consequence of the anti-religious policy during the communist era. This was a more mature work than many had come to expect from the comics medium, and the critical and commercial success of A Contract with God helped to establish the term "graphic novel" in common usage. After the 1993 division, some Slovaks remained in the Czech Republic and comprise roughly 2% of the current population.

The term was popularized when Will Eisner used it on the cover of the paperback edition of his work A Contract with God, and Other Tenement Stories (1978). Other ethnic groups include Slovaks, Germans, Roma, Hungarians, Ukrainians and Poles. The term graphic novel was first coined by Richard Kyle in 1964, mainly as an attempt to distinguish the newly translated works from Europe which were then being published from what Kyle saw as the more juvenile publications common in the United States. The majority of the inhabitants of the Czech Republic (95%) are ethnically Czech and speak Czech, a member of the Slavic languages. This choice is still controversial, with critics feeling that Töppfer's work is perhaps somewhat unconnected to the genesis of the artform as it is now known in the region. Main article: Demographics of the Czech Republic. Although Switzerland contributes less to the body of work, it is significant that many scholars point to a Francophone Swiss, Rodolphe Töpffer, as the true father of comics. The Czech government has expressed a desire to adopt the euro currency in 2010, but the introduction of the currency is currently only in the early planning stages.

Donald Duck's superhero alter ego, Paperinik, known in English as Superduck, was created in Italy. Moves to complete banking, telecommunications, and energy privatisation will add to foreign investment, while intensified restructuring among large enterprises and banks and improvements in the financial sector should strengthen output growth. Italy is also famous for being one of the foremost producers of Walt Disney comic stories, particularly. Uncomfortably high fiscal and current account deficits could be future problems. Italian cartoonists have and receive great influences from other countries including Belgium, France, Spain and Argentina. The rate of corruption remains one of the highest among OECD countries. Author comics are published in the French BD format, with an example being Pratt's Corto Maltese. Growth in 2000-2001 was led by exports to the EU, especially Germany, and foreign investment, while domestic demand is reviving.

Collections of classic material for the most famous character, usually with over 200 pages, are also common. One of the most stable and prosperous of the post-Communist states, the Czech Republic has been recovering from recession since mid-1999. Mainstream comics are usually published on the monthly basis, in a black and white digest size format, with about 100-132 pages of story. Main article: Economy of the Czech Republic. Best sellers remain popular comic books Diabolik or the Bonelli line, namely Tex Willer or Dylan Dog. The local climate is temperate with warm summers and cold, cloudy, humid winters, typified by a mixture of maritime and continental influences. "Author" comics contain often strong erotic contents. Water from the landlocked Czech Republic flows to three different seas: the North Sea, Baltic Sea and Black Sea.

After World War II, however, artists like Hugo Pratt and Guido Crepax imposed Italian comics to an international audience. Moravia, the eastern part, is also quite hilly and is drained predominantly by the Morava river, but also contains the source of the Oder (Czech: Odra) river. In Italy, comics (known as fumetti) made their debut as humouristic strips at the end of the 19th century, and later evolved in adventure stories inspired to those coming from the U.S. The Czech landscape is quite varied; Bohemia to the west consists of a basin, drained by the Elbe (Czech: Labe) and Vltava rivers, surrounded by mostly low mountains such as the Sudeten with its part Krkonoše, where one also finds the highest point in the country, the Sněžka at 1,602 m. DC Thomson also repackage The Broons and Oor Wullie strips in softcover A4 books for the festive season. Main article: Geography of the Czech Republic. At Christmas time publishers will repackage and commission material for comic annuals, hardback A4 books. The Czech Republic consists of 13 regions (kraje, singular - kraj) and one capital city (hlavní město), marked by a *:.

The repackaging of European material has been less frequent, although the Tintin and Asterix serials have been successfully translated and repackaged in soft cover books. Main article: Regions of the Czech Republic. Marvel eventually established a UK office, with DC Comics and Dark Horse Comics also opening offices for periods in the 1990s. The structure of the Armed Forces of the Czech Republic is as follows:. Several reprint companies were involved in repackaging American material for the British market, notably the importer and distributor Thorpe & Porter. In year 2004 the army transformed into fully professional organization and compulsory military service has been ended. The lack of reliable supplies of American comic books led to a variety of black and white reprints, including Marvel's 1950s monster comics, Fawcett's Captain Marvel, and some other characters such as Sheena, Mandrake the Magician and the Phantom. Czech forces have been gradually downsized from 200,000 to 35,000 and at the same time modernized and reoriented toward defensive posture.

The United Kingdom has also established a healthy market in the reprinting and repackaging of material, notably material originated within the United States. Being a member of NATO since 1999, the Czech Republic completes a major overhaul of the extensive Czechoslovak armed forces which until 1989 formed one of the pillars of the Warsaw Pact military alliance. The content of Action, another title aimed at children and launched in the mid 1970s became the subject of discussion in the House of Commons, and although this was on a smaller scale to such similar investigations in the United States, it also led to a moderation of content published within comics, although such moderatiuon was never formalised to the extent of a creation of any code, and nor was it particularly lasting. The Czech Armed Forces (Czech: Armáda České republiky) consists of Land and Air Forces and of specialized support units. Underground comics and "small press" titles have also been published within the United Kingdom, notably Oz and Escape Magazine. The Constitutional Court, which rules on constitutional issues, is appointed by the president, and its members serve 10-year terms. Popular titles within the United Kingdom have included The Beano, The Dandy, The Eagle, 2000 AD and Viz. The country's highest court of appeals is the Supreme Court.

Although Ally Sloper's Half Holiday (1884), the first comic published in Britain, was marketed at adults, publishers quickly targeted a younger market, which has led to most publications being for children and created an association in the public's mind of comics being somewhat juvenile. The 81 members of the Czech Senate serve for 6-year terms with one-third being elected every 2 years on the basis of two-round majority voting. Some comics, such as Judge Dredd and other 2000 AD titles, have been published in a tabloid form known as a "programme", or "prog" for short. The 200 Chamber delegates are elected for 4-year terms, on the basis of proportional representation. Although generally referred to as a comic, it can also be referred to as a comic magazine, and has also been known historically as a comic paper. The Czech parliament (Parlament) is bicameral, with a Chamber of Deputies (Poslanecká sněmovna) and a Senate (Senát). Originally the same size as the comic book in the United States, although lacking the glossy cover, the British comic has adopted a magazine size, with The Beano and The Dandy the last to adopt this size in the 1980s. He also appoints the prime minister, who sets the agenda for most foreign and domestic policy, as well the other members of the cabinet on a proposal by the prime minister.

Most books are first published as a hard cover oversized book, usually 48 or 64 pages, with later re-releases in soft cover. The president is also granted specific powers such as the right to nominate Constitutional Court judges, dissolve parliament under certain conditions, complete immunity, and enact a veto on legislation. In France, most comics are published at the behest of the author, who will work within his self-appointed time frame, so a wait from six months to two years between installments is common. According to its constitution, the Czech Republic is a parliamentary democracy whose head of state is a president, indirectly elected every five years by the parliament. In North America, the more serious Franco-Belgian comics are often seen as equivalent to graphic novels, for various reasons, but whether they are long or short, bound or in magazine format, in Europe there is no need for a more sophisticated term, as the art's name does not itself imply something frivolous. Main article: Politics of the Czech Republic. Relative to the respective size of their countries, the innumerable authors in the region publish huge numbers of comic books. The Czech Republic joined NATO in 1999 and the European Union in 2004.

Indeed, the distinction of comics as the "ninth art" is prevalent in Francophone scholarship on the form (le neuvième art), as is the concept of comics criticism and scholarship itself. On January 1, 1993, the country peacefully split in two, creating the independent Czech and Slovak republics. It is not insignificant that the French term contains no indication of subject matter, unlike the American terms "comics" and "funnies," which imply an art form not to be taken seriously. In 1989, Czechoslovakia regained its political independence through a peaceful "Velvet Revolution". La bande dessinée is derived from the original description of the artform as "drawn strips". In 1968, an invasion by Warsaw Pact troops ended the efforts of the country's leaders to liberalize party rule and create "socialism with a human face" during the Prague Spring. Belgian comic books originally written in Dutch are influenced by the francophone "Franco-Belgian" comics, but have a different feel. In 1948, a reconstituted Czechoslovakia fell within the Soviet sphere of influence.

Belgium and France are two countries that have a long tradition in comics and comic books, where they are called BDs (from Bande Dessinée) in French. Only a few who had been active in the resistance or were required for economic reasons were allowed to stay, though many of them emigrated later due to the anti-German sentiment prevalent in post War Czechoslovakia. Along with the shift toward graphic novels among comics publishers, traditional book publishers such as Pantheon have released several dozen graphic novels, including works originally released by comics publishers with much less publicity. As a consequence, 15 000 - 30 000 (according to the official German-Czech Committee of Historians) Germans were killed or otherwise died. In the early 2000s, sales of standard monthly comic books declined while graphic novels made increasing headway at retail bookstores. About 3 million Germans, almost the entire German minority of pre-War Czechoslovakia, were expelled to Germany and Austria. The "minicomics" form, an extremely informal version of self-publishing, arose in the 1980s and became increasingly popular among artists in the 1990s, despite reaching an even more limited audience than the small press. From 1945 to 1948 the Sudetenland was cleansed of ethnic Germans (under the so-called Beneš decrees and the Treaty of Potsdam).

A number of small publishers in the 1990s changed the format and distribution of their comics to more closely resemble non-comics publishing. Czechoslovak government-in-exile and its army fighting against Nazis were acknowledged by Allies. By the 1980s, several such independent publishers as Eclipse Comics, First Comics, and Fantagraphics were releasing a wide range of styles and formats from color superhero, detective and science fiction comic books to black-and-white magazine-format stories of Latin American magical realism. 125 000 citizens, including 83 000 Jews, were killed, and hundreds of thousand of others were sent to prisons and concentration camps or forced labour. The "small press" scene continued to grow and diversify. Appr. A few (notably RAW) were experimental attempts to bring comics closer to the world of fine art. Eventually Slovakia broke away further in 1939 and the remaining Czech territory was occupied by Hitler who installed the so-called Protectorate of Bohemia and Moravia, which was proclaimed part of the Reich and where the Protectorate President and Prime Minister were subordinate to the Nazi Reichsprotektor ('imperial protector').

Some independent comics continued in the tradition of underground comics, though were generally less overtly graphic, and others resembled the output of mainstream publishers in format and genre but were published by smaller artist-owned ventures or by a single artists. Poland occupied majority Polish speaking areas around Cesky Tesin, while Slovakia gained greater autonomy, with the state being renamed to "Czecho-Slovakia". The rise of comic-book specialty stores in the late 1970s created a dedicated market for "independent" or "alternative comics"; two of the first were the anthology series Star Reach, published by comic-book writer Mike Friedrich from 1974-1979, and Harvey Pekar's American Splendor, published from the 1970s through the present day. Hitler used the opportunity and, supported by Konrad Henlein's Sudeten German Party, gained the majority German speaking Sudetenland through the Munich Agreement. Natural, and published Gilbert Shelton's The Fabulous Furry Freak Brothers. Although Czechoslovakia was a democratic and liberal state guaranteeing and also implementing cultural and language rights to its minorities (schools in German language areas were entirely German), the centralistic state did not grant its minorities territorial political autonomy, which resulted in discontent and strong support among the minorities to break away from Czechoslovakia. Crumb later created the popular characters Fritz the Cat and Mr. This new country contained large German, Hungarian and Polish minorities.

The underground-comics movement is often considered to have started with Zap Comix #1 (1968) by cartoonist Robert Crumb, a former Cleveland greeting-card artist living in San Francisco. Following the collapse of this empire after World War I, the independent republic of Czechoslovakia was created in 1918. Underground comics were virtually never sold on newsstands but in such youth-oriented outlets as head shops and record stores, and by mail order. Bohemia later came under Habsburg influence and became part of Austria-Hungary. Many were notable for their uninhibited, irreverent style; their frankness in graphic sex, nudity, language and overt politics hadn't been seen in comics outside of their precursors, the pornographic and even more underground "Tijuana bibles". Religious conflicts such as the 15th century Hussite Wars and the 17th century Thirty Years War had a devastating affect on the local population. These comics were published and distributed independently of the established mainstream, and most reflected the youth counterculture and drug culture of the time. It was part of the Holy Roman Empire during the entire existence of this confederation.

During the late 1960s and early 1970s, a surge of underground comics occurred. The kingdom of Bohemia was a significant local power during the Middle Ages. comic book industry created the Comics Code Authority in 1954 and drafted the Comics Code, a move which saw the particularly targeted EC change its satirical comic book Mad from comic book to magazine format in order to circumvent the Code. The Bohemian or Czech state emerged in the late 9th century when it was unified by the Přemyslids. In response to this attention from government and the media, the U.S. The Moravian principality arose in the 8th century (see under Great Moravia). Notable events in the history of the American comic book include the psychiatrist Frederic Wertham's criticisms of the medium in his book Seduction of the Innocent, which saw the Senate Subcommittee on Juvenile Delinquency investigate comic books. During the 7th century the Frankish merchant Samo, supporting the Slavs fighting their Avar rulers, became the ruler of the first known Slav state in Central Europe.

However, these eras are refered to far less frequently than the traditional metalic eras. Following in the Germans' wake, they moved southward into Bohemia, Moravia, and some of present day Austria. 1961 are sometimes refered to as being from the Marvel Age (refering to the advent of Marvel Comics). In an equally significant migration, Slavic people from the Black Sea and Carpathian regions settled in the area (a movement that was also stimulated by the onslaught of peoples from Siberia and Eastern Europe: Huns, Avars, Bulgars and Magyars). Comics published after World War II in 1945 are sometimes refered to being from the Atomic Age (refering to the dropping of the atomic bomb), and books published after Nov. the 5th century, many Germanic tribes moved westward and southward out of Central Europe. The start of the Modern Age (occassionally refered to as the Copper Age) has even more potential starting points, but is most likely the publication of Alan Moore's Watchmen in 1986. During the Migration Period of ca.

1970) or Amazing Spider-Man #96 (May 1971) (the non-Comics Code issue). In the classical era, from the 3rd century BC Celtic migrations, the Boii (see Bohemia) and later in the 1st century Germanic tribes of Marcomanni and Quadi settled there. 1970), Green Lantern/Green Arrow #76 (Apr. Archaeologists have found evidence of prehistoric human settlement in the area dating back to the Neolithic era. Starting points that have been suggested for the Bronze Age of comics are Conan #1 (Oct. Main article: History of the Czech lands. Indeed, some suggest that we are still in the Bronze Age. .

The beginings of the Bronze and Modern ages are far more disputable. See Names of the Czech Republic and Czech lands.. 1956) — and last through the early 1970s, during which time Marvel Comics revolutionized the medium with such naturalistic superheroes as the Fantastic Four and Spider-Man. Its Czech equivalent Česko faced opposition of the Czech people as well, but now it seems to be quite settled down in the language. The Silver Age of Comic Books is generally considered to date from the first successful revival of the dormant superhero form — the debut of the Barry Allen Flash in Showcase #4 (Sept.-Oct. The Czech Ministry of Foreign Affairs in 1993 announced that the name Czechia is to be used in all situations other than formal official documents and the full names of government institutions [1], [2], but this has not caught on in English usage. Both of these were simply reprints of newspaper strips. On May 1, 2004, it became a member state of the European Union.

While comics as an artform could arguably extend as far back as sequential cave paintings from thousands of years ago, comic books are dependent on printing, and the starting point for them in book form is generally considered to be the tabloid-sized The Funnies begun in 1929, or the more traditional sized Funnies on Parade from 1933. The country is composed of two entire historic regions, Bohemia and Moravia, parts of Silesia and small sections of historic Lower Austria. The Platinum Age refers to any material produced prior to this. Other major cities include Brno, Ostrava, Zlín, Plzeň, Pardubice, Hradec Králové, České Budějovice, Liberec, Olomouc, and Ústí nad Labem. The Golden Age is generally thought as lasting from 1938's introduction of Superman until the early 1950s, during which comic books enjoyed a surge of popularity, the archetype of the superhero was invented and defined, and many of comic books' most popular superheroes debuted. Historic Prague (Czech: Praha), a major tourist attraction, is its capital and largest city. The exact boundaries of these eras, the terms for which originated in fandom press, is a debatable point among comic book historians. The country has borders with Poland to the north, Germany to the northwest and west, Austria to the south, and Slovakia to the east.

The history of the comic book in the United States is split into several ages or historical eras: The Platinum Age, The Golden Age, The Silver Age, The Bronze Age, and The Modern Age. The Czech Republic (Czech: Česká republika) is a landlocked country in Central Europe. are marketed at younger teenagers, though the market also produces work for general as well as more mature audiences. Department of State website.. The majority of all comic books in the U.S. Much of the material in these articles comes from the CIA World Factbook 2000 and the 2003 U.S. Since the invention of the comic book format in the 1930s, the United States has been the leading producer, with only the British comic (during the inter-war period through the 1970s) and Japanese manga as close competitors in terms of quantity of titles (although, Japan outweighs America currently in overall sales by a vast margin). Spa towns in the Czech Republic.

. Transportation in the Czech Republic. The analogous term in the United Kingdom is a comic, short for comic paper or comic magazine. Tourism in the Czech Republic. In the U.K., the term comic book is used to refer to American comic books by their readers and collectors, while the general populace would mainly consider a comic book a hardcover book collecting comics stories. Public holidays in the Czech Republic. American comic books have become closely associated with the superhero sub-genre. Military of the Czech Republic.

Like jazz and a handful of other cultural artifacts, comic books are a rare indigenous American art form, [1] [2] though prototypical examples of the form exist. List of Czech Republic-related topics. Long-form comic books, generally with hardcover or trade-paper binding came to be known as graphic novels, but as noted above, the term's definition is especially fluid. List of postal codes in the Czech Republic. The commercial success of these collections led to work being created specifically for the comic-book form, which fostered specific conventions such as splash pages. List of cities in the Czech Republic. The earliest comic books were simply collections of comic strips that had originally been printed in newspapers. Junák.

In the last quarter of the 20th century, greater acceptance of the comics form among the general reading populace coincided with a greater usage of the term graphic novel, often meant to differentiate a book of comics with a spine from its stapled, pamphlet form, but the difference between the terms seems fuzzy at best as comics become more widespread in libraries, mainstream bookstores, and other places. Economy of the Czech Republic. The term "comics" in this context does not refer to comic strips (such as Peanuts or Dilbert). Foreign relations of the Czech Republic. Although the term implies otherwise, the subject matter in comic books is not necessarily humorous, and in fact its dramatic seriousness varies widely. Communications in the Czech Republic. Comic books are often called comics for short. Reporters Without Borders world-wide press freedom index 2005: Rank 9th out of 167 countries.

A comic book is a magazine or book containing sequential art in the form of a narrative. Index of Economic Freedom 2005: Rank 33rd out of 155 countries. Zap Comix (United States-Last Gasp, Apex Novelties). Human Development Index 2003: Rank 31st out of 177 countries. X-Men (United States - Marvel Comics). Czech cuisine. Wonder Woman (United States - DC Comics). Czech TV.

Viz (British). National Theatre (Prague). Tintin (Belgian - Casterman). Music of the Czech Republic. Superman (United States - DC Comics). Literature of the Czech Republic. Spike and Suzy (Belgian Flemish, originally called Suske en Wiske). Famous Czech People.

Sandman (United States - DC Vertigo Comics, 1988 World Fantasy Award (unique win for a comic-book series). Cinema of the Czech Republic. The Amazing Spider-Man (United States - Marvel Comics). The Castle Guard. The Smurfs (Belgium - Dupuis). The Military Office of President of the Republic. Raw (United States - Raw Books). Support and Training Forces.

Mickey Mouse (United States-Disney). Joint Forces Support Units. Mortadelo y Filemón (Spain). Air Force. Monica's Gang (Turma da Mônica) (Brazilian). Land Forces. Lucky Luke (Belgium - Dupuis and Dargaud). Joint Forces Command.

Lone Wolf and Cub (Japanese). Joint Forces

    . The Incredible Hulk (United States - Marvel Comics). The Army
      . Green Lantern (United States - DC Comics). The Fantastic Four (United States - Marvel Comics).

      Donald Duck (United States - Dell Comics, Gold Key Comics). The Dandy (British). The Beano (British). Batman (United States - DC Comics).

      Asterix (French). Akira (Japanese). Acme Novelty Library (United States - Fantagraphics). 2000 AD (British).

      Western comics. War comics. Science-fiction comics. Satiric comics.

      Romance comics. Religious comics. Journalistic comics. Humor comics.

      Horror comics. Historical comics. Dramatic adventure comics. Crime comics.

      Autobiographical comics. Anthromorphic/funny animal comics (see also furry). Adaptations of narratives in other media, often movies. Action/adventure comics (of which superhero is a sub-genre).

      Political and religious comics. Adult comics. Alternative comics. Underground comics.

      Tijuana bible (aka 8-pagers). Brazilian comics - Histórias em Quadrinhos, HQ. Italian comics - Fumetti. Franco-Belgian comics - Bande Dessinée, BD.

      European comics

        . Manhwa (Korean comics). Manhua (Chinese comics). Manga (Japanese comics).

        LianHuanHua - (Chinese comics, sequential picture books). Indian comics. Chinese comics- (LianHuanhua, Manhua). Canadian comics.

        British comics. Argentine comics. American comic book.