This page will contain discussion groups about Buddy Holly, as they become available.Buddy HollyCharles Hardin Holley (September 7, 1936–February 3, 1959), better known as Buddy Holly, was an American singer, songwriter, and a pioneer of Rock and Roll. BiographyHolly was born in Lubbock, Texas. The Hollys were a musical family and as a young boy Holly learned to play the violin, piano and guitar. As a teenager he was already singing professionally as part of a country duo. Holly's big break came when they opened for Bill Haley and his Comets at a local rock show. He was signed by a scout from Decca Records to a solo recording contract. However, early success as a solo artist eluded him. Back in Lubbock, Holly formed his own band, "The Crickets", and began making records at Norman Petty's studios in Clovis, New Mexico. Among the songs they recorded was That'll Be the Day, which takes its title from a phrase which John Wayne's character says repeatedly in the movie, The Searchers. Norman had music industry contacts, and believing that That'll Be the Day would be a hit single, he contacted publishers and labels. Coral Records, a subsidiary of Decca, signed Buddy Holly and The Crickets. This put Buddy in the unusual position of having two record contracts at the same time! Holly's music was sophisticated for its day, including the use of instruments considered novel for rock and roll. Holly was an influential lead and rhythm guitarist, notably on songs such as "Peggy Sue" and "Not Fade Away". While Holly could pump out boy-loves-girl songs with the best of his contemporaries, other songs featured more sophisticated lyrics and more complex harmonies and melodies than had been previously shown in the genre. Holly also managed to bridge some of the racial divide that punctuated rock, notably winning over an all-black audience when accidentally booked for New York's Apollo Theater (though, unlike the fictional portrayal in his movie biography, it took several performances for audiences to be convinced of his talents). After the release of several highly successful songs, in March of 1958, he and the Crickets toured the United Kingdom. In the audience were teenagers named John Lennon and Paul McCartney, who later cited Holly as a primary influence (the band's name, The Beatles, was later chosen partly in homage to Holly's Crickets). Holly's personal style, more controlled and cerebral than Elvis's and more youthful and innovative than the country and western stars of his day, would have an influence on youth culture on both sides of the Atlantic for decades to come, reflected particularly in the New Wave movement in artists such as Elvis Costello and Marshall Crenshaw, and earlier in folk rock bands like The Byrds and The Turtles. He married Maria Elena Santiago on August 15, 1958 In 1959, Holly split with the Crickets and began a solo tour with other notable performers including Ritchie Valens and J.P. Richardson, "The Big Bopper". One audience member at the tour stop in Duluth, Minnesota was a young Bobby Zimmerman who would later be known as Bob Dylan. Following the February 2nd performance at the Surf Ballroom in Clear Lake, Iowa, the performers and their road crew drew straws to decide who would fly in the airplane, and who would ride in the unheated tour bus. The unlucky winners were Holly, Valens and Richardson. The four-passenger Beechcraft Bonanza took off into a blinding snow storm and crashed into Albert Juhl's corn field several miles after takeoff at 1.05 a.m. The crash killed Holly, Valens, Richardson, and pilot Roger Peterson, leaving Holly's pregnant bride, Maria Elena Holly, a widow. (She would miscarry soon after.) This event inspired singer Don McLean's popular 1971 ballad American Pie, and immortalized February 3rd as The Day The Music Died. Funeral services were held at the Tabernacle Baptist Church in Lubbock, Texas, and Buddy Holly was interred in the City of Lubbock Cemetery. TributesMonument at Crash Site, September 16, 2003In 1988, Ken Paquette, a Wisconsin fan of the '50s era, erected a stainless steel monument depicting a steel guitar and a set of three records bearing the names of each of the three performers. It is located on private farmland, about one quarter mile west of the intersection of 315th Street and Gull Avenue, approximately eight miles north of Clear Lake. He also created a similar stainless steel monument to the three musicians near the Riverside Ballroom in Green Bay, Wisconsin. That memorial was unveiled on July 17, 2003. The dramatic arc of Holly's life story inspired a Hollywood biography The Buddy Holly Story, for which actor Gary Busey received a nomination for Academy Award for Best Actor for his portrayal of Holly, as well as a successful Broadway musical documenting his career. This musical is still alive in various countries. Buddy Holly is considered one of the founding fathers of rock 'n roll and one of its most influential. Although his career was cut short, his body of work is considered some of the best in rock music history and his music would influence not only many of his recording contemporaries, but also the future direction music would take. As one of the caprocks of Rock 'n' Roll Buddy influenced groups for decades. Selected Discography
Buddy Holly was a hit song in 1994 for the indie rock band Weezer on their self-titled debut album. The music video for the song was included with Microsoft Windows 95. External Links
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The music video for the song was included with Microsoft Windows 95. The B-side was "Baja". Buddy Holly was a hit song in 1994 for the indie rock band Weezer on their self-titled debut album. John Paul Jones' first solo recording was a single for Pye Records in April 1964 which featured "A Foggy Day in Vietnam". As one of the caprocks of Rock 'n' Roll Buddy influenced groups for decades. Zooma, his debut solo album, was released in September 1999 and followed up in 2001 by Thunderthief which includes his debut as a solo vocalist. Although his career was cut short, his body of work is considered some of the best in rock music history and his music would influence not only many of his recording contemporaries, but also the future direction music would take. Jones set up his own recording studio called Sunday School as well being involved in his daughter's (Jacinda Jones) singing career. Buddy Holly is considered one of the founding fathers of rock 'n roll and one of its most influential. He recorded and toured with Diamanda Galás on her 1994 album, The Sporting Life (co-credited to John Paul Jones). This musical is still alive in various countries. In 1986, Jones was asked by director Michael Winner to provide the soundtrack for the film, Scream for Help, with Jimmy Page appearing on two tracks. The dramatic arc of Holly's life story inspired a Hollywood biography The Buddy Holly Story, for which actor Gary Busey received a nomination for Academy Award for Best Actor for his portrayal of Holly, as well as a successful Broadway musical documenting his career. He appeared on a number of sessions and videos for Paul McCartney and was involved in the soundtrack of the film Give My Regards to Broad Street. That memorial was unveiled on July 17, 2003. King, The Mission, La Fura Dels Baus, Brian Eno, and The Butthole Surfers. He also created a similar stainless steel monument to the three musicians near the Riverside Ballroom in Green Bay, Wisconsin. Since 1980 his collaborators have included R.E.M., Heart, Ben E. It is located on private farmland, about one quarter mile west of the intersection of 315th Street and Gull Avenue, approximately eight miles north of Clear Lake. He has also played keyboards on many Roy Harper albums and contributed to Wings Back to the Egg Rockestra. In 1988, Ken Paquette, a Wisconsin fan of the '50s era, erected a stainless steel monument depicting a steel guitar and a set of three records bearing the names of each of the three performers. Jones was Madeline Bell's first choice to produce and arrange her 1974 album Comin' Atcha. Funeral services were held at the Tabernacle Baptist Church in Lubbock, Texas, and Buddy Holly was interred in the City of Lubbock Cemetery. In 1969 he returned to the studio to play bass guitar on Family Dogg's Way of Life album, in 1970, keyboards for guitarist Peter Green on his solo album The End of the Game. (She would miscarry soon after.) This event inspired singer Don McLean's popular 1971 ballad American Pie, and immortalized February 3rd as The Day The Music Died. Jones' involvement with Led Zeppelin however did not halt his session work. The crash killed Holly, Valens, Richardson, and pilot Roger Peterson, leaving Holly's pregnant bride, Maria Elena Holly, a widow. "Royal Orleans" was the name of a hotel where the members of Led Zeppelin would stay when they visited New Orleans because not as many people asked for autographs there. The four-passenger Beechcraft Bonanza took off into a blinding snow storm and crashed into Albert Juhl's corn field several miles after takeoff at 1.05 a.m. The song is about a person who mistakenly takes a drag queen up to his hotel room, who then falls asleep with a joint of marijuana in hand, lighting the room on fire. Following the February 2nd performance at the Surf Ballroom in Clear Lake, Iowa, the performers and their road crew drew straws to decide who would fly in the airplane, and who would ride in the unheated tour bus. The unlucky winners were Holly, Valens and Richardson. It is rumored that the Led Zeppelin song "Royal Orleans", from their album (Presence) is about an experience Jones once had. One audience member at the tour stop in Duluth, Minnesota was a young Bobby Zimmerman who would later be known as Bob Dylan. Jones later claimed that everything he did was kept private, so no one would know about it. Richardson, "The Big Bopper". While all members of Led Zeppelin had a reputation as party animals (a reputation Robert Plant later claimed was somewhat exaggerated), Jones was seen as the professional member of the group, as his excesses never hindered his performance, in contrast with Page and Bonham in Led Zeppelin's later years. In 1959, Holly split with the Crickets and began a solo tour with other notable performers including Ritchie Valens and J.P. His diversity for the group also extended to other instruments, which included unusual double and even triple necked mandolins. He married Maria Elena Santiago on August 15, 1958. On live performances, Jones' keyboard showpiece was "No Quarter", often lasting for up to half-an-hour and included snatches of "Amazing Grace" and variations of classical pieces by composers such as Rachmaninov. Holly's personal style, more controlled and cerebral than Elvis's and more youthful and innovative than the country and western stars of his day, would have an influence on youth culture on both sides of the Atlantic for decades to come, reflected particularly in the New Wave movement in artists such as Elvis Costello and Marshall Crenshaw, and earlier in folk rock bands like The Byrds and The Turtles. His keyboard skills added an eclectic dimension that realised Led Zeppelin as more than just a heavy metal band, most notably on the delicate "The Rain Song" (Houses of the Holy) played on a Mellotron, the funky, danceable "Trampled Under Foot" (Physical Graffiti), and the eastern scales of "Kashmir" (also on Physical Graffiti). In the audience were teenagers named John Lennon and Paul McCartney, who later cited Holly as a primary influence (the band's name, The Beatles, was later chosen partly in homage to Holly's Crickets). After "retiring" his Fender Jazz bass in 1975, Jones switched to using custom designed Alembics. After the release of several highly successful songs, in March of 1958, he and the Crickets toured the United Kingdom. Jones was responsible for the classic bass lines of the group, notably the descending notes on "Dazed and Confused" (Led Zeppelin), the funk influenced riffs of "The Lemon Song" and "What Is and What Should Never Be" (Led Zeppelin II), and the power crunch of "Black Dog" (untitled fourth album). Holly also managed to bridge some of the racial divide that punctuated rock, notably winning over an all-black audience when accidentally booked for New York's Apollo Theater (though, unlike the fictional portrayal in his movie biography, it took several performances for audiences to be convinced of his talents). Despite the spotlight being placed on Robert Plant and Jimmy Page, Jones' temperament, musicianship, and experience were crucial to creating the bedrock sound and success of Led Zeppelin. While Holly could pump out boy-loves-girl songs with the best of his contemporaries, other songs featured more sophisticated lyrics and more complex harmonies and melodies than had been previously shown in the genre. His decision to leave session work and join a group was due to his desire to express his artistic creativity. Holly was an influential lead and rhythm guitarist, notably on songs such as "Peggy Sue" and "Not Fade Away". A year later, as Chris Dreja had decided to leave Page's group and take up photography, Jones was Page's first choice for bass player in The New Yardbirds, later to become Led Zeppelin. Holly's music was sophisticated for its day, including the use of instruments considered novel for rock and roll. Although the album did not fare well commercially, the session did result in Jones and Page discussing to work again in the future. This put Buddy in the unusual position of having two record contracts at the same time!. It was during the sessions for Donovan's Hurdy Gurdy Man that Jones met Jimmy Page and the two would eventually link up again during the making of the Yardbirds Little Games album, with Jones contributing orchestral arrangements and playing cello on the opening track "Little Games". Coral Records, a subsidiary of Decca, signed Buddy Holly and The Crickets. Instead they chose John Rostill. Norman had music industry contacts, and believing that That'll Be the Day would be a hit single, he contacted publishers and labels. Before these recordings, Cliff Richard and the Shadows nearly changed history, by nearly preventing the future formation of Led Zeppelin, when they had talks about Jones replacing their ex-bassist Brian "Licorice" Locking. Among the songs they recorded was That'll Be the Day, which takes its title from a phrase which John Wayne's character says repeatedly in the movie, The Searchers. Jones also got to record with fellow friends of Tony Meehan and Jet Harris, none other than Meehan and Harris' ex-band, Cliff Richard and the Shadows. Back in Lubbock, Holly formed his own band, "The Crickets", and began making records at Norman Petty's studios in Clovis, New Mexico. His arranging and playing on Donovan's "Sunshine Superman", resulted in producer Mickie Most using his services as choice arranger for many of his own projects, with Tom Jones, Nico, Wayne Fontana, The Walker Brothers, and many others. However, early success as a solo artist eluded him. As well as recording sessions with Dusty Springfield, Jones also played bass for her Talk Of The Town series of performances. He was signed by a scout from Decca Records to a solo recording contract. Between 1964 and 1968 he was much in demand arranging, playing keyboards or bass guitar for artists including The Rolling Stones, Herman's Hermits, Donovan, Jeff Beck, Cat Stevens, Rod Stewart, Shirley Bassey, Lulu, and numerous others. Holly's big break came when they opened for Bill Haley and his Comets at a local rock show. In 1964, Jones began session work with Decca Records on the recommendations of Tony Meehan. As a teenager he was already singing professionally as part of a country duo. Jet and Tony had just been at Number 1 hit with "Diamonds" (a track which Jimmy Page was on). The Hollys were a musical family and as a young boy Holly learned to play the violin, piano and guitar. His big break came in 1962 when he met Jet Harris and Tony Meehan (who had just left the Shadows) and played bass for their band for two years. Holly was born in Lubbock, Texas. He then played bass for jazz-rock London group, Jett Blacks. Charles Hardin Holley (September 7, 1936–February 3, 1959), better known as Buddy Holly, was an American singer, songwriter, and a pioneer of Rock and Roll. Jones joined his first band at 15, which was called The Deltas. International Buddy Holly website (http://buddyhollygermany.homepage.t-online.de/). Jones continued to use that Fender bass up until 1975. Comprehensive digital discography (http://www.famousfolk.com/holly/). The fluid playing of Chicago musician Phil Upchurch made him decide to take up the bass guitar. Official Web Site (http://www.buddyholly.com/). At the age of 14, he became choirmaster and organist at a local church and during that year, he also bought his first bass guitar, a Dallas solid body electric followed by a Fender Jazz bass. "Brown Eyed Handsome Man" – 1963. Jones was a student at Christ College boarding school in Kent where he formally studied music. "Bo Diddley" – 1963. His influences ranged from the blues of Big Bill Broonzy, the jazz of Charles Mingus, to the classical piano of Rachmaninov. "Reminiscing" – 1962. His mother was also in the music business which allowed the family to often perform together touring around England. "True Love Ways" – 1960. Jones learned his keyboard skills from his father, Joe Baldwin, who was a pianist and arranger for big bands in the 40's and 50's, notably with the Ambrose Orchestra. "Crying, Waiting, Hoping" – 1959. The name John Paul Jones was suggested to him by a friend, Andrew Loog Oldham, after seeing a movie poster with that name on it in France. "Peggy Sue Got Married" – 1959. Jones was born in Sidcup, Kent. "Raining In My Heart" – 1959. He can also play guitar, mandolin, koto, autoharp, ukulele, and organ, and played the over-dubbed bass recorder on Stairway to Heaven. "It Doesn't Matter Anymore" – 1959. John Paul Jones, pseudonym of John Baldwin, born January 3, 1946, was the bassist and keyboard player for Led Zeppelin until the band's breakup after the death of John Bonham in 1980. "Well All Right" – 1958. Thunderthief (2001). "Heartbeat" – 1958. Zooma (1999). "Rave On" – 1958. The Sporting Life (1994), with Diamanda Galás. "Maybe Baby" – 1958. Scream for Help (1985) (soundtrack). "Not Fade Away" – 1957. "Oh Boy!" – 1957. "Everyday" – 1957. "Peggy Sue" – 1957. "That'll Be The Day" – 1957. |