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Badfinger

Badfinger was a British band from the 1960s and 70s. Their meteoric rise and tragic demise became a cautionary tale for the rock music industry. Once widely touted as the heir apparent to the Beatles, Badfinger is now seldom remembered outside their native land of Wales.

The band originated with guitarist/keyboardist Pete Ham (1947-75) and a group called The Panthers. Members changed to resemble the first band line-up, with Ron Griffiths on bass guitar and Dai Jenkins on guitar. The trio formed a band called the Iveys, named after a street in Swansea, Wales. By 1965, Mike Gibbins had joined as the drummer, and the band began playing locally with such groups as the Spencer Davis Group, the Who, the Moody Blues and the Yardbirds. The following year, with manager Bill Collins, Badfinger worked in London, both for David Garrick, a local singer, and as a solo act. In 1967, Dai Jenkins left and was replaced by Tom Evans.

This line-up signed with the Beatles label Apple Records in 1968 and Paul McCartney soon became enamored with the group's vocal sound, if not their unassuming name. He proposed a change to his proteges, still known as the Iveys.

John Lennon wanted to call the band "Glass Onion", but no one liked the name. (Lennon later used the name for one of his comical songs on the White Album). Instead, The Iveys chose another Beatles-inspired moniker: "Badfinger." This was a reference to "Badfinger Boogie", an early working title of "With a Little Help from My Friends," from "Sgt. Pepper's Lonely Hearts Club Band".

Studio recording was difficult for Badfinger, with many failed attempts at a single occurring before the group finally offered "Maybe Tomorrow" in 1968. The single did well in the Netherlands and Germany, but not so well in England or the United States. Business and personal problems with Apple Records also contributed to the record's failure. However, enough interest was generated to keep the band alive for another year.

Paul McCartney wrote the band's breakthrough song, "Come and Get It", intended for part of the soundtrack to The Magic Christian. It was a hit throughout Europe and the United States, where it reached the Top Ten. Ron Griffiths soon quit the band to spend more time with his family. After the departure of Griffiths, the band reorganized into their definitive lineup. Tom Evans became the bassist, while guitarist Joey Molland joined in time to tour in support of Magic Christian Music, the band's first major outing.

The band's career began increasing exponentially in 1969. "Come and Get It", "Carry on Tomorrow" and "Rock of All Ages" were popular singles in the U.K. The band recorded many sessions for fellow Apple Records labelmates, notably George Harrison's All Things Must Pass," and John Lennon's Imagine."

In 1970, Badfinger released the album No Dice, the group's first true album. The riff-heavy "No Matter What" has endured well on classic rock stations, while "Without You", became a bigger hit when sung by Harry Nilsson and Mariah Carey. One wonders at the potential songwriting talents of Pete Ham and Tom Evans, had their partnership survived the coming tragedies.

Badfinger subsequently found a new manager in Stan Polley, who would prove their downfall. The group toured in America, where their debut album had been well-received, but the group still saw no money and felt like they were living in the shadow of the Beatles. Some music critics had made unfavorable comparisons, during the anti-Beatles backlash that ensued, following the Fab Four's breakup in 1970.

Badfinger's second album, Straight Up came out in 1971, including "Day After Day", "Baby Blue" and "Name of the Game", all popular singles on both sides of the pond. 'Straight Up' was hailed as the most requested CD release in Goldmine magazine during the early 1990s. Both George Harrison and Todd Rundgren took production credits on perhaps their most commercially successful record. The group also performed during the Concert for Bangladesh, raising their critical stock even further among the rock intelligentsia.

Unfortunately, Apple Records' finances were in chaos. Straight Up was not marketed effectively. Meanwhile, Stan Polley had been withholding income from the band members as they toured and recorded nonstop. Their last Apple album was Ass (1973), with a satirical record cover of a donkey following a carrot on a stick -- a theme more recently purloined by American band Styx. Unlike its predecessors, Ass lacked hit singles, and fared poorly in the charts. Further problems recording Badfinger's fifth album led to Polley negotiating a multi-million dollar deal with Warner Brothers Records.

Ass was almost immediately followed by the first Warner Brothers release, Badfinger. With the band's popularity in America at its peak, they recorded Wish You Were Here in late (1974). These last two Badfinger albums had more in common with another Beatles-inspired rock band that had just emerged, namely Queen. But American and British critics panned these albums as bland and disappointing.

After the 1974 U.S. tour, severe financial problems plagued the group. Large amounts of money disappeared from their account. Subsequently, the band lost their contract with Warner Brothers, who pulled "Wish You Were Here" from store shelves in early 1975. Disgusted with Badfinger's infighting over money and songwriting credits, Peter Ham left the band to focus on his songwriting. He was replaced by Bob Jackson, who remained as keyboardist when Ham rejoined for the "Head First" sessions. Unfortunately, this album would never see light of day.

In March 1975, Pete Ham hanged himself in his garage studio in Surrey. His suicide letter blamed Stan Polley, "a soulless bastard," for the group's misfortunes, a tragic irony since Ham had been most supportive of Polley's management early on. For years afterward, lawsuits and bankruptcies haunted Badfinger on both sides of the Atlantic. Ham also left behind a widow and a daughter, Petera.

With Pete Ham's suicide, Badfinger had lost their arguably most talented member. However, Joey Molland had emerged as a songwriter during the band's recording career. Together with American session musicians, he and Tom Evans revitalized the Badfinger lineup, without Mike Gibbins. However, ego problems and lineup changes stalled the recording in 1977.

Airwaves came out in 1978, with Peter Clarke (Stealers Wheel) on drums and Tony Kaye (Yes) on keyboards. However, the poorly-recorded album fared poorly, and the band was reduced to playing small-time venues in the U.S and Britain. Tony Kaye later rejoined Yes.

Ultimately, Tom Evans and Joey Molland split acrimoniously in 1979. They briefly operated rival bands, both using the name Badfinger. In 1983, Tom Evans hanged himself at his home, in an eerie replay of Pete Ham's 1975 death scene. For all intents, Badfinger was over.

Since Tom Evans' death, Joey Molland and Mike Gibbins have alternated between recording projects and Badfinger live albums and compilations. Molland now lives in America, where he has been writing a definitive band history. The Cleveland Agora concert of 1974 reveals a band that capably straddled the 1960s melodic Beatles era and the power-pop of the 1970s.

In 1999, a new collection of posthumous Pete Ham recordings revealed his unfulfilled promise as a gifted rock musician. More recently, the City of Swansea planned a museum exhibit, commemorating the Welsh members of Badfinger.


Further reading

  • Dan Mantovini: Without You: The Tragic Story of Badfinger. ISBN 0965712214



Joey Molland makes his home in the Minnetonka area of Minnesota, and performs frequently in the region as "Badfinger". Still pretty good! - Dan Parlin


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Still pretty good! - Dan Parlin. Chart positions are for the UK.
Joey Molland makes his home in the Minnetonka area of Minnesota, and performs frequently in the region as "Badfinger". Other releases:.
. Though many English-speakers pronounce her name "Byork", a more accurate approximation would be "Byerk", which she has pointed out, rhymes with "jerk". Guđmundsdķttir is pronounced roughly "Gwuth-muns-doe-ter", and means "Guđmundur's daughter".
. Björk means "a birch tree" in Icelandic (the meaning of Icelandic names is often transparent), cognate with Old English beorc and the modern English word.

More recently, the City of Swansea planned a museum exhibit, commemorating the Welsh members of Badfinger. See Icelandic naming conventions. In 1999, a new collection of posthumous Pete Ham recordings revealed his unfulfilled promise as a gifted rock musician. This is not a stage name or affectation; it is normal for an Icelander to be referred to by his or her first name. The Cleveland Agora concert of 1974 reveals a band that capably straddled the 1960s melodic Beatles era and the power-pop of the 1970s. Björk usually goes by her first name only. Molland now lives in America, where he has been writing a definitive band history. The soundtrack Björk created for the film was released with the title Selmasongs.

Since Tom Evans' death, Joey Molland and Mike Gibbins have alternated between recording projects and Badfinger live albums and compilations. Björk received the best actress award for her role, and yet she described the shoot as so physically and emotionally trying that she has sworn off acting ever again. For all intents, Badfinger was over. Filming began in early 1999, and the film debuted in 2000 at the 53rd Cannes Film Festival. In 1983, Tom Evans hanged himself at his home, in an eerie replay of Pete Ham's 1975 death scene. Eventually, she accepted. They briefly operated rival bands, both using the name Badfinger. He then threatened to stop the project, which would have made all the musical work she had already done useless.

Ultimately, Tom Evans and Joey Molland split acrimoniously in 1979. Director Lars von Trier eventually asked her to consider playing the role of Selma, a proposal she initially turned down. Tony Kaye later rejoined Yes. In 1999, Björk was asked to write and produce the musical score for the film Dancer in the Dark, a pseudo-musical about an immigrant named Selma who is struggling to pay for an operation to prevent her son from going blind. However, the poorly-recorded album fared poorly, and the band was reduced to playing small-time venues in the U.S and Britain. Björk also had an uncredited role in 1994's Pręt-ā-Porter. Airwaves came out in 1978, with Peter Clarke (Stealers Wheel) on drums and Tony Kaye (Yes) on keyboards. Björk played the role of Margit, a girl whose mother has been killed for practicing witchcraft.

However, ego problems and lineup changes stalled the recording in 1977. Björk's intermittent acting career began in 1990, when she appeared in Juniper Tree, a tale of witchcraft based on the Brothers Grimm story of the same name. Together with American session musicians, he and Tom Evans revitalized the Badfinger lineup, without Mike Gibbins. The song stalled at charts, but the follow-up "Where Is The Line?" reached #9 in December of 2004. However, Joey Molland had emerged as a songwriter during the band's recording career. The single "Who Is It (Carry My Joy On The Left, Carry My Pain On The Right)" was released in October 2004. With Pete Ham's suicide, Badfinger had lost their arguably most talented member. The alternate version of the song was not included on Björk's album, however, because of lack of space.

Ham also left behind a widow and a daughter, Petera. Though some were confused as to the authenticity of this collaboration, Björk's camp eventually confirmed its legitimacy. For years afterward, lawsuits and bankruptcies haunted Badfinger on both sides of the Atlantic. "Oceania" was released as the album's first single shortly after the Olympics. At around the same time, an alternate version of the song began circulating on the internet which claimed to have had guest vocals from Kelis. His suicide letter blamed Stan Polley, "a soulless bastard," for the group's misfortunes, a tragic irony since Ham had been most supportive of Polley's management early on. The song "Oceania" was written especially for the occasion, but has also been included on her latest album, Medulla. In March 1975, Pete Ham hanged himself in his garage studio in Surrey. As she sang, her dress slowly unravelled to reveal a 10,000 square foot (900 m˛) map of the world, which she let flow over all of the Olympic atheletes.

Unfortunately, this album would never see light of day. In typical Björk style, her performance was one of the more unique of the event. He was replaced by Bob Jackson, who remained as keyboardist when Ham rejoined for the "Head First" sessions. In August 2004 Björk performed the song "Oceania" (from her Medúlla album) at the Opening Ceremony of the 2004 Summer Olympics in Athens, Greece. Disgusted with Badfinger's infighting over money and songwriting credits, Peter Ham left the band to focus on his songwriting. Cummings for the song Sonnets/Unrealities XI. Large amounts of money disappeared from their account. Subsequently, the band lost their contract with Warner Brothers, who pulled "Wish You Were Here" from store shelves in early 1975. E.

tour, severe financial problems plagued the group. She used the vocal skills of Hip hop Beatboxer Rahzel, avant-rocker Mike Patton, Soft Machine drummer/singer Robert Wyatt, and several choirs; she again appropriated text from poet E. After the 1974 U.S. "Medúlla" was a more impromptu piece of work after two concept albums, and in the midst of production, Björk decided the album would work best as an entirely vocal-based album. But American and British critics panned these albums as bland and disappointing. On the topic of deafening buzz in America, 2004 saw the release of her new album titled Medúlla, in late August. These last two Badfinger albums had more in common with another Beatles-inspired rock band that had just emerged, namely Queen. "It's In Our Hands" was released in the winter of 2003, peaking at #20 in the U.S., and the singer found herself with a major American success.

With the band's popularity in America at its peak, they recorded Wish You Were Here in late (1974). A DVD edition of the CD was also released; it contained all of Björk's solo music videos up to that point. Ass was almost immediately followed by the first Warner Brothers release, Badfinger. Greatest Hits saw the release of a retrospective of the previous 10 years of her solo career. Further problems recording Badfinger's fifth album led to Polley negotiating a multi-million dollar deal with Warner Brothers Records. In 2003 Björk released a series of low-priced DVDs and CD box set called "Family Tree". Unlike its predecessors, Ass lacked hit singles, and fared poorly in the charts. The video received no American airplay.

Their last Apple album was Ass (1973), with a satirical record cover of a donkey following a carrot on a stick -- a theme more recently purloined by American band Styx. The video for "Cocoon" also featured a naked Björk, this time with her nipples secreting a red thread that eventually enveloped the singer herself in a cocoon. Meanwhile, Stan Polley had been withholding income from the band members as they toured and recorded nonstop. Previously banned or censored videos were shown in their entirety during the TV-MA-rated special which aired on MTV2 regularly on weekends between 1 and 5 AM, until the scandalous Janet Jackson incident at the 2004 Super Bowl. Straight Up was not marketed effectively. In 2002, the clip finally enjoyed unedited American airing as part of a late night special on MTV2 entitled Most Controversial Music Videos. Unfortunately, Apple Records' finances were in chaos. As a result, the clip was initially rarely played in America, even by MTV2, and certain parts (for example, Björk's breasts) were censored out during the rare occasions when it was played.

The group also performed during the Concert for Bangladesh, raising their critical stock even further among the rock intelligentsia. The song's video featured graphic piercings, blurred sex scenes, and Björk's exposed nipples. Both George Harrison and Todd Rundgren took production credits on perhaps their most commercially successful record. However, the next video, for "Pagan Poetry", brought Björk to an even higher level of controversy with the channel. 'Straight Up' was hailed as the most requested CD release in Goldmine magazine during the early 1990s. America's then-more independent and artistic music video channel, MTV2, spun the album's first video, "Hidden Place", pretty heavily, despite its somewhat controversial lyrics and imagery. Badfinger's second album, Straight Up came out in 1971, including "Day After Day", "Baby Blue" and "Name of the Game", all popular singles on both sides of the pond. The album spawned three singles: "Hidden Place", "Pagan Poetry", and "Cocoon".

Some music critics had made unfavorable comparisons, during the anti-Beatles backlash that ensued, following the Fab Four's breakup in 1970. Cummings and independent filmmaker Harmony Korine. The group toured in America, where their debut album had been well-received, but the group still saw no money and felt like they were living in the shadow of the Beatles. E. Badfinger subsequently found a new manager in Stan Polley, who would prove their downfall. Lyrical sources included American poet E. One wonders at the potential songwriting talents of Pete Ham and Tom Evans, had their partnership survived the coming tragedies. She collaborated with experimental sound manipulators Matmos, a DJ from Denmark Thomas Knak, and an experimental harpist Zeena Parkins for the album.

The riff-heavy "No Matter What" has endured well on classic rock stations, while "Without You", became a bigger hit when sung by Harry Nilsson and Mariah Carey. The album featured chamber orchestras, Inuit choirs, very hushed vocals and personal, vulnerable themes. In 1970, Badfinger released the album No Dice, the group's first true album. This album saw Björk creating an introverted, internal, personal world of microbeats and tiny rhythms. The band recorded many sessions for fellow Apple Records labelmates, notably George Harrison's All Things Must Pass," and John Lennon's Imagine.". In 2001 the album Vespertine was released. The band's career began increasing exponentially in 1969. "Come and Get It", "Carry on Tomorrow" and "Rock of All Ages" were popular singles in the U.K. "All Is Full of Love" became an alt-rock hit in 1999.

Tom Evans became the bassist, while guitarist Joey Molland joined in time to tour in support of Magic Christian Music, the band's first major outing. Björk worked with producers Mark Bell of LFO and Howie B on the album, as well as Eumir Deodato; numerous remixes followed. Homogenic was her first conceptually self-contained album and is regarded as one of Björk's most experimental and extroverted works to date, with enormous beats that reflect the landscape of Iceland. The album contains a string of memorable music videos, several of which received airplay on American MTV. After the departure of Griffiths, the band reorganized into their definitive lineup. Later that year, the minimalist electronic album Homogenic was released. Ron Griffiths soon quit the band to spend more time with his family. January of 1997 saw the release of Telegram, an album of uncharacteristic remixes of songs from Post. It was a hit throughout Europe and the United States, where it reached the Top Ten. By 1995, the new album Post was ready; it was released in June, reaching number two on the UK's pop charts, and also went gold in the United States.

Paul McCartney wrote the band's breakthrough song, "Come and Get It", intended for part of the soundtrack to The Magic Christian. She wrote the song "Bedtime Story" for Madonna's 1994 album Bedtime Stories, which became Madonna's first single released in 1995 - Madonna had sought an entire album's worth of material from Björk- and performed on MTV Unplugged during this time. However, enough interest was generated to keep the band alive for another year. Like "Debut," it was a collection partly made up of songs she had written in past years. The single did well in the Netherlands and Germany, but not so well in England or the United States. Business and personal problems with Apple Records also contributed to the record's failure. The album, Post, contained songs based on Björk's relationships and songs about love (one of her favorite subjects), as well as some angry and confrontational material. Studio recording was difficult for Badfinger, with many failed attempts at a single occurring before the group finally offered "Maybe Tomorrow" in 1968. Björk returned to the studio during 1994 to work on her next solo album with Nellee Hooper, Tricky, Graham Massey of 808 State, and electronic music producer Howie B.

Pepper's Lonely Hearts Club Band". The success of Debut led her to collaborate with other artists on one-off tracks; she worked with David Arnold on "Play Dead", the theme to the 1993 film The Young Americans (which appeared as an extra track on a re-release of Debut) and also appeared on a track on the 1997 album Not For Threes by Plaid, which was released on the cult Warp Records label. Instead, The Iveys chose another Beatles-inspired moniker: "Badfinger." This was a reference to "Badfinger Boogie", an early working title of "With a Little Help from My Friends," from "Sgt. Debut was a mix of songs Björk had written since she was a teenager as well as newer lyrical collaborations with Hooper. (Lennon later used the name for one of his comical songs on the White Album). Their partnership produced Björk's first international solo hit, "Human Behaviour." Her solo debut album, simply entitled Debut, was released in June of 1993, to positive reviews; it was named album of the year by New Musical Express, and eventually went gold in the United States. John Lennon wanted to call the band "Glass Onion", but no one liked the name. Björk moved to London and began thinking about a solo career; to this end, she began working with producer Nellee Hooper, who had produced for Massive Attack, among others.

He proposed a change to his proteges, still known as the Iveys. Tensions steadily mounted between Björk and Einar Örn, however, and by 1992 the Sugarcubes dissolved. This line-up signed with the Beatles label Apple Records in 1968 and Paul McCartney soon became enamored with the group's vocal sound, if not their unassuming name. Björk also contributed vocals to 808 State's recording Ooops, a collaboration which cultivated her interest in house music. In 1967, Dai Jenkins left and was replaced by Tom Evans. She recorded Gling-Glķ, a collection of popular jazz and original work, with the bebop group Trio Guđmundar Ingķlfssonar, released in Iceland. The following year, with manager Bill Collins, Badfinger worked in London, both for David Garrick, a local singer, and as a solo act. While with the Sugarcubes, Björk participated in a number of side projects.

By 1965, Mike Gibbins had joined as the drummer, and the band began playing locally with such groups as the Spencer Davis Group, the Who, the Moody Blues and the Yardbirds. The album propelled them into international stardom—the first Icelandic rock band to achieve such popularity. The trio formed a band called the Iveys, named after a street in Swansea, Wales. Eventually the band signed with One Little Indian, and recorded their first album, Life's Too Good, in 1988. Members changed to resemble the first band line-up, with Ron Griffiths on bass guitar and Dai Jenkins on guitar. They gained a significant cult following in the US and UK, and calls from record companies began coming in. The band originated with guitarist/keyboardist Pete Ham (1947-75) and a group called The Panthers. The Sugarcubes' first single, "Ammæli" (or "Birthday" in English), became a huge hit in England.

Once widely touted as the heir apparent to the Beatles, Badfinger is now seldom remembered outside their native land of Wales. In the summer of 1986, several members of KUKL went on to form the Sugarcubes. Their meteoric rise and tragic demise became a cautionary tale for the rock music industry. The band produced two albums as a result of these collaborations: The Eye in 1984, and Holidays in Europe in 1986, both on Crass Records. Badfinger was a British band from the 1960s and 70s. KUKL toured Iceland with UK anarchist band Crass, and later visited the UK in a series of performances with Flux of Pink Indians. ISBN 0965712214. Björk began to show indications of what would become her trademark singing style, punctuated with howls and shrieks.

Dan Mantovini: Without You: The Tragic Story of Badfinger. The group found that they worked well together, and decided to continue, developing a sound that some have described as resembling Goth music. After writing songs and rehearsing for two weeks they performed under the name KUKL (which means 'witchcraft' in Icelandic). Björk next collaborated with Einar Örn Benediktsson and Einar Melax from Purrkur Pillnikk, and Guđlaugur Ķttarsson, Sigtryggur Baldursson and Birgir Morgensen from Ūeyr. Their album Miranda was released in 1983.

In 1980, she graduated from music school at the age of fifteen, and in 1981, she and Exodus bassist Jakob Magnússon formed another band, Tappi Tíkarrass, and released an extended single, Bitiđ fast í vitiđ in the same year. Punk music began to have an influence on Björk; at the age of fourteen, she formed the all-girl punk band Spit and Snot, shortly followed by a jazz fusion group called Exodus in 1979. The album became a smash hit in Iceland, though it was virtually unknown elsewhere. With the help of her stepfather, who played guitar, she recorded her first album, eponymously entitled Björk, in 1977, which featured several Icelandic children's songs, and covers of popular songs such as the Beatles' "Fool on the Hill", sung in Icelandic.

One of her instructors submitted a recording of Björk singing Tina Charles' song "I Love to Love" to Radio One, an Iceland radio station. The recording was aired nationally; upon hearing it, a representative of the record label Fálkinn contacted Björk with a record contract offer. Björk's musical career began at the age of eleven, when she began studying classical piano in elementary school. Björk Guđmundsdķttir (pronounced "b'yerk"), (born November 21, 1965 in Reykjavík, Iceland) is a singer/songwriter with a great expressive range and an interest in many kinds of music including popular, hip-hop, alternative-rock, torch songs, folk, and classical. 4um.

"Oceania" (alternate version) with Kelis (2004). "Submarine" (with Robert Wyatt) (2004). "Prayer of the Heart" (with Brodsky Quartet, composed by John Tavener) (2003). "I've Seen It All" (with Thom Yorke) (2000).

"Lilith" (with Plaid) (1997). "Oxygen" (with Evelyn Glennie) (1996). "My Spine" (with Evelyn Glennie) (1996). "Satisfaction" (live cover of the Rolling Stones hit with PJ Harvey).

"Play Dead" (theme from The Young Americans) (with David Arnold) (1993). "Qmart" (with 808 State) (1988). "Ooops" (with 808 State) (1988). 2005 "Triumph of a Heart" #31.

2004 "Who Is It" #26. 2002 "It's in Our Hands" #37. 2002 "Cocoon" #35. 2001 "Pagan Poetry" #38.

2001 "Hidden Place" #21. 1999 "All is Full of Love" #24. 1998 "Alarm Call" #33. 1997 "Bachelorette" #21.

1997 "I Miss You" #36. 1996 "Possibly Maybe" #13. 1996 "Hyperballad" #8. 1995 "It's Oh So Quiet" #4.

1995 "Isobel" #23. 1995 "Army of Me" #10. 1994 "Violently Happy" #13. 1993 "Big Time Sensuality" #17.

1993 "Play Dead" (with David Arnold) #12. 1993 "Venus as a Boy" #29. 1993 "Human Behaviour" #36. Medúlla (2004).

Live Box (2003). Family Tree (2002). Greatest Hits (2002). Vespertine (2001).

Selmasongs (2000). Homogenic (1997). Telegram (1996) (remixes). Post (1995).

Debut (1993). Gling-Glķ (1990). Björk (1977). The Great Crossover Potential (1998) (greatest hits).

Sugarcubes Interview Disc (1988). It's-It (1992) (remixes). Stick Around For Joy (1992). Here Today, Tomorrow, Next Week! (1989).

Life's Too Good (1988). Holidays In Europe (The Naughty Nought) (1986). KUKL ā Paris 18.9.84 (1984). The Eye (1984).

Satt 3 (1984). Söngull (1983). Miranda (1983). Bítiđ Fast Í Vítiđ (1982).