This page will contain discussion groups about Arthur Askey, as they become available.Arthur AskeyArthur Askey (June 6, 1900 - November 16, 1982) was a prominent British comedian. Askey was born in Liverpool. His career began in the music halls, but he rose to stardom in 1938 through his role in the first radio sitcom, Band Waggon, prior to which radio comedy had consisted of broadcast standup routines. It had begun as a variety show, but had been unsuccessful until Askey and his partner, Richard Murdoch, took on a larger role in the writing. Askey's humour owed much to the playfulness of the characters he portrayed and his use of catchphrases, as parodied by the Arthur Atkinson character in The Fast Show. During World War II, Askey starred in several comedy films, notably The Ghost Train (1941). When television arrived, he made the transition well. He also made many stage appearances as a pantomime dame. His last film was the British softcore porn film Rosie Dixon - Night Nurse (1978), starting Debbie Ash. Soon afterwards, he was forced to give up performing, and had both legs amputated before his death. This page about Arthur Askey includes information from a Wikipedia article. Additional articles about Arthur Askey News stories about Arthur Askey External links for Arthur Askey Videos for Arthur Askey Wikis about Arthur Askey Discussion Groups about Arthur Askey Blogs about Arthur Askey Images of Arthur Askey |
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Soon afterwards, he was forced to give up performing, and had both legs amputated before his death. He was interred in the Hillside Memorial Park Cemetery in Culver City, California. His last film was the British softcore porn film Rosie Dixon - Night Nurse (1978), starting Debbie Ash. He died in 1974. He also made many stage appearances as a pantomime dame. He was cast in the film version of Neil Simon's The Sunshine Boys, but was forced to give up the role (ultimately played by Benny's close friend George Burns), when he was diagnosed with terminal pancreatic cancer. When television arrived, he made the transition well. He also continued to perform live as a stand-up comedian. During World War II, Askey starred in several comedy films, notably The Ghost Train (1941). Toward the end of his career, Benny returned to film, appearing in It's a Mad, Mad, Mad, Mad World in (1963). Askey's humour owed much to the playfulness of the characters he portrayed and his use of catchphrases, as parodied by the Arthur Atkinson character in The Fast Show. The failure of one Benny vehicle, The Horn Blows at Midnight, became a running gag on his program. It had begun as a variety show, but had been unsuccessful until Askey and his partner, Richard Murdoch, took on a larger role in the writing. Benny also acted in movies, including the Academy Award-winning The Hollywood Revue of 1929 and notably, Charley's Aunt (1941) and To Be or Not to Be (1942). His career began in the music halls, but he rose to stardom in 1938 through his role in the first radio sitcom, Band Waggon, prior to which radio comedy had consisted of broadcast standup routines. NBC dropped his show at the end of the season, though he continued to make periodic TV specials into the 1970s. Askey was born in Liverpool. CBS dropped his show in 1964, and he went to NBC in the Fall, only to be out-rated by Gomer Pyle, U.S.M.C. on CBS. Arthur Askey (June 6, 1900 - November 16, 1982) was a prominent British comedian. The program was similar to the radio show—many radio scripts were recycled for TV—with the addition of visual gags. When Benny moved to television, audiences learned that his verbal talent was matched by his assortment of facial expressions and physical gestures. From 1955 to 1960 it appeared every other week, and from 1960 to 1965 it was seen weekly. The show appeared infrequently during its first two years on TV, then ran every fourth week for the next two years. The Jack Benny Show ran on television from October 28, 1950 to 1965. The song later became the theme of his television show as well. During his early radio show, Benny adopted a medley of "Yankee Doodle Boy" and "Love in Bloom" as his theme song, opening every show. Benny, ever the cheapskate, snapped, "I'm thinking it over!". Benny was famous for his carefully timed pauses; one of the most famous laughs in radio came when he was accosted by a robber who demanded, "Your money or your life!" After an extended pause, the gunman reiterated the threat. The laughter was so loud and chaotic at the chain of events that Fred's announcer, Kenny Delmar, was cut off the air amidst the wild laughter while trying to read the credits—Fred's show had ran over-time yet again!. Then, his pants are pulled off to the shock of the audience. The hilarity builds as Jack's shirt is being taken off. The grand prize is a pants pressing from a local dry cleaning company. In it, Allen plays host and eventually showers Benny with a ton of worthless prizes in honor of him being named King for a Day. A typical Benny and Allen episode, in this case on Fred's radio show, was a satire of "Queen for a Day" re-titled "King for a Day". In fact, the two were close friends. In 1937 Benny began his famous radio "feud" with rival comedian Fred Allen, who complained about the way Benny played violin. Historical accounts (like those by longtime Benny writer Milt Josephson) indicate that Benny's role that was essentially that of both head writer and director of his radio programs, though he was not credited in either capacity. This was very much in contrast to other successful radio or television comedians, such as Bob Hope, who would change writers frequently. Benny was notable for employing a small group of writers, most of whom stayed with him for many years. His sponsors included Canada Dry Ginger Ale from 1932 to 1933, Chevrolet from 1933 to 1934, General Tire in 1934, Jell-O from 1934 to 1942 (Benny is largely credited for making "Jello" a household name), Grape Nuts from 1942 to 1944, and Lucky Strike from 1944 to 1955. In the early days of radio, the airtime was owned by the sponsor, and Benny made a point of incorporating the commercials into the body of the show; the sponsors were often the butt of jokes. Ronald Colman and his wife Benita appeared frequently in the 1940s as Benny's neighbors. Orson Welles guest hosted several episodes when Benny was unavailable. The program, which had been broadcast from New York, moved to Los Angeles in 1936, and its new show-biz locale allowed for frequent guest appearances by Benny's celebrity colleagues, including Frank Sinatra, James Stewart, Barbara Stanwyck, Bing Crosby and many others. The show featured sketch-like "situations" from the fictional Benny's life (Jack hosts a party, Jack and Mary go Christmas shopping, and so on), with Harris and Day providing musical interludes. Other cast members included Frank Nelson and the remarkably versatile Mel Blanc, who provided several characters' voices, as well as the famous sound of Benny's aging auto, an early century Maxwell that always seemed on the verge of collapse. Staples on the show were Eddie Anderson, who played Benny's African-American valet, "Rochester Van Jones" (and who became nearly as popular as Benny himself); rotund announcer Don Wilson, the butt of endless "fat" jokes; Mary Livingstone, Benny's real-life wife, who played his wisecracking lady friend on the show; bandleader Phil Harris, whose tales of drinking and womanizing were risqúe for the time (although in reality, the band was led by Malohn Merrick); and tenor singer Dennis Day, who portrayed a naïve, sheltered young man. The program introduced a stable of colorful characters who made Benny their foil. Benny's program centered around a fictional version of himself: a successful comedian who was cheap, petty, and vain. Benny had been only a minor vaudeville star, but he became an enormously successful national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1955, and was consistantly among the most highly-rated programs during most of that run. As Mary Livingstone, she was his collaborator throughout much of his career. In 1922, he accompanied Zeppo Marx to a Passover seder in Vancouver, where he met Sadie Marks, whom he eventually married in 1927. He had several romantic encounters, including with a dancer, Mary Kelly, whose devoutly Catholic family forced her to turn down Benny's proposal because he was Jewish. After the war, Benny returned to vaudeville and changed his first name to Jack. He was a big hit, earning himself a reputation as a comedian as well as a musician. One evening, he was booed by the troops, so he began telling Navy jokes on stage. He left show business briefly in 1917 to join the Navy during World War I, but even then, he often entertained the troops. He also found a new pianist, Lyman Wood. Benny (sometimes spelled Bennie). Finally, Bejamin Kubelsky agreed to change his name to Ben K. This provoked famous violinist Jan Kubelik, who thought that the young vaudeville entertainer with a similar name (Kubelsky) would damage his reputation. The following year, Benny formed a vaudeville musical duo with pianist Cora Salisbury. The plan was foiled by Benny's parents, who refused to let their son, then seventeen, go on the road, but it was the beginning of his long friendship with Zeppo Marx. In 1911, he was playing in the same theater as the young Marx Brothers, whose mother was so enchanted with Benny that she invited him to be their permanent accompanist. By fourteen he was playing in local dance bands, as well as in his high school orchestra, until he failed school and left for a career in vaudeville. He began studying the violin, an instrument that would become his trademark, when he was six. Benny grew up in Chicago and Waukegan, Illinois. Jack Benny (born Benjamin Kubelsky, February 14, 1894 – December 26, 1974) was a comedian, vaudeville performer, film actor, and one of the most prominent early stars of American radio and television. Often cited for his impeccable comic timing, Benny was an influential comedy innovator, a major architect of the modern forms of standup comedy and situation comedy. |