This page will contain wikis about Anthony Quinn, as they become available.Anthony QuinnAnthony QuinnAnthony Quinn (April 21, 1915 - June 3, 2001) was a Mexican actor, painter, and writer. He was born Antonio Rudolfo Oaxaca Quinn in Chihuahua, Mexico. ActingBefore becoming an actor, Quinn had been a prizefighter and a painter. He launched his film career playing character roles in several 1936 films, including Parole (his debut) and The Milky Way, after a brief stint in the theater. Quinn remained relegated to playing "ethnic" villains in Paramount films through the 1940s. By 1947, he was a veteran of over 50 films and had played everything from Indians, Mafia dons, Hawaiian chiefs, Chinese guerrillas, and comical Arab sheiks, but he was still not a major star. So he returned to the theater, where for three years he found success on Broadway in such roles as Stanley Kowalski in A Streetcar Named Desire. Upon his return to the screen in the early '50s, Quinn was cast in a series of B-adventures like Mask of the Avenger (1951). He got one of his big breaks playing opposite Marlon Brando in Elia Kazan's Viva Zapata! (1952). His supporting role as Zapata's brother won Quinn his first Oscar and after that, Quinn was given larger roles in a variety of features. He went to Italy in 1953 and appeared in several films, turning in one of his best performances as a dim-witted, thuggish, and volatile strongman in Federico Fellini's La Strada (1954). Quinn won his second Best Supporting Actor Oscar portraying the painter Gaugin in Vincente Minnelli's Lust for Life (1956). The following year, he received another Oscar nomination for George Cukor's Wild is the Wind. During the '50s, Quinn specialized in tough, macho roles, but as the decade ended, he allowed his age to show. His formerly trim physique filled out, his hair grayed, and his once smooth, swarthy face weathered into an appealing series of crags and crinkles. His careworn demeanor made him an ideal ex-boxer in Requiem for a Heavyweight and a natural for the villainous Bedouin he played in Lawrence of Arabia (both 1962). The success of Zorba the Greek in 1964 was the highwater mark of Quinn's career during the '60s -- it offered him another Oscar nomination -- and as the decade progressed, the quality of his film work noticeably diminished. The 1970s offered little change and Quinn became known as a ham, albeit a well-respected one. In 1971, he starred in the short-lived television drama Man in the City. His subsequent television appearances were sporadic (among them Jesus of Nazareth (movie)), though in 1994, he became a semi-regular guest (playing Zeus) on the syndicated Hercules series. Though his film career slowed considerably during the 1990s, Quinn continued to work steadily, appearing in films as diverse as Jungle Fever (1991), Last Action Hero (1993), and A Walk in the Clouds (1995). Shortly after completing his final film role in Avenging Angelo (2001), At the age of 86, Anthony Quinn died of respiratory failure in Boston, Massachusetts. FamilyQuinn proved as volatile and passionate as his screen persona in his personal life. He divorced his wife Katherine, with whom he had three children, in 1956. The following year he embarked on a tempestuous thirty-one-year marriage to costume designer Iolanda Quinn. The union crumbled in 1993 when Quinn had an affair with his secretary that resulted in a baby; the two shared a second child in 1996. In total, Quinn has fathered thirteen children and has had three known mistresses. Father of Alex A. Quinn, Francesco Quinn, Lorenzo Quinn, and Valentina Quinn. Painting and WritingQuinn was a student and friend of Frank Lloyd Wright In his free time, when he wasn't acting, Quinn continued to paint and became a well-known artist. Anthony Quinn wrote and co-wrote two memoirs, The Original Sin (1972) and One Man Tango (1997). In the latter, Quinn is candid and apologetic about some of his past's darker moments. EducationAnthony Quinn received his first high school diploma from Tucson High School in Tucson, Arizona in the 1990s. Quotes
This page about Anthony Quinn includes information from a Wikipedia article. Additional articles about Anthony Quinn News stories about Anthony Quinn External links for Anthony Quinn Videos for Anthony Quinn Wikis about Anthony Quinn Discussion Groups about Anthony Quinn Blogs about Anthony Quinn Images of Anthony Quinn |
|
Anthony Quinn received his first high school diploma from Tucson High School in Tucson, Arizona in the 1990s. Murnau's Nosferatu. In the latter, Quinn is candid and apologetic about some of his past's darker moments. Elias Merhige's Shadow of the Vampire, a fictional film loosely based on the historical facts surrounding the making of F.W. Anthony Quinn wrote and co-wrote two memoirs, The Original Sin (1972) and One Man Tango (1997). Max Shreck is portrayed by actor Willem Dafoe in E. In his free time, when he wasn't acting, Quinn continued to paint and became a well-known artist. The character Max Shreck in the 1992 film Batman Returns may be named in homage of Schreck. Quinn was a student and friend of Frank Lloyd Wright. Curiously, the word Schreck is also the German word for fright, or terror. Quinn, Francesco Quinn, Lorenzo Quinn, and Valentina Quinn. Their physiques do not match at all. Father of Alex A. Suggestions that Schreck was really actor Alfred Abel can be seen to be wrong when the two actors are seen together. In total, Quinn has fathered thirteen children and has had three known mistresses. He was married to actress Fanny Normann, who appeared in a few films, often credited as Fanny Schreck. The union crumbled in 1993 when Quinn had an affair with his secretary that resulted in a baby; the two shared a second child in 1996. In 1926, Schreck returned to the Kammerspiele in Munich and continued to act in films right through the advent of sound until his death. The following year he embarked on a tempestuous thirty-one-year marriage to costume designer Iolanda Quinn. Murnau expressed his repugnance over Die Finanzen des Grossherzogs (The Finances of the Grand Duke). He divorced his wife Katherine, with whom he had three children, in 1956. Even the director, F.W. Quinn proved as volatile and passionate as his screen persona in his personal life. Schreck did appear in a comedy, albeit poorly made. Shortly after completing his final film role in Avenging Angelo (2001), At the age of 86, Anthony Quinn died of respiratory failure in Boston, Massachusetts. No prints of this film remain today. Though his film career slowed considerably during the 1990s, Quinn continued to work steadily, appearing in films as diverse as Jungle Fever (1991), Last Action Hero (1993), and A Walk in the Clouds (1995). In 1923, Schreck appeared as a blind man in the acclaimed film Die Straße. His subsequent television appearances were sporadic (among them Jesus of Nazareth (movie)), though in 1994, he became a semi-regular guest (playing Zeus) on the syndicated Hercules series. Schreck's Count Orlok, with its bald, rat shaped head and long spidery fingers remains a haunting character. In 1971, he starred in the short-lived television drama Man in the City. The company declared themselves bankrupt after the film's release to avoid paying copyright infringement costs to an irate Florence Stoker, the widow of Dracula author Bram Stoker. The 1970s offered little change and Quinn became known as a ham, albeit a well-respected one. In 1922 he was hired by Prana Film for their first and only production, Nosferatu. The success of Zorba the Greek in 1964 was the highwater mark of Quinn's career during the '60s -- it offered him another Oscar nomination -- and as the decade progressed, the quality of his film work noticeably diminished. For three years between 1919 and 1922, Schreck appeared at the Kammerspiele in Munich whilst working on his first film Der Richter von Zalamea, adapted from a six act play, for Decla Bioscop. His careworn demeanor made him an ideal ex-boxer in Requiem for a Heavyweight and a natural for the villainous Bedouin he played in Lawrence of Arabia (both 1962). Many of Reinhart's troupe made a huge contribution to the cinema. His formerly trim physique filled out, his hair grayed, and his once smooth, swarthy face weathered into an appealing series of crags and crinkles. Schreck then joined Max Reinhart's celebrated company of performers back in Berlin. During the '50s, Quinn specialized in tough, macho roles, but as the decade ended, he allowed his age to show. He made his stage debut in Messeritz and Speyer, and then toured Germany for two years appearing at theatres in Zittau, Erfurt, Bremen, Lucerne, Gera, and Frankfurt. The following year, he received another Oscar nomination for George Cukor's Wild is the Wind. He received his training at the Staatstheater in Berlin. Quinn won his second Best Supporting Actor Oscar portraying the painter Gaugin in Vincente Minnelli's Lust for Life (1956). Along with Bela Lugosi and Christopher Lee, Schreck is considered among the classic portrayers of Dracula. He went to Italy in 1953 and appeared in several films, turning in one of his best performances as a dim-witted, thuggish, and volatile strongman in Federico Fellini's La Strada (1954). Max Schreck (June 11, 1879–November 26, 1936) was a German actor remembered today most for his lead role in Nosferatu. His supporting role as Zapata's brother won Quinn his first Oscar and after that, Quinn was given larger roles in a variety of features. He got one of his big breaks playing opposite Marlon Brando in Elia Kazan's Viva Zapata! (1952). Upon his return to the screen in the early '50s, Quinn was cast in a series of B-adventures like Mask of the Avenger (1951). So he returned to the theater, where for three years he found success on Broadway in such roles as Stanley Kowalski in A Streetcar Named Desire. By 1947, he was a veteran of over 50 films and had played everything from Indians, Mafia dons, Hawaiian chiefs, Chinese guerrillas, and comical Arab sheiks, but he was still not a major star. Quinn remained relegated to playing "ethnic" villains in Paramount films through the 1940s. He launched his film career playing character roles in several 1936 films, including Parole (his debut) and The Milky Way, after a brief stint in the theater. Before becoming an actor, Quinn had been a prizefighter and a painter. He was born Antonio Rudolfo Oaxaca Quinn in Chihuahua, Mexico. Anthony Quinn (April 21, 1915 - June 3, 2001) was a Mexican actor, painter, and writer. |