An Officer and a Gentleman

The song "Up Where We Belong", sung by Joe Cocker and Jennifer Warnes, became a popular hit song. Even seemingly unlikely performers such as The Zombies have recorded the song. It was nominated for Best Actress in a Leading Role (Debra Winger), Best Film Editing, Best Music, Original Score and Best Writing, Screenplay Written Directly for the Screen. "Summertime" is one of the most popular cover songs (along with the Beatles "Yesterday"), with an estimated 2,500 different versions recorded. It won Academy Awards for Best Actor in a Supporting Role (Louis Gossett Jr.) and Best Music, Song (Jack Nitzsche, Buffy Sainte-Marie and Will Jennings for "Up Where We Belong"). Billy Stewart's version became a Top 10 Pop and R&B hit in 1966 for Chess Records. It was written by Douglas Day Stewart and directed by Taylor Hackford. Janis Joplin recorded a Blues rock version of "Summertime" with Big Brother & The Holding Company.

It stars Richard Gere, Debra Winger, David Keith, Robert Loggia and Louis Gossett Jr.. Frank Sinatra also had recorded "Summertime". An Officer and a Gentleman is a 1982 film which tells the story of a United States Navy aviation Officer Candidate who comes into conflict with the Gunnery Sergeant who trains him. Many of the individual songs from the Opera have been recorded, including Sarah Vaughn's rendition of "It Ain't Nesscarily So" and Billie Holiday's version of "Summertime". Prints can now only be seen in film archives. The Gershwin estate was dissapointed with the film, as the score was edited to make it more like musical theatre, so much so that they pulled it from release in 1974.

Loulie Jean Norman does the singing voice for Diahann Carroll's Clara, while Inez Matthews—sister of the original production's Jake, Edward Matthews—sings for Ruth Attaway's Serena. takes on the role of Sportin' Life, and Pearl Bailey is Maria. Sammy Davis Jr. In 1959, a film version was produced starring Robert McFerrin and Adele Addison as the singing voices for Porgy and Bess as portrayed by Poitier and Dandridge.

Ira Gershwin, as heir to his brother, consistently refused to permit these productions to be staged. During the era of apartheid in South Africa, several South African theatre companies planned to put on all-white productions of Porgy and Bess. (Becker 2002). The initial plan was that they would perform the play in a "Negro dialect", which these Pacific Northwest African American actors did not speak, and were supposed to learn from a dialect coach. Florence James attempted a compromise of dropping the use of dialect pronunciations, but ultimately the production was canceled outright.

A planned production by the Negro Repertory Company of Seattle, part of the Federal Theater Project, was cancelled because actors were displeased with what they viewed as a racist portrayal of aspects of African American life. The play's portrayal of African Americans was attended by some controversy. The Opera includes many famous songs, many of which became standards in jazz, blues and traditional opera singers:. The themes themselves are not folk melodies, but draw inspiration from them in such a way that genuine folk music is recalled successfully.

Gershwin modeled the pieces after each type of folk song that the composer knew about; jubilees, blues, praying songs, street cries, work songs, and spirituals are blended with traditional arias and recitatives. The music itself reflects his New York jazz roots, but are portrayals of the southern black traditions. This research added to the authenticity of his work. His inspiration drew from the James Island Gullahs who he felt had traditions that were reminiscent of Africa.

In the summer of 1934, George Gershwin worked on the opera in Charleston, South Carolina. The constant revival of the opera and inclusion of old and new cast members allowed for the forming of traditions that were passed down from the experience cast members. The centennial celebration of the Gershwin brothers from 1996–1998 included a new production as well. Other important productions were the 1985 Metropolitan Opera and 1987 Houston revivals.

Another Broadway production was staged in 1983. Helen Dowdy performed as the Strawberry Woman in the productions 1935, 1942, 1952 and 1964. Ignatius" in Virgil Thompson's Four Saints in Three Acts played Porgy in this run. Edward Matthews, famous for creating the role of "St.

The spoken dialogue was, as originally intended, done recitatively. As even the first production had excised and adapted some material to be financially feasible, this was the historical first performance which included the original uncut full score by Gershwin. This performance was by the Houston Grand Opera company. Other historically relevant revivals occurred in 1961 as well as in 1964, but more important was the Broadway bicentennial production that began September 25, 1976.

This prominent cast toured Europe making Porgy and Bess the first American opera appearance in Italy's La Scala; another groundbreaking performance took place in the then Soviet Union. Another revival in 1952 had a notable new cast of principle characters: Leontyne Price as Bess, William Warfield as Porgy, and Cab Calloway as Sportin' Life; this ensemble commenced touring for four years. In March 1943, the opera debuted for the first time in Europe at Copenhagen. During this period, the original cast began to leave their roles making room for new singers.

This version was a financial success—having died in 1937, Gershwin did not live to see this success—and touring commenced for months followed by a 1943 Broadway run. A condensed version was performed in 1942 with a reduced cast and a number of musical pieces were removed. Long continued to reprise his role in several of the following productions. In about 1938, the original cast reunited for a West Coast revival; the exception being that Avon Long took on the role of Sportin Life.

The original production included:. The first production was not financially successful, but highly critically and publically acclaimed. In September 1935, the opera premiered in Boston, then on October 10, 1935 at the Alvin Theater in New York City. The opera was originally advertised as "An American folk Opera".

The libretto was by DuBose and Dorothy Heyward with lyrics by Ira Gershwin. Porgy vows to go to New York and find Bess ("I'm on my way"). He sees Serena with Bess's baby and asks where Bess is. Maria and Serena tell him that Bess has run off with Sporting Life ("Bess is gone"). He gives gifts to the residents, and does not understand why they all seem so downhearted.

Porgy comes back to Catfish Row, and is richer, as he has been playing craps with his loaded dice. She shuts the door on his face, but he knows she will eventually follow him. He tells her that she should come with him to New York ("There's a boat dat's leavin' soon for New York"). Sportin' Life gives Bess cocaine, and then tells her that Porgy will be locked up for a long time.

Porgy refuses and is arrested for comtempt of court. Sporting Life tells Porgy that corpses bleed in the presence of their murderers, and the detective will use this against Porgy. He asks Porgy to come and identify the body. She says that she knows nothing.

A detective enters and talks with Serena about the murders of Crown and Robbins. Porgy opens it and they start a fight, which ends with Porgy stabbing Crown to death. Crown enters and goes to Porgy's door. All people leave the stage.

Sporting Life says that Crown will eventually return for Bess. The chorus consoles Clara with "Clara, don't you be downhearted". Bess sees Jake's boat turn over in the river, and Clara runs out. The chorus tries praying to make Crown leave, causing him to goad them with "A red-headed woman make a choo-choo jump its track".

Crown enters, seeking Bess. The residents of Catfish Row try to console themselves while the storm rages, they hear someone knocking at the door. The scene ends with the hurricane bell sounding. Bess talks with Porgy about her sins ("I wants to stay here").

The Strawberry Woman and the Crab Man ply their trade on the streets, and Bess recovers from her fever. Serena tries praying to remove Bess's afflication ("Oh, doctor Jesus"). Bess is in Porgy's room, delirious. Jake leaves to go fishing, and Peter comes back after being in prison.

Crown pushes her into the bushes, and Bess gets lost in the jungle. Bess disagrees ("Oh, what you want wid Bess?"). Crown enters to talk with Bess, and says that Porgy is temporary. Serena chastises them ("Shame on all you sinners").

Sporting Life presents the chorus his views on the Bible ("It ain't necessarily so"). The chorus enjoys themselves at the picnic ("I ain't got not shame doin' what I like to do!"). Bess leaves Porgy behind as she goes to the picnic. The chorus re-enters, about to leave for the picnic ("Oh, I can't sit down.").

Bess and Porgy are left alone, and express their love ("Bess, you is my woman now"). As the rest of Catfish Row prepares for a picnic, Sporting Life asks Bess to follow him to New York before Porgy drives him off. A buzzard flies over, causing Porgy to drive it off ("Buzzard keep on flyin' over"). Archdale enters, and informs Porgy that Peter will be released soon.

A fraudulent lawyer, Frazier, arrives and divorces Bess from Crown. Sporting Life goes around trying to sell cocaine, but incurs the wrath of Maria ("I hates yo' struttin' style"). Porgy sings from the window about his outlook on life ("I got plenty o' nuttin'"). Jake and the other fishermen prepare for work ("It take a long pull to get there").

Bess and the Chorus finish the act with "Leavin' for the Promise' Lan'". To raise money for burial, a saucer is placed on the body, and the mourners place money in it ("Overflow"). Serena laments her loss ("My man's gone now"), and the undertaker enters, and agrees to bury Robbins. They take away Peter, who they say is a material witness. The mourners sing a spiritual to Robbins ("Where is brudder Robbins?"), before a detective enters, telling Serena (Robbins' wife) that she must bury her husband soon, or his body will be given to medical students.

The door is shut on her by most of the residents, except Porgy, who lets her in. Crown runs, leaving Bess to fend for herself. When Robbins wins, Crown, who is extremely intoxicated, fights with him and stabs him with a cotton hook. Sporting Life, the local supplier of "happy dust" (cocaine) and alcohol also joins in.

Crown, a lowlife, and his woman Bess enter to join the game. Porgy, a cripple and a beggar, enters on a goat cart and the crap game begins. Clara's husband, Jake, tries his own lullaby ("A woman is a sometime thing") with little effect. Clara sings a lullaby to her baby ("Summertime") as the men prepare for a game of craps.

The opera opens with an orchestral introduction which segues into evening in Catfish Row. The notable emotional and narrative elements are in the crafted details of the work as a whole, however the main plot points provide important context.
. "Summertime" and "I loves you, Porgy" are the most recognized of its songs.

Porgy and Bess is an opera with music by George Gershwin, based on the novel Porgy by DuBose Heyward about African American life in the ficticious locale Catfish Row. Porgy and Bess, 1959 musical film directed by Otto Preminger, starring Sidney Poitier and Dorothy Dandridge in the title roles. The CD was reissued in 1997 by Columbia (CK 65141) with 2 bonus tracks. Porgy and Bess, 1958-59 Miles Davis and Gil Evans recorded their interpretation of the George Gershwin/DuBose Heyward/Ira Gershwin opera.

Porgy and Bess, 1935 opera by George Gershwin, Ira Gershwin and DuBose Heyward. Porgy, 1927 Theater Guild dramatization by DuBose Heyward & Dorothy Heyward. Porgy, 1925 novel by DuBose Heyward. Oh, Doctor Jesus, ensemble.

It Ain't Neccessarily So, Sportin' Life's comedic tune. Bess, You Is My Woman Now, a duet by the title characters. Oh, I Can't Sit Down, ensemble. I Got Plenty of Nuttin, Porgy's song.

My Man's Gone Now, Serena's lamenting aria after Robbins' murder by Crown. Summertime, Clara's famed opening lullaby. Alexander Smallens, conductor. Rouben Mammoulian, producer and director.

The Eva Jessye Choir, lead by Eva Jessye. Georgette Harvey as Maria. Rosamond Johnson as the lawyer. J.

Helen Dowdy as the "Strawberry Woman". Edward Matthews as "Jake", Clara's husband. Abbie Mitchell as "Clara". Ruby Elzy as "Serena", Robins' wife.

Henry Davis as "Robins". Warren Coleman as "Crown". Bubbles as "Sportin' Life". John W.

Anne Brown as "Bess". Todd Duncan as "Porgy". Scene 3 - Catfish Row, a week later.. Scene 2 - Catfish Row, the next afternoon..

Scene 1 - Catfish Row, the next night.. Scene 4 - Serena's Room, dawn of the next day.. Scene 3 - Catfish Row, a week later, just before dawn.. Scene 2 - Kittiwah Island, that evening..

Scene 1 - Catfish Row, a month later, in the morning. Scene 2 - Serena's Room, the following night. Scene 1 - Catfish Row, a summer evening..