This page will contain videos about American Graffiti, as they become available.American GraffitiAmerican Graffiti is a 1973 film directed by George Lucas. It tells the story of a group of small-town middle-class American California teenagers on the last night of summer. It is set in 1962 against the backdrop of commentary and music created by disc jockey Wolfman Jack. The commentary is from his U.S. broadcasting studio that is linked to the transmitter of border-blaster XERB in Mexico. The film was followed by a sequel titled More American Graffiti in 1979. ProductionStarsAmerican Graffiti starred Richard Dreyfuss (Curt Henderson), Ron Howard (Steve Bolander), Paul Le Mat (John Milner), Charles Martin Smith (Terry Fields), Candy Clark, Cindy Williams, Mackenzie Phillips and Harrison Ford. It also featured the first major public appearance by disc jockey Wolfman Jack. Suzanne Somers had a small but notable part as a blonde in the Ford Thunderbird. Script and locationThe script was written by George Lucas, Gloria Katz and Willard Huyck. Although the movie was based upon the memories of George Lucas regarding his teenage years in Modesto, California, it was shot on location around San Rafael and Petaluma in the Bay Area of Northern California. The low-budget movie was mostly shot during night in less than a month. Musical accuracyThe movie gained some of its popularity through its accurate reflection of period music. The depiction of Wolfman Jack broadcasting live from a local studio in California via a transmitter in Mexico is not accurate. This is because provisions of the Brinkley Act forbade cross-border broadcasting. However, Wolfman Jack did broadcast from XERB, but not in the manner shown in the picture. StorylineSpoiler warning: Plot or ending details follow.The film focuses on vignettes about the four young men: Curt, Steve, Terry, and John. Curt is not sure if he wants to go off to college, despite receiving a lodge scholarship, much to Steve's consternation. Steve, on the other hand, is not sure about his relationship with steady girlfriend Laurie, Curt's sister. Curt spends the whole night riding around in other people's cars obsessing about a mysterious blonde driving a white Ford Thunderbird. John splits his time between trying to pick up girls and defending his reputation as the fastest drag racer in town. Terry uses Steve's car to pick up a girl. Ironically, by the end of the night it is Curt who goes off to college, while Steve decides to stay in town and settle down with Laurie. Instead of attending college, he becomes an insurance salesman. Academy AwardsThe film was nominated for several Academy Awards:
The film is included in the National Film Registry. Inspiration for TV seriesThe unexpected success of this film helped to inspire ABC to give the green light for the television series Happy Days, which also starred Ron Howard. Both shows also featured as their theme song "Rock Around the Clock" by Bill Haley & His Comets, which led to the song returning to the American record charts in 1974, 20 years after it was recorded. This page about American Graffiti includes information from a Wikipedia article. Additional articles about American Graffiti News stories about American Graffiti External links for American Graffiti Videos for American Graffiti Wikis about American Graffiti Discussion Groups about American Graffiti Blogs about American Graffiti Images of American Graffiti |
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Both shows also featured as their theme song "Rock Around the Clock" by Bill Haley & His Comets, which led to the song returning to the American record charts in 1974, 20 years after it was recorded. Since then, films have been produced which accept the artistic challenge to dare to find humour in that situation, such as Roberto Benigni's Life is Beautiful (1997). The unexpected success of this film helped to inspire ABC to give the green light for the television series Happy Days, which also starred Ron Howard. In 1968, following the uncovering of the Holocaust, Chaplin stated that he would not have been able to make such jokes about the Nazi regime had he known about the actual extent of the pogrom. The film is included in the National Film Registry. This may have been some indication of Hitler's personal opinion of Chaplin after this project (if not directly of the film's artistic merits). The film was nominated for several Academy Awards:. Less than two months after the release of The Great Dictator, footage of Chaplin appeared in the anti-Semitic propaganda film Der ewige Jude, despite Chaplin not being Jewish. Instead of attending college, he becomes an insurance salesman. His reaction to it was not recorded, however, and Chaplin has been quoted as saying "I'd give anything to know what he thought of it". Ironically, by the end of the night it is Curt who goes off to college, while Steve decides to stay in town and settle down with Laurie. The film was banned in all occupied countries, but Hitler, who was a great fan of movies, is known to have seen the film twice (records were kept of movies ordered for his personal theater). Terry uses Steve's car to pick up a girl. (In France the film is known as Le Dictateur.). John splits his time between trying to pick up girls and defending his reputation as the fastest drag racer in town. Chaplin balked at the conditions and inserted "Great" into the title. Curt spends the whole night riding around in other people's cars obsessing about a mysterious blonde driving a white Ford Thunderbird. Chaplin originally intended to call the film The Dictator, but received notice from Paramount Pictures that they'd charge him $25,000 for use of the title—they owned the rights to an unrelated novel by Richard Harding Davis. Steve, on the other hand, is not sure about his relationship with steady girlfriend Laurie, Curt's sister. Garbitsch, the right hand man of Hynkel is very similar to Goebbels and Field Marshall Herring was clearly modelled after the Luftwaffe chief, Hermann Goering while beyond doubt Napaloni was modelled after Benito Mussolini. Curt is not sure if he wants to go off to college, despite receiving a lodge scholarship, much to Steve's consternation. The names of the aides of Adenoid Hynkel was very similar to that of Hitler. The film focuses on vignettes about the four young men: Curt, Steve, Terry, and John. but I was determined to go ahead for Hitler must be laughed at.". However, Wolfman Jack did broadcast from XERB, but not in the manner shown in the picture. When interviewed about this film being on such a touchy subject, Charlie Chaplin had only this to say: "Half-way through making The Great Dictator I began receiving alarming messages from United Artists.. This is because provisions of the Brinkley Act forbade cross-border broadcasting. The film was released in France in April 1945, shortly after the liberation of Paris. The depiction of Wolfman Jack broadcasting live from a local studio in California via a transmitter in Mexico is not accurate. The film eventually opened in New York City in September, 1940, to a wider American audience in October and the United Kingdom in December. The movie gained some of its popularity through its accurate reflection of period music. The project continued largely because failure would have bankrupted Chaplin who had invested $1.5m of his own money in the project. The low-budget movie was mostly shot during night in less than a month. Speculation grew that this and other anti-fascist films such as Mortal Storm and Four Sons would remain unreleased given the United States's neutral relationship with Germany. Although the movie was based upon the memories of George Lucas regarding his teenage years in Modesto, California, it was shot on location around San Rafael and Petaluma in the Bay Area of Northern California. The making of the film coincided with rising tensions throughout the world. The script was written by George Lucas, Gloria Katz and Willard Huyck. (There was even a song about Hitler, entitled "Who is This Man Who Looks like Charlie Chaplin?") Furthermore, the men were born four days apart in April, 1889, and grew up in relative poverty. Suzanne Somers had a small but notable part as a blonde in the Ford Thunderbird. Chaplin and Hitler had superficially similar looks, most famously their moustaches, and this similarity is most commented upon. It also featured the first major public appearance by disc jockey Wolfman Jack. Several similarities between Hitler and Chaplin have been noted and may have been a pivotal factor in Chaplin's decision to make The Great Dictator. American Graffiti starred Richard Dreyfuss (Curt Henderson), Ron Howard (Steve Bolander), Paul Le Mat (John Milner), Charles Martin Smith (Terry Fields), Candy Clark, Cindy Williams, Mackenzie Phillips and Harrison Ford. The film was Chaplin's first true talking picture and helped shake off accusations of Luddism following his previous release (Modern Times) released in 1936 when the silent era had all but ended in the late 1920s. The film was followed by a sequel titled More American Graffiti in 1979. Chaplin also received a nomination for the Academy Award for Best Actor, and Oakie for Best Supporting Actor; the film has been selected for preservation in the United States National Film Registry. broadcasting studio that is linked to the transmitter of border-blaster XERB in Mexico. It was nominated for the Academy Award for Best Picture. The commentary is from his U.S. The film was written and directed by Chaplin. It is set in 1962 against the backdrop of commentary and music created by disc jockey Wolfman Jack. Zamenhof, a Polish Jew. It tells the story of a group of small-town middle-class American California teenagers on the last night of summer. Esperanto was invented by Dr L.L. American Graffiti is a 1973 film directed by George Lucas. In a more subtle political statement, the signs in the shop windows of the ghettoized Jewish population in the film are written in Esperanto. Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced - Willard Huyck, Gloria Katz and George Lucas. (See the article on Charlie Chaplin for further detail). Best Picture - Francis Ford Coppola and Gary Kurtz. [1] below) as a personal plea from Chaplin. Chaplin's plea, seen as an overtly political speech, may be part of the reason Chaplin was expelled from the United States during the McCarthy era. Best Film Editing - Verna Fields and Marcia Lucas. The address is widely interpreted (see e.g. Best Director - George Lucas. The film ends with the barber, having been mistaken for the dictator, delivering a radio address to the nation following the Tomanian take-over of Osterlich (an obvious reference to the German Anschluss of Austria on March 12, 1938). Best Actress in a Supporting Role - Candy Clark. The dictator's famous line "first we get the Jews, and then the brunettes" is typical of the film's satirical take on Hitler's anti-Semitic policies. The film contains several famous sequences: Chaplin, as the barber, shaving a customer in time to a radio broadcast of Johannes Brahms's Hungarian Dance No. 5;recorded in one continuous take. Chaplin stars in a double role as the Jewish barber (the Little Tramp in all but name) and the fascist dictator, clearly modeled on Adolf Hitler. The film stars Chaplin as Hynkel and the barber, Paulette Goddard as Hannah, Jack Oakie as Napaloni, Reginald Gardiner as Schultz, Henry Daniell as Garbitsch and Billy Gilbert as Field Marshal Herring, an incompetent advisor to Hynkel. To which she does, and the film concludes. Look up, Hannah!". Then, she hears on the radio the barber's speech. He addresses her directly: "Hannah, can you hear me? Wherever you are, look up! Look up, Hannah! The clouds are lifting, the sun is breaking through! We are coming out of the darkness into the light! We are coming into a new world; a kindlier world, where men will rise above their greed, their hate and their brutality. Hannah lies on the ground outside her home, despairing after the invasion. Then, in an abrupt change of tone, the barber (who they think is Hynkel) instead pleads for an end to intolerance and bloodshed, urging all of mankind to rediscover humanity in their hearts and fight for "a world of reason, a world where science and progress will lead to the happiness of us all.". Garbitsch precedes him, decrying the principles of free speech and others, declaring them as being old and causing too much trouble. Schultz and the barber are taken by car to the Osterlich capital, where a gargantuan platform waits for Hynkel to make his victory speech. Schultz and the barber walk toward the Osterlich border and are met by Tomanian soldiers, who think the barber is Hynkel. While this is going on, the Tomanians take Osterlich, and stormtroopers raid Hannah's home. But stormtroopers, mistaking Hynkel for the barber, capture him instead. Meanwhile, Garbitsch has planned for Hynkel to go hunting near the Osterlich border, then meet the Tomanian troops once they have cleared the way into the Osterlich capital. The alarm is raised. Schultz and the barber escape from the camp in uniforms of the Double Cross (Hynkel's party) and begin to walk confidently toward the border. The barber gets letters from Hannah, who has escaped over the border to Osterlich with her family. The barber and he try to escape, but are captured and sent to a concentration camp. A raid occurs, aiming to find Schultz. Hynkel decrees Schultz a traitor, and he goes in hiding with the barber and the families living in the featured block of the ghetto. Schultz, then, informs Hynkel that his plans are "idiotic", since it "rests on the persecution of innocent people". Hynkel relaxes the anti-Semitic policy in order to aid the cogwheels of the deal, however the deal fails, and Hynkel again reinforces the policy. Hynkel however needs funds to take Osterlich and aims to settle a deal with a Jewish firm. Garbitsch advises Hynkel to sign anyway, and that Tomania will take Osterlich whether Napaloni's forces are there or not. Later, Hynkel and Napaloni are in a private room with a buffet, with Napaloni proposing a written document that says that the Bacterian forces will retreat from the border if Hynkel signs, which leads to an argument whether Bacteria will follow through if Hynkel signs, that leads to a foodfight. Napaloni, however, is quite boisterous compared to the relatively cool-headed Hynkel, and we see how Hynkel tries to out-psych Napaloni, including a ridiculously low chair as organized by Garbitsch. Hynkel invites the leader of Bacteria, Benzino Napaloni to Tomania in order to discuss the matter. Hynkel is advised by Garbitsch that the first step in his plan is to invade free Osterlich, however the nearby country of Bacteria has troops on the border of the country. Hynkel grabs for the globe and it bursts, and he, in an almost melodromatic manner, falls over his desk in tears. Meanwhile, Hynkel is getting ideas about taking over the world, from his right hand man, Garbitsch (pronounced 'garbage'). Hynkel clearly becomes infatuated with the idea, and one famous scene from the movie involves Chaplin, as the dictator, bouncing an inflatable globe dreamily, almost in a romantic manner, about the room, as the prelude to Act 1 of Wagner's Lohengrin plays. Schultz recognizes the barber ("Pity, I always thought you were an Aryan," Schultz tells him), and decrees to the other stormtroopers to leave the people in the block with Hannah and the barber alone. This however causes the other stormtroopers to take notice, who arrive at the scene—with Schultz. He returns to his shop, unaware of the changes and of the harassment that goes on, and begins to resist unintentionally, which inspires Hannah. We learn now that the soldier previously is in fact a poor Jewish barber, and that he has been in the hospital and suffering from amnesia. Meanwhile, Hannah, a Jew in the ghetto of Tomania, tries her best on her own to stand up to the harassment of the stormtroopers who intimidate her family, and a fellow shopkeeper. Schultz is one of Hynkel's right hand men, and initially supports Hynkel's policies of persecuting the Jews in the ghettos, by means of harassment by the stormtroopers. Later, we discover Adenoid Hynkel (who looks surprisingly like the soldier), the dictator of Tomania, is in power. The plane finally crashes, leading Schultz to escape from the wreckage, but the unnamed soldier is left wounded. Soon he ends up helping a wounded pilot into flying away to safety from an attack, leading to a humorous routine where the plane is upside down and the obliviousness of the wounded Commander Schultz. We first see a rather clumsy soldier in the field, trying to help his fellow soldiers in battle, but he seems to be too friendly and nice to be suited for the battlefields of his country, Tomania. The film, first released in October 15, 1940, is a satire on fascism and in particular Adolf Hitler and Nazism. The Great Dictator is a film directed by and starring Charlie Chaplin. National Film Theatre/British Film Institute Notes on The Great Dictator. Princeton, 1989. Maland. Charles J. Chaplin and American Culture: The Evolution of a Star Image. |